{"title":"Cameras","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAre you looking to buy your next premium-quality camera? Look no further with our leading and professional camera brands, including Canon, Panasonic, Sony, RED, and more. Whether you’re shooting in a studio or capturing a live stream set, choosing the right camera has never been easier with our great range of professional camcorders, digital cine cameras, broadcast cameras, studio cameras, drones, and aerial cameras.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"sony-pxw-z200-4k-pro-camera-with-sdi","title":"Sony PXW-Z200 4K 1-Inch Sensor Pro Camera with SDI","description":"\u003cp\u003eThe Sony PXW-Z200 4K Pro Camera with SDI and timecode offers high-quality video with features like 4K full-pixel readout, BIONZ XR image processing, and a 1.0-type Exmor RS CMOS sensor. It boasts a 20x power zoom G Lens, optical SteadyShot, and a variable ND filter. With AI-powered autofocus, S\u0026amp;Q Motion, and interoperability with Cinema Line cameras, the PXW-Z200 is ideal for both beginners and professionals seeking a versatile, all-in-one camcorder.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/u4Ewgw_74FI?si=3MLGGVXl4ZwZG443\" title=\"YouTube video player\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eShoot \u0026amp; Share with One Camcorder\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eHigh image quality, AI-powered Subject Recognition AF, a wide zoom range, and support for 709tone, S-Cinetone™ and more for effortless colour matching.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe Sony PXW-Z200 4K Pro Camera with SDI provides the power of an all-in-one camcorder with the versatility of a production-ready camera the ease of use for beginners and the professional requirements of seasoned professionals alike.  Adopting advancements in autofocus and operability the PXW-Z200 camcorder features Human Recognition Auto Focus, Subject Tracking and S\u0026amp;Q Motion for High Frame Rate recording up to 240fps.  The Z200 features HDMI, SDI \u0026amp; TC In\/Out ports. All other features are the same between these cameras at launch. Like the cameras in Sony’s Cinema Line, the Z200 also features S.Cinetone \u0026amp; SLog3 for professional workflow\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eExceptional performance for video\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eDesigned with both beginner and professional videographers in mind, the PXW-Z200 offers exceptional, 4K  movies with outstanding Auto Focus.  \u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eHigh-performance 20x power zoom G Lens™\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e20x optical zoom covers from 24 mm to 480 mm\u003c\/li\u003e\r\n    \u003cli\u003eClear image zoom  up to 720 mm telephoto (4K)   and  up to 960 mm telephoto (HD) \u003c\/li\u003e\r\n    \u003cli\u003eFast zoom with silent sound \u003c\/li\u003e\r\n    \u003cli\u003eFast Hybrid AF while zooming\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eVariable ND for perfect exposure\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe Sony PXW-Z200 utilises Sony’s Built-in electronic Variable ND Filter to seamlessly control filter density from ND 1\/4 to ND 1\/128. This can be controlled manually or automatically with the variable rocker or in preset steps as required.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eInteroperability with Cinema Line\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eFor use alongside broadcast cameras or Cinema Line cameras by a variety of base look\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eFor broadcast camera: 709tone, ITU709- \u003c\/li\u003e\r\n    \u003cli\u003eFor Cinema Line camera: S-Cinetone, S-Log 3\u003c\/li\u003e\r\n    \u003cli\u003eFor HDR: HLG Live, HLG Mild, HLG Natural\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eOptical SteadyShot™ (Active Mode)\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eActive Mode image stabilisation reduces camera shake even in footage taken while walking. By employing the built-in Active Mode (digital) Stabilisation, distracting shakes and bumps can be minimised whilst recording\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":40127780356225,"sku":"SON-PXWZ200","price":6599.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sony-cameras-default-title-sony-pxw-z200-4k-1-inch-sensor-pro-camera-with-sdi-30572050448513.jpg?v=1744595686"},{"product_id":"sony-hxr-nx800-4k-pro-camera","title":"Sony HXR-NX800 4K 1-Inch Sensor Pro Camera","description":"\u003cp\u003eThe Sony HXR-NX800 4K Pro Camera is a versatile camcorder with a 1.0-type Exmor RS CMOS sensor, BIONZ XR image processing, and a 4K full-pixel readout. It offers S\u0026amp;Q Motion for high frame rate recording, AI-powered autofocus, a 20x power zoom G lens, and optical SteadyShot. Its foldable viewfinder and LCD monitor make it easy to use, while its support for S-Cinetone and S-Log3 allows for professional colour grading.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/u4Ewgw_74FI?si=3MLGGVXl4ZwZG443\" title=\"YouTube video player\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eShoot \u0026amp; Share with One Camcorder\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eHigh image quality, AI-powered Subject Recognition AF, a wide zoom range, and support for 709tone, S-Cinetone™ and more for effortless colour matching.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe Sony HXR-NX800 4K Pro Camera provides the power of an all-in-one camcorder with the versatility of a production-ready camera the ease of use for beginners and the professional requirements of seasoned professionals alike.  Adopting advancements in autofocus and operability the  HXRNX800 camcorder features Human Recognition Auto Focus, Subject Tracking and S\u0026amp;Q Motion for High Frame Rate recording up to 240fps. The NX800 features a stand-alone HDMI out. All other features are the same between these cameras at launch. Like the cameras in Sony’s Cinema Line, the NX800 also features S.Cinetone \u0026amp; SLog3 for professional workflow.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eExceptional performance for video\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eDesigned with both beginner and professional videographers in mind, the Sony HXR-NX800 offers exceptional, 4K  movies with outstanding Auto Focus.  \u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eHigh-performance 20x power zoom G Lens™\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003e20x optical zoom covers from 24 mm to 480 mm\u003c\/li\u003e\r\n    \u003cli\u003eClear image zoom  up to 720 mm telephoto (4K)   and  up to 960 mm telephoto (HD) \u003c\/li\u003e\r\n    \u003cli\u003eFast zoom with silent sound \u003c\/li\u003e\r\n    \u003cli\u003eFast Hybrid AF while zooming\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eVariable ND for perfect exposure\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe Sony HXR-NX800 utilises Sony’s Built-in electronic Variable ND Filter to seamlessly control filter density from ND 1\/4 to ND 1\/128. This can be controlled manually or automatically with the variable rocker or in preset steps as required.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eInteroperability with Cinema Line\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eFor use alongside broadcast cameras or Cinema Line cameras by a variety of base look\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eFor broadcast camera: 709tone, ITU709- \u003c\/li\u003e\r\n    \u003cli\u003eFor Cinema Line camera: S-Cinetone, S-Log 3\u003c\/li\u003e\r\n    \u003cli\u003eFor HDR: HLG Live, HLG Mild, HLG Natural\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eOptical SteadyShot™ (Active Mode)\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eActive Mode image stabilisation reduces camera shake even in footage taken while walking. By employing the built-in Active Mode (digital) Stabilisation, distracting shakes and bumps can be minimised whilst recording\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":40127780520065,"sku":"SON-HXRNX800","price":5463.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sony-hxr-nx800-4k-pro-camera_01.jpg?v=1744595691"},{"product_id":"canon-eos-c70-super-35mm-4k-cinema-camera-body","title":"Canon C70 Super 35mm 4K Cinema Camera Body","description":"\u003cp\u003eThe Canon EOS C70 Professional Cinema Camera is a compact, versatile video camera that is the first to combine the powerful image quality of Canon’s Cinema EOS System range with the portability and flexibility of its EOS R line-up. For the first time, filmmakers using a Canon Cinema EOS System camera can enjoy the incredible possibilities of the powerful RF-Series lens range.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/2BHAN-O_WE4\" title=\"YouTube video player\" width=\"560\"\u003e\u003cspan class=\"fr-mk\" style=\"display: none;\"\u003e \u003c\/span\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eDownload firmware \u003ca href=\"https:\/\/www.canon.com.au\/support\/sims-content?pid=fa224a425f054667a4ce75bf7bdca12e\u0026amp;cid=110054B63B1944B19773E3023435D804\u0026amp;ctype=fa\" rel=\"noopener noreferrer\" target=\"_blank\"\u003ehere\u003c\/a\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eEnables eye\/face detection and tracking when S\u0026amp;F shooting frame rate is set from 24 to 120 frames per second.\u003c\/li\u003e\r\n    \u003cli\u003eThe ability to monitor up to four audio channels via the on-screen meter display\u003c\/li\u003e\r\n    \u003cli\u003eEnables SD Card recording in XF-AVC 4K Intra setting frame rate 50\/60 frames per second.\u003c\/li\u003e\r\n    \u003cli\u003eMulti-cam setup support via the Canon RC-IP100 hardware controller or the Canon Remote Camera Control Application\u003c\/li\u003e\r\n    \u003cli\u003eImproves the retention of the recording settings when switching between normal shooting and S\u0026amp;F shooting.\u003c\/li\u003e\r\n    \u003cli\u003eAdds [Canon 709 \/ BT.709] to the Gamma\/Color Space in the Custom Picture setting.\u003c\/li\u003e\r\n    \u003cli\u003eAdds [CMT 709] in LUT and Proxy Rec Color Conversion.\u003c\/li\u003e\r\n    \u003cli\u003eAdds [CMT 709] in View Assist.\u003c\/li\u003e\r\n    \u003cli\u003eThe following features are enabled when the following lenses are attached: CN8×15 IAS S\/E1, CN-E20-50mm T2.4 L F, CN-E45-135mm T2.4 L F\u003cul\u003e\r\n            \u003cli\u003eDisplaying metadata, such as the model name and the focal distance of the lens attached.\u003c\/li\u003e\r\n            \u003cli\u003eDisplaying T number\u003c\/li\u003e\r\n            \u003cli\u003eSupport for Peripheral Illumination Correction and Chromatic Lens Aberration Correction (CN8×15 IAS S\/E1 only).\u003c\/li\u003e\r\n            \u003cli\u003eSupport for [Dual Pixel Focus Guide]\u003c\/li\u003e\r\n        \u003c\/ul\u003e\r\n    \u003c\/li\u003e\r\n    \u003cli\u003eThe following features are enabled when the following lenses are attached: RF-S18-45mm F4.5-6.3 IS STM, RF-S18-150mm F3.5-6.3 IS STM\u003cul\u003e\r\n            \u003cli\u003eAdds a menu to switch lens functions. (Focus Ring, Control Ring, Lens Optics IS) \u003c\/li\u003e\r\n        \u003c\/ul\u003e\r\n    \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003ciframe frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/q428s3vW410\" width=\"560\"\u003e\u003cspan class=\"fr-mk\" style=\"display: none;\"\u003e \u003c\/span\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe Canon EOS C70 camera has a powerfully compact design, complete with professional interfaces and input\/output terminals and ports, which makes it perfectly suited for a broad range of uses including documentaries, productions of all sizes, news gatherings, and events such as weddings. High-production social media content has also never been easier to capture thanks to the EOS C70’s vertical shooting capability. The EOS C70’s compact size yet expansive features enable filmmakers to shoot handheld or on a drone or gimbal, giving them enhanced creative freedom. What’s more, it offers multiple recording formats to SD cards – including 4K up to 120 fps in 4:2:2 10-bit in XF-AVC (All-I or Long-GOP), and MP4 in HEVC (H.265) or H.264 – providing filmmakers with the ability to meet diverse production requirements.  \u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eKey Features:\u003c\/p\u003e\r\n\u003cul\u003e\r\n    \u003cli\u003eRF Mount system\u003c\/li\u003e\r\n    \u003cli\u003eThe Cinema EOS C70 uses Canon’s new 4K Super 35mm DGO sensor with HDR capabilities\u003c\/li\u003e\r\n    \u003cli\u003eHigh frame rate 4K shooting at 120fps with audio recording and DPAF\u003c\/li\u003e\r\n    \u003cli\u003eDual SD card slots allow for simultaneous recording in multiple formats\u003c\/li\u003e\r\n    \u003cli\u003eImproved Dual Pixel Auto Focus with an intelligent tracking and a new touch user interface\u003c\/li\u003e\r\n    \u003cli\u003eCompatible with the new Mount Adapter EF-EOS R 0.71x giving users access to the extensive range of Canon EF mount lenses\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eCanon EOS C70 In Action\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/BcJW_Hu81dA\" width=\"560\"\u003e\u003cspan class=\"fr-mk\" style=\"display: none;\"\u003e \u003c\/span\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cu\u003ePowerfully compact professional cinema capabilities\u003c\/u\u003e\u003cbr\u003eThe EOS C70 bridges the gap between two Canon product portfolios – the Digital Interchangeable Lens camera line-up and the powerful Cinema EOS System cameras – with the short flange back design of Canon’s RF Mount making the compact design of the EOS C70 possible. While the camera is the smallest and lightest in Canon’s Cinema EOS System line-up, it’s packed with features that support a versatile range of professional video requirements. It has 13 assignable buttons, a multi-functional hand grip for ease of operability, professional input\/output terminals including HDMI and 2x mini XLR terminals for audio, as well as an independent ventilation system. Furthermore, a new, thinner ND filter system gives up to 10-stops of ND filtration4, providing filmmakers with flexibility to control exposure while keeping control over the depth of field and enabling significant bokeh, even when using a high-speed lens.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cu\u003ePowering cinema with the consistent and stable performance of RF\u003c\/u\u003e\u003cbr\u003eCanon’s RF lens line-up is renowned for its excellent image quality and functionality. The Mount technology is engineered to provide advanced benefits for video use and is ideal for Canon’s Cinema EOS System range. Such capability gives filmmakers using the EOS C70 a comprehensive choice of high-quality lenses from the expanding RF range – including telephoto, zoom, high-quality primes, wide aperture and macro lenses. For optimal image stabilisation, the EOS C70 enables Combination IS which brings together the Optical IS in RF lenses and the Electronic IS in the camera body for outstanding stabilisation performance – even when shooting handheld. The enhanced communication capability between the lens and the camera also unlocks additional features such as the ability to display the object distance on the camera’s LCD monitor.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cu\u003eSimple storage and workflows\u003c\/u\u003e\u003cbr\u003eThe EOS C70 features several recording options at resolutions from 4K, UHD, 2K, and Full HD. Designed for content producers who want to streamline their post-production workflows, the Dual SD card slots support high-speed UHS-II media - with a variety of configurations such as double slot, relay and simultaneous recording. For the first time in a Cinema EOS camera, it is now possible to record different formats, resolutions and bit depths on each media card slot, offering a truly flexible workflow.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cu\u003eImpeccable 4K image quality\u003c\/u\u003e\u003cbr\u003eTaking advantage of its Super 35mm Dual Gain Output (DGO) sensor, seen in the highly acclaimed EOS C300 Mark III, the EOS C70 delivers exceptional image quality with over 16 stops of dynamic range. Much like the EOS C300 Mark III, the EOS C70 produces the same true-to-life, cinematic colours, exceptionally clean low-light image quality and superb HDR acquisition capabilities. Thanks to the DGO sensor, and powerful DIGIC DV 7 processor the EOS C70 is an ideal choice for professionals looking to produce high-quality content in 4K. It also supports slow motion capture with 4K 120p recording – with Dual Pixel CMOS AF support, as well as audio recording. For those who desire higher frame rates, 180p is also available in Super16 mode. Recording to Dual SD cards in Canon’s XF-AVC format with 4K 4:2:2 10-bit, the EOS C70 captures high resolution footage for a wide range of applications, from documentary and journalism to music videos and web-based content.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eEnhanced support functions\u003cbr\u003eThe EOS C70 boasts a number of ‘firsts’ for the Cinema EOS System range. In addition to supporting Canon’s renowned Dual Pixel AF System, it is also the first Cinema EOS System camera to feature the revolutionary EOS iTR AF X (Intelligent Tracking and Recognition) system seen in the EOS R5. The system uses a face and head detection algorithm that works in conjunction with Face Detection AF to greatly improve the reliability of focusing on and tracking the subject. Likewise, the EOS C70 also introduces Auto ISO to the Cinema EOS System range for the first time.\u003cbr\u003eCanon also breaks new ground with the EOS C70, as the first Cinema EOS System camera with a dedicated vertical shooting mode, designed to support the capture of content for social media and digital signage.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":40169180692609,"sku":"CAN-C70","price":5518.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/canon-eos-c70-super-35mm-4k-cinema-camera-body_01.jpg?v=1740980280"},{"product_id":"sony-burano-full-frame-8k-cinema-camera","title":"Sony BURANO Full-Frame 8K Cinema Camera","description":"\u003cp\u003eThe Sony BURANO Full-Frame 8K Camera is a game-changer in the world of digital cinema. Designed for solo cine-style operators and small crews, it seamlessly combines exceptional cinematic quality with unmatched mobility. With an impressive 8.6K video capture capability packed into its compact full-frame body, this camera sets new industry standards.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/iithq2iL-rE?si=tODpW50_7kq7EKaC\" title=\"YouTube video player\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003eWhat makes the Sony BURANO truly unique is its in-camera stabilisation for both E- and PL-mount lenses, Fast Hybrid Autofocus, and an easily adjustable ND filter. These features enhance the user experience, ensuring smooth and stable footage in any shooting environment. Whether you're working solo or in a small team, the BURANO camera is your ideal choice, seamlessly complementing your VENICE B or C camera setup and pushing the boundaries of digital cinematography.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/k_O42d3rfdE?si=mlziWgZwAXwk17c2\" title=\"YouTube video player\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003ePowerful 8.6K Full-Frame Sensor \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eUsing the widely appreciated colour science of the VENICE cameras, BURANO features an 8.6K full-frame sensor that shares most of the VENICE 2 specifications enabling it to work alongside that camera in all types of productions. The sensor features dual base ISO of 800 and 3200 and 16 stops of latitude to produce stunning images even in the most challenging lighting conditions.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eLike all cameras in Sony's full-frame Cinema Line, BURANO can shoot at full-frame, Super 35, and also features a de-squeeze function for anamorphic lenses. It can film at frame rates including up to 8K at 30 frames per second, 6K at 60 frames per second or 4K at 120 frames per second. BURANO features a compact and lightweight body for high mobility, approximately 32mm shorter and 1.4kg lighter than the VENICE 2 camera. BURANO is housed in a rugged magnesium chassis, making it suitable for filming in the most challenging environments. The camera and accessory packaging bag materials are made primarily of plant-based cellulose instead of plastic as part of Sony’s efforts to be environmentally conscious. Moreover, a moulded pulp cushion is used on the camera as the cushioning material, thus not using expanded polystyrene. \u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eAutofocus\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eAvailable with Sony E-mount lenses, the BURANO camera's autofocus options include Fast Hybrid AF (phase-detection AF\/contrast-detection AF) and Human Eye AF for accurately capturing fast-moving subjects even when you're operating alone.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eBuilt In Optical Image Stabilisation \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eBURANO is the world's first digital cinema camera with a PL mount to support in-body image stabilisation. With a newly developed image stabilisation mechanism and control algorithm that leverages the advanced image stabilisation technology cultivated in the Alpha™ series of mirrorless interchangeable-lens cameras, unwanted camera shake, such as movement from shooting handheld or walking, can be corrected when shooting with an E-mount or PL-mount lens. \u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eVariable ND Filter for added control and exposure optimisation. \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eBURANO is equipped with an electronic variable ND filter from 0.6 to 2.1, enabling easy adjustments in various lighting conditions. In addition, the electronic variable ND filter allows control of the depth of field with the iris and adjusts to the optimum exposure without changing the depth of field. \u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFE-mount lenses for an increased choice \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eMore than 70 E-mount lenses can use the excellent image stabilisation function cultivated with Alpha™, as well as Fast Hybrid AF that combines the benefits of phase detection and contrast detection method and are also compatible with high-precision Subject Recognition AF using AI. Using an E-mount lens further reduces the weight and size of the camera. \u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eUpdated Body Design for greater ergonomics \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eBURANO also includes design improvements based on feedback from the filmmaking community. For example, all menu buttons are positioned on the camera operator’s side. Additionally, tally lamps are placed in three locations to make it easier for the surrounding crew to check the shooting status. The 3.5-inch multi-function LCD monitor can be used as a viewfinder, for touch focus, or menu control. The BURANO also comes equipped with an optional robust T-handle, viewfinder arm, two 3-pin XLR audio inputs, and a headphone terminal (stereo minijack), convenient for solo operation. \u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eRecording Formats for added workflow flexibility. \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe BURANO can record from HD to 8K depending on the resolution, aspect ratio, and codec. BURANO supports multiple internal recording formats, such as the new XAVC H™ for 8K, which uses the MPEG-H HEVC\/H.265 high compression efficiency codec. Other recording formats include XAVC and X-OCN LT. X-OCN is Sony’s original compressed RAW format that can capture information shot with 16-bit linear data, which gives filmmakers more freedom in post for colour grading. X-OCN LT can reduce file transfer time and storage size load, making post-production workflows more efficient than standard versions of RAW data. \u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eExceptional Latitude\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe BURANO's 8.6K sensor provides a massive 16 stops of dynamic range, producing phenomenal images with very low noise in conditions ranging from almost no light to blazing sunlight. It also offers excellent HDR imaging (high dynamic range) with unprecedented freedom when colour grading in post-production.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eDual-Base ISO\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eDual-base 800\/3200 ISOs enable the BURANO to excel at low-light HDR capture. Its wide exposure latitude ranges from 6 stops over to 10 stops under 18% middle grey, for a total of 16 stops.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eVersatile Frame Rates\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe BURANO supports multiple resolutions and frame rates, including full-frame 8.6K at 30 fps, full-frame cropped 6K at 60 fps, Super35 5.8K, and Super35 cropped 4K at 120 fps.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eUp to 8K Recording with Multiple Codec Support\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eSupport for resolutions ranging from HD to 8.6K enables the BURANO to obtain the highest quality images for all your productions. Supported internal recording formats include the new XAVC H, which uses the highly efficient H.265 codec to record 8K files, X-OCN LT for stunning raw images with efficient storage, and both XAVC-I and XAVC-L for UHD 4K and HD.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eX-OCN 16-Bit Original Camera Negative\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eIdeal for even the most advanced workflows, X-OCN (extended tonal range Original Camera Negative) codecs combine 16-bit precision with moderate bit rates to produce amazing colour reproduction using manageable file sizes. X-OCN is supported for multiple resolutions and frame rates up to 8.6K 16:9 30 fps.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eViewfinder\/LCD\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe detachable VF\/LCD combo functions as both a viewfinder and touchscreen controller for the MURANO. A handy Home button replicates the \"big six\" (FPS, EI, Shutter, ND, Look, and WB) functions that will be familiar to VENICE users.