{"title":"Blackmagic UltraHD Sale","description":"\u003cp\u003eSharp pricing across a wide selection of Blackmagic Design cameras, studio switchers, streaming encoders, HyperDeck recorders and signal processing products. The UltraHD Sale covers the PYXIS 12K cinema camera range, ATEM Constellation 4K switchers, ATEM Television Studio 4K8, Blackmagic Streaming Encoder and Decoder 4K, HyperDeck Shuttle and Extreme recorders, HyperDeck Studio 4K Pro, Ultimatte 12 4K and Blackmagic 2110 IP Converter. Also includes permanent price reductions on the PYXIS 6K and Cinema Camera 6K range. Sale pricing ends 30 September 2026 and is subject to supplier availability. Orders may be subject to cancellation if stock is unavailable.\u003c\/p\u003e","products":[{"product_id":"blackmagic-design-web-presenter-4k","title":"Blackmagic Design Streaming Encoder 4K","description":"\u003cp\u003eThe Blackmagic Design Streaming Encoder 4K is a complete streaming solution that includes a professional hardware streaming engine for direct streaming via Ethernet to YouTube, Facebook, Twitter and more. It’s just like a modern broadcast television transmitter for a new global streaming audience. Additionally, the built-in USB connections function like a webcam, allowing you to connect a computer and use any streaming software, or even Skype or Zoom.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFor redundancy, you can stream to the internet via Ethernet or connect a 5G or 4G phone to use mobile data. The Web Presenter 4K also includes a technical monitoring output that includes video, audio meters, trend graphs and even SDI technical data.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe \u003cmeta charset=\"utf-8\"\u003eStreaming Encoder 4K combines all the Blackmagic Web Presenter HD features with an upgraded H.264 hardware encoder for native Ultra HD resolution streaming. The new \u003cmeta charset=\"utf-8\"\u003eStreaming Encoder 4K is a compact design that includes a 12G-SDI input with a down converter, which allows you to stream in 1080p HD or 2160p Ultra HD resolutions. This new model also simulates a USB webcam when connected to computers, and the USB webcam feature also supports 1080p HD or 2160p Ultra HD resolutions.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"title_3Dx0bIfIE-IxSQhNjp7-Yp\"\u003e\n\u003cdiv data-selenium=\"sellingPointsTitle\" class=\"text_2iIiQM2M98BvhYsiaXaYuw comfy_3Tv67P0yhL_J6BIUitJ2zo sizeTitle4_2iuXk4fiJdiSJrFwQaVSyO weightBold_uZPYIzc0akPVg32yaW2cS primary_ELb2ysditdCtk24iMBTUs\"\u003eKey Features\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cul class=\"list_22p_DbxsLr4MV-m3EOA_5T\"\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_1k-sWDbEV5fQJj1k-1SEFn\"\u003eLive Stream 4K Video to Internet\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_1k-sWDbEV5fQJj1k-1SEFn\"\u003eInput 12G\/6G\/3G-SDI Video up to UHD 4K\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_1k-sWDbEV5fQJj1k-1SEFn\"\u003eSDI\/HDMI Monitor Output up to 1080p60\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_1k-sWDbEV5fQJj1k-1SEFn\"\u003eSupports H.264\/RTMP Streaming Protocol\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_1k-sWDbEV5fQJj1k-1SEFn\"\u003eUse USB Type-C as Webcam or 5G\/4G Tether\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_1k-sWDbEV5fQJj1k-1SEFn\"\u003eSDI Loop Output, 10\/100\/1000 Ethernet\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_1k-sWDbEV5fQJj1k-1SEFn\"\u003eRedundant AC and DC Power Inputs\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_1k-sWDbEV5fQJj1k-1SEFn\"\u003eMac, Win, Linux \u0026amp; Chromebook Compatible\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_1k-sWDbEV5fQJj1k-1SEFn\"\u003eWorks with ATEM Streaming Bridge Option\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":40594913820801,"sku":"BLA-BDLKWEB\/D\/SED4K","price":915.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/blackmagic-design-video-production-default-title-blackmagic-design-web-presenter-4k-30571772706945.jpg?v=1742892903"},{"product_id":"blackmagic-design-hyperdeck-studio-4k-pro","title":"Blackmagic Design HyperDeck Studio 4K Pro","description":"\u003cspan style=\"color: rgb(51, 51, 51); font-family: \" helvetica neue arial sans-serif rgb font-size:=\"\" background-color:=\"\"\u003eT\u003c\/span\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-family: \" helvetica neue arial sans-serif rgb font-size:=\"\" background-color:=\"\"\u003ehe Blackmagic Design HyperDeck Studio 4K Pro has all the features of the HD models, combined with incredible processing for working in Ultra HD. \u003c\/span\u003e\u003cspan style=\"color: rgb(51, 51, 51); font-family: \" helvetica neue arial sans-serif rgb font-size:=\"\" background-color:=\"\"\u003eThis model’s SDI has been upgraded to full 12G-SDI with a loop 12G-SDI output. The two SDI outputs are both 12G-SDI so you can play ProRes 4444 files for true Ultra HD fill and key out. The HDMI connections and the ProRes and DNx file formats all switch between SD, HD and Ultra HD television standards. Like the other models, H.264 is included for SD and HD, but then switches to H.265 when recording in Ultra HD. Even the networking has been upgraded to 10G Ethernet for incredible speed! You also get 2 redundant AC power supplies.\u003c\/span\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":40174516764801,"sku":"BLA-HYPERD\/ST\/DG4P","price":1899.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/blackmagic-design-video-production-default-title-blackmagic-design-hyperdeck-studio-4k-pro-30571774115969.jpg?v=1742892922"},{"product_id":"blackmagic-design-hyperdeck-extreme-4k-hdr","title":"Blackmagic Design HyperDeck Extreme 4K HDR","description":"\u003cp\u003e\u003cspan data-sheets-value=\"{\" blackmagic design hyperdeck extreme hdr features the trusted reliability of combined with new innovations such as space saving h.265 files optional internal cache luts and support. reduces file size by recording up to native in without compromising image quality. large touch screen ensures a perfect view your well control over all deck settings. data-sheets-userformat=\"{\"\u003eThe Blackmagic Design HyperDeck Extreme 4K HDR features the trusted reliability of HyperDeck combined with new innovations such as space saving H.265 files, optional internal cache, 3D LUTs and HDR support. The Hyperdeck Extreme 4K HDR reduces file size by recording up to native 4K in H.265 without compromising image quality. The large touch screen ensures a perfect view of your recording as well as control over all deck settings.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cspan data-sheets-value=\"{\" blackmagic design hyperdeck extreme hdr features the trusted reliability of combined with new innovations such as space saving h.265 files optional internal cache luts and support. reduces file size by recording up to native in without compromising image quality. large touch screen ensures a perfect view your well control over all deck settings. data-sheets-userformat=\"{\"\u003eThe Blackmagic Design HyperDeck Extreme has an innovative touch screen user interface with deck controls as well as a large screen to view their recording. HyperDeck Extreme also includes 2 media slots, 12G-SDI, analog connections for archiving, USB-C external disk recording, plus a front panel speaker and headphone jack. There's also an optional cache that eliminates dropped frames if their media becomes full or is too slow. Both AC and DC power connections are also included for studio or on-location use.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan data-sheets-value=\"{\" blackmagic design hyperdeck extreme hdr features the trusted reliability of combined with new innovations such as space saving h.265 files optional internal cache luts and support. reduces file size by recording up to native in without compromising image quality. large touch screen ensures a perfect view your well control over all deck settings. data-sheets-userformat=\"{\"\u003e\u003cbr\u003e\u003cbr\u003eWith its amazing versatility, HyperDeck Extreme is also great for live production as a master recorder, clip player and for recording ISO camera. The analog inputs allow customers to record from old videotapes, so legacy programming can be used on the latest streaming services or for use in editing. Digital signage is easy with HyperDeck Extreme as it has 10G Ethernet for fast media uploads, plus it features a simple remote control protocol. Customers can even use it as a field recorder as it includes HDMI, SDI and analog inputs with built-in scopes and 3D LUTs. The scopes also help customers' QA masters to ensure compliance with broadcast standards before streaming and broadcasting.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan data-sheets-value=\"{\" blackmagic design hyperdeck extreme hdr features the trusted reliability of combined with new innovations such as space saving h.265 files optional internal cache luts and support. reduces file size by recording up to native in without compromising image quality. large touch screen ensures a perfect view your well control over all deck settings. data-sheets-userformat=\"{\"\u003e\u003cbr\u003e\u003cbr\u003eThe innovative touch LCD user interface provides incredible control. On-screen, there are dedicated buttons for play, stop and record, plus a mini timeline for scrolling through their recordings. The LCD includes a heads up display of timecode, video standard, media status as well as audio meters. Scopes can be enabled via the touch screen as well as focus and exposure assist. There's also an extensive range of settings all controlled from the large LCD. Plus customers can load and save 3D LUTs.