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Blackmagic URSA 4K Camera With EF Mount Side View from Videocraft

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Blackmagic Design

Blackmagic URSA 4K Camera With EF Mount

PRODUCT CODE: CINEURSA4K/EF

Availability: Usually ships in 5-10 business days

Main Features:



  • 3840 x 2160p Global Shutter CMOS Sensor

  • 12 Stops of Dynamic Range

  • 10.1", 1080p Flip-Out LCD Screen

  • Dual 5" Touchscreens for Menu Access

  • Records CinemaDNG RAW and ProRes

  • 12G-SDI Output for 10-Bit 4:2:2 4K

  • 2x XLR Audio Inputs with Phantom Power

  • 120 fps in RAW and ProRes 444

  • LANC Port for START/STOP, Iris, Focus

  • Dual CFast 2.0 Card Slots


 

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RRP $7,729.00 Inc Gst

Excl. Tax: $6,440.91 Your Online Price INC GST $7,085.00

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Get the Blackmagic URSA 4K camera with the EF lens mount and amazing 4K Super 35 image sensor with global shutter installed. The EF lens mount includes active lens control for compatibility with both active and passive EF mount lenses. URSA EF makes it easy to use a wide range of high quality, low cost DSLR photo lenses.

 


 

The Blackmagic Design URSA 4K Digital Cinema Camera with EF Mount features a form factor that is designed to make it flexible enough to use on productions of all sizes. From a single operator all the way up to a full camera crew. At the heart of the imaging system, URSA features a 3840 x 2160 resolution, global shutter CMOS sensor with 12 stops of dynamic range. The camera records and outputs in the 2160p format, a 16:9 standard with precisely four times the resolution of 1080p, often referred to as UltraHD.

 

Internally, Blackmagic 4K URSA can record in the two formats. The first is 12-bit CinemaDNG RAW, a losslessly compressed RAW codec designed to give you the greatest latitude for image manipulation in post production. The second is Apple ProRes 422 (HQ), a debayered codec for easier playback and editing in a wide range of video editing applications. Additionally, ProRes also requires less storage space for extended recording times. Video is recorded to CFast 2.0 memory cards, and the camera features two slots allowing you to hot swap media for continuous, uninterrupted recording.

 


 

Features:

 

Supports Diverse User Groups

 

From solo camera operator up to full-scale productions. When used on jobs with a large crew, you can easily dress the camera with high quality cinema lenses, rods, follow focus, matte box, and more. If you're shooting solo, then the large fold out on-set monitor, built in scopes, and internal recorder means you don't need any extra on-set equipment because it's all built into the camera

 

Design By Department

 

Each area of the camera has been divided into separate camera operator, camera assistant, and audio engineer work stations. The camera operator station features a large 10" fold out on-set monitor and separate 5 inch screen for settings, camera status, and scopes. The camera assist station features a separate screen for camera settings, status, and scopes. Finally, the audio station features audio meters, controls, and audio connections

 

Professional Design and Aluminum Construction

 

URSA features an active cooling system with low noise fan that allows it to achieve higher frame rates for longer while keeping the chassis cool. The machined aluminum design is built to incredibly robust and has been engineered with the possibility it will be handled by lots of people in mind

 

Super 35-Sized Global Shutter CMOS Sensor

 

The 4K resolution sensor uses a global shutter so that it will be free from the motion artifacts and flash banding experienced with rolling shutter sensors. It features a wide, 12 stop dynamic range to help ensure detail is retained even in the shadow and highlight portions of the image and to provide more information to work with in color correction. The sensor size makes it possible to recreate the shallow depth of field look popularly associated with film. At this size it is slightly larger than the APS-C DSLR format and will accommodate most lenses that cover an APS-C image circle

 

Dual CFast 2.0 Card Slots

 

With two cards slots, it is possible to keep recording indefinitely. Simply switch over to a fresh card in the second slot and then remote the first to offload to a computer or storage device. By using CFast 2.0 media it is possible to record even at the high bitrates demanded by RAW capture without dropping frames

 

Built-In Scopes

 

URSA features scopes for exposure, focus, and audio levels. And there is a dedicated screen for camera assistants so they can check and update camera parameters independently of the camera operator

 

Field Upgradable Sensor

 

The URSA features a modular camera turret that can be removed by taking out four bolts. The camera turret includes the sensor, lens mount, and lens control connections and can be upgraded in the future when new types of sensors are developed

 

Broadcast Connections

 

Standard BNC connectors mean you don't need to worry about custom or proprietary cabling solutions. URSA features a 12G-SDI output that can be down converted to HD or used directly for full Ultra HD 4K quality. There's also a 12G-SDI input that can display return video on the 10" LCD when covering live events or working with external video sources. A separate SDI output that outputs 1080p only is available for attaching EVFs and monitors. For audio, there are two XLR inputs with +48 V phantom power. You also get timecode in and out to help synchronize with other cameras or separate audio recorders

