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Blackmagic Design URSA Mini Pro 4.6K Kit

CODE: CINEURSAMUPRO46K/KIT

Quick Overview

Please Contact Videocraft for best price and availability

Main Features:

  • Kit includes camera, shoulder kit, viewfinder & battery plate
  • Super-35mm CMOS Sensor
  • 4608 x 2592 Video up to 60p
  • CinemaDNG and ProRes 444 & 422 Recording
  • Full Set of External Controls
  • 2/4/6-Stop ND Filter Wheel
  • Dual CFast 2.0 and SD Memory Card Slots
  • 12G-SDI Output, Timecode and REF Input
  • 2 XLR Audio Inputs with Phantom Power
  • Interchangeable Lens Mounts
  • Magnesium Alloy Body

Version: Mini 4K EF  |  Mini 4.6K EF  |  Mini Pro 4.6K  |  Mini PRO KIT

Note: An EF Mount is included.  A lens is not includedKit includes Ursa Mini Pro Camera, shoulder kit, viewfinder & VLock battery plate


 

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RRP $9,925.00 inc GST

Special Price $9,125.00 inc GST

Usually leaves warehouse in 3-5 business days

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Details

The Blackmagic Design URSA Mini Pro 4.6K Digital Cinema Camera  is a new professional camera that combines high end digital film quality with the ergonomics and features of a traditional broadcast camera. URSA Mini Pro features a massive number of tactile control buttons, switches and dials that make it faster to use, built in optical ND filters, a new interchangeable lens mount, dual CFAST 2.0 and dual SD/UHS-II card recorders, and much more.

 

URSA Mini Pro has a revolutionary new interchangeable lens mount that makes it compatible with virtually all professional lenses so you can choose exactly the right lens for the job. Included standard is an EF mount for working with high quality photographic lenses. If the camera is being used on a high end film or commercial shoot that calls for large cinematic lenses, simply remove the EF mount and replace it with the PL mount. There’s even a B4 broadcast lens mount for working with broadcast HD lenses. URSA Mini Pro also includes a standard 12 pin Hirose lens control connector. The optional PL and B4 lens mounts can be purchased separately.

 

The URSA Mini Pro 4.6K combines the best digital film technology with the most advanced broadcast features and ergonomics available, making it perfect for use in high end feature films, television shows, commercials, and indie films as well as broadcast news, studio and even live multi camera production.

 

The URSA Mini Pro is designed to be the toughest and most fully featured camera available. It includes everything customers need in a compact handheld magnesium alloy body that’s durable and light enough to use anywhere. There’s an external high visibility LCD status display for viewing critical shooting information, a foldout touch screen for reviewing shots without needing an extra on-set monitor, professional connections such as 12G-SDI, XLR audio, built in high quality stereo microphones and more. Plus, every single control on the camera is redundant, including the power, so if anything should go wrong in the field, the camera can still be used.

 

When it comes to image quality, the URSA Mini Pro features a custom 4.6K image sensor that captures up to 4608 x 2592 pixels with a massive 15 stops of dynamic range and a super wide color gamut. Third generation Blackmagic Design color science is used to process the raw sensor data, enabling amazingly rich skin tones, natural color response and an enormous amount of dynamic range. URSA Mini Pro is ideal for everything from standard rec. 709 broadcast HD to the latest rec. 2020 high dynamic range digital film production.

 

URSA Mini Pro features neutral density (ND) filters with IR compensation for quickly reducing the amount of light that enters the camera. The 2, 4 and 6 stop filters are specifically designed to match the colorimetry of the camera and provide additional latitude, even under harsh lighting conditions. That means customers can use different combinations of aperture and shutter angle to achieve shallower depth of field, or specific levels of motion blur, in a wider range of situations. The IR filters evenly compensate for both far red and infrared wave lengths to eliminate IR contamination. The ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned.