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan data-sheets-value=\"{\" blackmagic design hyperdeck extreme hdr features the trusted reliability of combined with new innovations such as space saving h.265 files optional internal cache luts and support. reduces file size by recording up to native in without compromising image quality. large touch screen ensures a perfect view your well control over all deck settings. data-sheets-userformat=\"{\"\u003e\u003cbr\u003e\u003cbr\u003eCFast media support allows customers to record to commonly available flash memory cards. The H.265 files are small enough to allow long recordings on standard CFast cards. Plus there are 2 CFast card slots so customers can swap out any full cards even during recording, allowing infinite length recording.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan data-sheets-value=\"{\" blackmagic design hyperdeck extreme hdr features the trusted reliability of combined with new innovations such as space saving h.265 files optional internal cache luts and support. reduces file size by recording up to native in without compromising image quality. large touch screen ensures a perfect view your well control over all deck settings. data-sheets-userformat=\"{\"\u003e\u003cbr\u003e\u003cbr\u003eSometimes their media can fill before customers change to a blank card, or if the card is too slow, then customers can get dropped frames in their recording. To eliminate this problem, customers can install a PCIe flash disk into HyperDeck Extreme to use as a record cache. This eliminates problems with CFast media or external disks, as the cache will automatically take over and record any content the media could not capture. Even if a card fills, the recording will continue to the cache until it’s swapped.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan data-sheets-value=\"{\" blackmagic design hyperdeck extreme hdr features the trusted reliability of combined with new innovations such as space saving h.265 files optional internal cache luts and support. reduces file size by recording up to native in without compromising image quality. large touch screen ensures a perfect view your well control over all deck settings. data-sheets-userformat=\"{\"\u003e\u003cbr\u003e\u003cbr\u003eCustomers will be ready for the latest HDR workflows with support for the latest HDR standards and an extremely bright screen with a wide colour gamut. The built-in scopes even change to HDR scopes when working in HDR formats. The bright LCD has a wider colour gamut so can handle both Rec. 2020 and Rec. 709 colorspaces. The built-in HyperDeck Extreme HDR LCD colour gamut can even handle 100% of the DCI-P3 format.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan data-sheets-value=\"{\" blackmagic design hyperdeck extreme hdr features the trusted reliability of combined with new innovations such as space saving h.265 files optional internal cache luts and support. reduces file size by recording up to native in without compromising image quality. large touch screen ensures a perfect view your well control over all deck settings. data-sheets-userformat=\"{\"\u003e\u003cbr\u003e\u003cbr\u003eHyperDeck Extreme features full internal waveform monitoring so customers can ensure compliance to broadcast standards when used on high-end work. The waveform display provides a traditional luminance (brightness) levels view of their input or playback signal. The vectorscope display allows customers to see the intensity of colour at 100% SDI reference levels. Customers also get RGB and YUV parade displays which are ideal for colour correction and checking for illegal levels. The histogram shows the distribution of white to black detail in their images and highlights or shadows clipping.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan data-sheets-value=\"{\" blackmagic design hyperdeck extreme hdr features the trusted reliability of combined with new innovations such as space saving h.265 files optional internal cache luts and support. reduces file size by recording up to native in without compromising image quality. large touch screen ensures a perfect view your well control over all deck settings. data-sheets-userformat=\"{\"\u003e\u003cbr\u003e\u003cbr\u003eH.265 files are extremely small and range from 60:1 to 285:1 compression ratios which means much lower file sizes. Plus H.265 is now supported on all major operating systems. HyperDeck Extreme even supports Apple ProRes 422 HQ, ProRes 422, ProRes 422 LT for recording and playback plus ProRes 4444 for playback to fill and key out. This means files will be compatible with software such as DaVinci Resolve, Media Composer, Premiere Pro or Final Cut Pro X.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan data-sheets-value=\"{\" blackmagic design hyperdeck extreme hdr features the trusted reliability of combined with new innovations such as space saving h.265 files optional internal cache luts and support. reduces file size by recording up to native in without compromising image quality. large touch screen ensures a perfect view your well control over all deck settings. data-sheets-userformat=\"{\"\u003e\u003cbr\u003e\u003cbr\u003eWith 10G Ethernet, HyperDeck Extreme is perfect for digital signage because remote uploads are extremely fast. It uses an easy text-based protocol plus customers can use Telnet to test control commands. To upload media files remotely, customers can use FTP, or even use simple FTP client software. When the ethernet protocol and FTP are used with large USB-C disk arrays, HyperDeck Extreme becomes a great broadcast server for ingest, media management and playout.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":40174538653825,"sku":"BLA-HYPERD\/RSTEX4KHDR","price":3558.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/blackmagic-design-video-production-default-title-blackmagic-design-hyperdeck-extreme-4k-hdr-30571849646209.jpg?v=1744597865"},{"product_id":"blackmagic-design-ultimatte-12-4k-keyer-advanced-compositing-processor","title":"Blackmagic Design Ultimatte 12 4K Keyer Advanced Compositing Processor","description":"\u003cp\u003eThe Blackmagic Design Ultimatte 12 4K Keyer Advanced Compositing Processor is an advanced real-time compositing processor designed for keying live-action video with next-generation broadcast graphics, virtual sets and more. Ultimatte 12 features new algorithms and colour science, incredible edge handling and colour separation, amazing colour fidelity, and better spill suppression than ever before. The high-performance 12G-SDI design gives you the power to work in Ultra HD and HD with sub-pixel processing for an amazing image.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cstrong\u003eAdvanced Real-Time Compositing\u003c\/strong\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003eUses new algorithms and colour science, improved edge handling, colour separation, colour fidelity, and spill suppression to create photorealistic composites in UHD 4K and HD, all in real-time.\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003eDesigned for news, sports, narrative film and television, and entertainment productions using fixed cameras, static backgrounds, or virtual set systems. The ability to layer augmented reality objects enables talent to pre-visualize virtual sets when using a green screen.\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eMulticamera Use\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003eNew technology enables the Ultimatte 12 to add accurate keying parameters to multiple cameras, accounting for slight variations between the camera positions\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eRealistic Augmented Reality Layer\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003eA new \"realistic\" layer compositing mode enables you to add translucent or tinted objects on top of the foreground.\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eOne-Touch Keying\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003eOne-touch keying dramatically lessens the time it takes to pull a key, using the auto key to set over 100 parameters once your set is well-lit and white-balanced.\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eAdvanced Image Processing\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003eAdvanced image processing algorithms and immense colour space are used to generate internal mattes, so different parts of the image can be processed separately based on the colours in each area. This processing produces fine detail on hair and smooths colour and object transitions with both HD and UHD 4K video.\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eHighest Colour Fidelity\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003eRefined flare, edge, and transition processing enable you to remove the background without affecting the colours you want to retain, faithfully reproducing colours that are impossible on other keyers, such as a bright yellow dress in front of a green screen.\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eShadows and Transparencies\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003eImproved flare algorithms can remove green tinting and spill from almost anything, creating true, realistic-looking virtual environments, even when using shadows or transparent objects with reflections.