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eMedia Type\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eDual media slots on the BURANO enable it to record to CFExpress Type B cards; it also incorporates an SD card slot for utility functions only. Sony CFexpress Type B TOUGH Series Memory Cards are now available in 960 and 1920GB versions.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eInterface, Optional Grip\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe BURANO's advanced interface includes 12G\/6G\/3G-SDI, 3G-SDI, and HDMI outputs, 3-pin XLR audio Inputs, timecode, genlock, and reference input\/outputs, a 1000BASE-T LANC terminal, and built-in, dual-band Wi-Fi. The interface also includes a port for linking to the new, separately available GP-VR100 Remote Control Grip.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLightweight, Compact Form\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eBased around a chassis and body made of a magnesium alloy, the impressively robust yet lightweight and compact BURANO is made to withstand the harshest conditions. Its ventilation system is completely isolated from the electronics, preventing the ingress of dust, sand, and splashes of water. The fan runs silently and can be easily swapped out for a new unit.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":40169182986369,"sku":"SON-MPC2610","price":43999.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/Sony-BURANO-Full-Frame-8K-Cinema-Camera_01.jpg?v=1766107191"},{"product_id":"sony-brch900-hd-remote-ptz-camera","title":"Sony BRCH900 HD Remote PTZ Camera","description":"\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cstrong\u003eThe Sony BRC-H900 HD video PTZ camera\u003c\/strong\u003e\u003c\/span\u003e consists of the pan, tilt module and the camera head and lens. The Sony BRC-H900 is switchable between 59.98 and 50 Hz standards (NTSC and PAL), and simultaneously outputs both HD\/SDI and SD video. This feature makes it well suited for facilities that are planning to \u003cstrong\u003etransition to HD, as you can shoot SD now,\u003c\/strong\u003e and change over to HD by simply using a different output on the unit.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":40174444806273,"sku":"SON-BRCH900","price":12295.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sony-cameras-default-title-sony-brch900-hd-remote-ptz-camera-30571643469953.jpg?v=1747045822"},{"product_id":"canon-eos-5ds-r-dslr-camera-body-only","title":"Canon EOS 5DS R DSLR Camera Body Only","description":"\u003cp\u003eProviding the full resolving power of its new sensor, the \u003cspan style=\"color: #ff6600;\"\u003e\u003cstrong\u003eCanon EOS 5DS R DSLR Camera (Body Only)\u003c\/strong\u003e\u003c\/span\u003e is a variant of the 5DS \u003cstrong\u003efeaturing a sensor's low-pass filter rendered neutral\u003c\/strong\u003e. By cancelling the effect of the filter, the 50.6MP sensor is enabled to deliver an even \u003cstrong\u003ehigher resolution with more intricate details\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/1gzrnneiHM4?rel=0\" frameborder=\"0\" width=\"560\" height=\"315\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg style=\"float: left;\" src=\"https:\/\/www.videocraft.com.au\/media\/wysiwyg\/\/Canon\/5DS\/At-a-Glance-EOS-5DS-reduce-blur.png\" alt=\"\"\u003e\u003c\/p\u003e\n\u003ch4\u003e \u003c\/h4\u003e\n\u003ch4\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eReduce Blur\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cdiv class=\"short-desc\"\u003eControl camera shake blur with Canon’s new Mirror Vibration Control System.\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch4\u003e \u003c\/h4\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg style=\"float: left;\" src=\"https:\/\/www.videocraft.com.au\/media\/wysiwyg\/Canon\/5DS\/At-a-Glance-EOS-5DS-low-light-performance.png\" alt=\"\"\u003e\u003c\/p\u003e\n\u003ch4\u003e \u003c\/h4\u003e\n\u003ch4\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eLow Light Performance\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cdiv class=\"short-desc\"\u003eFind the perfect light with an ISO range of 100-6400 (expandable to 12800.\u003c\/div\u003e\n\u003cdiv class=\"short-desc\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"short-desc\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"short-desc\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"short-desc\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"short-desc\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"short-desc\"\u003e\u003cimg style=\"float: left;\" src=\"https:\/\/www.videocraft.com.au\/media\/wysiwyg\/Canon\/5DS\/At-a-Glance-EOS-5DS-create-a-balance.png\" alt=\"\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"short-desc\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"short-desc\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"short-desc\"\u003e\n\u003ch4\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eCreate a Balance\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cdiv class=\"short-desc\"\u003eBalance nimble shooting with fast image processing using Dual DIG!C 6.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"short-desc\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"short-desc\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"short-desc\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"short-desc\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"short-desc\"\u003e\n\u003cimg style=\"float: left;\" src=\"https:\/\/www.videocraft.com.au\/media\/wysiwyg\/Canon\/5DS\/At-a-Glance-EOS-5DS-agile-performance.png\" alt=\"\"\u003e\n\u003ch4\u003e \u003c\/h4\u003e\n\u003ch4\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eAgile Performance\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cdiv class=\"short-desc\"\u003eYou’ll never miss a moment with 5 frames per second capability.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"short-desc\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"short-desc\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"short-desc\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"short-desc\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"short-desc\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"short-desc\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"short-desc\"\u003e\n\u003cimg style=\"float: left;\" src=\"https:\/\/www.videocraft.com.au\/media\/wysiwyg\/Canon\/5DS\/At-a-Glance-EOS-5DS-astonishing-clarity.png\" alt=\"\"\u003e\n\u003ch4\u003e \u003c\/h4\u003e\n\u003ch4\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 1em; color: #000000;\"\u003eAstonishing Clarity\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cdiv class=\"short-desc\"\u003eAlways find your focus, using the 61-point High Density Reticular AF.\u003c\/div\u003e\n\u003cdiv class=\"short-desc\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"short-desc\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"short-desc\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"short-desc\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"short-desc\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"short-desc\"\u003e\n\u003cimg style=\"float: left;\" src=\"https:\/\/www.videocraft.com.au\/media\/wysiwyg\/Canon\/5DS\/At-a-Glance-EOS-5DS-outstanding-images.png\" alt=\"\"\u003e\n\u003ch4\u003e \u003c\/h4\u003e\n\u003ch4\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eOutstanding Images\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cdiv class=\"short-desc\"\u003e50.6MP 35mm full-frame CMOS sensor for incredible resolving power.\u003c\/div\u003e\n\u003cbr\u003e\n\u003ch4\u003e \u003c\/h4\u003e\n\u003cdiv class=\"short-desc\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"short-desc\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"short-desc\"\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"short-desc\"\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cstrong\u003eFull Feature list of the Canon EOS 5DS R\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"short-desc\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"short-desc\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"c28 fs18 bold\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eNew 50.6 Megapixel Full-frame CMOS Sensor\u003c\/strong\u003e\u003c\/span\u003e\u003c\/dt\u003e\n\u003cdd class=\"c28\"\u003eNewly designed 50.6MP full-frame CMOS helps deliver ultra-high resolution images for large-scale printing and extensive, creative cropping, while Dual DIGIC 6 Image Processors enable top-of-the-line image quality and processing speed.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"c28 fs18 bold\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/dt\u003e\n\u003cdt class=\"c28 fs18 bold\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eLow-Pass Filter Effect Cancellation\u003c\/strong\u003e\u003c\/span\u003e\u003c\/dt\u003e\n\u003cdd class=\"c28\"\u003eLow-pass filter effect cancellation takes full advantage of the 50.6MP sensor, delivering greater detail and even higher resolution images than those of the 5DS.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"c28 fs18 bold\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/dt\u003e\n\u003cdt class=\"c28 fs18 bold\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eFine Detail Mode in Picture Style\u003c\/strong\u003e\u003c\/span\u003e\u003c\/dt\u003e\n\u003cdd class=\"c28\"\u003eTaking advantage of its sensor's high-resolution capturing power, the EOS 5DS R camera has a new Picture Style called Fine Detail mode. Fine Detail emphasizes fine edges and patterns or textures by setting the camera's Sharpness sub-settings, fineness and threshold to their minimum and by lowering contrast settings as well. Prioritizing minute details in the image allows for better gradations, more detailed textures and fine edges for smoother, more polished photographs.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"c28 fs18 bold\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/dt\u003e\n\u003cdt class=\"c28 fs18 bold\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eEOS Scene Detection System with RGB+IR Metering Sensor\u003c\/strong\u003e\u003c\/span\u003e\u003c\/dt\u003e\n\u003cdd class=\"c28\"\u003eThe EOS 5DS R camera has the iSA Intelligent Scene Analysis system that employs an independent RGB+IR light sensor with approximately 150,000-pixel resolution. This sensor enables Canon's Intelligent Tracking and Recognition system (iTR AF) that detects and tracks subjects, automatically switching the AF point to optimize tracking. With new tracking algorithms tailored to recognize faces and colors, this system serves as the foundation to the camera's AF system.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"c28 fs18 bold\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/dt\u003e\n\u003cdt class=\"c28 fs18 bold\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e61-Point High Density Reticular AF\u003c\/strong\u003e\u003c\/span\u003e\u003c\/dt\u003e\n\u003cdd class=\"c28\"\u003eFor fast, precise AF with sophisticated tracking performance, the EOS 5DS R camera has an advanced, 61-point High Density Reticular AF system with up to 41 cross-type AF points. The AF system is sensitive to changes in composition, making adjustments quickly to help ensure consistent, sharp AF. A new RGB+IR AF sensor (with approximately 150,000 pixels) monitors subject motion, and Canon's iTR Intelligent Tracking and Recognition system synchronizes the active AF point with the subject's motion, helping to ensure that AF precision is maintained. With focus modes dedicated to the particulars of the shooting environment, the EOS 5DS R realizes a level of focus accuracy befitting its 50.6MP sensor.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"c28 fs18 bold\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/dt\u003e\n\u003cdt class=\"c28 fs18 bold\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eAdvanced Mirror Control Mechanism and Shutter Release Time Lag\u003c\/strong\u003e\u003c\/span\u003e\u003c\/dt\u003e\n\u003cdd class=\"c28\"\u003eThe camera shake that occurs from the impact of an SLR's mirror can leave blurred details in the recorded image. This effect is magnified when working with a high-resolution sensor like the one found in the EOS 5DS R camera. To counter the effects of conventional, spring-driven SLR mirrors, the EOS 5DS R features a newly developed Mirror Vibration Control system. The camera's mirror is not controlled by springs but instead is driven by a small motor and cams. This system suppresses the impact typical of the camera's mirror, significantly reducing impact and its effects on the image. A new Time Release Lag setting, easily accessed on the menu system, offers added protection against camera shake by setting the shutter release time intentionally longer so the camera does not begin the exposure until after the impact of the camera's mirror has diffused.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"c28 fs18 bold\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/dt\u003e\n\u003cdt class=\"c28 fs18 bold\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eAnti-Flicker Feature\u003c\/strong\u003e\u003c\/span\u003e\u003c\/dt\u003e\n\u003cdd class=\"c28\"\u003eWith Canon's anti-flicker function, the EOS 5DS R camera is able to deliver accurate results under cycling lighting situations. Under flickering light, such as fluorescent lighting, a fast shutter speed may result in an irregular exposure. The anti-flicker function detects the frequency and phase of the flicker and captures images near the point of peak brightness when the subject is most likely well illuminated.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"c28 fs18 bold\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/dt\u003e\n\u003cdt class=\"c28 fs18 bold\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e1.3x and 1.6x Crop Shooting\u003c\/strong\u003e\u003c\/span\u003e\u003c\/dt\u003e\n\u003cdd class=\"c28\"\u003eFor still photography, the EOS 5DS R camera features the flexibility of a cropping feature that extends the shooting effect 1.3x and 1.6x. With 50.6MP capture, cropped shots are possible with resolution to spare. Images recorded at 1.3x (APS-H) are approximately 30.5MP (6768 x 4512) Large\/Fine JPEG, while images recorded at 1.6x (APS-C) are approximately 19.6MP (5424 x 3616) Large\/Fine JPEG. Particularly useful in extending the range of telephoto lenses, the crop function also improves the subject tracking capability with almost the entire frame covered with AF points. Image cropping can be displayed in the viewfinder either masked or overlaid with an outline showing the cropped area, and in Live View shooting the image is cropped by the effect chosen. Aspect ratios can also be defined, with the EOS 5DS R shooting in 1:1, 4:3, and 16:9 ratios, in addition to the default 3:2.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"c28 fs18 bold\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/dt\u003e\n\u003cdt class=\"c28 fs18 bold\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eFull HD 30p Movie Capability\u003c\/strong\u003e\u003c\/span\u003e\u003c\/dt\u003e\n\u003cdd class=\"c28\"\u003eThe Canon 5DS R supports full HD 1080\/30p movie capability and Time Lapse Movie function, which takes still photographs at set intervals and combines them into a full HD movie file, is provided. In addition HD and VGA resolution, numerous frame rates and ALL-I and IPB compressions are supported. Still images can be captured during video recording. A jack for an external microphone is provided.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"c28 fs18 bold\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/dt\u003e\n\u003cdt class=\"c28 fs18 bold\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eBuilt-In Intervalometer and Bulb Timer\u003c\/strong\u003e\u003c\/span\u003e\u003c\/dt\u003e\n\u003cdd class=\"c28\"\u003eThe EOS 5DS R offers time-lapse fixed-point shooting and long exposures without the need for a remote control. The interval timer takes from 1 to 99 shots at pre-selected intervals (from 1 second to 99 hours 59 minutes 59 seconds, or unlimited), ideal for shooting flowers as they bloom or clouds drifting through the sky. Captured exposures can even be collected and saved as an HD movie. Its built-in bulb timer keeps the shutter open for a designated amount of time, perfect for night photography, to capture the flow of traffic on a street corner, or any other situation where long exposure photography is warranted.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"c28 fs18 bold\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/dt\u003e\n\u003cdt class=\"c28 fs18 bold\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e3.2\" ClearView II LCD Monitor\u003c\/strong\u003e\u003c\/span\u003e\u003c\/dt\u003e\n\u003cdd class=\"c28\"\u003eThe 3.2\" ClearView II LCD monitor has 1,040,000 dots, anti-reflective construction and features Canon's ClearView technology for a bright, sharp display in any number of shooting situations. It's ideal for reviewing settings and images, as well as for shooting in Live View mode. In Live View, grid lines can be displayed in 9 sections, 24 sections, or 9 sections with diagonals, as can the electronic level. For image review, the camera has a dedicated Magnify\/Reduce button for zooming in or out (up to 16x) simply by pressing the button and turning the Main Dial. Images can be protected or erased quickly, individually or in batches, and slideshows can be created with some or all images and can be sequenced by date, folders, movies, stills or rating. A clear and simple feature guide found in the camera's menu provides detailed reference information whenever needed.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"c28 fs18 bold\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/dt\u003e\n\u003cdt class=\"c28 fs18 bold\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eIntelligent Viewfinder II\u003c\/strong\u003e\u003c\/span\u003e\u003c\/dt\u003e\n\u003cdd class=\"c28\"\u003eThe Intelligent Viewfinder II makes it easy to both shoot, change and confirm camera settings and shooting modes all without looking away from the viewfinder. Displaying approximately 100% of the composition, the viewfinder can show settings like shooting mode, exposure level, white balance, drive mode, AF operation, metering mode, recording format, an electronic level and more. All of this information can be displayed by or superimposed easily over the image for review while shooting, and multiple views are customizable through the camera's simple user interface.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"c28 fs18 bold\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/dt\u003e\n\u003cdt class=\"c28 fs18 bold\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eCustomizable Quick Control Screen\u003c\/strong\u003e\u003c\/span\u003e\u003c\/dt\u003e\n\u003cdd class=\"c28\"\u003eIn addition to a conventional Quick Control screen, the EOS 5DS R camera features a Quick Control button that enables the photographer to easily access the settings critical for the task at hand. The user can specify features to display, as well as their location and size on the screen.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"c28 fs18 bold\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/dt\u003e\n\u003cdt class=\"c28 fs18 bold\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eContinuous Shooting\u003c\/strong\u003e\u003c\/span\u003e\u003c\/dt\u003e\n\u003cdd class=\"c28\"\u003eHigh-speed continuous shooting up to 5.0 fps allows you to capture fast-moving action at full resolution.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"c28 fs18 bold\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/dt\u003e\n\u003cdt class=\"c28 fs18 bold\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eUSB 3.0 and Other Connectors\u003c\/strong\u003e\u003c\/span\u003e\u003c\/dt\u003e\n\u003cdd class=\"c28\"\u003eThe 5DS R provides support for USB 3.0 connections as well as mini HDMI out, a 3-pin input and PC terminal. The USB 3.0 digital connection offers fast transfer to computers and printers, plus connectivity to Canon's WFT-E7 (Version 2) for wireless transfer and Wi-Fi compatibility.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":40174451720321,"sku":"CAN-5DSRB","price":4032.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/canon-cameras-default-title-canon-eos-5ds-r-dslr-camera-body-only-30571661197441.jpg?v=1742890518"},{"product_id":"canon-5d-mark-iv-dslr-camera-body","title":"Canon 5D Mark IV DSLR Camera Body","description":"\u003cp\u003eThe Canon EOS 5DIV Camera features a 30.4 megapixel resolution, 4K video, Wi-Fi, Dual Pixel CMOS AF and outstanding low light performance. The Canon 5D Mark 1V offers a newly developed 30.4MP full-frame CMOS sensor paired with the DIGIC 6+ image processor in order to balance fine detail and resolution with low-light performance and sensitivity. It is able to work within a native range of ISO 100-32000, which can then be expanded to an impressive ISO 50-102400, for sharp, low-noise images in a variety of conditions. Along with these improvements to image quality, users will enjoy a performance boost across the board with an enhanced AF system, built-in Wi-Fi, NFC, and GPS, and much more.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e30.4MP Full-Frame CMOS Sensor and DIGIC 6+ Image Processor\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003eIn line with previous members of the main 5D series, the Mark IV attempts to balance high resolution with low-light performance with a newly developed 30.4MP full-frame CMOS sensor. This provides a beneficial increase in overall resolution without compromising on sensitivity. Additionally, thanks to the DIGIC 6+ image processor it is paired with, it offers impressive performance within a native range of ISO 100-32000, which can be expanded to ISO 50-102400.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eVersatility is key with the 5D, as it needs to be able to tackle landscapes and weddings with equal ease. By using a 150,000-pixel RGB+IR metering sensor shooters will be able to more comfortably rely on the camera to capture difficult scenes. This sensor also has face detection as well as flicker detection which can ensure proper exposure in less-than-ideal lighting situations. Along with this, the camera offers an improved continuous shooting rate of 7 fps, making it a great option for events and action.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eHigh Density Reticular AF and Dual Pixel CMOS AF Systems\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003eEnsuring your subject is tack sharp, the 5D Mark IV incorporates an enhanced High Density Reticular AF system, which offers 61 phase-detect points, with all points sensitive to f\/8 and 41 of which are cross-type. The center point can function down to -3 EV for working in extremely dim lighting. Compared to previous versions, this sensor has expanded vertical coverage of 24% on the peripherals and 8% in the center in order to better track and locate subjects in the frame.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eIn addition to advanced tracking and focusing while using the optical finder for stills, Live View and video can now use Dual Pixel CMOS AF on the actual imaging sensor. This offers about 80% coverage of phase-detection autofocus for faster and more accurate focusing in these modes. It is ideal for video as users will enjoy smoother rack focusing without the downsides normally encountered with contrast-based systems. Also, this works well with the touchscreen functions, allowing shooters to just tap to adjust focus.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDCI 4K Video Recording\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eDesigned for both professional stills shooting and video recording, the 5D Mark IV supports DCI 4K (4096 x 2160) resolution recording at up to 30 fps at 500 Mbps, along with Full HD 1080p shooting at 60 fps and HD 720p at 120 fps for slow motion playback. When recording in-camera, 4K video has 4:2:2 sampling and 8-bit color depth, while Full HD 1080p footage has 4:2:0 sampling. Uncompressed Full HD 1080p video can also be saved via HDMI to an optional external recorder with 4:2:2 color sampling. 4K video is recorded using a central 4096 x 2160 area of the sensor at a 1.74x crop in order to record video with an ideal 1:1 pixel sampling ratio, while Full HD recording makes use of the entire full frame.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eAudio can be recorded using the on-board stereo microphone or an optional external mic can also be used via the 3.5mm mic jack. Real time audio monitoring is possible, too, via the 3.5mm headphone jack. The 4K video recording also avails the ability to take 8.8MP still frame grabs during playback on the rear touchscreen and save them as single images.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDual Pixel RAW\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eFirst implemented here on the 5D Mark IV, Dual Pixel RAW allows photographers to record all the information the sensor's unique pixel architecture can deliver, providing a way for fine adjustments to be made after the image is taken. These adjustments include focus fine tuning that can help you ever-so-slightly adjust the focus point to bring out extra details, shift bokeh around for improved composition, and reduce the impact of ghosting on your photos. This requires the use of Canon's Digital Photo Professional 4.5 software.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":40174457880705,"sku":"CAN-5DIVB","price":3332.