Articles tagged #CARBONITE
Articles tagged
#CARBONITE

NAB 2017: A Waiting Game

So, after lots of speculation and excitement, the NAB 2017 exhibition opened its doors with the usual crowds flooding in to be first to see all of the new advances in technology in the flesh. Talk of the impending ratification of the ST 2110 standard for IP video, and its variants had dominated discussion, and everyone in the broadcast industry seems all in agreement that these new standards will be the unified way forward.

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#NAB2014 Products to Watch - Live Production

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Ross Video showcase new Carbonite MiniME and MultiScreen Production Technology at IBC 2013

This year at IBC, Ross Video will be demonstrating a new version of their award winning Carbonite Production Switcher. The new switcher will incorporate a set of groundbreaking features that will be available for free to all existing Carbonite customers. “The most modern production switchers are still based on a very traditional workflow with Upstream, Midstream and Downstream Switching, Layering and Effects,” stated Nigel Spratling, Switcher Business Development Manager, Ross Video. “Signal flow that was essential in analog designs is no longer necessary in digital systems. Carbonite’s unique new MiniMEs include a mixer and 2 keyers – one traditional keyer that accepts linear and chroma keys and one reserved for DVE use.” MiniMEs can be used anywhere in the signal flow – as pre-keyers to build a layered composition with keyed graphics, or as a virtual set background with a chroma key and add an OTS DVE selected as a direct input. If an independent key and transition is needed on several aux outputs for on-set displays, an operator can chain MiniMEs together expanding Carbonite’s 1 or 2 MEs to 5 or 6 – each with its own effects memories, or for use as independent DSKs for multi-program production. “MiniMEs live in a resource ‘pool’ and are only assigned when required. Once the transition or effect is completed they are instantly available for use elsewhere,” continued Spratling. “MiniMEs are not like ‘split MEs’ or ‘multi program mode MEs’ where ME resources are divided up and reassigned into smaller sections. MiniMEs are entirely independent devices leaving all standard ME resources available.” MultiScreen production is now possible directly within a standard Carbonite with Ross’ new MiniMEs. Up to four outputs can be controlled independently of the Carbonite’s main MEs and allows for a single source to be scaled over all four outputs in multiple screen layouts. Keys and DVEs can also be included to facilitate compelling multiscreen productions. With Carbonite MultiScreen, additional screen processors are no longer required as bezel compensation and edge blending for multi-projector setups are part of the package – a major system cost saving. “The best part of these stunning additions to our award winning Carbonite series – they are FREE! Regardless of the age or model of Carbonite, customers can simply download this new firmware and update their system to add this amazing new functionality – all part of the service from Ross,” concluded Spratling.

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Ross Video launches the Carbonite 2S at IBC 2013

Ross Video adds yet another product to its expanding Carbonite switcher lineup. Called Carbonite 2S, this new 2 ME switcher includes all of the powerful standard features of the Carbonite family. Carbonite 2S is a new 2 ME control panel based on its highly successful bigger brother, the Carbonite 2X but with 24 source select buttons instead of 32. “The success of Carbonite has been simply astonishing! It has surpassed all of our expectations, and we have now shipped almost 2000 systems since it’s introduction,” stated Nigel Spratling, Switcher Business Development Manager, Ross Video. “At Ross we listen carefully to our customers to help make our products better, and from their feedback we designed the Carbonite 2S to better suit environments with space limitations as well as offer all of the power of a 2X Carbonite at a great price point.” Like the Carbonite 2X, the 2S has individual ME Effects Memory keypads that many operators have expressed a preference for due to a familiar workflow for high paced sports production. The new 2S panel can be configured with any Carbonite processing engine, including the new Carbonite eXtreme. It also comes with Ross’ ViewControl touchscreen production controller and LiveAssist Graphical User Interfaces. When purchased as a Studio System Package with Ross’ BlackStorm Playout Server and XPression Motion Graphics System, it becomes a complete production powerhouse. Like all Ross products, the new Carbonite 2S is fully integrated with their free DashBoard PanelBuilder application, allowing operators to easily build their own custom control interfaces for the entire production system. The Carbonite 2S is now available for shipping. About Ross Video Ross Video designs, manufactures and supports a wide range of innovative products for use in video production applications. Ross’ award winning product line includes Vision, Vision Octane, Vision Tritium, CrossOver and Carbonite Video Production Switchers; openGear, RossGear and GearLite Terminal Equipment; BlackStorm Video Servers; OverDrive Automated Production Control Systems and Inception Social Media Management System; XPression Character and 3D Graphics Generator; NK Series Routing Systems and Ross Robotics. Ross products are installed in over 100 countries around the world, where they are used daily by top broadcasters, production companies, sports stadiums, government agencies and houses of worship.