\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eHigh-Quality Interfaces\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003eHigh-quality connections include an Ethernet port, a GPI tally trigger, 12G-SDI BNC ports that support up to UHD 4K video, and Program video outputs.\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eDedicated Compositing Inputs\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003eDedicated connectors with loop outputs that are used for compositing include:\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eInputs:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBackground\u003c\/li\u003e\n\u003cli\u003eBackground matte\u003c\/li\u003e\n\u003cli\u003eGarbage matte\u003c\/li\u003e\n\u003cli\u003eForeground\u003c\/li\u003e\n\u003cli\u003eHoldout matte\u003c\/li\u003e\n\u003cli\u003eLayer\u003c\/li\u003e\n\u003cli\u003eLayer matte\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eOutput:\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eProgram out\u003c\/li\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":40174549926017,"sku":"BLA-ULTMKEY12\/C\/4K","price":3173.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/blackmagic-design-video-production-default-title-blackmagic-design-ultimatte-12-4k-keyer-advanced-compositing-processor-30576515416193.jpg?v=1742893926"},{"product_id":"blackmagic-design-studio-camera-4k-pro-g2","title":"Blackmagic Design Studio Camera 4K Pro G2","description":"\u003cp\u003eThe Blackmagic Design Studio Camera 4K Pro G2 offers professional connectivity options, including 12G-SDI and 10GbE Ethernet, and also supports live streaming. This camera seamlessly integrates with robust SDI video switchers, providing 12G-SDI output and program return for camera control, talkback, and tally functions. With the Ethernet connection, users can establish an SMPTE-style workflow with a more affordable single-cable setup that includes PoE (power over Ethernet). The 4K Pro model retains the XLR audio, Blackmagic Raw recording, HDR capabilities, 7-inch touchscreen monitor, HDMI output, and Micro Four Thirds lens mount of its predecessor.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe advantages of a large studio camera are condensed into a single, portable design by the Blackmagic Studio Camera 4K Pro G2. Its thin, lightweight carbon fibre-reinforced polycarbonate body offers cutting-edge technologies in a compact form. The camera's 7 Inch viewfinder makes it simple to monitor and frame shots because it is made for live production. Your switcher, software, touchscreen menus for camera settings, and knobs for brightness, contrast, and focus peaking are all available for control. Your setup is sped up by the accompanying tripod mount with 15mm LWS rod ports and mounting plate.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe Blackmagic Studio Camera 4K Pro G2 model is built for use with powerful SDI switcher processes and features 12G-SDI, 10GbE Ethernet, talkback, and balanced XLR audio inputs. HDMI with tally, camera control, a record trigger, headphone and mic connectors including dual XLR ports, and two USB Type-C expansion ports are just a few of the interfaces made for both broadcast and consumer components. Your setup will be quicker and more economical thanks to the 10G Ethernet, which enables all video, tally, talkback, and camera power over a single connection.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe Blackmagic Studio Camera 4K Pro G2 has built-in live streaming, so you can use it as a remote camera anywhere in the globe and produce an H.264 live feed that is broadcast over the internet back to your studio. Even better, you can use one of the USB-C ports on your 4G or 5G smartphone to back up your Ethernet link. An ATEM Streaming Bridge that also provides tally, talkback, and camera control converts the live feedback to video in the studio.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003eWith gain ranging from -12 dB (100 ISO) to +36 dB (25,600 ISO), the Blackmagic Studio Camera 4K Pro G2 is designed to minimise grain and noise in images while preserving the whole dynamic range of the sensor. The recommended native ISO for use in studio lighting is 400. While photographing in dimly lit settings, the secondary high-base ISO of 3200 is ideal. By using the SDI or Ethernet remote camera control, the gain can be adjusted directly from the camera or remotely from a switcher.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003eYou may create cinematic images for live production using the incredible 4K sensor in combination with Blackmagic generation 5 colour science, which is the same imaging technology used in digital film cameras. Also, you obtain far better photos than with straightforward broadcast cameras when you combine them with the integrated DaVinci Resolve primary colour corrector. Even the switcher itself can be used to regulate the colour corrector. The Studio 4K Pro G2 camera's 13 stops of dynamic range results in darker blacks and brighter whites, making it ideal for colour correction. The sensor's 4096 x 2160 resolution makes it ideal for both HD and Ultra HD operations. Moreover, all models offer frame rates of 23.98 to 60.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe Studio Camera 4K Pro G2 is compatible with a large selection of reasonably priced photographic lenses thanks to the well-liked MFT lens mount. The fact that photographic lenses are made for use in high-resolution photography accounts for their extraordinary quality. Moreover, the active lens mount enables remote lens adjustment. With the optional focus and zoom demands, you can adjust a suitable lens from the tripod handles, just like a huge studio camera, eliminating the need to reach around to adjust them. By doing this, you may follow pictures and use the camera without taking your hands off the tripod and avoiding camera shake when adjusting the lens. It has the same sensation as a pricey B4 broadcast lens.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe 7\" high-resolution screen will significantly simplify framing photographs and completely change how you operate the camera. The HDR display on the Pro model has a tremendous amount of brightness, making it ideal for use outside in broad sunshine. On-screen overlays display information such as levels, frame guides, the histogram, focus peaking indicators, status and record settings, and more. Even 3D LUTs can be used to monitor shots with the appropriate colour and appearance. The touchscreen contains menus as well, and you may load and modify presets for certain tasks. The provided sunshade is compatible with sunshades from the Blackmagic Studio Viewfinder and can be folded to cover the screen during transport.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":40174557167745,"sku":"BLA-CINSTUDMFT\/G24PDFG2","price":2219.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/blackmagic-design-cameras-default-title-blackmagic-design-studio-camera-4k-pro-g2-30571908006017.jpg?v=1747050514"},{"product_id":"blackmagic-design-atem-4-m-e-constellation-4k","title":"Blackmagic Design ATEM 4 M\/E Constellation 4K","description":"The Blackmagic Design ATEM 4 M\/E Constellation 4K is a massive 4 M\/E Ultra HD live production switcher. It features 40 standards converted 12G-SDI inputs, 24 12G-SDI aux outputs, 4 DVEs, 16 ATEM Advanced Chroma Keyers, 4 media players, 4 independent Ultra HD multi viewers, 2 SuperSource processors and more. You even get built-in talkback and a professional 156-channel Fairlight audio mixer with EQ and dynamics.","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":40174561263745,"sku":"BLA-SWATEMSCN2\/2ME4\/4K","price":10927.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/blackmagic-design-video-production-default-title-blackmagic-design-atem-4-m-e-constellation-4k-30571902369921.jpg?v=1744598367"},{"product_id":"blackmagic-design-atem-television-studio-4k-8","title":"Blackmagic Design ATEM Television Studio 4K8","description":"\u003cp\u003e\r\n  The Blackmagic Design ATEM Television Studio 4K8 is a powerful Ultra HD live production switcher with a built-in broadcast control panel. Get a fully featured broadcast quality live production studio with 8 12G-SDI inputs, 10 12G-SDI aux outputs for external recorders, 4 port 10G Ethernet switch, built-in streaming, master recorder, multiview, USB webcam support, 2 DVEs, SuperSource, 4 ATEM Advanced Chroma Keyers, 2 media players, talkback and more.\r\n\u003c\/p\u003e\r\n\u003cp\u003e\r\n   \r\n\u003c\/p\u003e\r\n\u003cp\u003e\r\n   \r\n\u003c\/p\u003e\r\n\u003cdiv\u003e\r\n    \u003cdiv\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003eThe Blackmagic Design ATEM Television Studio 4K8 adds an all-in-one live streaming switcher to your television studio, remote production, or live venue.  This compact, redesigned live TV switcher is a great fit for any streaming production, providing eight 12G-SDI inputs that support up to UHD 4K60 video, built-in live streaming, USB webcam support, a 58-channel audio mixer, chroma keyers, DVE, transitions, media players, internal recording, and talkback support. The switcher is also compatible with the Blackmagic Cloud, so your program recordings can be available immediately from anywhere around the globe.