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Atomos Sumo 4K 19 Inch HDR Monitor & Recorder

CODE: ATOMSUMO19

Quick Overview

Now Shipping. Please contact for availability


Main Features:

  • 1920 x 1200 Touchscreen Display
  • 10-Bit FRC Monitor Processing
  • 4K HDMI and 12G-SDI Inputs/Outputs
  • 1200 cd/m² Brightness
  • HDR Mode with 10-Stop Dynamic Range
  • High Bright Mode for Rec. 709 Viewing
  • 4K up to 60p / 1080p up to 240 fps
  • 10-Bit 4:2:2 ProRes & DNxHR Encoding
  • 12-Bit Raw Recording from Select Cameras
  • Records to 2.5" Master Caddy Media

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RRP $3,895.00 inc GST

Special Price $3,599.00 inc GST

In stock - Usually ships within 24hours

Only 1 left

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Details

The Atomos Sumo has a large, bright color-accurate 19" LCD screen and 4K recording capabilities, can be implemented to enhance professional video workflows in both production and post-production. On set, the Sumo's HDR capabilities enable cinematographers to realize more of a cinema camera's dynamic range when shooting in log or raw formats. All the built-in monitoring tools are also compatible with the HDR rendering, updating to accommodate the larger dynamic range. Additionally, the Sumo can record incoming DCI and UHD 4K video in various flavors of Apple ProRes or AVID DNxHR to Master Caddy II storage media. With supported cameras, 12-bit raw recording is also possible, for more flexibility in post-production.

 


The HDR capabilities of the Sumo enables editors and colorists to see deeper into the captured image information. The 10-bit image processing, combined with the 10-bit FRC capable LCD panel, shows subtle gradations in recorded footage whether playing back directly from recording media or from a connected computer. The display itself can be calibrated to maintain color accuracy over the Sumo's lifetime.

 

Features:

 

Production-Grade Build Quality
The aluminum alloy chassis houses 10 mounting points around the top, bottom, and side, a rear panel VESA mount, and an included stand for a variety of mounting configurations.


Versatile I/O Options
Seamlessly connect an SDI or HDMI device and convert between HDMI 2.0 and SDI (Quad 3G/6G/12G) in any combination. Quad SDI inputs connect cameras with multiple 1.5 or 3G-SDI outputs without the need for converters. HDMI 2.0 supports up to DCI 4K and UHD input and output, along with the very latest Atomos open protocol that supports HDR automation, including importing of camera settings. There is also support for Genlock and LTC timecode.


High-Quality Recording
Capture the raw data stream output from Sony's FS5, FS7, or FS700, Canon's C300 Mark II or C500, or Panasonic's VariCam LT over SDI up to 12-bit DCI 4K as Cinema DNG, 10-bit Apple ProRes, or 10-bit Avid DNxHR. The processing power of Sumo preserves pristine quality direct from the camera, with data rates up to 3.2 Gbps.


Versatile Functionality
Using multiple inputs, you can record and play back up to four HD video channels, live. Leveraging the Sumo's XML capabilities, you can switch and mix a live recording, and stream or record four HD ISO recordings. Switch between feeds on-screen with cueing, crossfade, and hard cuts from the locked sources, or tag and adjust final edits with advanced metadata tagging preserving ISO feeds, with the desired result infinitely editable.


Built-In XLR Audio
Eliminate the need for a separate audio recorder by using the full-size XLR connections to connect and power external microphones, for balanced analog audio with dedicated meters and adjustments for frame delay and gain. Phantom powered (48V) mics and line-level audio are all seamlessly synchronized, so there's no need to match in post. There are also a 3.5mm stereo headphone jack and built-in speakers, for on set instant or playback review with clients or the production team.


HDR Processing
The Sumo's 19" 1920 x 1080 10-bit LCD panel is driven by the AtomHDR engine which precisely maps log, PQ, or HLG video feeds from popular cameras, game consoles, or TV manufacturers to resolve 10 stops of HDR in real time. The brightness range and vivid colors of HDR bring scenes to life, either on the monitor itself or when outputting to larger HDR/Rec 709 displays for on set review. It can also be used with popular editing software programs or grading suites for affordable HDR/SDR editing or grading in the studio.


Daylight-Viewable LCD Screen
The bright 1200 cd/m² display means you can accurately monitor SDR signals, even when outside in full daylight. If additional light control is required, an optional sun hood is available separately.


X-Rite Calibration
Like many high-end video and computer monitors, the Sumo can be calibrated to compensate for the natural color and brightness drift that monitors exhibit over time. The Sumo's calibration input lets you use X-Rite's separately available i1Display Pro to always ensure accurate HDR and REC. 709 monitoring.


