Atomos Shogun 7 Pro HDR Monitor | Recorder | Switcher

SKU: ATO-ATOMSHG701

Main Features:

  • 7" 1920 x 1280 Touchscreen Display
  • 10-Bit FRC Monitor Processing
  • 4-Input HD Switching
  • Quad-Link 4 x 3G/6G-SDI, 2 x 12G-SDI
  • 4K HDMI Input/Output
  • HDR Mode, Dolby Vision Output
  • 1500 cd/m² Brightness
  • 1,000,000:1 Contrast with Zone Backlight
  • DCI 4K up to 60p / 1080p up to 240 fps
  • ProRes Raw / Raw / CinemaDNG / DNxHD

Version: Ninja V | Ninja V Pro Kit  | Shogun 7 HDR

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$1,989.00
RRP:  $2,151.00 
In Stock
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Details

The Atomos Shogun 7 Pro HDR Monitor | Recorder | Switcher features monitoring, recording and switching in the field. This versatile pro on-camera recording monitor offers up to DCI 4K raw recording, HDMI and 12/6/3G-SDI inputs/outputs, and ISO recording of up to four HD-SDI camera streams. Output your content for director or client-viewing in Dolby Vision HDR using the Shogun 7, AtomOS10 platform, and a compatible display.

 

 

The Atomos Shogun 7 is a precision HDR monitor-recorder-switcherdesigned for the film and video professional. It can be used as either a stand-alone field monitor, recorder and switcher forevent, documentary and live in-the-field storytelling, or as a tool for large-scale on-set episodic TV, film and cinema productionswhere multiple crew members such as focus pullers, grips and cinematographers require a consistent visual reference acrossthe field monitor ecosystem. The Atomos Shogun 7’s portable size lets you monitor, analyse and tag while on set, and check how your content will look in your audience’s home via real-time DolbyVision output. With Shogun 7 you’re not locked into any format,camera manufacturer or pipeline. It is a completely flexiblemaster recording and production station.

 

 

Monitor, record and switch between 4 live HD SDI video streams(and one program stream) for flexible in-the-field directing.Enjoy the freedom of asynchronous switching and gen lock in &out to connect to existing infrastructure. Shogun 7 offers up toHDp60 SDI ISOs x 4 recording. Once you’ve finished capturingyour streams, just import the Atomos xml file into your NLE andyour timeline populates with all your edits in place. Audio is alsotaken care of, with each ISO and program record, we insert themixed analog stereo channels and embed 2 channels of digitalaudio in each recorded stream. The program stream alwaysrecords the analog feed and switches between audio inputs forthe on-camera audio to match the switched feed.

 

 

With the latest HDMI 2.0v you can capture up to 4Kp60 on anyavailable camera, or via Quad Link, Dual Link or Single Link. If slowmotion capture is important to your production, Shogun 7 lets youcapture 2K up to 240p. You can tag on-the-fly while recording fordirect-to-edit look up in Final Cut Pro X, Adobe Premiere* and AvidMedia Composer*

  

The Shogun 7 screen is the most precise 7” field reference monitorto-date for both SDR and HDR production as well as up to 2Kp240and 4Kp60. Display your work on the world’s best HDR screen withthe first-to-market Dynamic AtomHDR backlit technology, with360 zones that revolutionises the on-camera HDR monitor game.Dynamic AtomHDR achieves an astounding 1,000,000:1 contrast ratiowith ultra-wide colour, giving you the ultimate combination of blackerthan black OLED for intense shadow detail and blazing 1500nit LCDperformance for vivid high bright and HDR performance.

 

 

Atomos and Dolby have teamed up to give you live Dolby VisionHDMI out, from any SDI or HDMI HDR camera. All courtesy ofAtomOS 10. Simply connect your Dolby Vision capable TV ormonitor to your Atomos product* and magically, automatically, theAtomOS analyses the image, queries the TV, and applies the rightcolour and brightness profiles for the maximum HDR image on thedisplay or TV. This ensures the HDR image always looks as it wascreatively intended. This is a valuable on-set reference check for thecreative director and client. This function is also available inplaybackand playout from RAW and Log recorded ProRes RAW, ProRes andDNx rushes for instant time-saving, on-set and in-studio review.Utilise playback functions like slow motion, and insert edit and inand out points to speed up playlist compilation.

 

 

Monitor analyse and tag shots, making the most of portability while being on the go. Record direct to the desired NLE editing/ grading/transcoding formats; from camera to standard industry finishing workflows, enjoy support for Apple Final Cut Pro, Avid Media Composer and Black Magic Resolve. Playback rushes on-set on-device to the best quality display or to a TV with full Dolby Vision support.

 

 

Eliminate the need for a separate audio recorder. Add 48V stereo mics via the balanced XLR breakout cable. Select Mic or Line input levels, record up to 12 channels of digital audio from HDMI or SDI. Monitor selected stereo via the 3.5mm headphone jack.

 

 

Seamlessly connect any SDI or HDMI device for monitoring and recording. Cross convert between HDMI 2.0 and 1.5G/3G/6G/12G/ Quad Link SDI in almost any combination and eliminate the need for specialist converters.