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/canon-cameras-default-title-canon-5d-mark-iv-dslr-camera-body-30571661983873.jpg?v=1747046208"},{"product_id":"sony-hxr-nx5r-full-hd-nxcam-handheld-camera","title":"Sony HXR-NX5R Full HD NXCAM Handheld Camera","description":"\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cstrong\u003eThe Sony HXR-NX5R Full HD Handheld Camera\u003c\/strong\u003e\u003c\/span\u003e is a multi-purpose NXCAM with 3G-SDI and provides rich colour imagery and high sensitivity with three CMOS sensors. The Sony HXRNX5R offers \u003cstrong\u003enetwork functions and enhanced shooting performance\u003c\/strong\u003e. Superb colour imagery and \u003cstrong\u003ehigh sensitivity i\u003c\/strong\u003es achieved with three \u003cstrong\u003e1\/2.8-type Full HD Exmor CMOS sensors and 40x Clear Image Zoom functio\u003c\/strong\u003en to double the optical zoom without losing image quality. The camcorder is equipped with \u003cstrong\u003emulti-format recording\u003c\/strong\u003e to satisfy a wide range of shooting applications and environments such as \u003cstrong\u003eweddings, corporate productions and other live events.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/ebODdV6FF0s?rel=0\" frameborder=\"0\" width=\"560\" height=\"315\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDelivering notable improvements in overall image quality, further upgrades made from the NX3 and NX5 include a \u003cstrong\u003e3G-SDI terminal that supports Full HD 50p output.\u003c\/strong\u003e The HXR-NX5R incorporates the \u003cstrong\u003efirst on-camera adjustable brightness LED video light,\u003c\/strong\u003e minimizing the need for external lighting equipment. The cutting edge technology uses a digital signal processor (DSP), advanced noise reduction and extraordinary detail reproduction to deliver images that are remarkably lifelike in texture and detail. A direct menu function and a responsive joystick have also been added for ease of use.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSony’s HXR-NX5R provides content creators with newly \u003cstrong\u003eupgraded network functions, including FTP and live streaming, with built in Wi-Fi,\u003c\/strong\u003e along with simultaneous backup recording through dual SD card slots for enhanced reliability and adaptability in challenging live event environments. Options for advanced XAVC-S 50Mbps or established AVCHD \/ DV recording formats are available to suit a range of workflows and client requirements, enabling content creators to make fine adjustments to their production depending on the image quality needed.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe HXR-NX5R features \u003cstrong\u003eeasy-to-use direct functions and a responsive joystick\u003c\/strong\u003e, making access to key camera functions straightforward without needing to enter the menu whilst on the go. These features are combined with a wide viewing angle and high contrast OLED viewfinder to monitor the image. The new professional functions provide content creators with a cost-effective solution by minimising the need for extra accessories. For example, the in-built Multi-Interface Shoe supports a UWP-D series wireless microphone receiver, providing power to the receiver without the need of batteries and transfers the audio to the camera without external cables.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":40174458896513,"sku":"SON-HXRNX5R","price":4876.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sony-cameras-default-title-sony-hxr-nx5r-full-hd-nxcam-handheld-camera-30573331185793.jpg?v=1744596181"},{"product_id":"sony-alpha-a7iii-mirrorless-digital-camera-body-only","title":"Sony Alpha a7III Mirrorless Digital Camera Body Only","description":"\u003cp\u003e\u003cspan\u003eThe Sony \u003c\/span\u003e\u003cspan\u003eAlpha a7 III Mirrorless Digital Camera\u003c\/span\u003e\u003cspan\u003e features an updated sensor design, \u003c\/span\u003e\u003cspan\u003eis a well-rounded camera suitable for both photo and video applications in a variety of working situations. Refined for improved speed and low-light performance, the full-frame 24.2MP Exmor R BSI CMOS sensor and BIONZ X image processor pair to realize an impressive 10 fps continuous shooting rate and improved autofocus performance for faster, more reliable subject tracking along with wide frame coverage. This updated Fast Hybrid AF System employs a combination of 693 phase-detection points and 425 contrast-detection areas for quicker acquirement of focus in a variety of lighting conditions, and also maintains focus on subjects more effectively. In addition to speed and AF, the processing improvements also help to realize greater image clarity and reduced noise throughout the sensitivity range from ISO 100-51200, which can further be expanded to ISO 50-204800. Video recording capabilities have also been extended for enhanced quality when recording UHD 4K video with the full width of the full-frame sensor to minimize moiré and aliasing. Additionally, benefitting both stills and video operation, the a7 III utilizes a 5-axis SteadyShot INSIDE sensor-shift image stabilization, which is now effective to minimize the appearance of camera shake by up to 5 stops.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003ciframe frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/M4obW6FfTt0?rel=0\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eGain control of expressive freedom\u003cbr\u003e\u003c\/strong\u003eWith outstanding imaging capability and high-speed performance contained in a compact body, the α7 III gives you the power, precision and flexibility to capture once-in-a-lifetime moments just as you like.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eRendering scenes in realistic detail\u003cbr\u003e\u003c\/strong\u003eA newly developed back-illuminated image sensor and evolved image processing system fulfill various shooting needs with high-quality imaging capabilities that you would expect only of a full-frame camera.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eNewly developed sensor, evolved image processor\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eThe latest technology achieves stunning processing speed\u003cbr\u003e\u003c\/strong\u003eA new version of the 24.2-megapixel4 Exmor R™ CMOS sensor, now featuring back-illuminated structure, is combined with the latest BIONZ X™ image processing engine and front-end LSI, and this combination achieves data readout speed that is two times faster5 and data processing capability that is 1.8 times higher5.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eBack-illuminated full-frame sensor\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eHigher sensitivity and readout speed\u003cbr\u003e\u003c\/strong\u003eThe camera’s 35mm full-frame CMOS image sensor with back-illuminated structure enhances light collection efficiency, expands circuitry scale, and, with the help of a copper wiring layer that contributes to quicker data transfer, outputs data at very high speed, while minimising noise to reveal fine details in every picture.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eReducing noise in high-resolution images\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eUp to 1.5-stop improvement in image quality\u003cbr\u003e\u003c\/strong\u003eStandard ISO range is extended to ISO 100-51200 (expandable to ISO 50-2048006 for stills), while Detail Reproduction and Area-specific Noise Reduction technologies maintain image details and cut noise. With highly effective performance in mid-to-high sensitivity ranges, you can shoot at high ISO with no concerns about noise and image deterioration.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eDynamic range of up to approx. 15 stops\u003cbr\u003e\u003c\/strong\u003eApprox. 15-stop dynamic range7 at low-sensitivity settings is achieved, thanks to a revamped CMOS sensor and image processor that provide for smooth gradation from shadow to highlight. This gives you greater freedom of creative imaging.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFaithful colour reproduction\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eMore accurate colour reproduction straight out of the camera\u003cbr\u003e\u003c\/strong\u003eColour reproduction performance is dramatically enhanced, giving subjects that you capture more natural colour that is faithful to how the colours look in real life. Skin tones in portraits, blue skies in landscapes, and vivid hues in still life images look very realistic as a result.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSteadier shots with 5-axis stabilisation\u003cbr\u003e\u003c\/strong\u003eThe latest high-precision stabilisation uses stabilisation unit and gyro sensors and algorithms to achieve a 5.0-step8 shutter speed advantage in a system that compensates five types of camera shake with a wide range of lenses, and delivers excellent performance.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e14-bit RAW output for rich gradations\u003cbr\u003e\u003c\/strong\u003eFor smoother, more natural gradation, the latest BIONZ X image processor and front-end LSI process image signals in 16-bit form. 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This system advances performance to double AF speed13.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e4D FOCUS: Steadfast tracking\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eEnhanced AF tracking for swiftly moving subjects\u003cbr\u003e\u003c\/strong\u003eThe AF performance inherited from the α9 accounts for AF tracking with enhanced precision for continuous shooting of quick action. With faster image sensor readout, even complex subject motion can be tracked and sudden movements can be predicted with great precision, allowing you to capture decisive moments.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eReliable AF down to EV-3 brightness\u003cbr\u003e\u003c\/strong\u003eAdvanced AF algorithms contribute to high AF precision down to light levels as low as EV-314, for more reliable autofocus in dark scenes.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFocal-plane phase-detection AF supports A-mount lenses\u003cbr\u003e\u003c\/strong\u003e693-point focal-plane phase-detection AF not only covers a wide area and responds instantly — it offers the benefits of high tracking performance even with an A-mount lens mounted via mount adaptor LA-EA3.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eEye AF revolutionises portraiture\u003cbr\u003e\u003c\/strong\u003eWith the α7 III, Eye AF can now be used with AF-C mode, for fast, effective eye detection\/tracking performance when shooting stills. The easy maintenance of optimum focus on moving subjects can totally transform your portraiture.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFocus control via touch screen\u003cbr\u003e\u003c\/strong\u003eThe α7 III has Touch Focus function, and a Touch Pad function for you to fingertip-drag the focus frame intuitively while using the viewfinder.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eAF in Focus Magnifier\u003cbr\u003e\u003c\/strong\u003eUse autofocus for stills while focus area is magnified in viewfinder\/monitor, and magnify view after autofocusing. This is ideal for focusing on a small area and other precision-focus photography.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eMore versatile AF settings all around\u003cbr\u003e\u003c\/strong\u003eAF tracking sensitivity for stills is adjustable in five steps. AF areas\/points are changeable as you switch between horizontal and vertical orientation. Focus point settings can be assigned to custom buttons.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFast continuous shooting captures the height of a moment\u003cbr\u003e\u003c\/strong\u003eThe α7 III can shoot in a continuous burst at up to 10 fps with AF\/AE tracking1 and up to 8 fps burst shooting when shooting with live-view mode. The camera also supports silent shooting17 at up to 10 fps with AF\/AE tracking at maximum resolution.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eConfidence-boosting continuous shooting\u003cbr\u003e\u003c\/strong\u003eCapture an instant action with continuous shooting of up to 10 fps — or 8 fps for live-view shooting — with AF\/AE tracking1. Up to approximately 177 JPEG (standard) images, 89 compressed RAW images, or 40 uncompressed RAW images can be captured in one continuous burst.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eShoot continuously in absolute silence\u003cbr\u003e\u003c\/strong\u003eThis camera allows silent shooting17 at up to 10 fps with AF\/AE tracking1. 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Full-frame or Super 35mm mode can be selected as needed. Furthermore, 4K recording2 employs XAVC S format at bitrates as high as 100 Mbps.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eMore comprehensive autofocus performance\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eImproved Fast Hybrid AF for movie recording\u003cbr\u003e\u003c\/strong\u003eFast Hybrid AF with focal-plane phase-detection AF and contrast-detection AF locks onto and smoothly tracks moving subjects. A wide AF area similar to that for still images is now available for movies too. Reduced low-end AF drive speed allows more pronounced slow focus effects. 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Also, select a frame rate from 1 to 120\/100 fps23 for up to 60x quick motion and 5x slow motion.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eReliable features and operation in a compact body\u003cbr\u003e\u003c\/strong\u003eThe α7 III’s operability is enhanced by fast control during shooting, dazzlingly clear views through the Tru-Finder, versatile connectivity, extended shooting endurance from various power sources, plus high durability and resistance to wet and dusty conditions.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLonger battery life to shoot for more professional lengths\u003cbr\u003e\u003c\/strong\u003eThe α7 III can use a NP-FZ100 battery with approx. 2.2 times as much capacity as a NP-FW50 battery, allowing you to shoot up to approximately 710 photos24 with one full charge. BC-QZ1 optional battery charger allows quicker charging than charging via USB.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eDual media slots, UHS-II support\u003cbr\u003e\u003c\/strong\u003eWith two media slots, including one that’s UHS-II-compatible for fast data writing, the α7 III can simultaneously or relay record, separate RAW\/JPEG data and stills\/movies, and copy data between cards.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eMy Menu: faster to your favourites\u003cbr\u003e\u003c\/strong\u003eRegister up to 30 frequently used items on the new My Menu for instant recall. 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The menu and interface are the same as the ones found on the URSA Mini camera, and 3D LUTs can be applied for monitoring or for baking in your look when you're ready to commit.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eAudio features include a mini-XLR input with phantom power for pro-style mics, a 3.5mm jack, and an internal stereo mic. Additional features include the same Blackmagic OS as the URSA Mini, and Bluetooth remote control. A license key for DaVinci Resolve Studio is included for versatile post-production control. The Pocket Cinema Camera 4K's carbon fiber polycarbonate build provides lightweight strength and durability, and power options include running off a Canon LP-E6 type battery or the included power supply.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cu\u003e4\/3\" Image Sensor \/ Dual Native ISO\u003c\/u\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Pocket Cinema Camera 4K uses a 4\/3\" sensor, 13 stops of dynamic range, and a dual native ISO up to 25,600 to capture rich images at resolutions up to DCI 4K.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cu\u003eActive Micro Four Thirds Lens Mount\u003c\/u\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eUse lightweight, electronically-controlled MFT lenses, or use separately available adapters to expand your lens choices to include PL, C, or EF-mount lenses.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cu\u003eCinemaDNG Raw and ProRes Options\u003c\/u\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChoose from CinemaDNG Raw and ProRes 422 file options depending on your project's needs.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cu\u003e5\" Touchscreen Display\u003c\/u\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA large 5\" touchscreen display reduces the need for an external on-board monitor, while a full-sized HDMI port enables you to output a signal to a larger display on your video village.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cu\u003eCFast 2.0, SD\/UHS-II, and USB Type-C Capture\u003c\/u\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eInternally record to CFast 2.0 or SD\/UHS-II card slots, or capture longer clips using the USB-C output to an external drive.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cu\u003eFlexible Power Options\u003c\/u\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Pocket Cinema Camera 4K can be powered using a rechargeable Canon LP-E6 type battery or the included power supply.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cu\u003eDaVinci Resolve Studio\u003c\/u\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAn activation key for DaVinci Resolve Studio is included with the camera.\u003c\/span\u003e\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":40174470856833,"sku":"BLA-CINECAMPOCHDMFT4K","price":1480.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/blackmagic-design-cameras-default-title-blackmagic-design-pocket-cinema-camera-4k-30571656806529.jpg?v=1747046730"},{"product_id":"panasonic-ag-cx350-4k-hdr-camcorder","title":"Panasonic AG-CX350 4K HDR Camcorder","description":"\u003cp\u003eThe Panasonic AG-CX350 4K HDR Camcorder fuse video, on-air broadcasting, and communication for the next generation. The AG-CX350 features 4K\/UHD resolution, 10-bit depth, HDR-compatible image quality, and a host of recording formats for the ultimate creativity in a compact, lightweight body with low power consumption. It is also equipped with an RTMP\/RTSP function for live streaming and NDI | HX-ready IP connectivity, to serve as a live camera, and clearly expands the usability of the handheld camcorder beyond conventional news gathering and recording applications to meet a wide range of professional needs.\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003ciframe frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/PtqJkKSl7gc\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe AG-CX350’s lens is the widest-angle in the industry at 24.5mm, allowing the capture of wide-angle images with minimal distortion, whilst the optical zoom of 20x covers up to 490mm telephoto in all modes. The i.Zoom functionality enables seamless zooming of up to 32x in HD or 24x in UHD with no degradation in zoom, whilst the CX350 also comes with a digital 2x, 5x and 10x zoom. The AG-CX350 features HLG (Hybrid Log-Gamma) support for HDR capture, and can be selected from eight in-camera modes (HD, SD, FILMLIKE 1, FILMLIKE 2, FILMLIKE 3, FILM-REC, VIDEO-REC, HLG).\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe newly-developed 1-type MOS sensor offers a high-quality image with shallow depth of field and high sensitivity of F12 at 60Hz and F13 at Hz at 2000 TV lines. It supports multiformats, including UHD, HD and SD without cropping in all modes. The CX350 can be used to support live coverage of concerts and sports events, as well as for live streaming of breaking news with support of streaming services from Facebook and YouTube.\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe CX350 is also the first camera recorder that support NDI|HX, which allows for video transmission and camera control to be made via an IP connection, without having to use an external recorder.\u003c\/p\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":40174475837569,"sku":"PAN-AG-CX350EN","price":5882.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/panasonic-cameras-default-title-panasonic-ag-cx350-4k-hdr-camcorder-30571724374145.jpg?v=1742891748"},{"product_id":"blackmagic-design-ursa-mini-pro-4-6k-g2-cinema-camera","title":"Blackmagic Design URSA Mini Pro 4.6K G2 Cinema Camera","description":"\u003cp\u003eThe Blackmagic Design URSA Mini Pro 4.6K G2 Cinema Camera features new electronics, Super 35 4.6K HDR image sensor, 15 stops of dynamic range, 300 fps high frame rate shooting, Blackmagic RAW and more. The URSA Mini Pro 4.6K G2 \u003cspan\u003eis a professional digital film camera that combines incredible 4.6K image quality with the features and controls of a traditional broadcast camera. \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe second generation URSA Mini Pro features fully redesigned electronics and a new Super 35mm 4.6K HDR image sensor that combines to give you a much higher frame rate shooting. You also get built-in ND filters, an interchangeable lens mount, Blackmagic RAW support, and both dual CFast and SD UHS-II card recorders for capturing images at up to 300 frames per second. There’s even a USB-C expansion port that lets you record directly to flash drives or SSD disks for even longer recording times. URSA Mini Pro 4.6K G2 features a massive number of controls intuitively positioned on the side of the camera so you can adjust most settings by feel, without ever having to take your eyes off the action. URSA Mini Pro is lightweight and comfortable enough to use all day, has controls that are extremely fast to use, and image quality that’s far superior to broadcast cameras costing ten times more.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp\u003e\u003cspan\u003eBlackmagic URSA Mini Pro 4.6K G2 Key Features\u003c\/span\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eDigital film camera with 15 stops of dynamic range.\u003c\/li\u003e\n\u003cli\u003eSuper 35mm 4.6K sensor with Blackmagic Design Generation 4 Color Science.\u003c\/li\u003e\n\u003cli\u003eSupports project frame rates up to 60 fps and off-speed slow motion recording up to 120 fps in 4.6K, 150 fps in 4K DCI and 300 fps in HD Blackmagic RAW.\u003c\/li\u003e\n\u003cli\u003eInterchangeable lens mount with EF mount included as standard. Optional PL, B4 and F lens mounts are available separately.\u003c\/li\u003e\n\u003cli\u003eHigh-quality 2, 4 and 6-stop neutral density (ND) filters with IR compensation designed to specifically match the colourimetry and colour science of Blackmagic URSA Mini Pro 4.6K G2.\u003c\/li\u003e\n\u003cli\u003eFully redundant controls include external controls that allow direct access to the most important camera settings such as external power switch, ND filter wheel, ISO, shutter, white balance, record button, audio gain controls, lens and transport control, high frame rate button and more.\u003c\/li\u003e\n\u003cli\u003eBuilt in dual C-Fast 2.0 recorders and dual SD\/UHS-II card recorders allow unlimited duration recording in high quality.\u003c\/li\u003e\n\u003cli\u003eHigh speed USB-C expansion port for recording directly to an external SSD or flash disk.\u003c\/li\u003e\n\u003cli\u003eLightweight and durable magnesium alloy body.\u003c\/li\u003e\n\u003cli\u003eLCD status display for quickly checking timecode, shutter and lens settings, battery, recording status, and audio levels.\u003c\/li\u003e\n\u003cli\u003eSupport for Blackmagic RAW files in Constant Bitrate 3:1, 5:1, 8:1 and 12:1 or Constant Quality Q0 and Q5 as well as ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, ProRes 422 LT, ProRes 422 Proxy recording at 4.6K, 4K, Ultra HD and HD resolutions.\u003c\/li\u003e\n\u003cli\u003eSupports recording of up to 300 frames per second in HD, 150 frames per second in 4K DCI, and 120 frames per second at full frame 4.6K.\u003c\/li\u003e\n\u003cli\u003eFeatures all standard connections, including dual XLR mic\/line audio inputs with phantom power, 12G-SDI output for monitoring with camera status graphic overlay and separate XLR 4 pin power output for viewfinder power, headphone jack, LANC remote control and standard 4 pin 12V DC power connection.\u003c\/li\u003e\n\u003cli\u003eBuilt in high quality stereo microphones for recording sound.\u003c\/li\u003e\n\u003cli\u003e4 inch foldout touchscreen for on-set monitoring and menu settings.\u003c\/li\u003e\n\u003cli\u003eIncludes full copy of DaVinci Resolve software color grading and editing software.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cdiv\u003e \u003c\/div\u003e\u003cdiv\u003e\n\u003cspan style=\"font-family:'trebuchet ms', sans-serif;\"\u003eThe URSA Mini Pro 4.6K G2 is a dramatic advancement over the original model as it now features entirely new electronics for higher speed processing. Also included is a new Super 35mm 4.6K image sensor that captures up to 4608 x 2592 pixels with 15 stops of latitude at up to 3200 ISO. This allows customers to record full sensor 4.6K images at up to 120 frames per second, windowed 4K DCI at up 150 frames per second, and windowed 1080 HD at an amazing 300 frames per second. That makes URSA Mini Pro 4.6K G2 ideal for capturing stylized fast action documentary work, nature photography, sports and more.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/div\u003e\u003cdiv\u003e\n\u003cbr\u003e \u003c\/div\u003e\u003cdiv\u003e\n\u003cbr\u003e \u003c\/div\u003e\u003cdiv\u003e\n\u003cspan style=\"font-family:'trebuchet ms', sans-serif;\"\u003eIn addition, URSA Mini Pro 4.6K G2 can capture Blackmagic RAW images in both film and extended video modes, making it perfect for high end feature films, television shows, commercials, and indie films as well as broadcast news, studio and even live multi camera production.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/div\u003e\u003cdiv\u003e\n\u003cbr\u003e \u003c\/div\u003e\u003cdiv\u003e\n\u003cbr\u003e \u003c\/div\u003e\u003cdiv\u003e\n\u003cspan style=\"font-family:'trebuchet ms', sans-serif;\"\u003eBlackmagic RAW is a revolutionary, next generation codec that gives customers visually lossless images, extensive metadata support and highly optimized GPU and CPU accelerated processing. Blackmagic RAW combines the quality and workflow advantages of traditional RAW formats with the speed and ease of use of standard video codecs. With Blackmagic RAW, customers can choose compression levels up to 12:1 and still get stunning images that can be used for feature films, documentaries and broadcast programming. Blackmagic RAW settings such as 12:1 are important to allow customers to get the highest frame rates from the camera, and this means only Blackmagic RAW can allow high frame rates while retaining enough quality for professional results.