Continuous Power
Dual 4-pin XLR inputs for power means that the Sumo can automatically switch power sources should one stop providing power. In the field, a separate power bracket can be used to supply the Sumo with power from V-Mount or Gold Mount batteries. When one battery dries up, you can hot swap it for a fresh one without interrupting the shoot.

Display
Type 19" / 48 cm IPS capacitive touchscreen
Resolution 1920 x 1200
Bit Depth 10-bit (8-bit plus FRC)
Color Gamut REC. 709
Video Aspect Ratio Native: 16:9
Brightness 1200 cd/m²
LUT Support 3D LUT (.cube file format)
Interface
Inputs 1 x HDMI Type A, v2.0
3 x BNC, HD/3G-SDI
1 x BNC, HD/3G/6G/12G-SDI
2 x XLR, balanced analog audio with 48 V phantom power
Outputs 1 x HDMI Type A, v2.0
1 x BNC, HD/3G/6G/12G-SDI
1 x 3.5 mm, stereo headphone
Supported Video Format
Supported Signals Video:
Input: 8/10-bit 4:2:2 (dependent on video source)
Output: 8/10-bit 4:2:2 (dependent on video source)
Encoding Formats Apple ProRes: HQ, 422, LT
AVID DNxHR: HQX, HQ, SQ, LB
4096 x 2160 24/25/30/50/60
3840 x 2160 24/25/30/50/60
1080p 24/25/30/50/60/100/120/200/240
1080i 50/60
720p 50/60

Canon (C300 mk2, C500) Cinema-DNG Raw:
4096 x 2160 24/25/30
3840 x 2160 24/25/30

Raw to ProRes/DNx:
4096 x 2160 24/25/30
3840 x 2160 24/25/30

Panasonic (VariCam LT, VariCam35) Cinema-DNG Raw:
4096 x 2160 24/25/30
3840 x 2160 24/25/30

Raw to ProRes/DNx:
4096 x 2160 24/25/30
3840 x 2160 24/25/30

Sony (FS5, FS7 with XDCA-FS7, FS700) Cinema-DNG Raw:
4096 x 2160 24/25/30
2048 x 1080 24/25/30/50/60/100/120

Raw to ProRes/DNx:
4096 x 2160 24/25/30/50/60
2048 x 1080 24/25/30/50/60/100/120/240
Video Signal Conversion HDMI to SDI:
4096 x 2160 24/25/30/50/60
3840 x 2160 24/25/30/50/60
1080p 24/25/30/50/60/100/120
1080i 50/60
720p 50/60

SDI to HDMI:
4096 x 2160 24/25/30/50/60
3840 x 2160 24/25/30/50/60
1080p 24/25/30/50/60/100/120
1080i 50/60
720p 50/60
Pulldown Conversion 24/25/30 psf to 24/25/30p (2:2 pulldown)
60i to 24p (3:2 pulldown)
Supported Audio Formats
HDMI 2/8-channel, 24-bit (camera dependent)
SDI Up to 12-channel, 24-bit, 48 kHz
Dynamic Range > 90 dB
Signal Level Maximum: +24 dBu
Gain Maximum Analog Gain: +52 dB
Remote Operation
HDMI Auto HDMI trigger
Supported Protocols: Canon, Sony, Atomos Open Standard
SDI SDI trigger camera selectable
LANC Supports slave configuration
Recording Media
Supported Media 4K:
2.5" SSD

HD High Frame Rate (50/60/120p):
2.5" SSD
2.5" HDD (7200 rpm and up) for 1080p 50/60

HD (30p and Less):
2.5" SSD
2.5" HDD (5400 rpm and up)

Note: Only use media that has been approved by Atomos
Master Caddy Dock Interface: 2.5" SATA to USB 2.0/3.0
Supported Applications Final Cut Pro X/7+
Avid Media Composer 5.0+
Adobe Premiere 5.5+
Grass Valley EDIUS 6.0+
Sony Vegas Pro 10+
Lightworks
Autodesk Smoke 2015
XML Support FCPX XML native, FCP7/Adobe supported with conversion
General
Voltage 14.4 VDC
Power Consumption 75 W
Supported Battery Types V-Mount, Gold Mount (requires optional mounting plate)
Mount Types 1/4"-20: 4 x top, 4 x bottom, 2 x side
3/8"-16: 2 x top, 2 x bottom, 1 x side
VESA mount on rear
Dimensions 19.8 x 12.2 x 2.5" / 50.4 x 31 x 6.3 cm (without stand)
19.8 x 13 x 7.1" / 50.4 x 33 x 18 cm (with stand)
Weight 12.3 lb / 5.6 kg (without stand)
13.7 lb / 6.2 kg (with stand)
Atomos Sumo - On-Set & In-Studio 4K HDR 19" Monitor/Recorder
  • Sumo Unit
  • Master Caddy II x1
  • AC Power Supply x1

