Articles tagged #LENS
Articles tagged
#LENS
Canon EOS C70 new compact Cinema EOS camera
Canon Australia launched the new EOS C70, it combines the image quality of the Cinema EOS System with the compact size, portability and flexibility of its EOS R line-up of cameras, so you get to enjoy the RF-Series lens range. The EOS C70 comes complete with pro interfaces and input/output terminals and ports, which makes it a suitable choice for a broad range of uses including documentaries, productions of all sizes, newsgathering, and events such as weddings. Content Creators wanting to achieve higher production quality for social media content on channels such as Instagram Stories or Reels or especially for TikTok, the C70 makes it much easier to capture thanks to the EOS C70’s vertical shooting capability.
Sony unveils new E-mount Cinema lens FE C 16-35mm T3.1 G
Sony introduced a new full-frame E-mount lens, 16-35mm (FE C 16-35mm T3.1 G) to accompany the newly announced PXW-FX9 full-frame format camcorder, offering high optical performance, reliable operability and intelligent shooting functions for professional video creation. Compatible with a wide range of E-mount cameras from VENICE to Alpha™ interchangeable lens cameras as well as the new flagship FX9, the addition of this new lens, optimised for professional video shooting, brings unprecedented creative flexibility for content creators. Sony will further enhance its Cinema Lens line-up going forward. "Our ongoing conversations with partners and customers have shown that there is a clear need for versatile tools which improve efficiencies and drive greater ROI (Return on Investment). Along with Sony’s “One Mount” solution based on its Alpha series, the flexibility of our new E-mount Cinema Lens series offers content creators greater creative freedom and helps them concentrate to their artistic vision," comments Anthony Kable, Group Manager Content Creation, Sony Australia. Lens for a new age of full-frame video shooting The new lens is compatible with intelligent shooting functions of E-mount system that support and improve Large Format Sensor (LFS) shooting. Paired with the new full-frame format camcorder FX9, the new lens supports fast and accurate auto focus, making it possible to track fast moving subjects while maintaining a shallow depth of field. Stunning bokeh and corner-to-corner resolution The two XA (Extreme Aspherical) elements with extreme surface precision of 0.01-micron, together with circular 11-blade apertures deliver beautifully smooth bokeh in every frame. The two XA elements and three aspheric lenses are positioned in a way that effectively reduces field curvature, astigmatism and, in combination with two ED (Extra-low Dispersion) glasses, reduces colour distortion. Additionally, floating focus provides outstanding resolution at every zoom position. Nano AR (Anti Reflection) coating drastically reduces flare and ghost phenomenon. Excellent operability with three independent rings, remote control from the camera, and a detachable servo zoom The new E-mount lens further offers accurate and precise operability thanks to three independent rings for focus, zoom and iris that content creators can manipulate so they get the exact results they desire. The linear response Manual Focus (MF) feature provides precise manual focusing action. The focus ring with a large rotation angle comes with a distance scale, which makes it possible to quickly and easily set the same focus position during scenes that need to be shot repeatedly. Used with compatible cameras such as FX9, remote controllers and supported smartphone applications, full-control of zoom/iris and focus can be operated from the camera. This drastically simplifies lens operation and give more opportunities to capture critical moments. The new range also supports numerous lens accessories to facilitate a variety of different shooting styles. The industry standard 0.8 mod. (32 pitch) gears on each lens ring provides the option to use standard follow focus. Equally, widely-available 115mm diameter matte box and lens support can be used to aid accurate, responsive and precise operability. Additional functions include a de-clickable iris ring, the option to reverse the rotation direction of the zoom ring to be fitted with user’s preference and detachable servo zoom that provides smooth zooming expression. The new 16-35mm (FE C 16-35mm T3.1 G) will be available from April 2020 onwards.
Canon focuses on 4K UHD Broadcast Lenses at NAB2018 - oh! and the C700 FF
Canon launched of three new portable zoom 4K UHD broadcast lenses1: the CJ24ex7.5B, CJ18ex7.6B and CJ14ex4.3B. These new additions are compatible with 4K UHD broadcast cameras that have 2/3-inch sensors. Flanking the existing UHDxs series of 4K portable broadcast lenses that deliver excellent optical performance, these three lenses usher in the newly launched UHDgc series that will broaden 4K UHD shooting options. These new lenses provide 4K UHD imaging quality at a price point that is more accessible to the majority of the broadcast market. Additionally, the new lenses provide impressive UHD optical performance while maintaining a compact and lightweight design to meet a wide range of needs for video productions that include documentaries, sports, events and news coverage.
New small and lightweight 4K Zoom lens from Fujifilm - UA24x7.8"
FUJIFILM announced the release of the new “FUJINON UA24x7.8BERD,” (“UA24x7.8”) achieving the world's smallest and lightest broadcast lens supporting 4K. The lens is scheduled for release in January 2018. Despite having a compact body, the “UA24x7.8” features a 24x high magnification zoom, covering a focal length from the wide angle of 7.8mm to 187mm. This portable zoom lens allows you to shoot high-definition, realistic videos for situations such as live sport broadcasting and press coverage. 4K video is spreading rapidly in countries such as Japan, Europe, and North America, with the introduction of the compact and lightweight “4K camcorder” camera, the need for compact and lightweight lenses continues to increase.