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/div\u003e\u003cdiv\u003e\n\u003cbr\u003e \u003c\/div\u003e\u003cdiv\u003e\n\u003cbr\u003e \u003c\/div\u003e\u003cdiv\u003e\n\u003cspan style=\"font-family:'trebuchet ms', sans-serif;\"\u003eURSA Mini Pro 4.6K G2 also uses Blackmagic Design Generation 4 Color Science for superior imaging that results in extremely accurate skin tones and gorgeous, lifelike colors that rival those of cameras costing tens of thousands of dollars more. Blackmagic RAW images are encoded using a custom non-linear 12-bit space designed to provide the maximum amount of color data and dynamic range. These formats can be recorded onto CFast or SD cards, as well as direct to flash disks using the new USB-C expansion port.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/div\u003e\u003cdiv\u003e\n\u003cbr\u003e \u003c\/div\u003e\u003cdiv\u003e\n\u003cbr\u003e \u003c\/div\u003e\u003cdiv\u003e\n\u003cspan style=\"font-family:'trebuchet ms', sans-serif;\"\u003eURSA Mini Pro 4.6K G2 is designed to be extremely tough and fully featured. It includes everything customers need in a compact handheld magnesium alloy body that’s durable and light enough to use anywhere. There’s an external high visibility backlit LCD status display for viewing critical shooting information, a foldout touch screen for reviewing shots without needing an extra on-set monitor, professional connections such as 12G-SDI, XLR audio, built in high quality stereo microphones and more. Plus, every single control on the camera is redundant, including the power, so if anything should go wrong in the field, the camera can still be used.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/div\u003e\u003cdiv\u003e\n\u003cbr\u003e \u003c\/div\u003e\u003cdiv\u003e\n\u003cspan style=\"font-family:'trebuchet ms', sans-serif;\"\u003eURSA Mini Pro 4.6K G2 features neutral density (ND) filters with IR compensation for quickly reducing the amount of light that enters the camera. The 2, 4 and 6 stop filters are specifically designed to match the colorimetry of the camera and provide additional latitude, even under harsh lighting conditions. That means customers can use different combinations of aperture and shutter angle to achieve shallower depth of field, or specific levels of motion blur, in a wider range of situations. The IR filters evenly compensate for both far red and infrared wave lengths to eliminate IR contamination. The ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/div\u003e\u003cdiv\u003e\n\u003cbr\u003e \u003c\/div\u003e\u003cdiv\u003e\n\u003cbr\u003e \u003c\/div\u003e\u003cdiv\u003e\n\u003cspan style=\"font-family:'trebuchet ms', sans-serif;\"\u003eThe broadcast camera design of URSA Mini Pro 4.6K G2 puts powerful external control buttons, switches, knobs and dials on the outside of the camera, giving customers direct access to the most important camera settings. The controls are laid out in a logical order that makes them easy to remember so cinematographers can operate the camera without having to look at the buttons, hunt through menus, or take their eye off of the action. URSA Mini Pro 4.6K G2 also features a high visibility status screen that displays important information such as timecode, shutter and lens settings, battery, recording status, and audio levels. The status display features a backlight and is designed to be clearly visible in both dimly lit studios and outside in direct sunlight.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/div\u003e\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cbr\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-family:'trebuchet ms', sans-serif;\"\u003eURSA Mini Pro 4.6K G2 comes standard with an interchangeable EF lens mount for working high quality photographic lenses. If the camera is being used on a high end film or commercial shoot that calls for large cinematic lenses, simply remove the EF mount and replace it with the optional PL mount. There’s even a B4 broadcast lens mount for working with broadcast HD lenses. URSA Mini Pro 4.6K G2 also includes a standard 12 pin Hirose lens control connector.\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family:'trebuchet ms', sans-serif;\"\u003e \u003c\/span\u003e\u003cbr\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-family:'trebuchet ms', sans-serif;\"\u003eFeaturing both dual C-Fast 2.0 recorders and dual SD UHS-II card recorders, customers can choose the media that works best for their projects. C-Fast cards are ideal for full resolution Blackmagic RAW 12 bit recording, while UHS-II SD cards are inexpensive and commonly available, making them perfect for recording Blackmagic RAW 8:1 or 12:1 for Ultra HD and regular HD files. With dual slots for each media type, the camera never has to stop recording because when the first card is full, it automatically continues onto the next card. Full cards can be swapped for empty ones, all without stopping the camera.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-family:'trebuchet ms', sans-serif;\"\u003eURSA Mini Pro 4.6K G2 also includes a new and innovative high speed USB-C expansion port for adding accessories such as an SSD for external recording. That means customers can now record for even longer durations without stopping. Plus, they can record directly onto the same external disks they will use for editing and color correction.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan style=\"font-family:'trebuchet ms', sans-serif;\"\u003eURSA Mini Pro 4.6K G2 includes the full DaVinci Resolve Studio software, giving customers a complete post production solution. This powerful software combines professional nonlinear video editing with the world’s most advanced color corrector for importing, editing, color correcting, finishing and delivering projects shot on URSA Mini Pro 4.6K G2. DaVinci Resolve Studio works natively with Blackmagic RAW files from the camera, so customers can take them directly into post production without having to convert or change them. Every single bit of quality is preserved because it is a true lossless workflow. Using DaVinci Resolve Studio is the fastest and highest quality way to work with Blackmagic RAW files from URSA Mini Pro 4.6K G2.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/div\u003e\n\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":40174476492929,"sku":"BLA-CINEURSAMUPRO46KG2","price":8623.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/blackmagic-design-cameras-default-title-blackmagic-design-ursa-mini-pro-4-6k-g2-cinema-camera-30576517873793.jpg?v=1742891779"},{"product_id":"sony-alpha-a6400-mirrorless-digital-camera-with-16-50mm-lens","title":"Sony Alpha a6400 Mirrorless Digital Camera with 16-50mm Lens","description":"\u003cp\u003eThe Sony Alpha a6400 Mirrorless Digital Camera with 16-50mm Lens is an APS-C-format mirrorless camera that adopts many of the features normally reserved for their full-frame lineup. This includes an autofocus acquisition of 0.02 seconds, Real-time Eye AF and Real-time Tracking capabilities, high-speed shooting up to 11 fps and silent shooting up to 8 fps, both with AF\/AE tracking, an upgraded BIONZ X image processing engine, an LCD touchscreen that tilts 180° up and 74° down, UHD 4K movie recording with full pixel readout and no pixel binning, internal recording for time-lapse videos, and more.\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe a6400 is well-suited for both photo and video creators, ranging from professionals to vloggers. Revolving around a 24.2MP Exmor CMOS sensor and BIONZ X image processor, clean image quality is provided with a wide expandable sensitivity range of ISO 100 to 102,400, along with accelerated readout speeds for internal 4K24 and Full HD 1080p120 video recording with full pixel readout. The processor further benefits videographers with the inclusion of an S\u0026amp;Q (Slow \u0026amp; Quick) Motion setting that permits capturing Full HD video at a variety of frame rates ranging from 1-120 fps, plus HLG (Hybrid Log-Gamma), which supports HDR workflows, and both S-Log2 and S-Log3 for color grading flexibility. Stills shooters also benefit from the processing speed, which enables continuous shooting at 11 fps for up to 116 JPEGs, 46 raw images, or 44 raw and JPEG frames in a burst, as well as 14-bit raw file output. The sensor and processor combination also avails 4D FOCUS, with a wide-coverage 425-point phase-detection system that covers around 84% of the image area, and a 425-point contrast-detection system, both of which provide quick and precise focusing performance. This focusing system also enables Real-time Eye AF, which delivers improved accuracy, speed, and tracking performance of Eye AF, so the eyes of your subject are automatically detected. Furthermore, Real-time Tracking uses AI-based object recognition and processes color, subject distance (depth), and pattern (brightness) as spatial information to ensure that all subjects can be captured with accuracy. Increasingly versatile and fully featured in both photo and video realms, the a6400 is a fast and precise imaging tool for multimedia capture.\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"kitTitle\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eE PZ 16-50mm f\/3.5-5.6 OSS Lens\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"kitDescription\"\u003e\r\n\u003cdiv data-selenium=\"featureWrapper\"\u003e\r\n\u003cdiv class=\"ov-wrapper js-overview-desc\"\u003e\r\n\u003cdiv class=\"ov-desc\"\u003e\r\n\u003cp class=\"ov-desc-paragraph\"\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe E PZ 16-50mm f\/3.5-5.6 OSS Lens is an ideal companion for your compact, APS-C mirrorless camera, the \u003cspan\u003eE PZ 16-50mm f\/3.5-5.6 OSS Lens\u003c\/span\u003e from \u003cspan\u003eSony\u003c\/span\u003e offers a versatile equivalent zoom range of 24-75mm as well as a retractable design that makes your system much more manageable when not in use. Helping to deliver excellent optical quality throughout the range are an extra-low dispersion element and four aspherical elements to combat various aberrations and improve contrast. The lens also incorporates Optical SteadyShot image stabilization and a power zoom mechanism, both of which will help you capture smooth and steady stills and video. Additionally, it has an internal focus design, a minimum focus distance of 9.8\", and uses a seven-blade circular aperture for smooth bokeh.\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":40174477443201,"sku":"SON-ILCE6400KB","price":1368.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sony-cameras-default-title-sony-alpha-a6400-mirrorless-digital-camera-with-16-50mm-lens-30571729780865.png?v=1744596499"},{"product_id":"sony-cybershot-rx100-vii-digital-camera","title":"Sony Cybershot RX100 VII Digital Camera","description":"\u003cp\u003eThe Sony Cyber-shot DSC-RX100 VII is a pocket-sized camera packing a wealth of stills and video versatility. 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A stacked design and front-end LSI also contribute to quickened operation and enhanced image quality. 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It is able to work within a native range of ISO 100-32000, which can then be expanded to an impressive ISO 50-102400, for sharp, low-noise images in a variety of conditions. Along with these improvements to image quality, users will enjoy a performance boost across the board with an enhanced AF system, built-in Wi-Fi, NFC, and GPS, and much more.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e30.4MP Full-Frame CMOS Sensor and DIGIC 6+ Image Processor\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eIn line with previous members of the main 5D series, the Mark IV attempts to balance high resolution with low-light performance with a newly developed 30.4MP full-frame CMOS sensor. This provides a beneficial increase in overall resolution without compromising on sensitivity. Additionally, thanks to the DIGIC 6+ image processor it is paired with, it offers impressive performance within a native range of ISO 100-32000, which can be expanded to ISO 50-102400.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eVersatility is key with the 5D, as it needs to be able to tackle landscapes and weddings with equal ease. By using a 150,000-pixel RGB+IR metering sensor shooters will be able to more comfortably rely on the camera to capture difficult scenes. This sensor also has face detection as well as flicker detection which can ensure proper exposure in less-than-ideal lighting situations. Along with this, the camera offers an improved continuous shooting rate of 7 fps, making it a great option for events and action.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eHigh Density Reticular AF and Dual Pixel CMOS AF Systems\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eEnsuring your subject is tack sharp, the 5D Mark IV incorporates an enhanced High Density Reticular AF system, which offers 61 phase-detect points, with all points sensitive to f\/8 and 41 of which are cross-type. The center point can function down to -3 EV for working in extremely dim lighting. Compared to previous versions, this sensor has expanded vertical coverage of 24% on the peripherals and 8% in the center in order to better track and locate subjects in the frame.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIn addition to advanced tracking and focusing while using the optical finder for stills, Live View and video can now use Dual Pixel CMOS AF on the actual imaging sensor. This offers about 80% coverage of phase-detection autofocus for faster and more accurate focusing in these modes. It is ideal for video as users will enjoy smoother rack focusing without the downsides normally encountered with contrast-based systems. Also, this works well with the touchscreen functions, allowing shooters to just tap to adjust focus.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDCI 4K Video Recording\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDesigned for both professional stills shooting and video recording, the 5D Mark IV supports DCI 4K (4096 x 2160) resolution recording at up to 30 fps at 500 Mbps, along with Full HD 1080p shooting at 60 fps and HD 720p at 120 fps for slow motion playback. When recording in-camera, 4K video has 4:2:2 sampling and 8-bit color depth, while Full HD 1080p footage has 4:2:0 sampling. Uncompressed Full HD 1080p video can also be saved via HDMI to an optional external recorder with 4:2:2 color sampling. 4K video is recorded using a central 4096 x 2160 area of the sensor at a 1.74x crop in order to record video with an ideal 1:1 pixel sampling ratio, while Full HD recording makes use of the entire full frame.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAudio can be recorded using the on-board stereo microphone or an optional external mic can also be used via the 3.5mm mic jack. Real time audio monitoring is possible, too, via the 3.5mm headphone jack. The 4K video recording also avails the ability to take 8.8MP still frame grabs during playback on the rear touchscreen and save them as single images.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDual Pixel RAW\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFirst implemented here on the 5D Mark IV, Dual Pixel RAW allows photographers to record all the information the sensor's unique pixel architecture can deliver, providing a way for fine adjustments to be made after the image is taken. These adjustments include focus fine tuning that can help you ever-so-slightly adjust the focus point to bring out extra details, shift bokeh around for improved composition, and reduce the impact of ghosting on your photos. 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Up to 10 fps shooting is possible along with the ability to record UHD 4K30 video, both with support for Real-time Eye AF and Tracking AF technologies. The revised sensor design uses a Fast Hybrid AF System, with 567 phase-detection autofocus points, for notably fast and accurate focusing performance.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003ciframe frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/mcxH3ksHt_I\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003eDespite being such a high-resolution sensor, it is also distinguished by its flexible native sensitivity range from ISO 100-32000 for working in a variety of lighting conditions. Additionally, benefitting both stills and video operation, the a7R IV retains the 5-axis SteadyShot INSIDE sensor-shift image stabilization, which is effective to minimize the appearance of camera shake by up to 5.5 stops.\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003eBalancing the imaging merits, the a7R IV also sees an updated physical design with more robust weather sealing to suit working in especially harsh weather conditions. In terms of usability, the OLED electronic viewfinder has been boosted to an impressive 5.76m-dot resolution for clear viewing and the 3.0\" rear tilting touchscreen LCD has a high 1.44m-dot resolution for crisp playback, live view shooting, and menu navigation. Dual SD card slots are both UHS-II-rated for faster performance and the inclusion of a USB Type-C port permits tethering and quick in-camera battery charging. Additionally, built-in Bluetooth and both 2.4 and 5 GHz Wi-Fi bands afford wireless transferring and remote camera control from linked mobile devices.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e61MP Exmor R BSI CMOS Sensor and BIONZ X Image Processor\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003eFeaturing a back-illuminated design, the full-frame 61MP Exmor R CMOS sensor works with the BIONZ X image processor to offer impressively high-resolution stills and video while minimizing noise, improving speed, and achieving a wide 15-stop dynamic range. This sensor structure works with gapless on-chip lens design and an anti-reflection coating, as well as eliminating the optical low-pass filter, to improve light collection and enhance detail. Also, the copper wiring layer dramatically improves data transmission speed for creating 14-bit, high-resolution 61MP stills with a native sensitivity range from ISO 100-32000, which can be further expanded to ISO 50-102400. Also, it enables internal UHD 4K video recording with a wide 14-stop dynamic range using either the full width of the full-frame sensor or an APS-C-sized area. The BIONZ X processor also works in conjunction with a high-speed front-end LSI to realize faster processing times along with the ability to capture this impressive 15-stop dynamic range with smooth tonal rendering.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFast Hybrid AF System\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003eAn updated Fast Hybrid AF system now employs a combination of 567 phase-detection points, which cover approximately 99.7% of the height and 74% of the width of the frame, along with 425 contrast-detection areas for reliable and quick autofocus and subject tracking performance. This focusing system also achieves especially quick speed and reliable tracking, as well as enhanced low-light focusing response down to -3 EV. The use of phase-detection points also enables the use of A-mount lenses via the optional LA-EA3 or LA-EA1 lens mount adapters with full continuous AF\/AE tracking compatibility.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e5-Axis SteadyShot INSIDE Image Stabilization\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003ePacked into the robust a7R IV is a 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system that compensates for five different types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePixel Shift Multi Shooting\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003eThis unique compositing mode allows you to achieve even greater resolution than the 61MP sensor affords. Working in conjunction with the sensor-shift image stabilization, this mode shifts the sensor while making 16 consecutive exposures in order to acquire approximately 240.8MP of information for greater color accuracy and detail than possible with a single exposure, along with an impressive image size of 19,008 x 12,672-pixels. These files can then be merged together during post-production by using the Sony Imaging software suite.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eUHD 4K Video Recording in XAVC S Format\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003eInternal recording of UHD 4K movies is possible in multiple frame rates up to 30 fps and, based on the Super35mm recording area and effective 6K resolution, oversampling renders greater detail and full pixel readout is possible, that is void of pixel binning, for higher quality imagery with reduced moiré and aliasing. Full-frame 4K recording has also been dramatically improved for improved quality when working at mid to high sensitivities to permit full use of the entire sensor width. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mbps XAVC S format contained within an MP4 wrapper with 4:2:0 sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p. 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The Panasonic AW-UE4WG\/KG PTZ Camera supports 4K 30p\/25p*1 video output. Equipped with an ultra-wide-angle lens with a 111° field of view to capture every part of even the largest spaces and transmit wide-angle video in limited installation space. The unit supports PoE*2 supply as well as can be used as a USB camera that can be powered from a computer. Other featues include high-performance operability through RTMP (Real-Time Messaging Protocol) with compatibility for direct upload of video to live-streaming services, and is also excellent for live production. 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It also offers several other improvements, such as enhancements to the control software and physical design to simplify taking complex shots without sacrificing performance, all while making important functions more readily accessible.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePerformance\u003c\/span\u003e\u003cbr\u003eUpgraded high-torque motors allow the gimbal to support a wider range of cameras, resist high winds and G-forces caused when mounted onto a car, and keep it moving smoothly in flight.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBoosted Torque\u003c\/span\u003e\u003cbr\u003eWith up to eight times more powerful motors than previous iterations, Ronin 2 can withstand sustained speeds of over 75 mph with camera builds as heavy as 13.5kgs. 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Tactile buttons including motor pause are placed easily within reach.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAssistant App\u003c\/span\u003e\u003cbr\u003eThe extensively refined, redesigned, and expanded Gimbal Assistant app helps create content with minimum effort via new features such as CamAnchor, Time-Lapse, and Panorama, providing a more intuitive and easier-to-use full control system for Ronin 2.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eIntelligent\u003c\/span\u003e\u003cbr\u003eEnhanced intelligence means filmmakers can get shots with Ronin 2 that would once have needed specialist expertise or additional equipment, from total smoothness control to studio-oriented smart features. 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The EF lens mount offers compatibility not only with Canon's existing broad range of DSLR lenses but also with their line of EF-mount cinema prime, zooms, and even 2.0 and 1.33 anamorphic lenses. The mount is also interchangeable with a separately available PL mount by the end user.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e4K Super 35mm DGO (Dual Gain Output) sensor\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe Caon EOS C300 Mark III features a newly-developed imaging system that generates HDR video by reading out each pixel with different gains. It combines images using pixels shot with a saturation-prioritising amplifier for bright areas, and a lower-noise noise-prioritising amplifier for darker areas, resulting in higher dynamic range*.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e4K 120P high-speed support\u003c\/span\u003e\u003cbr\u003eShoot high frame rates for precise recording of moving subjects, with 120fps available when recording in 4K Cinema RAW Light or XF-AVC. Detailed settings from 12fps\u003cbr\u003eto a maximum 180fps: 2K (crop) are possible, realising greater emotion in visual expression.\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eExpandability via Extension Units\u003c\/span\u003e\u003cbr\u003eEmploying a modular design that allows users to freely customise the camera to meet their shooting needs, the camera features exceptional expandability to facilitate a\u003cbr\u003ewide range of video content productions.\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDIG!C DV7 Image Processor\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"description_2ub4q6HodBZr8d45BEOdIW\"\u003e\r\n\u003cp class=\"js-injected-html\"\u003eThe EOS C300 Mark III features Canon's DIG!C DV7 image processor that takes the extensive raw information captured from the imaging sensor and processes it for output. DiG!C is also the engine behind features such as high frame rate recording, Dual Gain Output (DGO) Sensor, Dual Pixel Autofocus, Cinema Raw Light Recording, HDR (PQ) output, Electronic Image Stabilization, and proxy recording.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cbr\u003e\r\n\u003cbr\u003e\r\n\r\n\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDual Pixel CMOS Autofocus with Touch AF and Face Detection\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eThe Cinema EOS C300 Mark III features Canon's Dual Pixel CMOS AF Technology. For DAF, each pixel in the camera's CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite and compared using phase difference to provide autofocus with compatible lenses. DAF can survey the scene and recognizes not only whether the subject is in focus or not, but in which direction (near or far), and by how much. DAF also powers the intuitive Focus Guide for users who prefer to focus manually but enjoy the positive feedback DAF provides through the guide interface.\u003c\/div\u003e\r\n\u003cbr\u003e\r\n\u003cbr\u003e\r\n\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eHigh Frame Rate; 4K 120p and 2K CROP 180p\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"description_2ub4q6HodBZr8d45BEOdIW\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eThe EOS C300 Mark III is capable of ultra-high frame rates with its new chip design and DiG!C DV7 processor. Frame rates up to 120 fps can be obtained in 4K, while 2K CROP mode provides even greater flexibility with speeds up to 180 fps.