 

The broadcast camera features the ergonomics of URSA Mini Pro, and adds powerful tactile control buttons, switches, knobs and dials on the outside of the camera, giving customers direct access to the most important camera settings. The controls are laid out in a logical order that makes them easy to remember so cinematographers can operate the camera without having to look at the buttons, hunt through menus, or take their eye off of the action. URSA Mini Pro also features a high visibility status screen that displays important information such as timecode, shutter and lens settings, battery, recording status, and audio levels. The status display features a backlight and is designed to be clearly visible in both dimly lit studios and outside in direct sunlight.

 

Featuring both dual C-Fast 2.0 recorders and dual SD/UHS-II card recorders, you can choose the media that works best for their projects. C-Fast cards are ideal for full resolution RAW recording, while UHS-II SD cards are inexpensive and commonly available, making them perfect for recording ProRes Ultra HD files or RAW HD files. Simply choose the media type, insert the cards and start shooting. With dual slots for each media type, the camera never has to stop recording because when the first card is full, it automatically continues onto the next card. Full cards can be swapped for empty ones, all without stopping the camera. URSA Mini Pro can record lossless 12-bit CinemaDNG RAW files for the highest possible quality, or 10-bit ProRes files for easy post production workflows with minimum storage requirements.

 

URSA Mini Pro includes the full DaVinci Resolve Studio software as a complete post production solution. This powerful software combines professional nonlinear video editing with the world’s most advanced color corrector for importing, editing, color correcting, finishing and delivering projects shot on URSA Mini Pro. DaVinci Resolve Studio works natively with the RAW and ProRes files from the camera, so customers can take them directly into post production without having to convert or change them. Every single bit of quality is preserved because it is a true lossless workflow. Using DaVinci Resolve Studio is the fastest and highest quality way to work with files from URSA Mini Pro.

Sensor
Size 25.34 x 14.25 mm (Super-35)
Lens Mount Active Canon EF (interchangeable)
Effective Resolution 4608 x 2592
Dynamic Range 15 stops
Shooting Resolutions 4608 x 2592
4608 x 1920 (4.6K 2.4:1)
4096 x 2304 (4K 16:9)
4096 x 2160 (4K DCI)
3840 x 2160 (Ultra HD)
3072 x 2560 (3K Anamorphic)
2048 x 1152 (2K 16:9)
2048 x 1080 (2K DCI)
1920 x 1080
Frame Rates 23.98, 24, 25, 29.97, 30, 50, 59.94, 60 fps
Display
Dimensions 4" diagonal
Screen Type LCD capacitive touchscreen
Resolution Not specified by manufacturer
Recording
Media Card Slots 2 x CFast 2.0
2 x SD UHS-II
Recording Formats CinemaDNG Raw (Uncompressed or Lossless 3:1/4:1 Compressed):
4608 x 2592
4096 x 2304
4608 x 1920
3072 x 2560
2048 x 1152

Apple ProRes:
4608 x 2592
4608 x 1920
4096 x 2304
4096 x 2160
3072 x 2560
2048 x 1152
2048 x 1080
1920 x 1080
Data Rates 4608 x 2592:
Uncompressed CinemaDNG Raw - 513MB/s
CinemaDNG Raw 3:1 - 180 MB/s
CinemaDNG Raw 4:1 - 135 MB/s

3840 x 2160:
Apple ProRes 444 XQ - 312.5 MB/s
Apple ProRes 444 - 165 MB/s
Apple ProRes 422 HQ - 110 MB/s
Apple ProRes 422 - 73.6 MB/s
Apple ProRes 422 LT - 51 MB/s
Apple ProRes Proxy - 22.4 MB/s

1920 x 1080:
Apple ProRes 444 XQ - 62.5 MB/s
Apple ProRes 444 - 41.25 MB/s
Apple ProRes 422 HQ - 27.5 MB/s
Apple ProRes 422 - 18.4 MB/s
Apple ProRes 422 LT - 12.75 MB/s
Apple ProRes Proxy - 5.6 MB/s

Rates based on 30 frames per second.
Metadata Support Automatically populated lens data from electronic EF, B4 and i/Technology compatible PL lenses.