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  1. Be the first to review this product

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Details

The Atomos Sumo has a large, bright color-accurate 19" LCD screen and 4K recording capabilities, can be implemented to enhance professional video workflows in both production and post-production. On set, the Sumo's HDR capabilities enable cinematographers to realize more of a cinema camera's dynamic range when shooting in log or raw formats. All the built-in monitoring tools are also compatible with the HDR rendering, updating to accommodate the larger dynamic range. Additionally, the Sumo can record incoming DCI and UHD 4K video in various flavors of Apple ProRes or AVID DNxHR to Master Caddy II storage media. With supported cameras, 12-bit raw recording is also possible, for more flexibility in post-production.

 


The HDR capabilities of the Sumo enables editors and colorists to see deeper into the captured image information. The 10-bit image processing, combined with the 10-bit FRC capable LCD panel, shows subtle gradations in recorded footage whether playing back directly from recording media or from a connected computer. The display itself can be calibrated to maintain color accuracy over the Sumo's lifetime.

 

Features:

 

Production-Grade Build Quality
The aluminum alloy chassis houses 10 mounting points around the top, bottom, and side, a rear panel VESA mount, and an included stand for a variety of mounting configurations.


Versatile I/O Options
Seamlessly connect an SDI or HDMI device and convert between HDMI 2.0 and SDI (Quad 3G/6G/12G) in any combination. Quad SDI inputs connect cameras with multiple 1.5 or 3G-SDI outputs without the need for converters. HDMI 2.0 supports up to DCI 4K and UHD input and output, along with the very latest Atomos open protocol that supports HDR automation, including importing of camera settings. There is also support for Genlock and LTC timecode.


High-Quality Recording
Capture the raw data stream output from Sony's FS5, FS7, or FS700, Canon's C300 Mark II or C500, or Panasonic's VariCam LT over SDI up to 12-bit DCI 4K as Cinema DNG, 10-bit Apple ProRes, or 10-bit Avid DNxHR. The processing power of Sumo preserves pristine quality direct from the camera, with data rates up to 3.2 Gbps.


Versatile Functionality
Using multiple inputs, you can record and play back up to four HD video channels, live. Leveraging the Sumo's XML capabilities, you can switch and mix a live recording, and stream or record four HD ISO recordings. Switch between feeds on-screen with cueing, crossfade, and hard cuts from the locked sources, or tag and adjust final edits with advanced metadata tagging preserving ISO feeds, with the desired result infinitely editable.


Built-In XLR Audio
Eliminate the need for a separate audio recorder by using the full-size XLR connections to connect and power external microphones, for balanced analog audio with dedicated meters and adjustments for frame delay and gain. Phantom powered (48V) mics and line-level audio are all seamlessly synchronized, so there's no need to match in post. There are also a 3.5mm stereo headphone jack and built-in speakers, for on set instant or playback review with clients or the production team.


HDR Processing
The Sumo's 19" 1920 x 1080 10-bit LCD panel is driven by the AtomHDR engine which precisely maps log, PQ, or HLG video feeds from popular cameras, game consoles, or TV manufacturers to resolve 10 stops of HDR in real time. The brightness range and vivid colors of HDR bring scenes to life, either on the monitor itself or when outputting to larger HDR/Rec 709 displays for on set review. It can also be used with popular editing software programs or grading suites for affordable HDR/SDR editing or grading in the studio.


Daylight-Viewable LCD Screen
The bright 1200 cd/m² display means you can accurately monitor SDR signals, even when outside in full daylight. If additional light control is required, an optional sun hood is available separately.


X-Rite Calibration
Like many high-end video and computer monitors, the Sumo can be calibrated to compensate for the natural color and brightness drift that monitors exhibit over time. The Sumo's calibration input lets you use X-Rite's separately available i1Display Pro to always ensure accurate HDR and REC. 709 monitoring.


Continuous Power
Dual 4-pin XLR inputs for power means that the Sumo can automatically switch power sources should one stop providing power. In the field, a separate power bracket can be used to supply the Sumo with power from V-Mount or Gold Mount batteries. When one battery dries up, you can hot swap it for a fresh one without interrupting the shoot.