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cbr\u003e\r\n\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eCanon Log 2 and 3 Gamma\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"description_2ub4q6HodBZr8d45BEOdIW\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eThe EOS C300 Mark III supports both Canon Log 2 and Canon Log 3 gamma. In post-production, Canon Log is designed to reproduce the entire tonal range that the CMOS image sensor is capable of. Log workflows provide the user with a higher dynamic range, more highlight and shadow retention, and more flexibility in grading.\u003cbr\u003e\u003cbr\u003eCanon Log 2 provides the largest dynamic range and image detail. While Canon Log 2 provides the most post-production flexibility and full dynamic range of the sensor, it typically requires more time in color correction. For users looking for most of the benefits of Log workflow, but with shorter turnaround times, Canon Log 3 provides an alternative with only a slightly reduced dynamic range of 14 stops.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cbr\u003e\r\n\r\n\u003ch2 class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/h2\u003e\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eModular Design\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"description_2ub4q6HodBZr8d45BEOdIW\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eA new modular design allows productions to optimize and customize the EOS C300 Mark III to specific shooting needs. Accessories and expansion units can be easily attached to provide different levels of functionality. The camera is equally at home fully rigged with a large zoom lens, FIZ unit, audio accessories, and rangefinder as it is stripped down flying on a drone.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cbr\u003e\r\n\r\n\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eCanon Cinema RAW Light and XF-AVC Recording\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"description_2ub4q6HodBZr8d45BEOdIW\"\u003e\r\n\u003cp class=\"js-injected-html\"\u003eThanks to the powerful DIG!C DV7 image processing platform, the EOS C300 Mark III can record Cinema RAW Light directly to two onboard CFexpress cards. Cinema RAW Light offers plenty of freedom for grading with a dynamic range that can exceed 16 stops with Dual Gain Output (DGO) technology while maintaining file sizes that are about 1\/3 to 1\/5 the size of Canon Cinema RAW. Canon Cinema RAW Light offers a great combination of codec efficiency and quality.\u003c\/p\u003e\r\n\u003cp class=\"js-injected-html\"\u003e\u003c\/p\u003e\r\n\r\n\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLM-V2 4.3\" LCD Touchscreen Monitor\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"description_2ub4q6HodBZr8d45BEOdIW\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eThe LM-V2 4.3\" LCD Monitor is an easy-to-view touch panel with approximately 2.76 million dots. The monitor easily attaches to the EOS C300 Mark III using included accessories and can be adjusted to different viewing positions. The LCD monitor is capable of displaying both image framing and visual confirmation of camera settings. Additionally, the display has a control interface to make it easy to access and change camera settings.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cbr\u003e\r\n\u003cbr\u003e\r\n\r\n\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e4-Channel Audio Recording\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"description_2ub4q6HodBZr8d45BEOdIW\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eThe EOS C300 Mark III supports up to 4-channel audio recording. Audio input from the camera's internal microphone, mini mic port, and XLR ports can be assigned to the four different audio channels. With the Expansion Unit EU-V2, a total of four XLR ports are supported. This flexibility allows for a wide range of audio devices to be connected and mixed directly on the camera.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cbr\u003e\r\n\u003cbr\u003e\r\n\r\n\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSupport for Custom User LUTs\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"description_2ub4q6HodBZr8d45BEOdIW\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eUsers can upload and apply custom LUTs to the EOS C300 Mark III. LUTs can be assigned to specific output terminals, LCD, and viewfinder. Clients can be viewing one LUT, while production works from another, giving different production roles the ability to customize the look of the image to their needs.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cbr\u003e\r\n\u003cbr\u003e\r\n\r\n\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eUser-Interchangeable Lens Mounts\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"description_2ub4q6HodBZr8d45BEOdIW\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eUser-interchangeable lens mounts and an available B4 mount adapter gives operators the freedom to make bold creative choices based on the subject matter. The EOS C300 Mark III ships with an EF mount that can be user-swapped to an optional Locking EF (EF-C) or PL mount. Each mount swaps easily by simply removing four M3 hex screws. A shim set is provided with each mount kit in order to adjust back focus for the precision in focusing accuracy that professionals rely on.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cbr\u003e\r\n\u003cbr\u003e\r\n\r\n\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAnamorphic Lens Support\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"description_2ub4q6HodBZr8d45BEOdIW\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eThe EOS C300 Mark III offers cinematographers support for the use of both 2.0 and 1.33 anamorphic lens types. Users can achieve the wide cinematic looks, oval bokeh, and striking flares particular to anamorphic glass. It is a distinctly cinematic palette that is within reach for your next project.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cbr\u003e\r\n\u003cbr\u003e\r\n\r\n\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eProxy Recording\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"description_2ub4q6HodBZr8d45BEOdIW\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eHigher resolution, greater bit depths, and faster frame rates provide versatility and greater image quality but come at the cost of much larger file sizes. Proxy files can greatly speed up the editorial process by providing a lower bandwidth alternative for initial file sharing and rough cutting.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003e\r\n\r\n\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eElectronic Image Stabilization\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"description_2ub4q6HodBZr8d45BEOdIW\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eThe EOS C300 Mark III includes the same built-in five-axis electronic IS introduced with the EOS C500 Mark II that works with almost any lens, including anamorphic.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cbr\u003e\r\n\u003cbr\u003e\r\n\r\n\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e12G-SDI Support\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"description_2ub4q6HodBZr8d45BEOdIW\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eSupport for 12G-SDI allows for the EOS C300 Mark III to output 4K resolution up to 60p over a single BNC cable.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cbr\u003e\r\n\u003cbr\u003e\r\n\r\n\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRC-V100 Support and LANC Compatible\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"description_2ub4q6HodBZr8d45BEOdIW\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eThe EOS C300 Mark III body has a remote A terminal (LANC) on the body and supports remote B (RS-422) in both expansion unit EU-V1 and EU-V2. Through these connectors, the EOS C300 Mark III can be completely remote-operated either by a standard LANC compatible cable or over longer distances through the use of a serial connection.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cbr\u003e\r\n\u003cbr\u003e\r\n\u003c\/div\u003e\r\n\u003cbr\u003e\r\n\u003cbr\u003e\r\n\u003c\/div\u003e\r\n","brand":"Canon","offers":[{"title":"Default Title","offer_id":40340950679681,"sku":"CAN-C300MKIIICFEXPRESSKIT","price":8740.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/canon-cameras-default-title-canon-eos-c300-mark-iii-ef-mount-digital-cinema-camera-body-512gb-cfexpress-card-reader-30576522330241.jpg?v=1742892062"},{"product_id":"canon-eos-r5-full-frame-mirrorless-camera-body-only","title":"Canon EOS R5 Full Frame Mirrorless Camera - Body Only","description":"\u003cp\u003eThe Canon EOS R5 Full Frame Mirrorless Camera Body is a full-frame mirrorless camera that features a newly developed 45MP CMOS sensor, which offers 8K raw video recording, 12 fps continuous shooting with a mechanical shutter, and is the first EOS camera to feature 5-axis sensor-shift image stabilisation.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eBeyond just resolution, the sensor also pairs with the refined DIGIC X image processor to usher in a new generation of Dual Pixel CMOS AF for quick, smooth, and intelligent focusing performance using 1053 selectable points that cover the entire field of view. This focusing system has also been updated to make use of Deep Learning technology for improved subject tracking as well as precise eye, face, and head-detection for both people and animals.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003ciframe frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/BuXjIOQxbLk\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003ciframe frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/KxXNi1eb8JQ\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003cp\u003eThe Canon EOS R5 Mirrorless Digital Camera - Body Only features a CMOS sensor, image processing, optical, and other state-of-the-art technologies. The EOS R System enables greater freedom in lens design thanks to a wider lens mount diameter, short back focus, and high-speed system for transmitting data between the camera and lens, resulting in an imaging system that delivers higher image quality and greater ease-of-use. The new full-frame mirrorless camera currently under development will fully leverage the advantages of the EOS R System to realize high-speed continuous shooting and 8K video recording in order to expand the boundaries of visual expression. Additionally, it can contribute to a more efficient workflow thanks to improved transmission functionality, operability, and reliability. These enhancements and more will help the new camera elevate the EOS Series concept of \"speed, comfort, and high image quality\" to a higher level.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe EOS R5 uses a newly developed CMOS sensor to provide a maximum of approximately 20 frames \/ second for electronic shutters and a maximum of approximately 12 frames \/ second for mechanical shutters. The camera will have dual media slots, and it will be equipped with an automatic image transfer function from the camera to the cloud platform. \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e45MP Full-Frame Sensor and DIGIC X Processor\u003c\/span\u003e\u003cbr\u003eBuilt around a newly developed 45MP full-frame CMOS sensor, the EOS R5 offers both high-resolution stills and video output and the fine-tuned DIGIC X image processor complements this with a wealth of speed. Sensitivity from ISO 100-51200, which can be expanded to ISO 102400, suits working in a variety of lighting conditions while quick continuous shooting up to 12 fps with a mechanical shutter, or silent 20 fps with an electronic shutter, is ideal for working with moving subjects.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e8K30 Raw and 4K120 Video Recording\u003c\/span\u003e\u003cbr\u003eBenefitting more than just stills, the 45MP full-frame sensor also enables impressively high-resolution DCI 8K 30 fps raw video recording internally along with 4K recording up to 120 fps in 4:2:2 10-bit with Canon Log. HDR-PQ recording is possible, too, in-camera HDR production and external recording, via the HDMI port supports a clean 4K output at up to 60 fps. Both All-I and IPB compression options are available, along with the ability to use Dual Pixel CMOS AF when shooting at up to 8K raw.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDual Pixel CMOS AF II\u003c\/span\u003e\u003cbr\u003eAn updated Dual Pixel CMOS AF II features 1053 selectable focusing points, which cover approximately 100% of the image frame for wide and even coverage. This focusing system offers smooth and fast focusing performance in a similar manner to how a camcorder acquires focus. This system integrates two separate photodiodes within each pixel to provide a broad and dense network of phase-detection gathering elements across a majority of the image sensor to reduce focus hunting for faster, more direct control of focus placement.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSensor-Shift Image Stabilizer\u003c\/span\u003e\u003cbr\u003eA first for EOS cameras, the R5 incorporates five-axis sensor-shift image stabilization that compensates for up to an impressive eight stops of camera shake for truly effective compensation of camera shake to suit handheld shooting with slower shutter speeds. This stabilization system also works in concert with lens-based optical image stabilization for both native RF lenses and adapted EF lenses.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBody Design and Wireless Connectivity\u003c\/span\u003e\u003c\/p\u003e\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003e\u003cul\u003e\n\u003cli\u003eHigh-resolution 5.67m-dot 0.5\" electronic viewfinder provides a bright and detailed means for eye-level viewing and the quick 120 fps refresh rate offers natural motion rendering for a more realistic viewfinder experience.\u003c\/li\u003e\n\u003cli\u003eRear 3.2\" 2.1m-dot LCD touchscreen features a vari-angle design that benefits front-facing recording, such as for vlogging needs, as well as working from high and low shooting angles.\u003c\/li\u003e\n\u003cli\u003eTop status LCD can be used to quickly review camera and shooting settings.\u003c\/li\u003e\n\u003cli\u003eCFexpress Type B and SD UHS-II memory card slots are featured for flexible storage needs; the CFexpress slot is ideal for 8K video and high-speed, high-resolution burst shooting needs while the SD card slot retains a familiar form factor for wide compatibility.\u003c\/li\u003e\n\u003cli\u003eBoth a 3.5mm headphone and a 3.5mm external microphone port are featured for improved audio monitoring and recording capabilities.\u003c\/li\u003e\n\u003cli\u003eRefined body design incorporates four distinct control dials across the body for intuitive tactile control and a joystick controller is used on the back of the camera for fast and intuitive focus point selection and menu navigation.\u003c\/li\u003e\n\u003cli\u003eDurable, weather-sealed body design is built to handle tough working conditions and inclement weather.\u003c\/li\u003e\n\u003cli\u003eBoth 5 GHz and 2.4 GHz Wi-Fi bands are available for fast file transferring to a mobile device and Bluetooth is also available to provide constant device connection via the Canon Camera Connect app.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":40174486782081,"sku":"CAN-R5BODY","price":4399.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/canon-cameras-default-title-canon-eos-r5-full-frame-mirrorless-camera-body-only-30576521183361.jpg?v=1747047321"},{"product_id":"sony-alpha-a7s-iii-mirrorless-digital-camera-body","title":"Sony Alpha a7S Mark III Mirrorless Digital Camera Body","description":"\u003cp\u003eThe Sony Alpha a7S Mark III Mirrorless Digital Camera Body raises the bar for what a full-frame mirrorless camera is capable of with features including optimised video, sensitivity and speed. A revised 12.1MP Exmor R BSI CMOS sensor and updated BIONZ XR image processor offer faster performance, improved noise reduction, and a wider dynamic range, along with UHD 4K 120p video recording and internal 10-bit 4:2:2 sampling.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003ciframe frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/V-18w8T3GNY\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe updated sensor design of the Sony A7SIII also brings improved autofocus performance via 759 phase-detection points, which offer intelligent subject tracking and Real-time Eye AF to ensure critical focus on moving subjects in all recording modes. The sensor and BIONZ XR processor also facilitate impressive sensitivity, with an expanded range from ISO 40-409600, as well as fast 10 fps continuous shooting for up to 1000 consecutive raw frames. Additionally, 5-axis SteadyShot INSIDE sensor-shift image stabilization is available, too, which minimizes the appearance of camera shake by up to 5.5 stops.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003eComplementing the imaging assets, Sony has also made some changes to the a7S III's physical design, including a rear LCD with a side-open articulating design and an impressive 9.44m-dot OLED electronic viewfinder. The camera's menu system has also been updated for more intuitive navigation and the body design helps to promote better heat dissipation for improved continuous recording capabilities. Additionally, dual memory card slots both support working with CFexpress Type A or SD UHS-II memory cards for flexible and high-speed file storage.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003ciframe frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Ng2ilGeFpRY\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\r\n\r\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e12.1MP Exmor RS BSI CMOS Sensor and BIONZ XR Image Processor\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eA redesigned 12.1MP full-frame CMOS sensor now features a back-illuminated Exmor RS design in order to achieve improved clarity and reduced noise along with the expectedly impressive sensitivity, from ISO 80-102400 with an extended ISO 40-409600 range. The updated sensor design also yields 2x faster readout speeds than previous generations and, when coupled with the revised BIONZ XR image processor, greatly reduces rolling shutter by 3x and up to 8x faster processing and overall camera handling. The sensor and processor combination also helps to achieve a wide dynamic range, of up to approximately 14 stops for stills and 15 stops for video, and 10 fps continuous shooting for up to 1000 uncompressed raw files for stills.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cbr\u003e\r\n\u003cbr\u003e\r\n\r\n\r\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eUHD 4K 120p Video, 10-Bit 4:2:2 Internal Recording\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eRecording up to UHD 4K is possible with frame rates up to 120p, using full 1:1 pixel readout without binning. Internal 10-bit 4:2:2 sampling is also possible in all recording modes and, if recording externally via the full-size HDMI A port, 16-bit raw output is also possible for even greater tonal reproduction and post-production flexibility. Additionally, two codecs have also been developed: XAVC HS, which uses HEVC\/H.265 encoding to retain more detail at smaller bitrates, and XAVC S-I, which is an intraframe codec for consistent performance and quality at bitrates up to 600 Mb\/s.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003e\u003c\/div\u003e\r\n\u003cbr\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003e\r\n\r\n\r\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFast Hybrid AF System\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eCovering 92% of the image area, a Fast Hybrid AF system incorporates 759 phase-detection points along with 425 contrast-detection areas for quick and precise focusing in a variety of lighting conditions with sensitivity down to -6 EV. This focusing system is available for use in all recording modes, to benefit both video and stills applications. Additionally, it is able to lock onto subjects quickly and can use Real-time Tracking for AI-based tracking on moving subjects or touch tracking for manual selection of the subject. Real-time Eye AF, suitable for both humans and animals, also ensures critical sharpness when shooting portraits. Helping to fine-tune how the focusing system performs, seven-step AF transition speed and five-step AF subject shift sensitivity controls let you refine how quickly focus shifts from point to point and how smoothly focusing shifts occur.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cbr\u003e\r\n\u003cbr\u003e\r\n\r\n\r\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e5-Axis SteadyShot INSIDE Image Stabilization\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eThe a7S III incorporates an enhanced 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system, which compensates for five different types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cbr\u003e\r\n\u003cbr\u003e\r\n\u003c\/div\u003e\r\n\u003cbr\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBody Design and Connectivity\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAn impressive QXGA OLED Tru-Finder EVF features a high 9.44m-dot resolution and 0.9x magnification for exceptionally bright, clear, and detailed eye-level viewing. This viewfinder has a dedicated 120 fps High Quality setting for smooth motion rendering and the finder's physical design has a long 25mm eye point, 41° field of view, and features a fluorine coating on the outermost viewfinder element to benefit cleaning.\u003c\/li\u003e\r\n\u003cli\u003eA first for a7-series cameras, a side-opening 3.0\" 1.44m-dot vari-angle articulating screen benefits working from high and low angles as well as a front-facing position for vlogging or other self-recording needs. This LCD is a touchscreen, too, for intuitive shooting control and menu navigation.\u003c\/li\u003e\r\n\u003cli\u003eDual memory card slots both accept either CFexpress Type A or SD-type memory cards. The dual slot design allows for flexible file saving and handling and can be configured to partition file types or can be used for overflow recording. Additionally, both of the card slots are rated to support UHS-II memory cards for faster transfer speeds.\u003c\/li\u003e\r\n\u003cli\u003eRedesigned menu structure is more intuitive and complements having different workflows and settings selections for movie recording and stills shooting. The menu system also works in conjunction with the touchscreen design of the rear LCD.\u003c\/li\u003e\r\n\u003cli\u003eMagnesium alloy chassis assures rigidity, durability, and stability while remaining lightweight. The lens mount has also been improved to better support heavy lenses, and the grip rigidity has been improved for more comfortable hand-holding.\u003c\/li\u003e\r\n\u003cli\u003eExtensive weather-sealing, including enhanced sealing around the battery cover, terminal cover, and chassis joints, has been employed to resist dust and moisture for reliable operation in harsh weather conditions.\u003c\/li\u003e\r\n\u003cli\u003eAccepts the high-capacity NP-FZ100 rechargeable lithium-ion battery, which provides approximately 510 shots\/80 minutes of recording per charge when using the viewfinder or 600 shots\/95 minutes of recording per charge when using the rear LCD.\u003c\/li\u003e\r\n\u003cli\u003eFull-size HDMI A port offers a more reliable connection when working with external recorders.\u003c\/li\u003e\r\n\u003cli\u003eA USB 3.2 Gen 1 Type-C port has been added, in addition to a micro-USB port, for faster, more reliable tethering support. The USB Type-C connection allows the camera to be charged or powered from the host power source while connected.\u003c\/li\u003e\r\n\u003cli\u003eBoth 3.5mm headphone and external microphone ports facilitate greater control over audio recording.\u003c\/li\u003e\r\n\u003cli\u003eMulti Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.\u003c\/li\u003e\r\n\u003cli\u003eBuilt-in Wi-Fi enables the remote camera control and instant sharing of imagery to mobile devices for direct sharing online, and support for both 2.4 and 5 GHz bands also enables wireless tethered shooting support. This connectivity also provides remote camera control\u003c\/li\u003e\r\n\u003cli\u003eUSB Type-C port can be paired with an optional Ethernet wired LAN adapter to provide 1000BASE-T connectivity, wired remote shooting, or FTP transferring.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003eVideo is the primary application of the a7S III, and improvements to the sensor and processor enable faster readout speeds and greatly reduced rolling shutter, along with high-bitrate internal recording, 16-bit raw output via the full-size HDMI port, and flexible control over motion with variable frame rate selection. The a7S III also does away with recording time limits and incorporates HLG for direct HDR production as well as S-Log2\/S-Log3 gamma profiles for advanced HDR production with editing.\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003eAt the heart of the new Sony Alpha III is a 12 megapixel full-frame sensor that has been improved compared to the Alpha 7S II. Sony is now opting for a construction with back exposure (BSI), with which more light can be captured and which enables better results with low light shots. The maximum sensitivity is still ISO 409.600 (expandable down to up to ISO 40). The sensor is supported by the new BIONZ-XR processor, which is said to have eight times as much computing power as the previous image processor. Sony is also breaking new ground in operation: For the first time in the Alpha 7 series, a fully moveable monitor (3.0 inches, 1.44 million points) was installed, which now also allows touch operation of the menus. The structure of the menus has also been completely revised; among other things, only the relevant entries are available in photo and video mode for better clarity. The OLED viewfinder achieves a record resolution of 9.44 million points and a magnification of 0.9x. Even glasses wearers have the entire picture in view, the size of the picture can also be reduced.