Automatic recording of camera settings and slate data such as project, scene number, take and special notes.
Connections
Input 1 x BNC, HD/3G/6G/12G-SDI
Output 2 x BNC, HD/3G/6G/12G-SDI (clean output and monitor output)
Reference Tri-Sync/Black Burst/Timecode
Analog Audio Inputs 2 x XLR (mic/line/AES, phantom power output)
Audio Output 1 x 3.5mm headphone (TRRS connection supports in-line microphone)
Remote Control 2 x 2.5mm LANC (controls record start/stop, electronic iris, and electronic focus)
USB 1 x USB Type C for software updates
Supported Standards SDI Compliance: SMPTE 292M, SMPTE 424 Level B, Draft SMPTE 2081-1, Draft SMPTE 2082-1

SDI Audio Sampling: 48 kHz and 24-bit
General
Microphone 2 x Built-in cardioid microphones for stereo recording with -10dB pad and low-cut filter
Speaker Integrated mono (enabled in playback when headphones are not used)
System Requirements Mac OS X 10.11 or newer
Windows 8.1 or newer
Power Connectors Inputs:
1 x 4-pin XLR input for external power supply or battery
1 x 12-pin molex connector on rear battery plate

Outputs:
1 x 12V output using 4-pin XLR for powering external accessories such as EVF
1 x 12V regulated output from rear molex 12-way connector
Battery Plate Support Mounting holes for V-mount and Gold mount battery plates
Operating Temperature 32 to 104°F / 0 to 40°C
Storage Temperature -4 to 113°F / -20 to 45°C
Humidity 0 to 90% RH, non-condensing
Dimensions 8.2 x 8 x 5.8" / 21 x 20.1 x 14.7 cm
Weight 5.1 lb / 2.3 kg

1 x URSA Mini Pro 4.6K (EF) Camera

  • URSA Mini Pro body
  • Turret dust cap
  • EF lens mount
  • Side Handle with LANC Cable and strap
  • Power supply
  • SD card with software and manual
  • DaVinci Resolve Studio USB dongle

Note: An EF Mount is included.  A lens is not included. Kit includes Ursa Mini Pro Camera, shoulder kit, viewfinder & VLock battery plate


 

Ask A Question

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  1. Be the first to review this product

Write Your Own Review

How do you rate this product? *

  1 star 2 stars 3 stars 4 stars 5 stars
Price
Value
Quality

Details

The Blackmagic Design URSA Mini Pro 4.6K Digital Cinema Camera  is a new professional camera that combines high end digital film quality with the ergonomics and features of a traditional broadcast camera. URSA Mini Pro features a massive number of tactile control buttons, switches and dials that make it faster to use, built in optical ND filters, a new interchangeable lens mount, dual CFAST 2.0 and dual SD/UHS-II card recorders, and much more.

 

URSA Mini Pro has a revolutionary new interchangeable lens mount that makes it compatible with virtually all professional lenses so you can choose exactly the right lens for the job. Included standard is an EF mount for working with high quality photographic lenses. If the camera is being used on a high end film or commercial shoot that calls for large cinematic lenses, simply remove the EF mount and replace it with the PL mount. There’s even a B4 broadcast lens mount for working with broadcast HD lenses. URSA Mini Pro also includes a standard 12 pin Hirose lens control connector. The optional PL and B4 lens mounts can be purchased separately.

 

The URSA Mini Pro 4.6K combines the best digital film technology with the most advanced broadcast features and ergonomics available, making it perfect for use in high end feature films, television shows, commercials, and indie films as well as broadcast news, studio and even live multi camera production.