Specifications

Weight and DimensionsWithout batteries 709g / 25oz.
Dimensions (W x H x D mm)214 x 127 x 45mmmm
ConstructionPolycarbonate ABS
Mounting points1/4”-20 screw mount. 1x top and 1x bottom
Power
Operating powerPolycarbonate ABS
Compatible batteriesNP-F series and supporting accessories.
Input voltage (battery)6.2V to 16.8V
Battery time* (based on 7.4V)5200mAh – up to 1.5hrs (monitor & record 4K 30p)
7800mAh – up to 2.2hrs (monitor & record 4K 30p)
DC In1 x DC in (6.2 - 16.8V)
Touchscreen
ScreenCapacitive touch
Size7.2”
Resolution / PPI1920 x 1080 / 325ppi
Aspect ratio16:9 native
Contrast ratio1,000,000:1 (Zone backlight turned on)
ColoUr GamutUp to Wide colour gamut (105% DCI-P3
Look up table (LUT)support 3D LUT (.cube format)
Anamorphic de-squeeze2x, 1.5x, 1.33x
Dynamic AtomHDR Technology
BacklightDirect LED
Zones360 direct backlight individual LEDs
LEDsWide Colour Calibrated D65 or D9
Bit depth10-bit (8+2 FRC)
ColourDCI-P3 105%
Brightness1500nit (+/- 10%)
ControlOn the fly real-time brightness analysis for LED contro
HDR ConversionLog/RAW to HLG or PQ
HDR Monitoring Technology
Gamma
Sony SLog / SLog2 / SLog3 Canon CLog / CLog2 / Clog3 ARRI
Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400
/ LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 /
LogCEI1280 / LogCEI1600 Panasonic Vlog JVC JLog1 RED
Log3G10 / RED LogFilm FujiFilm F-log Nikon N-Log PQ10k
HLG
Gamut
Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema /
DCI P3 / DCI P3+ Nikon Bt2020 Panasonic V Gamut Arri Alexa
Wide Gamut Rec709 / BT.2020 JVC RED WideGamut / RED
DragonColor / DragonColor2 / RED Color2 / RED Color3 /
RED Color4
Anamorphic de-squeeze2x, 1.5x, 1.33x
TechnologyIPS panel (capacitive touch),
calibration to Rec.709 with optional calibration unit
AtomHDRYes
HDR Monitoring (Gamma)
Sony SLog / SLog2 / SLog3
Canon CLog / CLog2 / Clog3
ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 /
LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /
LogCEI1000 / LogCEI1280 / LogCEI1600
Panasonic Vlog
JVC JLog1
RED Log3G10 / RED LogFilm
FujiFilm F-log
Nikon N-Log
PQ10k
HLG
HDR Monitoring (Gamut)
Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / DCI P3 / DCI P3+
Panasonic V Gamut
Arri Alexa Wide Gamut
Rec709 / BT.2020
JVC
RED WideGamut / RED DragonColor / DragonColor2 /
RED Color2 / RED Color3 / RED Color4 /
Video Input / Loop out
HDMIHDMI 1 x HDMI (2.0)
SDIQuad Link 4 x 3G/6G SDI*, 4 x 3G-SDI, 2x 12G single link SDI
SignalUncompressed true 10-bit or 8-bit 422 (camera dependent)
GenlockGenlock input signal and output signal
Video Output (Playout)
HDMI1 x HDMI (2.0)
SDI2x 4K-SDI 12G or HD-SDI 3G/6G
HDMIUncompressed true 10-bit or 8-bit 4:2:2 (camera dependent)
Supported Codecs & Frame Rates (Record & Playback)
Raw to:
ProRes RAW
ProRes
CinemaDNG
(CDNG up to 30p only)
Avid DNxHD
Sony^^FS700, FS-5, FS-7, FS-7MkII
4K DCI; 24/25/30/50/60p
4K UHD; not supported in camera
2K; 24/25/30/50/60/100/120/200/240p
1080; not supported in camera
Canon C300MKII/C500 CDNG
4K DCI; 24/25/30p
4K UHD; 24/25/30p
2K; not supported in camera
1080; not supported in camera
Panasonic VaricamLT, EVA1
5.7K DCI; 24/25/30p (EVA1 ProRes RAW only)
4K DCI; 24/25/30/50/60p
4K UHD; 24/25/30/50/60p
2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera
Supported base resolution & FPS from cameras
4K DCI: 23.98/29.9/59.94p
4K UHD: 23.98/29.9/59.94p
2K DCI: 23.98/29.9/59.94p
1080p: 23.98/29.9/59.94p
Supported FPS & resolution from gaming consoles and graphic cards
1080p; 24/25/30/50/60/100/120
Onboard Processing
Pulldown removal24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2pulldown)
4K UHD downscale for HD monitoringYes - Loop-out and playback (Not available in RAW)
Audio Out
HDMI2 or 8ch 24-bit, camera dependent
SDI12ch 48kHz 24-bit
Audio2ch balanced XLR analogue in/out
Dynamic range >90dB
Max signal level +24dBu
Max analogue gain +52dB
48V Phantom Power for Mic
Remote Start/Stop
HDMIAuto HDMI Trigger
Supported Protocols – Dolby Vision, Canon, Sony, Atomos
Open Standard
SDISDI trigger camera selectable
OtherLANC control - Slave
Playback
Playlist / Genlock / LTCYes / Yes / Yes
CDNG (Recorded content)No support
ProRes (Recorded content)All recorded files can playback. Playback in slow motion >= 100fps
DNxHR / DNxHD (recorded content)All recorded files can playback. Playback in slow motion >= 100fps
Recording
Pre-roll recordYes (HD 8s, 4K 2s)
Custom time lapseYes
Meta data taggingYes (10 tags available)
Supported media2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives
Master caddy caseMaster Caddy II (included)
Master caddy dock75mm x 105mm x 12mm
Supported applications2.5” SATA to USB 2.0/3.0

What's In The Box

Atomos SHOGUN 7 HDR Pro Monitor/Recorder/Switcher
  • Master Caddy II
  • AC Power Supply (12V, 3A)

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