\u003c\/p\u003e\r\n\r\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/fCfn8odictA\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSony A7sIII specs:\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eNew 12MP sensor with fast readout and S-Cinetone colorscience\u003c\/li\u003e\r\n\u003cli\u003erecords FHD 240fps, 4k120fps 10bit 4:2:2 and 4K120fps raw over HDMI\u003c\/li\u003e\r\n\u003cli\u003eONLY Up to 4k60 will be 10bit 4:2:2 internal.\u003c\/li\u003e\r\n\u003cli\u003eDownsampled 1080p from 4K, making this the best 1080p hybrid ever made! No line skipping or pixel binning.\u003c\/li\u003e\r\n\u003cli\u003eNo internal RAW.\u003c\/li\u003e\r\n\u003cli\u003e600mbps bitrate\u003c\/li\u003e\r\n\u003cli\u003eBase ISO 160 for S-LOG3\u003c\/li\u003e\r\n\u003cli\u003eno Dual ISO\u003c\/li\u003e\r\n\u003cli\u003eMax ISO 409600 (video)\u003c\/li\u003e\r\n\u003cli\u003e16bit RAW output\u003c\/li\u003e\r\n\u003cli\u003eSony claims 15 stops dynamic range\u003c\/li\u003e\r\n\u003cli\u003eMovie Edit add-on compatibility for Image Stabilization in post\u003c\/li\u003e\r\n\u003cli\u003eworld’s highest resolution new 9.44 million dot EVF (QXGA resolution)\u003c\/li\u003e\r\n\u003cli\u003esame Sony A7rIV AF system\u003c\/li\u003e\r\n\u003cli\u003enew kind of passive (noise free) cooling system\u003c\/li\u003e\r\n\u003cli\u003eno overheating, no recording time limits (They are claiming to not have overheating issues for at least 1hr even at the highest framerate.)\u003c\/li\u003e\r\n\u003cli\u003eUHSII card and CFexpress Type A card support (each of th two slots takes them both!)\u003c\/li\u003e\r\n\u003cli\u003eLooks pretty similar to a Sony A7rIV.\u003c\/li\u003e\r\n\u003cli\u003efully articulating screen like the one used by the Sony ZV-1.\u003c\/li\u003e\r\n\u003cli\u003eThe video record button is now on the top of the camera, placed behind the shutter button\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e4K with 120p\u003c\/span\u003e\u003cbr\u003eOne focus of the camera is video recording. Unlike Canon with the EOS R5, Sony does not use 8K for video, but continues to use 4K, which is said to achieve the best results so far with an alpha camera. The sensor’s 12 MP resolution enables a full-pixel readout without pixel binning and without crop up to 4K \/ 60p. In this setting, the recording limit should be one hour without overheating – the EOS R5 only manages 30 minutes at 4K \/ 60p. The video recording of the Alpha 7S III in 4K \/ 120p mode is limited to this length – by the way, a slight crop is used (1.1x).SonyAlpha\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003eWith Full HD, the Alpha 7S III even records at up to 240p. For time-lapse recordings, lower frame rates up to 1p can also be selected in S\u0026amp;Q mode. It is recorded internally with a color subsampling of 4: 2: 2 and a color depth of 10 bits. New codecs are available: XAVC-S-I records single images (All-I) with a data rate of up to 500 Mbits \/ s, XAVC-HS reduces the amount of data in image group compression to 200 Mbit \/ s thanks to H.265 compression. With HDMI 2.1, the camera can even output 4K \/ 60p as 16-bit raw files (ProRes Raw) to an Atomos recorder. Of course there is also a logarithmic gamma profile available (S-Log 2\/3), which should enable a dynamic range of over 15 f-stops; the sensitivity starts here at ISO 640 (extended: ISO 160). According to Sony, the rolling shutter effect has been significantly minimized. The Alpha 7S III is equipped with a 5-axis image stabilizer in the housing, which, measured according to the CIPA standard, achieves an effectiveness of 5.5 f-stops; In video mode, digital stabilization (active mode) is also used, which also uses a gyro sensor. The information from this gyro sensor can also be stored in the metadata of the videos so that it can be used in post-processing for digital stabilization.\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFast autofocus and 10 frames\/s\u003c\/span\u003e\u003cbr\u003eThe hybrid autofocus covers 92% of the image sensor and uses 759 phase detection points and 425 with contrast AF. In addition to human, the AF algorithms now also recognize animal eyes – according to Sony, also at a greater distance than before. The AF sensitivity goes down to -6 EV series, the camera shoots at up to 10 frames \/ s. The mechanical shutter is designed for 1\/8000 s.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003eSony is using two memory card drives in the Alpha 7S III for the first time, which can use both SD cards (UHS-II) and the new CFexpress type A cards. They are smaller than Type B cards and faster than SD cards. For most video modes, SD cards of video classes V60 and V90 are sufficient; CFexpress is only required in S\u0026amp;Q mode with 4: 2: 2 color subsampling and 10 bit color depth. The series mode also benefits from the faster cards; 1000 uncompressed raws in a row should be possible here\u003cbr\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":40174487208065,"sku":"SON-ILCE7SM3B","price":4083.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sony-cameras-default-title-sony-alpha-a7s-mark-iii-mirrorless-digital-camera-body-30571746459777.jpg?v=1747047339"},{"product_id":"canon-c500-mark-ii-5-9k-full-frame-cinema-camera-body-512gb-cfexpress-card-reader","title":"Canon C500 Mark II 5.9K Full Frame Cinema Camera Body + 512GB CF-express Card + Reader","description":"\u003cp\u003eThe Canon EOS C500 Mark II 5.9K Full Frame Cinema Camera Body features a 5.9K Full Frame sensor and newly developed image processing platform. The Canon C500MKII offers cinematographers endless possibilities through the modular design offering outstanding flexibility for single-operator and multi-camera production, gimbal shooting and full-scale cinema camera operation.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/rLMcmwA1PLg\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cspan\u003eCanon EOS C500 Mark II 5.9K Full-Frame Camera Body\u003c\/span\u003e\u003cspan\u003e is part of the Cinema EOS lineup of cameras, and it features a full-frame CMOS sensor with an effective 18.69MP resolution. This allows it to feature a 5.9K output in full frame, and crop (window) the sensor for Super 35 and Super 16 frame sizes while maintaining a high resolution. The C500 Mark II comes with a Canon EF mount and features an interchangeable lens mount system, allowing you to swap out the mount in the field for an optional Cinema Locking EF or PL mount, thus greatly expanding the amount of glass you can use with the camera. The sensor features over 15 stops of dynamic range and Dual Pixel autofocus support, and the camera uses a DIG!C DV 7 chip for image processing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMain Features:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"features\"\u003e\n\u003cli\u003eFull Frame 5.9K 60p\u003c\/li\u003e\n\u003cli\u003eDIGIC DV 7 Image Processor\u003c\/li\u003e\n\u003cli\u003e15+ stops of DR\u003c\/li\u003e\n\u003cli\u003e5-axis sensor stabilisation\u003c\/li\u003e\n\u003cli\u003eCinema RAW Lite (Internal Recording)\u003c\/li\u003e\n\u003cli\u003eXF-AVC (H.264)\u003c\/li\u003e\n\u003cli\u003e4K 60p 4:2:2 10-bit\u003c\/li\u003e\n\u003cli\u003e5.9K, 4K (60fps), 2K (sensor crop) 120fps\u003c\/li\u003e\n\u003cli\u003eModular design\u003c\/li\u003e\n\u003cli\u003eUser-changeable Lens Mounts (EF, Locking EF, PL)\u003c\/li\u003e\n\u003cli\u003eEF, PL, anamorphic and Spherical Lens Support\u003c\/li\u003e\n\u003cli\u003e4.3″ LCD Monitor LM-V2 with Touch Focus\u003c\/li\u003e\n\u003cli\u003eDual Pixel CMOS AF with Touch AF and Face Detection AF\u003c\/li\u003e\n\u003cli\u003eRear audio\/power module\u003c\/li\u003e\n\u003cli\u003eInternal ND filters (clear, 2, 4, 6, 8, 10 stop – 8 \u0026amp; 10 with extension)\u003c\/li\u003e\n\u003cli\u003e4 channels of XLR with optional module\u003c\/li\u003e\n\u003cli\u003e12G-SDI, 3G-SDI\u003c\/li\u003e\n\u003cli\u003e2x CF Express slots\u003c\/li\u003e\n\u003cli\u003e1x SD card slot\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSensor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe full-frame CMOS sensor captures a clean, low-noise image with over 15 stops of dynamic range, and it has a color gamut that exceeds the BT-2020 specs. The sensor is capable of capturing footage in a variety of aspect formats, including DCI-4K, UHD and Anamorphic Widescreen. In addition to shooting using the sensor's full-frame size, you can use a variety of spherical and anamorphic glass designed for Super 35mm and Super 16mm capture using appropriate sensor crop modes, lens mounts, and adapters.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDIG!C DV 7 Image Processor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe EOS C500 Mark II uses the DiG!C DV 7 image processor that takes the extensive raw information captured from the 5.9K sensor. The DiG!C DV 7 enables high frame rate recording, Dual Pixel Auto Focus, Canon RAW Light Recording, HDR (PQ and HLG) output, electronic image stabilization, proxy recording, and oversampling processing. The high-speed DIG!C DV 7 enables the camera to simultaneously record 2K proxy files as XF-AVC 2K 4:2:0 8-bit to an SD card, while you are recording Cinema RAW Light files (5.9K, 4K Crop, or 2K Crop) to the internal CFexpress cards.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eInterchangeable Lens Mounts\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe C500 Mark II comes standard with a Canon EF lens mount that works with and has electronic iris control of a variety of Canon EF, ENG, and Canon Cine-Servo lenses. An optional EF Cine Lock mount also features the Canon EF electronic protocols, and it removes any play when mounting EF lenses to your camera. An industry-standard PL mount is also available, enabling using virtually any PL-mount lens on your C500 Mark II. The lens mounts are field-swappable by the user, and each mount comes with a set of shims for setting the correct depth. An optional B4 lens adapter is available for either the PL or EF lens mount; this adapter allows you to use B4 mount ENG-style lenses on your C500 Mark II.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDual Pixel CMOS AF with support for Touch AF and Face Detection AF\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDAF technology utilizes the fact that each pixel in the camera's CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite and compared using phase-difference to provide autofocus with compatible lenses. DAF can survey the scene and recognizes not only whether the subject is in focus or not, but in which direction (near or far) and by how much. Enabling auto-focus lenses to react when necessary and not have to \"hunt\" for focus.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFocus Control\/Assist\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFocus control includes Dual Pixel CMOS AF (DAF), Manual Focus, One-Shot AF, Continuous AF, AF-Boosted MF, and Face Detection AF. Please note: Only lenses that support AF functions can be used in these modes.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eShutter Settings\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eShutter settings include Speed, Angle, Clear Scan, Slow, or Off mode. Either 1\/3 or 1\/4 steps selected as speed increments.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eElectronic Image Stabilization\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eA new feature to the Cinema EOS ecosystem, the C500 Mark II features built-in five-axis electronic IS that works with almost any lens, including anamorphic lenses.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":40340950712449,"sku":"CAN-C500MKIICFEXPRESSKIT","price":10490.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/canon-cameras-default-title-canon-c500-mark-ii-5-9k-full-frame-cinema-camera-body-512gb-cf-express-card-reader-30576519544961.jpg?v=1742892168"},{"product_id":"blackmagic-design-ursa-mini-pro-12k-pl","title":"Blackmagic Design URSA Mini Pro 12K (PL)","description":"\u003cp\u003eThe Blackmagic Design URSA Mini Pro 12K (PL) is a new digital film camera with an advanced 12,288 x 6,480 12K Super 35 image sensor, 14 stops of dynamic range and high frame rate shooting at up to 60 frames per second in 12K at 80 megapixels per frame. \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eThe Blackmagic Ursa Mini Pro 12K supports the new Blackmagic Generation 5 Colour Science and higher Blackmagic RAW performance. The Blackmagic URSA Mini Pro 12K is a revolution in digital film with a 12,288 x 6480 12K Super 35 sensor and 14 stops of dynamic range, built into the award-winning URSA Mini body. The combination of 80 megapixels per frame, new colour science and the flexibility of Blackmagic RAW makes working with 12K a reality. Oversampling from 12K gives customers the best 8K and 4K images with the subtle skin tones and extraordinary detail of high end still cameras. Shoot at 60 fps in 12K, 110 fps in 8K and up to 220 fps in 4K Super 16. URSA Mini Pro 12K features an interchangeable PL mount, as well as built-in ND filters, dual CFast and UHS-II SD card recorders, a SuperSpeed USB-C expansion port and more.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003ciframe allow=\"autoplay; fullscreen\" allowfullscreen=\"\" frameborder=\"0\" height=\"338\" src=\"https:\/\/player.vimeo.com\/video\/440479199\" width=\"640\"\u003e\u003c\/iframe\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eThe Blackmagic URSA Mini Pro 12K’s extreme resolution goes well beyond traditional motion picture film. Customers get the benefits of shooting with film including incredible detail, wide dynamic range and rich, deep color. Perfect for feature films, episodic television and immersive, large format IMAX. The incredible definition around objects makes it ideal for working with green screen and VFX including compositing live action and CGI. Super sampling at 12K means customers not only get better color and resolution at 8K, but also a smoothness that comes from making aliasing invisible.\u003cbr\u003e \u003c\/p\u003e\u003cp\u003eThe Blackmagic URSA Mini Pro 12K features a revolutionary new sensor with a native resolution of 12,288 x 6480, which is an incredible 80 megapixels per frame. The Super 35 sensor has a superb 14 stops of dynamic range and a native ISO of 800. The new 12K sensor has equal amounts of red, green and blue pixels and is optimized for images at multiple resolutions. Customers can shoot 12K at 60 fps or use in-sensor scaling to allow 8K or 4K RAW at up to 110 fps without cropping or changing their field of view. URSA Mini Pro’s interchangeable lens mount lets customers choose from the widest range of vintage and modern cinema lenses, so customers can capture every ounce of character and detail from their favorite optics.\u003cbr\u003e\u003cbr\u003eThe URSA Mini Pro 12K sensor and Blackmagic RAW were designed together to make 12 bit RAW workflows in 12K effortless. As an incredibly efficient next generation codec Blackmagic RAW lets customers shoot 12K and edit on a laptop, a capability that simply isn’t possible with other codecs. The massive resolution of the sensor means you can reframe shots in post for delivery in 8K and 4K. It’s like a multi camera shoot with only one camera. And it’s perfect for great looking vertical and square video, too. The advanced design of the sensor and Blackmagic RAW means that customers can work in any resolution in post production instantly, without rendering, while retaining the full sensor’s color accuracy.\u003cbr\u003e \u003c\/p\u003e\u003cp\u003eOnly Blackmagic RAW makes cinema quality 12-bit, 80 megapixel images at up to 60 frames a reality. Constant quality Q0 and Q5 options and new Q1 and Q3 lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bitrate encoding options 5:1, 8:1, 12:1 and the new 18:1 are designed to give customers the best possible images with predictable and consistent file size. Customers can record RAW to two cards simultaneously so customers can shoot 12K or 8K to either CFast or UHS-II cards, even at high frame rates. Blackmagic RAW stores camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post production.\u003cbr\u003e \u003c\/p\u003e\u003cp\u003eShooting RAW in 12K preserves the deepest control of detail, exposure and color during post. Oversampling means customers get extremely sharp 8K without harsh edges. Best of all, Blackmagic RAW is designed to accelerate 12K for post production, making it as easy to work with as standard HD or Ultra HD files. It is highly optimized, multi√¢‚Ǩ‚Äòthreaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. So customers can always work with their camera RAW files without having to make proxies. Blackmagic RAW 12K images provide unprecedented resolution and quality for color, keying, compositing, reframing, stabilization and tracking in 4K or 8K.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eBlackmagic Generation 5 Color Science features a new film curve designed to make full use of the massive amount of color data from the new URSA Mini Pro 12K sensor. This delivers even better color response for more pleasing skin tones, and better rendering of highly saturated colors such as neon signs and car tail lights in high contrast scenes. Generation 5 Color Science informs complex Blackmagic RAW image processing, with color and dynamic range data from the sensor preserved via metadata for use in post production. Compatible with all previously shot Blackmagic RAW files, Generation 5 Color Science lets customers take advantage of the new film curve even with their existing work.\u003cbr\u003e \u003c\/p\u003e\u003cp\u003eURSA Mini Pro 12K is multiple cameras in one, shooting standard resolutions and frame rates in 4K, 8K and even insanely detailed 12K. With a massive 80 megapixels per frame at 60 fps in RAW customers can capture perfect stills and motion shots in a single camera at the same time. Customers can shoot up to 60 fps in 12K 12,288 x 6480 17:9. For higher frame rates, customers can shoot 110 fps at 8192 x 4320, 140 fps at 8192 x 3408 and even window the sensor to Super 16 to capture 4K at an incredible 220 fps at 4096 x 2160 DCI. URSA Mini Pro 12K has flexible frame rate and resolution options, and captures with improved motion rendering which means that customers get smoother edges in 8K and 4K even at lower frame rates.\u003cbr\u003e \u003c\/p\u003e\u003cp\u003eURSA Mini Pro 12K is the ultimate high bandwidth recorder with 3 options for recording 12K, which contains almost 10 times the resolution of Ultra HD. Customers get dual built in CFast and UHS-II SD card recorders, and a SuperSpeed USB-C expansion port for recording to fast SATA and NVMe drives. With \"Record RAW on 2 Cards\" turned on, URSA Mini Pro 12K can record simultaneously across two cards up to an incredible 900MB\/s to 2 CFast cards, or an impressive 500MB\/s to 2 UHS-II SD cards. The SuperSpeed USB-C expansion port on the rear can record to USB-C flash storage up to 900MB\/s as a third recording option so customers won’t be short of choices for capturing stunning 12K up to 60p or 8K up to 110p.\u003cbr\u003e \u003c\/p\u003e\u003cp\u003eDifferent projects require different lenses which is why URSA Mini Pro features an interchangeable lens mount. Customers can quickly switch between PL, EF and F mount lenses on the URSA Mini Pro 12K, as well as B4 lenses on the URSA Mini Pro 4.6K G2. That means customers can work with high quality large PL cinema lenses, EF or F mount photographic lenses, and even B4 broadcast lenses, making URSA Mini Pro compatible with the widest possible range of professional lenses.\u003cbr\u003e \u003c\/p\u003e\u003cp\u003eBlackmagic URSA Mini Pro features an innovative high speed USB-C Expansion Port. The 4.6K G2 model features USB-C 3.1 Gen 1 which operates at up to 5 Gb\/s, while the new 12K model has a USB-C 3.1 Gen 2 for a blistering 10 Gb\/s. Customers can connect and power external flash disks and SSDs or on URSA Mini Pro 12K customers can connect the new URSA Mini Recorder for recording to fast NVMe SSD drives for longer recording times. NVMe SSD drives are ideal for shooting 12K in the highest constant quality 12√¢‚Ǩ‚Äòbit Blackmagic RAW in the Q0 setting or for high frame rates. When shooting is complete customers can simply move the external disk to their computer and start editing from the same disk, eliminating file copying.\u003cbr\u003e \u003c\/p\u003e\u003cp\u003eURSA Mini Pro includes a full version of DaVinci Resolve Studio. Customers get the world’s most advanced solution that combines professional editing, color correction, audio post and visual effects all in one software tool. DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so users will get the best possible post production tools to edit native video from their camera and retain every bit of quality. Whether users are working on major Hollywood feature films, episodic television, music videos, commercials or even the latest YouTube shoot, DaVinci Resolve Studio gives customers a completely lossless workflow for native editing, color correction, effects, audio and delivery.\u003cbr\u003e \u003c\/p\u003e\u003cp\u003eThe new Blackmagic URSA Mini Recorder lets customers record 12-bit Blackmagic RAW files onto fast 2.5 inch SSDs, including the latest U.2 NVMe Enterprise SSDs. SSDs such as the latest 7mm U.2 NVMe disks are super fast, delivering data transfer speeds of up to 900 MB\/s. This blazing fast performance allows customers longer recording times for full resolution 4K, 8K and 12K 12-bit Blackmagic RAW files in the highest quality Q0 encoding. The unique design of the Blackmagic URSA Mini Recorder means it attaches directly to the back of their URSA Mini Pro between the camera and the battery. It’s controlled via the USB-C so customers don’t have to worry about manually starting or stopping the SSD recorder.\u003cbr\u003e \u003c\/p\u003e\u003cp\u003e\"With Blackmagic URSA Mini Pro 12K we have advanced imaging technology into a new generation where new styles of shooting will be possible\", said Grant Petty, CEO, Blackmagic Design. \"Its not just the 12K sensor, but there is so many other innovations in this camera. From the Generation 5 Color Science, the in sensor scaling, new symmetrical color pattern, full RGB quality and of course the 12K resolution, it's going to be exciting to see what DOPs do creatively with this technology!\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":40174489862273,"sku":"BLA-CINEURSAMUPRO12K","price":9220.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/blackmagic-design-video-recording-default-title-blackmagic-design-ursa-mini-pro-12k-pl-30571735154817.jpg?v=1747047457"},{"product_id":"zoom-q2n-4k-handy-video-recorder","title":"Zoom Q2n 4K Handy Video Recorder","description":"\u003cp\u003eThe Zoom Q2n 4K Handy Video Recorder pairs high-resolution UHD 4K video capture with up to 24-bit\/96 kHz audio recording. Five FOV (field-of-view) settings and one-button recording enable you to easily capture yourself and\/or your bandmates, whether for disseminating to your social media accounts or for reviewing a rehearsal or performance. HDR (high dynamic range) technology enables you to get correctly exposed shots, keeping your subject lit properly by not exposing for brighter stage lights, etc. The versatile Zoom Q2n-4K records video as MOV files in UHD 4K at 30\/25\/24 fps, in 1080p at 60\/50\/30\/25\/24 fps, or in 720p at 30\/25 fps, capturing onto a microSD card up to 256GB at bit rates up to 76 Mb\/s.\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eUHD 4K Video Recording with HDR\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv\u003eCapture your performances in UHD 4K video at 30 fps or in 1080p60 HD video with HDR technology to automatically expose your subject instead of blown-out stage lighting.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003c\/p\u003e\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSound Quality\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"description_2ub4q6HodBZr8d45BEOdIW\"\u003e\r\n\u003cdiv\u003eStereo X\/Y mics record high-resolution 24-bit\/96 kHz audio and handle up to 120 dB SBL, ensuring clean recordings from almost any source that will hold up through post-production and publishing.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eWide-Angle Lens\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"description_2ub4q6HodBZr8d45BEOdIW\"\u003e\r\n\u003cdiv\u003eThe Q2n-4K features a 150° f\/2.8 wide-angle lens, suiting it for recording in a wide variety of lighting environments. A color LCD screen enables you to quickly frame the perfect shot or review your videos.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAudio-Only Mode\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"description_2ub4q6HodBZr8d45BEOdIW\"\u003e\r\n\u003cdiv\u003eUse the Q2n-4K's 'Camera Off' setting to capture audio-only demos or live performances in stereo sound using the built-in X\/Y mics.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eExternal Connections\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"description_2ub4q6HodBZr8d45BEOdIW\"\u003e\r\n\u003cp\u003eThe Q2n-4K features a 3.5mm stereo input jack that lets you connect external mics and other audio devices. A 3.5mm stereo output jack makes it simple to listen to audio with headphones, through your home audio system, or even in your car.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"Zoom","offers":[{"title":"Default Title","offer_id":40174490353793,"sku":"ZOO-FXQ002N4K","price":345.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/zoom-professional-audio-default-title-zoom-q2n-4k-handy-video-recorder-30571749998721.jpg?v=1747047473"},{"product_id":"panasonic-aw-ue100-4k-integrated-ptz-camera-with-ndi-black","title":"Panasonic AW-UE100 4K Integrated PTZ Camera with NDI - Black","description":"\u003cp\u003eThe Panasonic AW-UE100 4K Integrated PTZ Camera with NDI in Black supports high bandwidth NDI for low latency transmission of high-quality 4K 60p video, and SRT for high-quality and stable transmission, and is also compatible with 12G-SDI output for use in a wide range of situations, from live streaming of events to studio production.