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Blackmagic Design URSA 4.6K PL Digital Cinema Camera

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Blackmagic Design

Blackmagic Design URSA 4.6K PL Digital Cinema Camera

PRODUCT CODE: CINEURSAB46K/PL

Availability: Unknown-Pending on Manufacturer Advice

Special Pre-Order Price


Main Features:



  • 4608 x 2592p Global Shutter CMOS Sensor

  • 15 Stops of Dynamic Range

  • 10.1", 1080p Flip-Out LCD Screen

  • Dual 5" Touchscreens for Menu Access

  • Records CinemaDNG RAW and ProRes

  • 12G-SDI Output for 10-Bit 4:2:2 4K

  • 2x XLR Audio Inputs with Phantom Power

  • Aluminum Frame with 3/8"-16 Mounting

  • LANC Port for START/STOP, Iris, Focus

  • Dual CFast 2.0 Card Slots

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RRP $11,605.00 Inc Gst

Excl. Tax: $9,540.91 Your Online Price INC GST $10,495.00

Save $1,110.00

The Blackmagic Design URSA 4.6K Digital Cinema Camera with active PL Mount features a form factor that is designed to make it flexible enough to use on productions of all sizes. From a single operator all the way up to a full camera crew. At the heart of the imaging system, URSA 4.6K features a 4608 x 2592p resolution, global shutter CMOS sensor with 12 stops of dynamic range. The camera records and outputs in the 2160p format, a 16:9 standard with precisely four times the resolution of 1080p, often referred to as UltraHD.

 

Internally, URSA can record in the two formats. The first is 12-bit CinemaDNG RAW, a losslessly compressed RAW codec designed to give you the greatest latitude for image manipulation in post production. The second is Apple ProRes 422 (HQ), a debayered codec for easier playback and editing in a wide range of video editing applications. Additionally, ProRes also requires less storage space for extended recording times. Video is recorded to CFast 2.0 memory cards, and the camera features two slots allowing you to hot swap media for continuous, uninterrupted recording.

 

URSA features a 10.1", 1080p resolution flip-out LCD screen so that you won't necessarily need an on-camera monitor. Additionally, there are two 5" capacitive touchscreens, one on either side of the body. These allow you to access the menu system and can display data such as timecode and audio waveforms. You can edit and color correct your footage, especially footage shot in the CinemaDNG RAW format, URSA includes DaVinci Resolve software dongle for OS X and Windows.

 


 

Features:

 

Supports Diverse User Groups

 

From solo camera operator up to full-scale productions. When used on jobs with a large crew, you can easily dress the camera with high quality cinema lenses, rods, follow focus, matte box, and more. If you're shooting solo, then the large fold out on-set monitor, built in scopes, and internal recorder means you don't need any extra on-set equipment because it's all built into the camera

 

Design By Department

 

Each area of the camera has been divided into separate camera operator, camera assistant, and audio engineer work stations. The camera operator station features a large 10" fold out on-set monitor and separate 5 inch screen for settings, camera status, and scopes. The camera assist station features a separate screen for camera settings, status, and scopes. Finally, the audio station features audio meters, controls, and audio connections

 

Professional Design and Aluminum Construction

 

URSA features an active cooling system with low noise fan that allows it to achieve higher frame rates for longer while keeping the chassis cool. The machined aluminum design is built to incredibly robust and has been engineered with the possibility it will be handled by lots of people in mind

 

4.6K Resolution Super 35 Sensor with 15 Stops Dynamic Range

 

The sensor features 15 stops of dynamic range for true digital film imaging. The wide dynamic range preserves detail in dark shadows as well as bright highlights so you have a wider range of brightness levels to work with when color grading in postproduction. The oversized Super 35 size allows for creative shallow depth of field shooting and the high resolution 12-bit lossless CinemaDNG RAW recording helps ensure you record as much detail as the sensor sees

 

Dual CFast 2.0 Card Slots

 

With two cards slots, it is possible to keep recording indefinitely. Simply switch over to a fresh card in the second slot and then remote the first to offload to a computer or storage device. By using CFast 2.0 media it is possible to record even at the high bitrates demanded by RAW capture without dropping frames

 

Built-In Scopes

 

URSA features scopes for exposure, focus, and audio levels. And there is a dedicated screen for camera assistants so they can check and update camera parameters independently of the camera operator

 

Field Upgradable Sensor

 

The URSA features a modular camera turret that can be removed by taking out four bolts. The camera turret includes the sensor, lens mount, and lens control connections and can be upgraded in the future when new types of sensors are developed

 

Broadcast Connections

 

Standard BNC connectors mean you don't need to worry about custom or proprietary cabling solutions. URSA features a 12G-SDI output that can be down converted to HD or used directly for full Ultra HD 4K quality. There's also a 12G-SDI input that can display return video on the 10" LCD when covering live events or working with external video sources. A separate SDI output that outputs 1080p only is available for attaching EVFs and monitors. For audio, there are two XLR inputs with +48 V phantom power. You also get timecode in and out to help synchronize with other cameras or separate audio recorders

 

LANC Port

 