Display
Type 19" / 48 cm IPS capacitive touchscreen
Resolution 1920 x 1200
Bit Depth 10-bit (8-bit plus FRC)
Color Gamut REC. 709
Video Aspect Ratio Native: 16:9
Brightness 1200 cd/m²
LUT Support 3D LUT (.cube file format)
Interface
Inputs 1 x HDMI Type A, v2.0
3 x BNC, HD/3G-SDI
1 x BNC, HD/3G/6G/12G-SDI
2 x XLR, balanced analog audio with 48 V phantom power
Outputs 1 x HDMI Type A, v2.0
1 x BNC, HD/3G/6G/12G-SDI
1 x 3.5 mm, stereo headphone
Supported Video Format
Supported Signals Video:
Input: 8/10-bit 4:2:2 (dependent on video source)
Output: 8/10-bit 4:2:2 (dependent on video source)
Encoding Formats Apple ProRes: HQ, 422, LT
AVID DNxHR: HQX, HQ, SQ, LB
4096 x 2160 24/25/30/50/60
3840 x 2160 24/25/30/50/60
1080p 24/25/30/50/60/100/120/200/240
1080i 50/60
720p 50/60

Canon (C300 mk2, C500) Cinema-DNG Raw:
4096 x 2160 24/25/30
3840 x 2160 24/25/30

Raw to ProRes/DNx:
4096 x 2160 24/25/30
3840 x 2160 24/25/30

Panasonic (VariCam LT, VariCam35) Cinema-DNG Raw:
4096 x 2160 24/25/30
3840 x 2160 24/25/30

Raw to ProRes/DNx:
4096 x 2160 24/25/30
3840 x 2160 24/25/30

Sony (FS5, FS7 with XDCA-FS7, FS700) Cinema-DNG Raw:
4096 x 2160 24/25/30
2048 x 1080 24/25/30/50/60/100/120

Raw to ProRes/DNx:
4096 x 2160 24/25/30/50/60
2048 x 1080 24/25/30/50/60/100/120/240
Video Signal Conversion HDMI to SDI:
4096 x 2160 24/25/30/50/60
3840 x 2160 24/25/30/50/60
1080p 24/25/30/50/60/100/120
1080i 50/60
720p 50/60

SDI to HDMI:
4096 x 2160 24/25/30/50/60
3840 x 2160 24/25/30/50/60
1080p 24/25/30/50/60/100/120
1080i 50/60
720p 50/60
Pulldown Conversion 24/25/30 psf to 24/25/30p (2:2 pulldown)
60i to 24p (3:2 pulldown)
Supported Audio Formats
HDMI 2/8-channel, 24-bit (camera dependent)
SDI Up to 12-channel, 24-bit, 48 kHz
Dynamic Range > 90 dB
Signal Level Maximum: +24 dBu
Gain Maximum Analog Gain: +52 dB
Remote Operation
HDMI Auto HDMI trigger
Supported Protocols: Canon, Sony, Atomos Open Standard
SDI SDI trigger camera selectable
LANC Supports slave configuration
Recording Media
Supported Media 4K:
2.5" SSD

HD High Frame Rate (50/60/120p):
2.5" SSD
2.5" HDD (7200 rpm and up) for 1080p 50/60

HD (30p and Less):
2.5" SSD
2.5" HDD (5400 rpm and up)

Note: Only use media that has been approved by Atomos
Master Caddy Dock Interface: 2.5" SATA to USB 2.0/3.0
Supported Applications Final Cut Pro X/7+
Avid Media Composer 5.0+
Adobe Premiere 5.5+
Grass Valley EDIUS 6.0+
Sony Vegas Pro 10+
Lightworks
Autodesk Smoke 2015
XML Support FCPX XML native, FCP7/Adobe supported with conversion
General
Voltage 14.4 VDC
Power Consumption 75 W
Supported Battery Types V-Mount, Gold Mount (requires optional mounting plate)
Mount Types 1/4"-20: 4 x top, 4 x bottom, 2 x side
3/8"-16: 2 x top, 2 x bottom, 1 x side
VESA mount on rear
Dimensions 19.8 x 12.2 x 2.5" / 50.4 x 31 x 6.3 cm (without stand)
19.8 x 13 x 7.1" / 50.4 x 33 x 18 cm (with stand)
Weight 12.3 lb / 5.6 kg (without stand)
13.7 lb / 6.2 kg (with stand)
Atomos Sumo - On-Set & In-Studio 4K HDR 19" Monitor/Recorder
  • Sumo Unit
  • Master Caddy II x1
  • AC Power Supply x1

Ask A Question

* Required Fields

  1. Be the first to review this product

Write Your Own Review

How do you rate this product? *

  1 star 2 stars 3 stars 4 stars 5 stars
Quality
Price
Value

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