 

The URSA Mini Pro is designed to be the toughest and most fully featured camera available. It includes everything customers need in a compact handheld magnesium alloy body that’s durable and light enough to use anywhere. There’s an external high visibility LCD status display for viewing critical shooting information, a foldout touch screen for reviewing shots without needing an extra on-set monitor, professional connections such as 12G-SDI, XLR audio, built in high quality stereo microphones and more. Plus, every single control on the camera is redundant, including the power, so if anything should go wrong in the field, the camera can still be used.

 

When it comes to image quality, the URSA Mini Pro features a custom 4.6K image sensor that captures up to 4608 x 2592 pixels with a massive 15 stops of dynamic range and a super wide color gamut. Third generation Blackmagic Design color science is used to process the raw sensor data, enabling amazingly rich skin tones, natural color response and an enormous amount of dynamic range. URSA Mini Pro is ideal for everything from standard rec. 709 broadcast HD to the latest rec. 2020 high dynamic range digital film production.

 

URSA Mini Pro features neutral density (ND) filters with IR compensation for quickly reducing the amount of light that enters the camera. The 2, 4 and 6 stop filters are specifically designed to match the colorimetry of the camera and provide additional latitude, even under harsh lighting conditions. That means customers can use different combinations of aperture and shutter angle to achieve shallower depth of field, or specific levels of motion blur, in a wider range of situations. The IR filters evenly compensate for both far red and infrared wave lengths to eliminate IR contamination. The ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned.

 

The broadcast camera features the ergonomics of URSA Mini Pro, and adds powerful tactile control buttons, switches, knobs and dials on the outside of the camera, giving customers direct access to the most important camera settings. The controls are laid out in a logical order that makes them easy to remember so cinematographers can operate the camera without having to look at the buttons, hunt through menus, or take their eye off of the action. URSA Mini Pro also features a high visibility status screen that displays important information such as timecode, shutter and lens settings, battery, recording status, and audio levels. The status display features a backlight and is designed to be clearly visible in both dimly lit studios and outside in direct sunlight.

 

Featuring both dual C-Fast 2.0 recorders and dual SD/UHS-II card recorders, you can choose the media that works best for their projects. C-Fast cards are ideal for full resolution RAW recording, while UHS-II SD cards are inexpensive and commonly available, making them perfect for recording ProRes Ultra HD files or RAW HD files. Simply choose the media type, insert the cards and start shooting. With dual slots for each media type, the camera never has to stop recording because when the first card is full, it automatically continues onto the next card. Full cards can be swapped for empty ones, all without stopping the camera. URSA Mini Pro can record lossless 12-bit CinemaDNG RAW files for the highest possible quality, or 10-bit ProRes files for easy post production workflows with minimum storage requirements.

 

URSA Mini Pro includes the full DaVinci Resolve Studio software as a complete post production solution. This powerful software combines professional nonlinear video editing with the world’s most advanced color corrector for importing, editing, color correcting, finishing and delivering projects shot on URSA Mini Pro. DaVinci Resolve Studio works natively with the RAW and ProRes files from the camera, so customers can take them directly into post production without having to convert or change them. Every single bit of quality is preserved because it is a true lossless workflow. Using DaVinci Resolve Studio is the fastest and highest quality way to work with files from URSA Mini Pro.

Sensor
Size 25.34 x 14.25 mm (Super-35)
Lens Mount Active Canon EF (interchangeable)
Effective Resolution 4608 x 2592
Dynamic Range 15 stops
Shooting Resolutions 4608 x 2592
4608 x 1920 (4.6K 2.4:1)
4096 x 2304 (4K 16:9)
4096 x 2160 (4K DCI)
3840 x 2160 (Ultra HD)
3072 x 2560 (3K Anamorphic)
2048 x 1152 (2K 16:9)
2048 x 1080 (2K DCI)
1920 x 1080
Frame Rates 23.98, 24, 25, 29.97, 30, 50, 59.94, 60 fps
Display
Dimensions 4" diagonal
Screen Type LCD capacitive touchscreen
Resolution Not specified by manufacturer
Recording
Media Card Slots 2 x CFast 2.0
2 x SD UHS-II
Recording Formats CinemaDNG Raw (Uncompressed or Lossless 3:1/4:1 Compressed):
4608 x 2592
4096 x 2304
4608 x 1920
3072 x 2560
2048 x 1152