A LANC is provided on a 2.5 mm sub mini connector. It allows you to control record START/STOP, iris, and focus
Supports Standard Battery Plates
Your choice of Gold Mount or V-Mount battery plates can be attached directly to the back of the camera. Alternatively, there is a 4-pin XLR input so you can use a power supply or other DC power source. The URSA also features a 4-pin XLR power output so you can power a camera mounted 12V accessory without needing an additional battery

 

Lots of Mounting Points

 

The top of the camera features a number of 3/8"-16 tapped holes so you can attach articulating arms and other mounting accessories. There are also 1/4"-20 holes along the top of the removable handle. In addition, there is a mount for 15mm LWS-spaced rods built-in to the bottom of the camera. By adding a pair of standard 15mm rods you can add accessories such as follow focus and matte box. A V-lock delta interface allows the camera to be attached to tripods using an ENG-style quick release system such as the VCT-14

 

Software Included

  • DaVinci Resolve grading software including Resolve USB dongle for Mac OS X and Windows
  • Blackmagic Media Express software
  • Blackmagic Disk Speed Test
  • Blackmagic Camera Setup
Sensor
Size 25.34 x 14.25mm (Super35)
Lens Mount PL Mount
Effective Resolution 4608 x 2592
Dynamic Range 15 stops
Shooting Resolutions 4608 x 2592
4096 x 2304 (4K 16:9)
4608 x 1920 (4K 2.4:1)
3840 x 2160 (Ultra HD)
3072 x 2560 (3K Anamorphic)
2048 x 1152 (2K 16:9)
1920 x 1080
Supported Frame Rates Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported 

Note: Maximum sensor frame rate dependent on resolution and codec selected
Display
Dimensions 1 x 10.1" diagonal
2 x 5" diagonal
Screen Type 10.1": TFT-LCD
5": Integrated LCD capacitive touchscreen
Resolution 10.1": 1920 x 1080
5": 800 x 480
Recording
Media Card Slots 2 x CFast 2.0
Recording Formats Lossless CinemaDNG RAW, RAW 3:1 and RAW 4:1 with film dynamic range at 4608 x 2592, 4096 x 2304, 4608 x 1920, 3072 x 2560, and 2048 x 1152

Apple ProRes 3840 x 2160 and 1920 x 1080 with either film or video dynamic range
Data Rates 4608 x 2592
CinemaDNG RAW 3:1 - 180 MB/s
CinemaDNG RAW 4:1 - 135 MB/s
3840 x 2160
Apple ProRes 444 XQ - 312.5 MB/s
Apple ProRes 444 - 165 MB/s
Apple ProRes 422 HQ - 110 MB/s
Apple ProRes 422 - 73.6 MB/s
Apple ProRes 422 LT - 51 MB/s
Apple ProRes Proxy - 22.4 MB/s
1920 x 1080
Apple ProRes 444 XQ - 62.5 MB/s
Apple ProRes 444 - 41.25 MB/s
Apple ProRes 422 HQ - 27.5 MB/s
Apple ProRes 422 - 18.4 MB/s
Apple ProRes 422 LT - 12.75 MB/s
Apple ProRes Proxy - 5.6 MB/s
Storage rates based on 30 frames per second
Metadata Support Automatic camera data and user data such as shot number, filenames, and keywords
Connections
Output 1 x 12G-SDI -- 10-bit 4:2:2
1 x 3G-SDI -- down-converted signal for monitoring
Input 1 x 12G-SDI
Reference 1 x Reference input
Timecode 1 x Timecode input
1 x Timecode output
Analog Audio Inputs 2 x XLR -- selected mic/line level and +48 V phantom power
Analog Audio Output 1 x 1/4" TRS -- for headphone monitoring
SDI Audio Output 2-channel via SDI output
Remote Control 1 x LANC on 2.5 mm sub-mini -- controls record START/STOP, iris, and focus
USB 1 x USB 2.0 mini type B for software updates
Supported Standards SDI Compliance: SMPTE 292M
SDI Audio Sampling: 48 kHz and 24-bit
General
Microphone Integrated mono microphone
Speaker Integrated mono microphone
Controls Touch screen menus on 5" screen; push button controls for navigating menus
Mounting Options Multiple 1/4"-20 UNC thread mounting on top of camera and on handle bar; multiple 3/8"-16 UNC thread on top of camera body; rosette on bottom 
Integrated rod mounts compatible with 15mm Light Weight Support (LWS) standard
System Requirements For DaVinci Resolve: Windows 7 or later or OS X 10.8 or later

Note: See Blackmagic website for detailed system requirements and configuration guides.
Power Connectors 1 x 4-pin XLR input for external power supply or battery
1 x 12 VDC output on 4-pin XLR to power accessories
Battery Plate Support Mounting holes for V-mount and Gold Mount battery plates
Operating Temperature 32 to 104°F (0 to 40°C)
Storage Temperature -4 to 113°F (-20 to 45°C)
Humidity 0 to 90% RH, non-condensing
Dimensions 12.3 x 6.1 x 9.6 (31.2 x 15.5 x 24.4 cm)
Weight 16.52 lb
Blackmagic Design URSA 4.6K Digital Cinema Camera (Canon PL Mount)
  • 4.6K Active PL Mount
  • Lens Port Dust Cap
  • AC Adapter
  • DaVinci Resolve and Dongle
  • Limited 1-Year Warranty

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