\u003c\/div\u003e\r\n                \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n    \u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n    \u003cdiv\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\u003cstrong\u003eLive Production\u003c\/strong\u003e\u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\r\n                \u003cdiv\u003eYou get an incredibly powerful 8-input switcher with both program and two aux outputs, so you have everything you need for mobile production. That means you can connect up to 8 sources. Plus, you get professional camera control, talkback, and audio mixing, all designed into a familiar broadcast panel.\u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\r\n                \u003cdiv\u003e\r\n                    \u003cdiv\u003e\u003cstrong\u003eDistribution\u003c\/strong\u003e\u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n                \u003cdiv\u003eWith a built-in hardware streaming engine, you can live-stream your event to a global audience. Recording to H.264 files with AAC audio means you get the correct format to upload to YouTube. Plus, you share live broadcasts with your audience by using the aux outputs and large screens and projectors.\u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n    \u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n    \u003cdiv\u003e\r\n        \u003cdiv\u003e\r\n            \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n            \u003cdiv\u003e\u003cstrong\u003eProduction Switcher Control\u003c\/strong\u003e\u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003eYou get an advanced broadcast-grade switcher, with built-in ATEM Advanced Chroma Keyers, Fairlight audio mixer, DVE, still store for graphics, and more. Most of the features can be operated from the front panel, or you can use the free ATEM Software Control on macOS or Windows to access even more features.\u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n    \u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n    \u003cdiv\u003e\r\n        \u003cdiv\u003e\r\n            \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n            \u003cdiv\u003e\u003cstrong\u003eEasy Setup and Usage\u003c\/strong\u003e\u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\r\n                \u003cdiv\u003eSimply press any of the program row buttons on the front panel to cut between video sources. Or you can pre-select a source on the preview row and then choose between cut or effect transitions by selecting the cut or auto buttons. You can select from exciting transitions, such as dissolve, or more dramatic effects, such as dip to colour, DVE squeeze, and DVE push. You can even add a DVE for picture-in-picture effects with customized graphics. There are also media players, which let you store graphics with alpha channels for titles and graphics that you can load as live video inputs. Then, you can live stream the results.\u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n    \u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n    \u003cdiv\u003e\r\n        \u003cdiv\u003e\r\n            \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n            \u003cdiv\u003e\u003cstrong\u003eRedesigned Front Panel\u003c\/strong\u003e\u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003eThe front panel includes buttons for selecting sources, triggering transitions, and setting up video effects. Plus, the buttons are the same high-end type used on expensive broadcast switchers. You also get a built-in T-bar for manual transition control and a three-axis joystick. The front panel even has an innovative audio mixer-control area with live metering on a dedicated LCD. There are also buttons for recording and streaming control, plus live aux switching that lets you change aux outputs between all 8 cameras, program, preview, or the multiview.\u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n    \u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n    \u003cdiv\u003e\r\n        \u003cdiv\u003e\r\n            \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n            \u003cdiv\u003e\u003cstrong\u003eBroadcast-Style Mix\/Effects Switching\u003c\/strong\u003e\u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\r\n                \u003cdiv\u003eATEM Television Studio uses a professional program\/preview style of operation, which is exactly the way large broadcasters use live production switchers. However, ATEM Television Studio can be switched to A\/B style switching, which is easier when it's used by volunteers or community groups. However, if you want to operate the switcher like a broadcast professional, then the program\/preview is perfect. This means a source won't be put on air until you press the cut or auto button. This two-step process means you see what you are selecting before putting it to air, so you get fewer mistakes.\u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n    \u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n    \u003cdiv\u003e\r\n        \u003cdiv\u003e\r\n            \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n            \u003cdiv\u003e\u003cstrong\u003eAdd Exciting Video Effects\u003c\/strong\u003e\u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003eOne of the benefits of ATEM Television Studio is the range of professional built-in video effects. The cut button ensures an instant cut when switching between sources. The T-bar fader can be used to transition video effects, or you can do the transition automatically by pressing the auto button. Auto uses the transition duration set in the system control. You can also select the type of effect you want, including mix, which does a smooth transition between sources, or dip which transitions via a third video source, such as a colour generator. There is a wide range of SMPTE wipes included, plus DVE effects that slide or squeeze the image off-screen when transitioning between video sources.\u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n    \u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n    \u003cdiv\u003e\r\n        \u003cdiv\u003e\r\n            \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n            \u003cdiv\u003e\u003cstrong\u003eCreative Transitions\u003c\/strong\u003e\u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003eATEM Television Studio includes the same kind of transitions found on expensive broadcast switchers. This means the effects and transitions can be customized in many different ways, so they are surprisingly powerful. You'll never stop finding new ways of using them. That's because all transitions can be customized by adjusting parameters such as duration, border colour, border width, position, and direction. You can even use the DVE with a wipe transition, where the DVE moves a graphic over the wiping edge. That's called a graphic wipe, often used in sports broadcasting. The preview transition button can be used to set up effects offline, which is great for eliminating mistakes.\u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\r\n                \u003cdiv\u003e\r\n                    \u003cdiv\u003e\u003cstrong\u003eBuilt-In DVE\u003c\/strong\u003e\u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n                \u003cdiv\u003eATEM Television Studio HD features an independent DVE that lets you reposition graphics and create picture-in-picture compositions. You get amazing quality and the DVE supports the position, resize, and scale, all in real-time. The DVE lets you create professional picture-in-picture effects with customizable 3D borders, shadows, and lighting. DVEs can also be used to create amazing DVE transitions with squeeze, swoosh, and push effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your graphic wipe transitions. Plus, there is also a SuperSource multilayer processing engine with 4 extra DVEs.\u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n    \u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n    \u003cdiv\u003e\r\n        \u003cdiv\u003e\r\n            \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n            \u003cdiv\u003e\u003cstrong\u003eSupports Internal Media\u003c\/strong\u003e\u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003eThe built-in media pool stores broadcast-quality graphics and animations that can be played back using the built-in media players. Media players appear as independent sources, so you don't need to waste any of the SDI inputs for graphics. For the highest quality, all media supports RGB colourspace with alpha channel, allowing transparency and layering. The media pool can hold 20 HD resolution stills. Motion graphics clips for animations and stingers can be up to 720 frames in 720HD, 360 frames in 1080HD, and 90 frames in UHD 4K. ATEM Software Control allows you to upload and manage media. You can even prepare graphics in Adobe Photoshop and then download them to the media pool using the free ATEM \u003cbr\u003e\u003cstrong\u003ePhotoshop plug-in.\u003c\/strong\u003e\n\u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n    \u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n    \u003cdiv\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003eIncludes 4 ATEM Advanced Chroma Keyers\u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\r\n                \u003cdiv\u003eATEM Television Studio is perfect for news and on-set presentation work because it features 4 ATEM Advanced Chroma Keyers for green screen keying effects. The chroma keyers are incredibly powerful and include features such as a colour picker to sample background colours for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground colour corrector, so you can match the foreground and background layers for seamless compositions. You can even use it for title overlays by creating graphics with a green or blue background. With 4 ATEM Advanced Chroma Keyers, ATEM Television Studio is perfect for creating fixed-camera virtual sets.