Apple ProRes:
4608 x 2592
4608 x 1920
4096 x 2304
4096 x 2160
3072 x 2560
2048 x 1152
2048 x 1080
1920 x 1080
Data Rates 4608 x 2592:
Uncompressed CinemaDNG Raw - 513MB/s
CinemaDNG Raw 3:1 - 180 MB/s
CinemaDNG Raw 4:1 - 135 MB/s

3840 x 2160:
Apple ProRes 444 XQ - 312.5 MB/s
Apple ProRes 444 - 165 MB/s
Apple ProRes 422 HQ - 110 MB/s
Apple ProRes 422 - 73.6 MB/s
Apple ProRes 422 LT - 51 MB/s
Apple ProRes Proxy - 22.4 MB/s

1920 x 1080:
Apple ProRes 444 XQ - 62.5 MB/s
Apple ProRes 444 - 41.25 MB/s
Apple ProRes 422 HQ - 27.5 MB/s
Apple ProRes 422 - 18.4 MB/s
Apple ProRes 422 LT - 12.75 MB/s
Apple ProRes Proxy - 5.6 MB/s

Rates based on 30 frames per second.
Metadata Support Automatically populated lens data from electronic EF, B4 and i/Technology compatible PL lenses.

Automatic recording of camera settings and slate data such as project, scene number, take and special notes.
Connections
Input 1 x BNC, HD/3G/6G/12G-SDI
Output 2 x BNC, HD/3G/6G/12G-SDI (clean output and monitor output)
Reference Tri-Sync/Black Burst/Timecode
Analog Audio Inputs 2 x XLR (mic/line/AES, phantom power output)
Audio Output 1 x 3.5mm headphone (TRRS connection supports in-line microphone)
Remote Control 2 x 2.5mm LANC (controls record start/stop, electronic iris, and electronic focus)
USB 1 x USB Type C for software updates
Supported Standards SDI Compliance: SMPTE 292M, SMPTE 424 Level B, Draft SMPTE 2081-1, Draft SMPTE 2082-1

SDI Audio Sampling: 48 kHz and 24-bit
General
Microphone 2 x Built-in cardioid microphones for stereo recording with -10dB pad and low-cut filter
Speaker Integrated mono (enabled in playback when headphones are not used)
System Requirements Mac OS X 10.11 or newer
Windows 8.1 or newer
Power Connectors Inputs:
1 x 4-pin XLR input for external power supply or battery
1 x 12-pin molex connector on rear battery plate

Outputs:
1 x 12V output using 4-pin XLR for powering external accessories such as EVF
1 x 12V regulated output from rear molex 12-way connector
Battery Plate Support Mounting holes for V-mount and Gold mount battery plates
Operating Temperature 32 to 104°F / 0 to 40°C
Storage Temperature -4 to 113°F / -20 to 45°C
Humidity 0 to 90% RH, non-condensing
Dimensions 8.2 x 8 x 5.8" / 21 x 20.1 x 14.7 cm
Weight 5.1 lb / 2.3 kg

1 x URSA Mini Pro 4.6K (EF) Camera

  • URSA Mini Pro body
  • Turret dust cap
  • EF lens mount
  • Side Handle with LANC Cable and strap
  • Power supply
  • SD card with software and manual
  • DaVinci Resolve Studio USB dongle

Note: An EF Mount is included.  A lens is not included. Kit includes Ursa Mini Pro Camera, shoulder kit, viewfinder & VLock battery plate


 

Ask A Question

* Required Fields

  1. Be the first to review this product

Write Your Own Review

How do you rate this product? *

  1 star 2 stars 3 stars 4 stars 5 stars
Price
Value
Quality

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