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Videocraft Builds Full Production Facility For Hillsong Church

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Hillsong Church’s new state of the art full production facility in Alexandria designed and built by Videocraft[/caption] The title for one of the year’s more impressive studio builds currently belongs to Hillsong Church’s new state of the art full production facility in Alexandria, which Videocraft helped design and build. Hillsong TV Technical Manager Luke Irvine explained, “For years our Waterloo campus in Sydney has been growing and we've had a great need to expand our facilities to house the increasing numbers of people attending. As a church we have looked at many options to help relieve the pressure and time restraints that we faced with our current building in Waterloo. Before we embarked on this new project, we were running eight services on the weekend to try and accommodate everyone. Thus the decision was made to custom-build an additional venue so the campus could still grow and not be crippled by time and space.” The venue Hillsong chose was in the neighbouring suburb of Alexandria which was, before construction, an empty warehouse with shop fronts requiring a major construction effort to get it ready for use. Irvine continued, “The warehouse building was converted into a 950 seat auditorium so we knew we had to have a high quality production facility to cater for that many people. That’s why we turned to Videocraft to help us build it.” Hillsong and Videocraft have had a successful relationship with the church utilising many of the company’s rental services over the last few years. After a personal customer service call from Videocraft’s Shane Jones ignited the project, the church decided to put out an industry-wide RFQ which was particularly well responded to. Once the tenders had been submitted, due to the nature and importance of the project, Hillsong took a good deal of time to study each one with great care before deciding on Videocraft as their equipment partner and systems integrator. The RFQ, according to Irvine, had some very specific requirements that made it unique from a traditional broadcast facility, but with quality always the overarching feature that had to be factored in. In essence the system revolved around dual Ross Carbonite switchers chosen predominantly due to their flexibility, functionality and cost effectiveness. The Carbonite switchers particularly excel with their onboard format conversion capabilities, built-in high quality multi-viewer and integration with the Ross Dashboard, which also oversees control and diagnostics of all Ross components across the entire system. Irvine added, “In short our requirements were that the system must be HD, facilitate four cameras, three projection screens and multiple external rooms. The system also had to enable linking to and from all other campuses and keying of song words had to be achieved on five different feeds with different backgrounds and different overlays with ease of use for one volunteer operator. The system had to be cost effective but extremely reliable, easy for volunteers to use on a weekly basis and versatile enough to accommodate for future changes that will happen within the campus. Every source and destination needed to be easily monitored by the relevant volunteer operators and the system had to also be capable of a broadcast TV record for our television programme Hillsong Television – in other words yes, it was quite an extensive set of requirements.” Irvine said, “Videocraft worked closely with us to find really good solutions to achieve a great result. They where willing to look at all options to give us the best outcome and price. They also gave us pros and cons of equipment and allowed us to make changes as we went along to take advantage of cost savings and usability of the system. Videocraft also worked very hard to fully understand our requirements and workflow – this was key to the success of the system especially in tricky areas like the integration between the keyer cards and switcher. They also had a great attitude even through some of the really challenging construction problems of the building.” When complete Hillsong’s new production studio included two Ross Carbonite vision switchers, a Ross video router, Sony OLED and LCD monitoring, several TV One scan converters, Blackmagic design Teranex 2D converters and HyperDeck Studios, a GVG T2 Turbo server, Ross OpenGear and mini converters, Sony cameras, Canon lenses, Vinten and Miller tripods and fluid heads and live IP video links between campuses. There were also significant audio, comms, display, rigging and lighting components supplied by others that Videocraft worked with and integrated seamlessly. Irvine and the Hillsong team were particularly impressed with the quality level and attention to detail of Videocraft’s involvement. He commented, “The Videocraft team were extremely helpful and continually suggested ways of making the system better and more cost effective. They were always professional and impressively took total responsibility for the systems integration, equipment selection, system design and diagrams, installation and labeling all in-house. Videocraft's willingness to work with us, take our ideas and make them work was a major plus. Also the fact that they could work with very tight budgets and be totally honest about the real cost of things from the very beginning was excellent. Listening, thinking outside the box and working with tight budgets is classic Videocraft. To that end I must say a particular thank you to Andy Liell, Glenn Beaumont and the entire Videocraft team for their outstanding effort and commitment to this project.” When inspecting Hillsong’s new production facility it’s sometimes a little difficult to believe that only a few short months ago it was a deserted warehouse. Hillsong Project Manager Sebastian Heck said, “We have often had people from other part of the building install project come and admire the cabling work and the neatness of the racks in the Videocraft install. Many of our volunteers comment on the professional look and feel of the control room and how it looks like we are part of a TV broadcast station control room. The song words on screen setup is my personal favourite as it is so easy for the operator to control the five different feeds they need to without them really having to think much about it at all.”

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