\u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n    \u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n    \u003cdiv\u003e\r\n        \u003cdiv\u003e\r\n            \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n            \u003cdiv\u003e\u003cstrong\u003eSuperSource Processing\u003c\/strong\u003e\u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003eIn addition to the DVE in the ATEM Television Studio, there is also a powerful SuperSource multilayer processor. SuperSource gives you 4 extra DVE layers plus a background layer, all layered together as an additional input source. Any video input can be used as sources for each DVE, then it's all layered together over a media pool custom background or live video. SuperSource is perfect for doing multiple picture-in-picture displays with people being interviewed because you can set up the effect, so the viewer can see each person being interviewed, all within a stylish graphic. SuperSource is just like having a completely independent multi-layer VFX switcher built in.\u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n    \u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n    \u003cdiv\u003e\r\n        \u003cdiv\u003e\r\n            \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n            \u003cdiv\u003e\u003cstrong\u003e8 Standards-Converted 12G-SDI Inputs\u003c\/strong\u003e\u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003eThe ATEM Television Studio HD features 8 independent 12G-SDI inputs, with each input featuring its own dedicated standards converter. That means it's possible to convert any input source to the HD or UHD video standard of the switcher. You could have each switcher's SDI input running a different television standard and all the inputs would just work.\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                    \u003cp\u003eSDI input audio channels 1, 2, 3, and 4 can also be manually routed to various embedded audio channels in the program and aux outputs. Plus, you can even router out audio channels 1 and 2 from the SDI inputs to the MADI digital audio output, so you can hand off the switcher input audio to an external audio engineer for mixing.\u003c\/p\u003e\r\n                \u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n    \u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n    \u003cdiv\u003e\r\n        \u003cdiv\u003e\r\n            \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n            \u003cdiv\u003e\u003cstrong\u003e12G-SDI Outputs with 16-Channel Embedded Audio\u003c\/strong\u003e\u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003eThe ATEM Television Studio includes twelve 12G-SDI program outputs, so you get enough connections to send a separate program return feed to all of your cameras. That's important because the SDI program return is used to send tally, talkback, and control information back to the cameras.\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                    \u003cp\u003eYou also get two dedicated aux outputs for driving stage monitors and master recorders. These aux outputs can be live-switched using dedicated buttons on the control panel. Aux 1 even includes an onscreen counter for presenter monitoring. Plus, you can manually route audio into all 16 embedded audio channels in the SDI outputs. For camera monitoring, there is a dedicated 12G-SDI and HDMI 2.0 output for the multiview.\u003c\/p\u003e\r\n                \u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n    \u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n    \u003cdiv\u003e\r\n        \u003cdiv\u003e\r\n            \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n            \u003cdiv\u003e\u003cstrong\u003e16-Source Multiview on a Single Monitor\u003c\/strong\u003e\u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\r\n                \u003cdiv\u003eWhen doing larger live productions with multiple cameras, it's vital to see all your video sources at the same time on a single monitor. ATEM Television Studio HD includes a professional multiview that lets you see all video inputs, previews, and programs on a single SDI or HDMI monitor. You can even send the multiview to the aux outputs. Each camera view includes tally indicators, so you know when each source is on air, plus each view has custom labels and audio meters. You can fully customize the multiview layout with up to 16 simultaneous views. You can also select one of the additional status views that lets you track recording, streaming, and the audio mixer status, right from the multiview.\u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n    \u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n    \u003cdiv\u003e\r\n        \u003cdiv\u003e\r\n            \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n            \u003cdiv\u003e\u003cstrong\u003eAdd Audio Expansion for More Microphones\u003c\/strong\u003e\u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003eIf you're building a podcasting studio or you need more microphones, then the ATEM Microphone Converter allows audio input expansion. It connects to the ATEM Television Studio using the MADI port, so there's no complex setup and you can daisy-chain units to add more inputs. Each converter has 4 analog inputs that are mic\/line selectable and have phantom power.\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                    \u003cp\u003eThe design features amazing quality with an extremely low noise floor of -129 dBV, a dynamic range of 131 dB(A), low distortion of 0.002%, and uniform tolerances across all channels. It even uses 8 separate ADCs on each input to collectively extend the dynamic range. Plus, it has a fun HDMI monitoring output with scrolling audio waveforms.\u003c\/p\u003e\r\n                \u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n    \u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n    \u003cdiv\u003e\r\n        \u003cdiv\u003e\r\n            \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n            \u003cdiv\u003e\u003cstrong\u003eRecord Direct to Internal Cloud Storage or USB Disks\u003c\/strong\u003e\u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\r\n                \u003cdiv\u003eATEM Television Studio HD supports recording to external USB flash disks. Or if an optional M.2 flash disk is installed, you can record directly to internal cloud storage. The internal storage plus any external USB disks will be available to share over the local Ethernet network so that other people can work on postproduction tasks such as editing, colour correction, and graphics preparation.\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                    \u003cp\u003eAll recordings are in H.264 format with AAC audio for broadcast-quality video and small file sizes. You can also connect multiple USB disks, so recording will continue if a disk becomes full. You even get buttons on the control panel to start recording, and you can see the record status in the multiview.\u003c\/p\u003e\r\n                \u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n    \u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n    \u003cdiv\u003e\r\n        \u003cdiv\u003e\r\n            \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n            \u003cdiv\u003e\u003cstrong\u003eOutputs to Any Software that Supports USB Webcams\u003c\/strong\u003e\u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003eYou can use any video software with ATEM Television Studio HD because the USB connection will emulate a webcam. That means you can plug into a computer and use any video software that works with a webcam. The software is tricked into thinking the ATEM Television Studio HD is a common webcam, but it's a live production switcher. That guarantees full compatibility with any video software and in full resolution 1080HD quality.\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                    \u003cp\u003eImagine doing a presentation from a professional broadcast studio to software such as Zoom, Teams, or Skype. For streaming, the webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster, and more.\u003c\/p\u003e\r\n                \u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n    \u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n    \u003cdiv\u003e\r\n        \u003cdiv\u003e\r\n            \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n            \u003cdiv\u003e\u003cstrong\u003eIncludes Free ATEM Software Control Panel\u003c\/strong\u003e\u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\r\n                \u003cdiv\u003eThe ATEM Software Control app unlocks the hidden power of ATEM Television Studio by allowing access to all the features in the switcher. ATEM Software Control features a visual switcher user interface with parameter palettes for making adjustments. Although you can connect via USB, if you connect using Ethernet, you can run multiple copies of ATEM Software Control on different computers.\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                    \u003cp\u003eThe software lets you live switch, mix audio, colour correct in the cameras, and manage media. You can also build and run complex macros from the software. Plus, you can save the switcher state as an XML file for recalling jobs later. You can even control trigger external HyperDeck recorders.