 

LANC Port

 

A LANC is provided on a 2.5 mm sub mini connector. It allows you to control record START/STOP, iris, and focus

 

Supports Standard Battery Plates

 

Your choice of Gold Mount or V-Mount battery plates can be attached directly to the back of the camera. Alternatively, there is a 4-pin XLR input so you can use a power supply or other DC power source. The URSA also features a 4-pin XLR power output so you can power a camera mounted 12V accessory without needing an additional battery

 

Lots of Mounting Points

 

The top of the camera features a number of 3/8"-16 tapped holes so you can attach articulating arms and other mounting accessories. There are also 1/4"-20 holes along the top of the removable handle. In addition, there is a mount for 15mm LWS-spaced rods built-in to the bottom of the camera. By adding a pair of standard 15mm rods you can add accessories such as follow focus and matte box. A V-lock delta interface allows the camera to be attached to tripods using an ENG-style quick release system such as the VCT-14

 

Software Included

  • DaVinci Resolve grading software including Resolve USB dongle for Mac OS X and Windows
  • Blackmagic Media Express software
  • Blackmagic Disk Speed Test

Camera Features

 

Effective Sensor Size

21.12mm x 11.88mm (Super 35).

Effective Resolution

3840 x 2160

Shooting Resolutions

3840 x 2160, 1920x1080.

Frame Rates

3840 x 2160p23.98,
3840 x 2160p24,
3840 x 2160p25,
3840 x 2160p29.97,
3840 x 2160p30,
1920 x 1080p23.98,
1920 x 1080p24,
1920 x 1080p25,
1920 x 1080p29.97,
1920 x 1080p30,
1920 x 1080i50,
1920 x 1080i59.94.

Sensor Frame Rates

Up to 60fps

Dynamic Range

12 stops.

Focus

Focus button turns on peaking, focus bubbles, auto focus available on active lens mount.

Iris Control

Iris button automatically adjusts the lens iris settings so no pixel is clipped in film mode. Scene average auto exposure in video mode.

Lens Mount

EF mount.

Screen Dimensions

5" and 800 x 480 resolution.

10.1" 1920x1080

Screen Type

5" - Integrated LCD capacitive touchscreen.

10.1" - TFT LCD

Metadata Support

Automatic camera data and user data such as shot number, filenames and keywords.

Controls

Touch screen menus on 5” screen. Push button controls for navigating menus.

Microphone

Integrated mono microphone.

Speaker

Integrated mono speaker.

Mounting Options

Mulitple 1/4"-20 UNC thread mounting points on top of camera and on handle bar. Rosette on bottom. Integrated rods mounts compatible with 15mm Light Weight Support standard.

 


 

Storage Features

 

Storage Type

CFast 2.0

Storage Rates

Approx 880 Mbps using Apple ProRes 422 (HQ) at 3840 x 2160. Approx 220 Mbps using Apple ProRes 422 (HQ) at 1920 x 1080.

Compressed Recording Formats

Visually lossless compressed CinemaDNG RAW with film dynamic range at 3840 x 2160. Apple ProRes 422 (HQ) at 3840 x 2160 and 1920 x 1080 with either film or video dynamic range.

 

 


 

Connections

 

SDI Video Output

1 x 12G-SDI 10-bit 4:2:2 with choice down converted for external monitoring.

SDI Video Input

1 x 12G-SDI

SDI Ref Input

1 x reference input.

 

Analog Audio Input

2 x XLR analog switchable between mic and line levels. Phantom power support.

Analog Audio Output

1/4” jack output for headphone monitoring

SDI Audio Output

2 channels 

 

Computer Interface

USB 2.0 Mini-B port for software updates.

Remote Control

1 x 2.5mm LANC for Rec Start/Stop, Iris Control and Focus.


 

 


 

Standards

SDI Compliance

SMPTE 292M

SDI Audio Sampling

48 kHz and 24-bit

 


 

Software

Software Included

DaVinci Resolve grading software including Resolve USB dongle for Mac OS X and Windows. Blackmagic Media Express software. DiskSpeed Test.

 


 

Power Requirements

External Power Input

1 x 4-pin XLR port for external power or battery use.

 

External Power Output

1 x 12V output using 4-pin XLR for powering external accessories such as EVF.

 

Power

Rear camera mount compatible with industry standard V-mount or Gold Mount battery plates.


 

Physical Specifications

  • Blackmagic URSA
  • Active EF Mount turret
  • Turret Dust Cap
  • 12V AC Adapter
  • Tripod mounting plate adapter
  • DaVinci Resolve

Lenses

  • Would the Canon EF70-200ISII EF 70-200 f/2.8L IS USM Lens suit my Blackmagic URSA camera?Daniel

    Hi Daniel

    If you have the EF Mount version of the Blackmagic URSA Camera, this lens will be suitable.


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