\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/uSkz1NOnBy0\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\r\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFirst 4K 60p\/50p*1 PTZ Camera supporting NDI*2 and SRT*3 in the world*4\u003c\/span\u003e\u003cbr\u003eSupports high bandwidth NDI for low latency transmission of high-quality 4K 60p\/50p*1 video, and SRT*3 for high-quality and stable transmission, and also compatible with 12G-SDI output for use in a wide range of situations, from live streaming of events to studio production.\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSupports a wide variety of IP transmission protocols, including NDI*1, NDI|HX*2, and SRT*3\u003c\/span\u003e\u003cbr\u003eHigh bandwidth NDI that can transmit 4K video at speeds of up to 250 Mbps and full HD video up to 100 Mbps is included to provide high-quality low latency live video transmission with a single LAN cable. High efficiency low bandwidth NDI|HX is also included to enable video transmission at low bitrates. SRT*3 is also supported to maintain stability while transmitting high-quality video, even in unstable network environments. RTMP\/RTMPS*4 provides direct streaming to live broadcasting services such as YouTube Live and Facebook Live from the camera.\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSupports 4K 60p\/50p*1 shooting and 12G-SDI output\u003c\/span\u003e\u003cbr\u003eSupports 4K 60p\/50p*1 video at 3840 x 2160 to provide smooth and high-quality shooting of moving images, and a wide variety of output interfaces such as 12G-SDI, 3G-SDI, HDMI, and IP.\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eIncludes a wide-angle lens with a 74.1° field of view and 24x optical zoom\u003c\/span\u003e\u003cbr\u003eA wide angle lens with a horizontal angle of view of 74.1 degrees enables a wide area to be shot from a limited installation space, and 24x optical zoom maintains high image quality at high zoom ratios. This allows shooting in large indoor spaces.\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSupports FreeD*1 for building AR\/VR*2 systems\u003c\/span\u003e\u003cbr\u003eFreeD*1 command output enables connection with AR\/VR*2 systems. This allows the camera tracking information (pan\/tilt\/zoom\/focus\/iris) to be output together with a synchronization signal to easily build systems without an encoder.\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAdopts new mechanical pan\/tilt for improved responsiveness and quietness\u003c\/span\u003e\u003cbr\u003eThe inclusion of a Direct Drive mechanism improves the responsiveness of pan\/tilt and quietness during pan\/tilt operations. In addition to Optical Image Stabilization (OIS), Electronic Image Stabilization (EIS) has been added for the roll direction. This provides stable video shooting even at locations utilizing robotics and rail systems, etc.\u003c\/p\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":40174490845313,"sku":"PAN-AW-UE100KEJ","price":12142.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/panasonic-cameras-default-title-panasonic-aw-ue100-4k-integrated-ptz-camera-with-ndi-black-30571742003329.jpg?v=1742892219"},{"product_id":"sony-fx6-full-frame-cinema-camera-body","title":"Sony FX6 Full Frame Cinema Camera Body","description":"\u003cp\u003eThe Sony FX6 Cinema Camera puts revolutionary compactness and performance in the hands of creators, with its full-frame image sensor and breathtaking sensitivity. Leading-edge movie functions deliver game-changing performance and a library of cinematic looks, alongside pro interfaces and an electronic Variable ND Filter. \u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eProduct Features Video\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003ciframe frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/cxM9SL1_9jI\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cp dir=\"ltr\"\u003eFull-frame Exmor R CMOS sensor, 10.2 effective megapixels\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan id=\"docs-internal-guid-68059680-7fff-79f3-d02b-f864d31f57c2\"\u003eBIONZ XR engine performs real-time image processing \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eISO expanded range up to 409600, a wide 15+ stops.\u003c\/li\u003e\n\u003cli\u003eS-Cinetone colour science.\u003c\/li\u003e\n\u003cli\u003eFull-frame 4K (QFHD) recording at up to 120fps\u003c\/li\u003e\n\u003cli\u003e4K internal recording, 10-bit depth and 4:2:2 \u003c\/li\u003e\n\u003cli\u003e16-bit RAW data output via SDI.\u003c\/li\u003e\n\u003cli\u003eHDMI output for program monitoring.\u003c\/li\u003e\n\u003cli\u003eTimecode (TC IN \/ TC OUT) connectors allow multi-camera sync\u003c\/li\u003e\n\u003cli\u003eFast Hybrid AF combines focal-plane phase-detection AF with contrast-detection AF. \u003c\/li\u003e\n\u003cli\u003eReal-time Eye AF and Face Detection AF are built-in.\u003c\/li\u003e\n\u003cli\u003eVariable ND Filter from 1\/4 to 1\/128ND\u003c\/li\u003e\n\u003cli\u003e3.5-size LCD panel (1280 x 720 pixels), \u003c\/li\u003e\n\u003cli\u003eSmart Grip and Handle include customisable buttons\u003c\/li\u003e\n\u003cli\u003eCompatible with CFexpress Type A cards as well as SDXC\/SDHC cards supporting UHS-I and UHS-II speed classes\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eImage sensor with blazing fast readout speed\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe back-illuminated full-frame Exmor R\u003c\/span\u003e\u003csup\u003e\u003cspan\u003e\u003cspan\u003eTM\u003c\/span\u003e\u003c\/span\u003e\u003c\/sup\u003e\u003cspan\u003e CMOS sensor, with 10.2 effective megapixels\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e1\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e, boasts a blazingly fast data readout speed along with high sensitivity and wide dynamic range. An advanced colour filter array boosts colour reproduction accuracy, while focal-plane phase-detection AF enables solid autofocus stability and excellent precision, all of which contribute to outstanding image quality.\u003c\/span\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eHigh-performance image-processing engine\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe BIONZ XR\u003c\/span\u003e\u003csup\u003e\u003cspan\u003e\u003cspan\u003eTM\u003c\/span\u003e\u003c\/span\u003e\u003c\/sup\u003e\u003cspan\u003e image-processing engine boasts class-leading speed performance, minimising latency while providing impressive real-time processing capabilities. The engine performs real-time processing of AF, image recognition and image quality adjustments, while also handling data transfer, user interface and other camera operations.\u003c\/span\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eHigh sensitivity, wide dynamic range\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe full-frame 10.2-megapixel\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e configuration enables high sensitivity with low noise throughout the camera's sensitivity range by optimising the output signal from the sensor. Capture usable images in near total darkness with an impressive ISO expanded range up to 409600\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e3\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e. The dynamic range is an impressively wide 15+ stops\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e4\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e, for beautiful, true-to-life images without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your creative freedom during shoots. \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eAcclaimed cinematic colour with S-Cinetone™\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe inclusion of Sony’s acclaimed S-Cinetone look, inherited from the development of the FX9, allows beautiful images to be achieved directly in-camera. S-Cinetone is optimised for natural skin tones and mid-range colours, with gentle highlight roll-off, for impressive subject depiction and powerful camera-matching and post-production possibilities. \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003e4K5 High Frame Rate 120fps recording\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFull-frame 4K (QFHD) recording at up to 120fps\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e4\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e with autofocus is possible thanks to the high-speed readout capabilities of the image sensor and the powerful BIONZ XR processor. Even at high frame rates, ultra-detailed 4K (QFHD) images are captured using full-pixel readout without binning, for clear post-produced slow motion (up to 5x slower than real time)\u003c\/span\u003e\u003cspan\u003e. The high-precision AF even allows beautiful full-frame bokeh to be achieved during slow motion shooting, for impressive creative scope.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003ePreset and User 3D LUT compatibility with Scene File\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Scene File function provides powerful colour interpretation right in the camera, with a range of presets and custom User 3D LUT imports to fit your production or style requirements. Four preset scene file types are included for SDR shooting (S-Cinetone, Standard, Still, ITU709) and two for HDR (HLG Live, HLG Natural). A further 16 slots support User 3D LUT import to achieve custom looks or for specific monitoring or colour-space transforms.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003e10-bit HLG picture profile\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAn HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 colour space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for colour grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism. [1] High flexibility to fine-tune images as desired (colour grading required) [2] Instant high-quality image (colour grading not required) \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eS-Log3 for better reproduction of gradations\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eS-Log3 gamma curves are available, with S-Log3 designed for better reproduction of gradations from shadows to the mid-grey range (18% grey), enabling a dynamic range of up to 15+ stops\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e4\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e. Two colour gamut settings (S-Gamut3, and S-Gamut3.Cine) make it easier to match the colours of footage shot with Sony's Cinema Line Cameras. Because the colours match, colour grading is easier in post-production editing, making it more convenient when used along with other pro cameras.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eRecording movies with 10-bit depth and 4:2:2 colour sampling\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe FX6 is capable of 4K internal recording, encoding 10-bit depth and 4:2:2 colour sampling with either Long-GOP or All Intra compression. This makes it possible to push your colour grades further, stretching video out for ultimate HDR realism while still retaining natural gradation, for true editing freedom.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eAll-Intra internal recording\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn addition to Long-GOP inter-frame compression, internal intra-frame (All-Intra) recording is supported\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e8\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e. XAVC 4K Intra recording compresses each frame independently at a high bitrate, up to 600Mbps, so is ideal for capturing complex motion, and allowing maximum flexibility and playback performance during post-production. [1] All-Intra (All-I)   [2] Long-GOP   [3] Group of Pictures\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003e16-bit RAW data output\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFacilitating improved image quality and more flexible and efficient editing in post-production, the camera supports 16-bit RAW data output to an external recorder via SDI. RAW video output is 4096x2160 or 3840x2160 data from the image sensor with a choice of 59.94 \/ 50 \/ 29.97 \/ 25 \/ 24 \/ 23.98 frame rates\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e9\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eProxy recording for more efficient editing workflow\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhen shooting movies, low bit-rate HD proxy files can be recorded simultaneously with higher bit-rate formats such as XAVC 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files are captured in 8-bit XAVC-L (1980x1080 9Mbps MP4 wrapper)\u003c\/span\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eA choice of battery types for different applications\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe FX6 is compatible with BP-U series battery packs. The BP-U35, BP-U70, BP-U100, or BP-U60T can be selected according to shooting needs. The BP-U35, for example, is an ideal choice to make most of the camera’s mobility when it is to be used handheld. The BP-U100, on the other hand, can provide extended recording time when the FX6 is to be mounted on a tripod or other support. The battery CHECK button allows charge level to be checked even when the battery is not connected to the camera.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eFast Hybrid AF for dependable focus during movie shooting\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field. AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as demanded by professional users. Both allow preset settings to be recalled during recording by using a customisable button. \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eReal-time Eye AF and Face Detection AF\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFor reliable focusing on people, especially in unpredictable shooting environments such as news gathering, event and documentary shooting, powerful Real-time Eye AF and Face Detection AF are built in. The real-time processing capability of the BIONZ XR image processing engine automatically maintains accurate eye focus on faces even in profile, looking up or down, or partially obscured - allowing you to concentrate fully on shot composition.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eLens-ring AF subject selection\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhen the AF Assist function is ON, rotating the focus ring instantly switches from autofocus to manual focus so that a different subject can be quickly selected. The face selection algorithm has also been improved so that the focus ring can be used to quickly and intuitively select specific individuals from within a group when shooting with Real-time Eye AF or Face Detection. Autofocus operation resumes as soon as the user stops rotating the lens focus ring, and the last subject selected by the focus ring is automatically tracked. \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eSony’s powerful electronic Variable ND Filter built-in\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe revolutionary electronic Variable ND Filter controls the opacity of the neutral filter seamlessly from 1\/4 to 1\/128ND to achieve unmatched creative control and fluidity. Unique to Sony, it can manually or automatically adjust exposure without affecting the depth of field or shutter angle, letting you achieve perfect exposure even moving between different environments such as from indoors to out.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eReliable durability and weather resistance in tough situations\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn response to pro opinions, enhanced sealing is applied to the media compartment lid, terminal cover and all joints in the chassis. Routes to dust and moisture entry have been re-examined to ensure reliable operation in challenging environments.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eMagnesium alloy body achieves high durability with light weight\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTo perform reliably in challenging environments the main chassis, as well as top, front, and rear covers and the handle are constructed from lightweight magnesium alloy. The magnesium alloy main frame achieves high strength and durability with minimum weight in order to maximise mobility. The rigidity of the mount area is also boosted by the provision of six screws for stable attachment of heavy lenses. \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eInnovative heat dissipation to prevent thermal shut down\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTo ensure dependable full-frame recording in demanding environments and at high resolutions and frame rates, the FX6 features an innovative heat dissipation structure. A complete redesign of the chassis structure assessed the placement of internal heatsinks and the entire airflow structure, from louvers to circuit board layout. When required, a silent\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e12\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e fan provides ventilation for continuous recording\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e13\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e at full resolution, with intake and exhaust air structurally isolated to maintain strong dust and moisture resistance.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eHigh-definition 2.76 million-dot1 flexible LCD touch panel\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe 3.5-size LCD panel (1280 x 720 pixels) is mounted on an extended pedestal, and adjustable to a wide range of angles for easy video monitoring regardless of camera rigging and shooting angle. Mounting points are provided at three places on the handle and two on the body. With touch panel support, it also provides intuitive control for many camera settings, even where camera body controls are less accessible.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eDual XLR inputs and enhanced audio capability\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe handle of the FX6 carries two independent audio inputs (easy-access XLR connectors) to connect external professional microphones. Additionally, a UWP series wireless microphone may be connected via the MI Shoe. \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eSmart grip\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe FX6’s ergonomic Smart Grip is designed for powerful and comfortable camera control even during prolonged or dynamic shooting situations. Three customisable buttons, plus essential zoom and start\/stop control and a custom dial suitable for Iris or Variable ND Filter control, are all positioned in easy grip reach. The freely-adjustable telescoping handle and grip angle are set with a single button, for effortless position changes without slowing production.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eSmart handle\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAttachable to the top face of the camera, the smart handle allows stable camerawork and operation when the smart grip is difficult to hold, for example in low-angle shooting. It’s also equipped with XLR terminals, a mic holder and a digital Multi Interface (MI) Shoe, allowing use with a variety of existing pro accessories. Two assignable buttons, a multi-selector button and a handle assignable dial have also been added for improved operability. Quarter-inch screw holes for accessory attachment are provided at seven locations on the handle for increased freedom. Thoughtful touches for adaptable workflows are also considered, such as including storage for the handle protection cap in the handle itself – ready to seal the body connectors if the handle is removed for rigging.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eProfessional connectivity\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe FX6 features a range of professional interfaces including independent\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e14\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e 12G-SDI (supports 3G\/6G-SDI) suitable for external 16-bit RAW recording as well as HDMI output for program monitoring. Timecode (TC IN \/ TC OUT) connectors allow multi-camera sync, and SuperSpeed USB-C 5Gbps (USB 3.2) allows shooting data to be uploaded to a PC at high speed.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eMetadata to facilitate editing with Catalyst\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSony’s Catalyst Browse and Prepare software are ideal production partners for the FX6. The FX6 records three types of metadata: image stabilisation, clip flag, and camera rotation. These can be useful when previewing and preparing to edit in Sony’s free Catalyst Browse or cost-effective Catalyst Prepare software\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e17\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e. [1] Shoot  [2] Edit\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eData communications to support on-site workflow\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eNetwork communications features support FTP transfer for movie files as well as remote shooting capability, to facilitate professional workflows during shoots. Wireless 5GHz\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e16\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e \/ 2.4GHz LAN connections are supported, and wired connectivity to 1000BASE-T Ethernet networks is available via a USB-to-Ethernet adaptor cable connected to the camera's USB Type-C® port supporting SuperSpeed USB 5Gbps (USB 3.2).\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eTwo CFexpress Type A-compatible media slots\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan id=\"docs-internal-guid-71ed28f0-7fff-4e59-a796-fd76789bb430\"\u003e\u003cspan\u003eThe camera's two media slots are compatible with CFexpress Type A cards as well as SDXC\/SDHC cards supporting UHS-I and UHS-II speed classes\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e15\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e. CFexpress Type A cards are the next standard for compact storage with fast write\/read speeds suitable for 4K movie recording at high bit rates. They are capable of quickly clearing camera buffers even when high volumes of movie data are being generated.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eS-Cinetone Sample Footage Video\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003ciframe frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/s2yu32xcxm8\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSony Australia - Shot on FX6 - Dreamers - BTS\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003ciframe frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/fMs8LYQUq6Y\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSony Film Festival 2021 Promo - shot on FX6\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003ciframe frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/SGL2iwj1skA\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eNote: Operation of this equipment in a residential environment could cause radio interference.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":40174492778625,"sku":"SON-ILMEFX6V","price":7749.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sony-cameras-default-title-sony-fx6-full-frame-cinema-camera-body-30571747704961.png?v=1742892276"},{"product_id":"sony-alpha-a6600-mirrorless-camera-body","title":"Sony Alpha a6600 Mirrorless Camera Body","description":"\u003cp\u003eThe Sony Alpha a6600 camera is a sleek-yet-fully-featured APS-C-format mirrorless camera well-suited for both stills and video. Sporting a revised 24.2MP CMOS sensor, the a6600 is capable of producing high-resolution photos and up to UHD 4K video with no recording time limit, more efficient processing, and faster focusing. The 4D FOCUS system, which covers 84% of the image frame, utilizes 425 phase-detection points along with 425 contrast-detection areas for especially quick and intuitive performance along with Real-time Eye AF for both photo and video. Complementing both stills and video, 5-axis SteadyShot Inside image stabilization minimizes the appearance of camera shake with all mounted lenses to support working with slower shutter speeds.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":40174493597825,"sku":"SON-ILCE6600B","price":2115.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sony-cameras-default-title-sony-alpha-a6600-mirrorless-camera-body-30571747508353.jpg?v=1747047659"},{"product_id":"panasonic-cx4000gj-b4-interchangeable-lens-camera-recorder","title":"Panasonic CX4000GJ B4 interchangeable lens camera \/ recorder","description":"\u003cp\u003eThe Panasonic CX4000GJ B4 interchangeable lens camera \/ recorder has been introduced to support UHD content acquisition for newsgathering operations, to stream live events, and for sports and documentary capture. The CX4000 features an interchangeable B4 lens mount and is equipped with a newly-developed 11MP MOS sensor with a horizontal resolution of 2000 TV lines. It is compatible with HDR capture, supporting both BT.2100 and BT.2020 colour space, in providing images high in sensitivity and low in noise.\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/6EEBLlssy_o\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\r\n\r\n\u003cp\u003e\u003cspan class=\"bolded\"\u003eLSSIEL*” TECHNOLOGY ACHIEVES HIGHER QUALITY 4K\/HDR\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eWith a newly developed 4.4K sensor, it realises ultra-high-definition resolution, high sensitivity, low noise and a wide dynamic range. Additionally the newly developed colour filter reduces energy leakage to other channels and improves spectral characteristics.\u003c\/li\u003e\r\n\u003cli\u003eThis allows for colour reproducibility equivalent to that of a 3-sensor system with low power consumption.\u003c\/li\u003e\r\n\u003cli\u003eThis new acquisition method maximises the effectiveness of incident light.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cspan class=\"bolded\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan class=\"bolded\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan class=\"bolded\"\u003eFASTER WORKFLOW | HIGH EFFICIENCY \u0026amp; HIGH QUALITY HEVC100M (4K 60p\/50p)\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eThe high efficiency and high image-quality HEVC codec is adopted for the recording of 4K images, with long-time recording with 4K\/10-bit image quality possible whilst keeping both bitrate and storage size under control. It achieves a bitrate of 200Mbps equivalent to master grade in HD production and 100Mbps equivalent to master grade in HD ENG (news production).