Canon launches compact cine-servo lens
Canon has unveiled a new Cinema EOS lens with cine-servo style functionality - the CN-E18-80mm T4.4 L IS KASS. Designed for professional and advanced amateur videographers using large-format, single-sensor cameras, the lens strengthens Canon’s line of cine-servo lenses, following in the footsteps of the CN7x17 and CN20x50. The latest addition offers the perfect balance of operability with outstanding precision and quality, giving videographers the power to capture exceptional footage.Available out-of-the-box, the lens includes a servo engine which is powered via EF mount connectors, supporting hand-held shooting. For increased versatility, Canon is launching the ZSG-C10, an optional dedicated zoom grip, ideal for use with hand-held rigs. Free of charge, Canon is also announcing today a firmware upgrade to the CN7x17 cine-servo lens, adding Dual Pixel CMOS AF, Push Auto Iris and one shot or continuous AF when used with Canon Cinema EOS C100 and C300 cameras[ii].Outstanding 4K optical performanceBased on Canon’s heritage in optical design and performance, the CN-E18-80mm T4.4 L IS KAS S is equipped with a resolving power that matches 4K, producing exceptionally high quality images. The 18-80 mm focal length equates to 4.4x zoom ratio with stable T4.4 number maintained across the entire zoom range from the center to the edges. Thanks to three Canon Image Stabilization modes, the lens ensures complete stability even during hand-held shooting, perfect for wedding videographers. The CN-E18-80mm T4.4 L IS KAS S also features a nine blade diaphragm, to give the much loved ‘bokeh’ look and is colour balanced, matching other Cinema EOS lenses.The perfect companion for single-shootersWeighing in at just 1.2kg, the CN-E18-80mm T4.4 L IS KAS S is Canon’s smallest and lightest cine-servo lens to date, providing instant benefits for mobile videographers, such as those shooting news and interviews. Its compact size and weight also means it can be used for drone-style shooting or in discreet or restricted positions. It’s also incredibly easy to function, negating the need to switch between lenses, opening up a variety of shooting opportunities for single users.Undeniable performanceThe CN-E18-80mm T4.4 L IS KAS S has an incredible servo performance as the servo unit is incorporated on the body, enabling precise digital zoom operations. Users such as documentary and filmmakers are able to achieve maximum speed and responsiveness with seamless switching between auto and manual focusing and zoom. For those using a shoulder-style rig or shooting hand-held in challenging positions, the ZSG-C10 is a perfect accessory – the grip simply attaches to the side of the lens, offering simple integration and zoom management. The lens features minimal focus breathing, thanks to the 3-group inner focus system. Users are able to quickly change focus without losing viewing angles, perfect for those capturing fast moving activity such as in adverts or corporate film.AvailabilityThe CN-E18-80mm T4.4 L IS KAS S will be available November 2016.
Fujifilm Announces Fujinon Cabrio XK6X20 Zoom Lens
FUJIFILM has announced that it will release the FUJINON XK6x20 as a new addition to its lineup of 4K-compatible digital cinema camera Cabrio zoom lenses in late June. Equipped with a PL mount*2, the most common format for cinema cameras, the XK6x20 is a standard zoom lens that delivers T3.5*1 brightness for the entire zoom range from 20mm to 120mm. The XK6x20 will be showcased for the first time at NAB 2016 to be held in Las Vegas at the LVCC from April 18 to 21, 2016. Designed for the video production and PL cine markets, this 20-120mm Cabrio features industry-proven Cabrio flexibility - at an affordable price. It is also equipped with a unique detachable servo drive unit, making it suitable for use as an ENG-style or standard PL lens. The 20-120mm Cabrio is also fitted with a nine-blade iris, to capture the most natural looking imagery possible. It comes equipped with all the lens data outputs that are required by today’s cine-style shooters. LDS and /i Tech metadata compatibility are very useful when users need to record the position information of zoom, iris, and focus for computer animation and similar postproduction operations. The digital servo on this new lens has 16-bit encoding, so operators can be assured that the lens data outputs are extremely accurate. The 20-120mm Cabrio XK can be controlled using cinema industry standard wireless controllers, as well as existing FUJINON wired units. Meanwhile, the zoom’s barrel markings are luminous for visibility in dark shooting situations - a nice-to-have touch that reflects the company’s deep understanding of real-life cinema shooting conditions. In recent years, the need for employing visual content that utilise mild bokeh created with high image quality and shallow depth-of-field lenses that are unique to cinema cameras has increased for shooting various scenes for commercials, concerts, documentaries and dramas. Fujifilm released FUJINON Cine Lenses compatible with digital cinema cameras in 2002. Since then, it has provided high-resolution, high-quality lenses for digital cinema camera customers in various production sites in the cinema and broadcasting industries. The XK6x20 digital cinema camera zoom lens offers high optical performance compatible with 4K cameras and covers a wide focal length range from 20mm to 120mm. It also realises T3.5 brightness throughout the entire zoom range. There is no T drop*3 and it offers comfortable operation enabling various scenes to be shot with this single lens. It also features 0.8mm gear pitch*4 for compatibility with standard cine accessories.
Fujinon launches 4K Zooms for 2/3-Inch Broadcast Applications at NAB 2015
Videocraft provides NSCC with Hybrid Broadcast Production Facility
#NAB2014 Products To Watch - Lenses
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