\u003c\/p\u003e\r\n                \u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n    \u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n    \u003cdiv\u003e\r\n        \u003cdiv\u003e\r\n            \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n            \u003cdiv\u003e\u003cstrong\u003eLocalized for 13 Popular Languages\u003c\/strong\u003e\u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003eATEM Television Studio HD supports multiple languages in the menus and the ATEM Software Control, so you can customize it to the language you prefer. You get support in English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish, and Ukrainian languages.\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                    \u003cp\u003eSimply go into the setup menu to change the language, or you can always switch to another language at any time in the future. Once a language is selected, the menus on all the LCDs will change to the selected language. Multiple language support means ATEM Television Studio HD is perfect for doing live production work anywhere in the world and with any crew.\u003c\/p\u003e\r\n                \u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                \u003cdiv\u003e\u003cstrong\u003eFlexible and Redundant Power\u003c\/strong\u003e\u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003eThe all-in-one design of ATEM Television Studio includes a built-in power supply, so you don't have to carry around an external power brick. Simply plug it into any AC mains outlet and start live production. The international power supply automatically works from 100 to 240 VAC, so you can use it anywhere in the world. Plus, ATEM Television Studio includes both AC and DC power connections.\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                    \u003cp\u003eA broadcast-standard XLR 12 VDC power connection is included, which is perfect for backup power or for running on batteries. That means you can use it in extremely remote locations. Plus, if the internal power supply should malfunction, then you can simply connect an external DC supply to keep running.\u003c\/p\u003e\r\n                \u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n    \u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n    \u003cdiv\u003e\r\n        \u003cdiv\u003e\r\n            \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n            \u003cdiv\u003e\u003cstrong\u003eDesigned to Be Easy to Repair\u003c\/strong\u003e\u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003eWith so many features built-in, it's vital that ATEM Television Studio can be easily repaired. Plus, there is already a lot of built-in redundancy, with 4 Ethernet connections, 12 program SDI outputs, 2 USB ports, and 2 power connections. However, if someone trips on a cable and breaks a connector, then you need to be able to repair the connector at a low cost.\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                    \u003cp\u003eAll the internal electronic PCBs are modular, so any qualified technician can buy a replacement and easily swap the board. This includes the connector PCBs, which can be purchased separately. All the technician needs to do is remove the bottom cover and replace the PCB. A prominent broadcaster could even buy the boards as a spare parts kit.\u003c\/p\u003e\r\n                \u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n    \u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n    \u003cdiv\u003e\r\n        \u003cdiv\u003e\r\n            \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n            \u003cdiv\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003c\/div\u003e\r\n            \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003e\u003cstrong\u003eCompact Broadcast Vans\u003c\/strong\u003e\u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003eWith the all-in-one design, you can build a new generation of ultra-compact broadcast vans. You don't need racks of equipment, so you can eliminate clutter for a much nicer work environment. For stability, you can even mount the switcher inset to the desk.\u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                \u003cdiv\u003e\u003cstrong\u003eMusic Venues and Clubs\u003c\/strong\u003e\u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003eSome of the most exciting venues, such as downstairs music venues or comedy clubs, are too small for racks of video equipment. However, ATEM Television Studio can be carried into any venue. It's also easy to pack up, even if the venue is still crowded.\u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                \u003cdiv\u003e\u003cstrong\u003eOnline Education\u003c\/strong\u003e\u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003eATEM Television Studio is perfect for creating educational content. As the ISO model records the video inputs, you can finesse edits, replace shots, and even add colour correction. Plus, you can even connect to Zoom to incorporate live chat with students.\u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                \u003cdiv\u003e\u003cstrong\u003eLive Sports\u003c\/strong\u003e\u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003eATEM Television Studio is perfect for live sports because it has a simple design that's easy for community volunteers to use. It can be installed in sports clubs or taken on the road with the team. With up to 8 cameras, you'll catch all the exciting angles.\u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n    \u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":40174561558657,"sku":"BLA-SWATEMTVSTC\/K4K8\/0","price":5849.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/blackmagic-design-video-production-default-title-blackmagic-design-atem-television-studio-4k8-30571901583489.jpg?v=1742894594"},{"product_id":"blackmagic-design-cinema-camera-6k-l-mount","title":"Blackmagic Design Full Frame Cinema Camera 6K (L-Mount)","description":"\u003cp\u003eThe Blackmagic Design Full Frame Cinema Camera 6K (L-Mount) is a next-generation, handheld 6K digital film camera with a 6048 x 4032 full frame high-resolution HDR sensor, dual native ISO, L-Mount, CFexpress recording and the ability to record directly to USB-C disks. The Blackmagic Cinema Camera 6K features an OLPF for better detail handling and records stunning 12-bit Blackmagic RAW for cinematic images as well as real-time H.264 proxies.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/JKLwjRIGJbw?si=ZFnmABeB5EzYZgBy\" title=\"YouTube video player\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eBased around a full-frame 6K sensor and an active Leica L lens mount, this high-end camera features rich colours, accurate skin tones, a wide, 13-stop dynamic range, and a built-in OLPF filter (optical low pass) that is tailored specifically to the massive 24 x 35mm sensor. ENG users and other on-the-go shooters will appreciate the ability to record both deep bit-depth Blackmagic Raw and H.264 proxies simultaneously to Blackmagic Cloud. The Cinema Camera 6K takes a step up from the Pocket Cinema Camera line but handily retains the ability to use all the existing PCC accessories.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFull-Frame 6K Sensor\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eA massive full-frame sensor with a native resolution of 6048 x 4032 enables you to shoot with a shallow depth of field and to use anamorphic lenses uncropped for a truly cinematic look. The sensor's 13 stops of dynamic range with dual native 400 and 3200 ISOs extending up to 25,600 provide stunning, low-noise images in all lighting conditions including bright sunlight and very low light levels.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCinematic Full-Frame Flexibility\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThe Blackmagic Cinema Camera 6K's full-frame sensor provides the ability to work in a variety of film formats and aspect ratios without sacrificing quality.\u003c\/li\u003e\n\u003cli\u003eUsing the full area of the sensor gives you a unique open-gate 3:2 image which also enables you to reframe your shots in post-production.\u003c\/li\u003e\n\u003cli\u003eThe large sensor enables true 6:5 anamorphic without cropping, producing detailed, cinematic widescreen images in higher resolutions than previously possible.\u003c\/li\u003e\n\u003cli\u003eUse the classic Super35-sized window on the sensor to create an instant close-up of your shot that fits seamlessly with open gate footage.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAdvanced Leica L Mount\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe Leica L lens mount accommodates the Blackmagic Cinema Camera 6K's full-frame sensor while ensuring compatibility with both new and vintage lenses. With a large diameter of 51.6mm, the L mount is compatible with the latest full-frame lenses from manufacturers like Leica, Panasonic, and Sigma. Its very short flange distance of only 20mm means you can easily add Canon EF, ARRI PL, and other adapters for a variety of lens mounts without impacting image quality. The separately available EF adapter enables lens control and data transfer for compatible lenses.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMultiple Resolutions and Frame Rates\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThe Blackmagic Cinema Camera 6K captures all standard resolutions and frame rates from HD up to DCI 4K and 6K with still photos available up to 24.6MP.\u003c\/li\u003e\n\u003cli\u003eVideo rates include 6048 x 4032 3:2 open gate at 36 fps, 6048 x 2520 2.4:1 at 60 fps, and at 4096 x 2160 DCI 4K at 60 fps.\u003c\/li\u003e\n\u003cli\u003eHigher frame rates are captured with a windowed sensor at rates up to 2112 x 1184 Super16 at 100 fps.\u003c\/li\u003e\n\u003cli\u003eTrue anamorphic 6:5 at much higher resolutions than other cameras is available using anamorphic lenses in 4838 x 4032 4.8K at 24 fps.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePost-Friendly File Formats\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eHigh-resolution Blackmagic Raw recording enables you to control detail, exposure, and colour during post-production.\u003c\/li\u003e\n\u003cli\u003eThe Blackmagic Cinema Camera 6K can also record HD H.264 proxies in real time for easy media sharing around the globe in just minutes.\u003c\/li\u003e\n\u003cli\u003eBlackmagic Raw is highly optimized, multi-threaded, and able to work across multiple CPU cores. 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Media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e5\" LCD Touchscreen\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThe bright, HDR 5\" touchscreen LCD can be used for framing, focusing, and applying 3D LUTs for monitoring.\u003c\/li\u003e\n\u003cli\u003eOnscreen overlays show status, recording parameters, histograms, peaking, frame guides, levels, and more.\u003c\/li\u003e\n\u003cli\u003eThe tilt function makes it easy to view and adjust your settings, especially when shooting in high- or low-mode.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCFexpress or External Disk Recording | DaVinci Resolve Included\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThe Blackmagic Cinema Camera 6K records internally using a CFexpress card or externally via its USB-C port to an SSD or flash media disk.\u003c\/li\u003e\n\u003cli\u003eThe CFexpess cards are both more durable and faster than older media forms and can record up to 12-bit, full-resolution Blackmagic Raw files.\u003c\/li\u003e\n\u003cli\u003eA 256GB CFexpress card can capture over an hour of UHD 6K images.\u003c\/li\u003e\n\u003cli\u003eThe high speed of the CFexpress cards enables you to edit from them directly using the included DaVinci Resolve software.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eGen 5 Colour Science\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFeaturing the same generation 5 colour science as the high-end URSA Mini Pro 12K, the Blackmagic Cinema Camera 6K delivers even greater image quality with stunning, accurate skin tones and faithful color reproduction in every shot.\u003c\/li\u003e\n\u003cli\u003eA new dynamic 12-bit gamma curve is designed to capture more colour data in the highlights and shadows for better-looking images.\u003c\/li\u003e\n\u003cli\u003eThe Gen 5 color science also handles some of the complex Blackmagic RAW image processing, so color and dynamic range data from the sensor is preserved via metadata that can used in post-production. This means you get images that have a natural, film-like response to color adjustments in post using DaVinci Resolve.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eProfessional Connectors\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe Blackmagic Cinema Camera 6K may be compact but it features a range of pro interfaces. Connectors include a full-size HDMI video output, a USB-C expansion, and 12VDC ports.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBuilt-In Mics and Pro Audio Inputs\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eProfessional audio support includes two mini-XLR inputs with phantom +48V power for recording two separate audio tracks.\u003c\/li\u003e\n\u003cli\u003eAudio features include four built-in, shock- and wind-resistant microphones with an extremely low noise floor.\u003c\/li\u003e\n\u003cli\u003eThis camera also incorporates a 3.5mm stereo input, a playback speaker, and a 3.5mm headphone output\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBluetooth Camera Remote Control\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGet full control of your BMCC 6K G2 via Bluetooth from up to 30' away.\u003c\/li\u003e\n\u003cli\u003eUse the Blackmagic Camera Control app for your iPad.\u003c\/li\u003e\n\u003cli\u003eUse third-party apps such as Bluetooth+ or Trigger on your iOS and Android devices.\u003c\/li\u003e\n\u003cli\u003eIdeal for boom, jib arm, or other hard-to-reach setups or locations.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCarbon Fiber Composite Build\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThe Blackmagic Cinema Camera 6K has a mini form made from a lightweight carbon fibre polycarbonate composite.\u003c\/li\u003e\n\u003cli\u003eIt features a multifunction handgrip with complete controls for recording, ISO, WB, and shutter angle settings right at your fingertips.\u003c\/li\u003e\n\u003cli\u003eZoom, high-speed frame rate, setup menus, and playback are available using the conveniently located back panel controls.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDaVinci Resolve Studio License Included\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThis camera includes a full version of DaVinci Resolve Studio software.\u003c\/li\u003e\n\u003cli\u003eFeatures include a new cut page with intelligent tools and features for quickly finding the footage you want, editing it, and outputting it fast.\u003c\/li\u003e\n\u003cli\u003eUse DaVinci Resolve for editing, colour correcting, audio post-production, and visual effects.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHorizontal or Vertical Capture\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eEasily create cinematic vertical content for TikTok, YouTube Shorts, and other social media platforms.\u003c\/li\u003e\n\u003cli\u003eThe onscreen HUD (heads up) display rotates so critical information like frame rate, shutter angle, and frame guides, remains easy to view.\u003c\/li\u003e\n\u003cli\u003eClips are automatically tagged as vertical so they appear correctly in your timeline and are easy to upload to your channel with direct exporting to TikTok and YouTube.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePower Options\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003ePower the Blackmagic Cinema Camera 6K using Sony L-series type NP-F570 batteries, the included AC adapter with international plugs, or the separately available Battery Pro Grip. 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A built-in 4-inch HDR LCD touchscreen allows you to monitor your shots and make adjustments on the fly. The camera can record in both Blackmagic RAW for maximum quality and H.264 proxies for easier editing. It also features built-in streaming so you can broadcast live over Ethernet or 4G\/5G connections. The camera's modular design allows you to customize it for your specific needs with switchable side plates and various mounting threads. It also includes two CFexpress card slots for storage, a USB-C port, Ethernet, and 12G-SDI connections.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eUnboxing of the PYXIS\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/7iYMF_iUqws?si=lrBt2rHQ2uw4-mWQ\" title=\"YouTube video player\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLarge-Format Digital Film Sensor\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe PYXIS is equipped with a massive 24 x 36mm full-frame sensor with a native 6048 x 4032 resolution, making it 3x larger than a Super35 sensor. This allows you to shoot with a shallow depth of field or use anamorphic lenses without cropping for a truly cinematic look. A 13-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions. Shoot up to 36 fps at full sensor resolution or 120 fps windowed.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFlexible Film Formats\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eWork in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. At its full area, the sensor provides you with Open Gate 3:2 images for easier framing in post-production. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super35-sized window to create a close-up version of your shot.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eMultiple Resolutions and Frame Rates\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eShoot in standard video resolutions and frame rates from HD to 6K or still images at 24.6 MP using the PYXIS. For higher frame rates, you can window the centre and shoot up to 100 fps at 212 x 1184 Super 16. Other options include 6K Open Gate 3:2 at 36 fps, 4832 x 4032 anamorphic at 24 fps, and 1920 x 1080 at 120 fps, among other resolutions.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eHDR Imagery and Dual-Native ISO\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eA wide 13-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while still retaining details in the bright outdoor light coming through a window. An expanded colour range and included DaVinci Resolve Studio code give you creative freedom over the look of your footage. Dual-native ISO up to 25,600 minimizes grain and noise in your images while maintaining the full dynamic range of the sensor. ISO 400 is ideal for on-set lighting configurations, while ISO 3200 is perfect for dimly lit environments. The gain is automatically set as you adjust your ISO for intuitive control.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eCustomise Your Gear\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eMounting threads on the side of the PYXIS allow you to secure additional mounting plates and customize your gear configuration. The standard plate included with the PYXIS secures via M4 threads and adds two 1\/4\"-20 threads and one 3\/8\"-16 thread to the camera for microphones, articulating arms, or other accessories. An SSD plate offers two hook-and-loop straps for attaching a USB-C drive or mobile device, allowing you to directly record or live stream on the go. A separately available Rosette plate can be purchased for further expansion.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLCD Monitor and Onboard Controls\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eUse the built-in 4\" LCD touchscreen to monitor and review your shots on set. Its full HD resolution allows you to frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd\/m² ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.\u003c\/li\u003e\r\n    \u003cli\u003eOnboard controls allow you to toggle functions like ISO, white balance, and shutter with ease. A scroll wheel makes quick adjustments, and three customizable function buttons can tailor your workflow to your preference. The controls can be locked to avoid accidental pressing during shooting.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003ePost-Production File Formats\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe PYXS records in Blackmagic RAW to preserve control of detail, exposure, and colour during post-production. It also records H.264 proxy files in real time for easy sharing using the Blackmagic Cloud, Ethernet connection, or by connecting 5G\/4G mobile phones to the USB-C port for mobile connection. Media files work on all operating systems.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eMultiple Recording Options\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eTwo built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eBuilt-In SRT and RTMP Live Streaming\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eLive stream directly from the PYXIS on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS for live event production. If you want to share internally, use an ATEM Streaming Bridge for a wireless link back to the studio.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eExpansive Connectivity\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eThe front of the PYXIS boasts a USB-C port for the Blackmagic URSA Cine EVF and a mini 3-pin XLR analog audio input with +48V Phantom power for microphone integration.\u003c\/li\u003e\r\n    \u003cli\u003eThe back of the PYXIS has a headphone monitoring jack and an additional 3.5mm microphone input. Use the USB-C port at the back of the camera to connect to recording devices or mobile data. A 12G-SDI output integrates a secondary monitor. A Reference\/Timecode input port syncs your sources while an RJ45 Ethernet connection uploads footage to Blackmagic Cloud or controls the camera.\u003c\/li\u003e\r\n    \u003cli\u003ePower the PYXIS using the locking 2-pin DC power connector or the Sony BP-U battery plate.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":40174583742593,"sku":"BLA-CINECAMCPYXA60LFL","price":2879.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/blackmagic-design-cameras-default-title-blackmagic-design-pyxis-6k-cinema-box-camera-leica-l-30572011225217.jpg?v=1747051912"},{"product_id":"blackmagic-design-pyxis-6k-pl","title":"Blackmagic Design PYXIS 6K Cinema Box Camera (PL Mount)","description":"\u003cp\u003eThe Blackmagic Design PYXIS 6K Cinema Box Camera is a high-end camera designed for professional filmmakers. It features a full-frame 6K sensor that can capture stunning images with up to 13 stops of dynamic range. The camera also supports a variety of recording formats, including Blackmagic RAW and H.264 proxies. Additionally, the built-in ARRI PL lens mount allows you to use a wide range of professional lenses. With its versatile design and powerful features, the Blackmagic Design PYXIS 6K Cinema Box Camera is a great choice for various filmmaking applications.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eUnboxing of the PYXIS\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/7iYMF_iUqws?si=lrBt2rHQ2uw4-mWQ\" title=\"YouTube video player\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLarge-Format Digital Film Sensor\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe PYXIS is equipped with a massive 24 x 36mm full-frame sensor with a native 6048 x 4032 resolution, making it 3x larger than a Super35 sensor. This allows you to shoot with a shallow depth of field or use anamorphic lenses without cropping for a truly cinematic look. A 13-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions. Shoot up to 36 fps at full sensor resolution or 120 fps windowed.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFlexible Film Formats\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eWork in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. At its full area, the sensor provides you with Open Gate 3:2 images for easier framing in post-production. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super35-sized window to create a close-up version of your shot.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eMultiple Resolutions and Frame Rates\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eShoot in standard video resolutions and frame rates from HD to 6K or still images at 24.6 MP using the PYXIS. For higher frame rates, you can window the centre and shoot up to 100 fps at 212 x 1184 Super 16. Other options include 6K Open Gate 3:2 at 36 fps, 4832 x 4032 anamorphic at 24 fps, and 1920 x 1080 at 120 fps, among other resolutions.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eHDR Imagery and Dual-Native ISO\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eA wide 13-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while still retaining details in the bright outdoor light coming through a window. An expanded colour range and included DaVinci Resolve Studio code give you creative freedom over the look of your footage. Dual-native ISO up to 25,600 minimizes grain and noise in your images while maintaining the full dynamic range of the sensor. ISO 400 is ideal for on-set lighting configurations, while ISO 3200 is perfect for dimly lit environments. The gain is automatically set as you adjust your ISO for intuitive control.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eCustomise Your Gear\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eMounting threads on the side of the PYXIS allow you to secure additional mounting plates and customize your gear configuration. The standard plate included with the PYXIS secures via M4 threads and adds two 1\/4\"-20 threads and one 3\/8\"-16 thread to the camera for microphones, articulating arms, or other accessories. An SSD plate offers two hook-and-loop straps for attaching a USB-C drive or mobile device, allowing you to directly record or live stream on the go. A separately available Rosette plate can be purchased for further expansion.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLCD Monitor and Onboard Controls\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eUse the built-in 4\" LCD touchscreen to monitor and review your shots on set. Its full HD resolution allows you to frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd\/m² ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.\u003c\/li\u003e\r\n    \u003cli\u003eOnboard controls allow you to toggle functions like ISO, white balance, and shutter with ease. A scroll wheel makes quick adjustments, and three customizable function buttons can tailor your workflow to your preference. The controls can be locked to avoid accidental pressing during shooting.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003ePost-Production File Formats\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe PYXS records in Blackmagic RAW to preserve control of detail, exposure, and colour during post-production. It also records H.264 proxy files in real time for easy sharing using the Blackmagic Cloud, Ethernet connection, or by connecting 5G\/4G mobile phones to the USB-C port for mobile connection. Media files work on all operating systems.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eMultiple Recording Options\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eTwo built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eBuilt-In SRT and RTMP Live Streaming\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eLive stream directly from the PYXIS on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS for live event production. 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Set the exposure for an indoor scene while still retaining details in the bright outdoor light coming through a window. An expanded colour range and included DaVinci Resolve Studio code give you creative freedom over the look of your footage. Dual-native ISO up to 25,600 minimizes grain and noise in your images while maintaining the full dynamic range of the sensor. ISO 400 is ideal for on-set lighting configurations, while ISO 3200 is perfect for dimly lit environments. The gain is automatically set as you adjust your ISO for intuitive control.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eCustomise Your Gear\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eMounting threads on the side of the PYXIS allow you to secure additional mounting plates and customize your gear configuration. 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