\u003c\/li\u003e\r\n\u003cli\u003eThe colour sampling in 4K at 50p\/60p guarantees a sufficient image quality even at 4:2:0 compared to the conventional HD broadcast master, whilst offering smooth playback on hardware-accelerated editing systems.\u003c\/li\u003e\r\n\u003cli\u003eThe high-speed transfer and reliable expressP2 card or low-running cost microP2 card\/SDXC memory cards can also be used. It also supports the recording of the AVC Ultra HD codec from the P2HD series. \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cspan class=\"bolded\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan class=\"bolded\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan class=\"bolded\"\u003eNNOVATIVE NETWORKING SOLUTIONS\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eImages can be distributed in HD mode to internet live streaming services thanks to the built-in encoder for video streaming independently of recording using the ‘Direct Streaming’ function, compatible with RTSP, RTMP and RTMPS. Internal HD (MOV\/P2-MXF) recording is also possible during streaming.\u003c\/li\u003e\r\n\u003cli\u003eThe LAN terminal, equipped with a lock mechanism with 1000BASE-T compatibility, supporting NDI|HX connectivity. Transmission and camera control is possible with an IP connection, and can be linked to a recording\/distribution system combined with Panasonic’s remote camera systems.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e1: There are some conditions under which streaming is not possible, such as when recording in UHD format or using NDI|HX mode.\u003cbr\u003e2. The P2 Network Setting Software is convenient for setting up the RTMP and RTSP functions. See the section \"Connection Confirmed Live Video Distribution Services\", for the live video streaming services that have been confirmed to be compatible.\u003cbr\u003e3. NDI|HX, a technology of NewTek, Inc.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan class=\"bolded\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan class=\"bolded\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan class=\"bolded\"\u003eERGONOMIC DESIGN \u0026amp; ROBUST BODY\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eThe CX4000 has similar ergonomics to previous ENG cameras, with a robust body that matches the weight of conventional HD shoulder camcorders at 3.4kgs.\u003c\/li\u003e\r\n\u003cli\u003eThe camera features a newly-developed 3.5-type LCD monitor and monochrome OLED display for timecode, audio metering and status information. It also has both a 12G SDI output, HDMI output and LAN connection.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cspan class=\"bolded\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan class=\"bolded\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan class=\"bolded\"\u003eEasy IP Wireless Control from a Tablet or Smartphone\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe AJ-CX4000GJ can be controlled remotely and wirelessly using the tablet\/smartphone app “CX ROP” (downloadable for free from the \u003ca href=\"https:\/\/apps.apple.com\/us\/app\/cx-rop\/id1451895843\" target=\"_blank\"\u003eApp Store\u003c\/a\u003e or \u003ca href=\"https:\/\/play.google.com\/store\/apps\/details?id=com.panasonic.cxrop\" target=\"_blank\"\u003eGoogle Play\u003c\/a\u003e). This app allows to display camera information and change camera settings. It is also equipped with a wealth of remote functions for output signal selection, USER button setting, REC S\/S and many others.\u003c\/p\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":40174494974081,"sku":"PAN-AJ-CX4000GJ","price":39199.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/panasonic-cameras-default-title-panasonic-cx4000gj-b4-interchangeable-lens-camera-recorder-30571757994113.jpg?v=1747047726"},{"product_id":"panasonic-aw-ue100-4k-integrated-ptz-camera-with-ndi-white","title":"Panasonic AW-UE100 4K Integrated PTZ Camera with NDI - White","description":"\u003cp\u003eThe Panasonic AW-UE100 4K Integrated PTZ Camera with NDI - White supports high bandwidth NDI for low latency transmission of high-quality 4K 60p video, and SRT for high-quality and stable transmission, and is also compatible with 12G-SDI output for use in a wide range of situations, from live streaming of events to studio production.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/uSkz1NOnBy0\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFirst 4K 60p\/50p*1 PTZ Camera supporting NDI*2 and SRT*3 in the world*4\u003c\/span\u003e\u003cbr\u003eSupports high bandwidth NDI for low latency transmission of high-quality 4K 60p\/50p*1 video, and SRT*3 for high-quality and stable transmission, and also compatible with 12G-SDI output for use in a wide range of situations, from live streaming of events to studio production.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSupports a wide variety of IP transmission protocols, including NDI*1, NDI|HX*2, and SRT*3\u003c\/span\u003e\u003cbr\u003eHigh bandwidth NDI that can transmit 4K video at speeds of up to 250 Mbps and full HD video up to 100 Mbps is included to provide high-quality low latency live video transmission with a single LAN cable. High efficiency low bandwidth NDI|HX is also included to enable video transmission at low bitrates. SRT*3 is also supported to maintain stability while transmitting high-quality video, even in unstable network environments. RTMP\/RTMPS*4 provides direct streaming to live broadcasting services such as YouTube Live and Facebook Live from the camera.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSupports 4K 60p\/50p*1 shooting and 12G-SDI output\u003c\/span\u003e\u003cbr\u003eSupports 4K 60p\/50p*1 video at 3840 x 2160 to provide smooth and high-quality shooting of moving images, and a wide variety of output interfaces such as 12G-SDI, 3G-SDI, HDMI, and IP.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eIncludes a wide-angle lens with a 74.1° field of view and 24x optical zoom\u003c\/span\u003e\u003cbr\u003eA wide angle lens with a horizontal angle of view of 74.1 degrees enables a wide area to be shot from a limited installation space, and 24x optical zoom maintains high image quality at high zoom ratios. This allows shooting in large indoor spaces.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSupports FreeD*1 for building AR\/VR*2 systems\u003c\/span\u003e\u003cbr\u003eFreeD*1 command output enables connection with AR\/VR*2 systems. This allows the camera tracking information (pan\/tilt\/zoom\/focus\/iris) to be output together with a synchronization signal to easily build systems without an encoder.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eAdopts new mechanical pan\/tilt for improved responsiveness and quietness\u003c\/span\u003e\u003cbr\u003eThe inclusion of a Direct Drive mechanism improves the responsiveness of pan\/tilt and quietness during pan\/tilt operations. In addition to Optical Image Stabilization (OIS), Electronic Image Stabilization (EIS) has been added for the roll direction. This provides stable video shooting even at locations utilizing robotics and rail systems, etc.\u003c\/p\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":40174495531137,"sku":"PAN-AW-UE100WEJ","price":12142.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/panasonic-cameras-default-title-panasonic-aw-ue100-4k-integrated-ptz-camera-with-ndi-white-30571754651777.jpg?v=1742892351"},{"product_id":"panasonic-aw-ue4-compact-4k-integrated-ptz-camera-white","title":"Panasonic AW-UE4 Compact 4K Integrated PTZ Camera - White","description":"\u003cp\u003eThe Panasonic AW-UE4 Compact 4K Integrated PTZ Camera in White is equipped with an ultra-wide-angle lens with a 111° field of view and capable of 4K 25p video output with three interfaces, HDMI, LAN and USB. The Panasonic AW-UE4WG\/KG PTZ Camera supports 4K 30p\/25p*1 video output. Equipped with an ultra-wide-angle lens with a 111° field of view to capture every part of even the largest spaces and transmit wide-angle video in limited installation space. The unit supports PoE*2 supply as well as can be used as a USB camera that can be powered from a computer. Other featues include high-performance operability through RTMP (Real-Time Messaging Protocol) with compatibility for direct upload of video to live-streaming services, and is also excellent for live production. The UE4 PTZ Camera handles both large and small spaces thanks to 4K high image quality and wide-angle video output that is perfect for recording everything from lectures and meetings to e-Sports production.\u003c\/p\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":40174495694977,"sku":"PAN-AW-UE4WG","price":1779.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/panasonic-cameras-default-title-panasonic-aw-ue4-compact-4k-integrated-ptz-camera-white-30571755798657.jpg?v=1742892353"},{"product_id":"sony-alpha-a6400-mirrorless-digital-camera-body","title":"Sony Alpha a6400 Mirrorless Digital Camera Body","description":"\u003cp\u003eThe Sony Alpha a6400 Mirrorless Digital Camera Body is an APS-C-format mirrorless camera that adopts many of the features normally reserved for their full-frame lineup. This includes an autofocus acquisition of 0.02 seconds, Real-time Eye AF and Real-time Tracking capabilities, high-speed shooting up to 11 fps and silent shooting up to 8 fps, both with AF\/AE tracking, an upgraded BIONZ X image processing engine, an LCD touchscreen that tilts 180° up and 74° down, UHD 4K movie recording with full pixel readout and no pixel binning, internal recording for time-lapse videos, and more.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003eThe a6400 is well-suited for both photo and video creators, ranging from professionals to vloggers. Revolving around a 24.2MP Exmor CMOS sensor and BIONZ X image processor, clean image quality is provided with a wide expandable sensitivity range of ISO 100 to 102,400, along with accelerated readout speeds for internal 4K24 and Full HD 1080p120 video recording with full pixel readout. The processor further benefits videographers with the inclusion of an S\u0026amp;Q (Slow \u0026amp; Quick) Motion setting that permits capturing Full HD video at a variety of frame rates ranging from 1-120 fps, plus HLG (Hybrid Log-Gamma), which supports HDR workflows, and both S-Log2 and S-Log3 for color grading flexibility. Stills shooters also benefit from the processing speed, which enables continuous shooting at 11 fps for up to 116 JPEGs, 46 raw images, or 44 raw and JPEG frames in a burst, as well as 14-bit raw file output. The sensor and processor combination also avails 4D FOCUS, with a wide-coverage 425-point phase-detection system that covers around 84% of the image area, and a 425-point contrast-detection system, both of which provide quick and precise focusing performance. This focusing system also enables Real-time Eye AF, which delivers improved accuracy, speed, and tracking performance of Eye AF, so the eyes of your subject are automatically detected. Furthermore, Real-time Tracking uses AI-based object recognition and processes color, subject distance (depth), and pattern (brightness) as spatial information to ensure that all subjects can be captured with accuracy. Increasingly versatile and fully featured in both photo and video realms, the a6400 is a fast and precise imaging tool for multimedia capture.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":40174496546945,"sku":"SON-ILCE6400B","price":1200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sony-cameras-default-title-sony-alpha-a6400-mirrorless-digital-camera-body-30571765072001.jpg?v=1742892377"},{"product_id":"sony-alpha-a7c-mirrorless-digital-camera-with-28-60mm-lens-black","title":"Sony Alpha a7C Mirrorless Digital Camera with 28-60mm Lens - Black","description":"\u003cp\u003eThe Sony Alpha a7C Mirrorless Digital Camera with 28-60mm Lens in Black mixes the quality and advantages of a full-frame sensor with an especially portable and sleek body design. Featuring a 24.2MP Exmor R BSI CMOS sensor, the Sony a7C offers hybrid abilities to suit both photo and video recording needs along with a form factor for everyday, all-day carry. The full-frame sensor and BIONZ X image processor offer up to a 15 stop dynamic range along with UHD 4K video recording, extended sensitivity from ISO 50-204800, and a top continuous shooting rate of 10 fps for working with moving subjects. The sensor also houses a Fast Hybrid AF system, which uses 693 phase-detection points and 425 contrast detection areas for quick, intelligent, and precise autofocus performance with support for Real-time Eye AF and Tracking AF technologies. Also benefiting both photo and video needs is 5-axis in-body image stabilisation, which compensates for up to five stops of camera shake for sharper handheld shooting.\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003ciframe frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/JH8cjnbizqA\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003c\/p\u003e\r\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFE 28-60mm f\/4-5.6 Lens\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eIncluded with the camera body is the wide-angle to long-normal FE 28-60mm f\/4-5.6 zoom, which is characterized by its retractable design and sleek profile to complement the compact camera body. The svelte design makes this lens ideal for walkaround, everyday shooting and the flexible focal length range benefits a wide range of subject types. The optical design incorporates three aspherical elements, which help to reduce distortion and spherical aberrations and promote greater sharpness and accurate rendering. Complementing the optics is a linear motor and internal focusing design, which achieve quick and quiet autofocus performance for both photo and video needs. The lens body is also weather-sealed to permit working in trying environmental conditions.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cspan style=\"text-decoration-line: underline;\"\u003e24.2MP Exmor R BSI CMOS Sensor and BIONZ X Image Processor\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eFeaturing a back-illuminated design, the full-frame 24.2-megapixel Exmor R CMOS sensor works with the BIONZ X image processor to offer high-resolution stills and video while minimizing noise and improving speed. This sensor structure works with a gapless on-chip lens design and an anti-reflection coating to improve light collection and enhance detail. Also, the copper wiring layer dramatically improves data transmission speed for creating 14-bit, high-resolution stills with a native sensitivity range from ISO 100-51200, which can be further expanded to ISO 50-204800. Also, it enables internal UHD 4K video recording with a wide dynamic range using the full width of the full-frame sensor. The BIONZ X processor also works in conjunction with a high-speed front-end LSI to realize faster processing times along with the ability to capture an impressive 15-stop dynamic range at low sensitivity values.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003e\r\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eUHD 4K Video Recording in XAVC S Format\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eInternal recording of UHD 4K videos is possible in multiple frame rates up to 30 fps and using 2.4x oversampling renders greater detail and full pixel readout is possible for higher quality imagery with reduced moiré and aliasing. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mb\/s XAVC S format contained within an MP4 wrapper with 4:2:0 8-bit sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 8-bit sampling.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003e\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003e\r\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBody Design\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eCompact and lightweight body design, along with a rangefinder-inspired layout, make the a7C a sleek and portable camera for everyday shooting. Compared to other a7-series cameras, the a7C is approximately 20% smaller and lighter, akin to the size of an APS-C-format camera.\u003c\/li\u003e\r\n\u003cli\u003eA 0.39\"-type XGA OLED electronic viewfinder is featured and has a 2.36m-dot resolution and 0.59x magnification for bright, clear viewing in high detail.\u003c\/li\u003e\r\n\u003cli\u003eRear 3.0\" 921.6k-dot rear LCD features a side-open vari-angle design along to benefit working from high, low, and front-facing angles. It's also a touchscreen for intuitive control and playback.\u003c\/li\u003e\r\n\u003cli\u003eMagnesium-alloy chassis along with a weather-sealed design offers a durable overall construction for use in a variety of conditions.\u003c\/li\u003e\r\n\u003cli\u003eThe large-capacity NP-FZ100 battery offers approximately 740 shots per charge when working with the rear LCD or 680 shots per charge when working with the EVF.\u003c\/li\u003e\r\n\u003cli\u003eSingle SD memory card slot is rated to support UHS-II memory cards for fast transfer speeds.\u003c\/li\u003e\r\n\u003cli\u003eA USB 3.2 Gen 1 Type-C port offers for fast and reliable tethering support and also allows the camera to be charged from the host power source while connected.\u003c\/li\u003e\r\n\u003cli\u003eMulti Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.\u003c\/li\u003e\r\n\u003cli\u003eBoth 3.5mm microphone and headphone ports are available for greater audio recording control.\u003c\/li\u003e\r\n\u003cli\u003eBuilt-in Wi-Fi enables the a7C to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. Support for both 2.4 and 5.0 GHz bands also enables wireless tethered shooting support. NFC (Near Field Communication) is also supported, which allows for one-touch connection between the camera and compatible mobile devices; no complex set-up is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera's shutter.\u003c\/li\u003e\r\n\u003cli\u003eBluetooth connectivity allows for location data acquisition\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003c\/h2\u003e\r\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFast Hybrid AF System\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eCovering a majority of the image area, a Fast Hybrid AF system incorporates 693 phase-detection points along with 425 contrast-detection areas for quick and precise focusing in a variety of lighting conditions with sensitivity down to -4 EV. This focusing system is available for use in all recording modes, to benefit both video and stills applications. Additionally, it is able to lock onto subjects quickly and can use Real-time Tracking for AI-based tracking on moving subjects or touch tracking for manual selection of the subject. Real-time Eye AF, suitable for both humans and animals, also ensures critical sharpness when shooting portraits.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003c\/h2\u003e\r\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e5-Axis SteadyShot INSIDE Image Stabilization\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eDespite the sleek stature of the a7C, it features a 5-stop effective 5-axis SteadyShot INSIDE image stabilization system that compensates for various types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":40174498447489,"sku":"SON-ILCE7CLB","price":3299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sony-cameras-default-title-sony-alpha-a7c-mirrorless-digital-camera-with-28-60mm-lens-black-30571766907009.jpg?v=1747047911"},{"product_id":"canon-powershot-g7-x-mark-iii-digital-camera","title":"Canon PowerShot G7 X Mark III Digital Camera","description":"\u003cp\u003eThe Canon PowerShot G7 X Mark III is a compact digital camera with a 20.1MP 1-inch stacked CMOS sensor and DIGIC 8 processor, delivering fast 20 fps continuous shooting and 4K30p video. Its 24–100mm equivalent zoom lens features a bright f\/1.8–2.8 aperture and Optical Image Stabiliser. Built-in Bluetooth, Wi-Fi, a 180° tilting touchscreen, and live streaming support make it ideal for content creators on the go.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/HasDCzlwFa4?si=_-Iz47UMx7q5tZY5\" title=\"YouTube video player\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eImaging Performance\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe stacked sensor and DIGIC 8 processor enable fast autofocus, low noise, and continuous shooting at up to 20 fps. Capture high-quality 4K video or Full HD up to 120 fps. Ideal for vlogging, social media, or professional content creation.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLens and Stabilisation\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe 4.2x zoom lens covers wide-angle to short-telephoto shots (24–100mm equivalent). A wide f\/1.8–2.8 aperture improves low-light performance and depth of field control. Built-in Optical Image Stabilisation reduces blur from handheld shooting.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eVideo Features\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eRecords vertical video for social platforms. Supports YouTube live streaming via Canon iMAGE GATEWAY. Clean HDMI output and external mic input offer flexible audio and video setup options for creators.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eUser Interface and Connectivity\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eA 3.0-inch touchscreen tilts 180° for selfies or vlogging. Physical dials and a touchscreen interface make exposure and focus control intuitive. Charge the battery via USB from a power bank or a computer.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eWireless Sharing and Remote Control\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eBuilt-in Bluetooth and Wi-Fi allow instant image transfer to your phone or tablet and enable remote control via the Canon Camera Connect app—useful for solo shooting or remote adjustments.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":40174498578561,"sku":"CAN-G7XIIIBK","price":1338.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/canon-cameras-default-title-canon-powershot-g7-x-mark-iii-digital-camera-30571766939777.jpg?v=1742892430"},{"product_id":"sony-alpha-a7c-mirrorless-digital-camera-with-28-60mm-lens-silver","title":"Sony Alpha a7C Mirrorless Digital Camera with 28-60mm Lens - Silver","description":"\u003cp\u003eThe Sony Alpha a7C Mirrorless Digital Camera with 28-60mm Lens - Silver mixes the quality and advantages of a full-frame sensor with an especially portable and sleek body design. Featuring a 24.2MP Exmor R BSI CMOS sensor, the Sony a7C offers hybrid abilities to suit both photo and video recording needs along with a form factor for everyday, all-day carry. The full-frame sensor and BIONZ X image processor offer up to a 15 stop dynamic range along with UHD 4K video recording, extended sensitivity from ISO 50-204800, and a top continuous shooting rate of 10 fps for working with moving subjects. The sensor also houses a Fast Hybrid AF system, which uses 693 phase-detection points and 425 contrast detection areas for quick, intelligent, and precise autofocus performance with support for Real-time Eye AF and Tracking AF technologies. Also benefiting both photo and video needs is 5-axis in-body image stabilisation, which compensates for up to five stops of camera shake for sharper handheld shooting.\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003ciframe frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/JH8cjnbizqA\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFE 28-60mm f\/4-5.6 Lens\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eIncluded with the camera body is the wide-angle to long-normal FE 28-60mm f\/4-5.6 zoom, which is characterized by its retractable design and sleek profile to complement the compact camera body. The svelte design makes this lens ideal for walkaround, everyday shooting and the flexible focal length range benefits a wide range of subject types. The optical design incorporates three aspherical elements, which help to reduce distortion and spherical aberrations and promote greater sharpness and accurate rendering. Complementing the optics is a linear motor and internal focusing design, which achieve quick and quiet autofocus performance for both photo and video needs. The lens body is also weather-sealed to permit working in trying environmental conditions.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cspan style=\"text-decoration-line: underline;\"\u003e24.2MP Exmor R BSI CMOS Sensor and BIONZ X Image Processor\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eFeaturing a back-illuminated design, the full-frame 24.2-megapixel Exmor R CMOS sensor works with the BIONZ X image processor to offer high-resolution stills and video while minimizing noise and improving speed. This sensor structure works with a gapless on-chip lens design and an anti-reflection coating to improve light collection and enhance detail. Also, the copper wiring layer dramatically improves data transmission speed for creating 14-bit, high-resolution stills with a native sensitivity range from ISO 100-51200, which can be further expanded to ISO 50-204800. Also, it enables internal UHD 4K video recording with a wide dynamic range using the full width of the full-frame sensor. The BIONZ X processor also works in conjunction with a high-speed front-end LSI to realize faster processing times along with the ability to capture an impressive 15-stop dynamic range at low sensitivity values.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003e\r\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eUHD 4K Video Recording in XAVC S Format\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eInternal recording of UHD 4K videos is possible in multiple frame rates up to 30 fps and using 2.4x oversampling renders greater detail and full pixel readout is possible for higher quality imagery with reduced moiré and aliasing. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mb\/s XAVC S format contained within an MP4 wrapper with 4:2:0 8-bit sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 8-bit sampling.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003e\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003e\r\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBody Design\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eCompact and lightweight body design, along with a rangefinder-inspired layout, make the a7C a sleek and portable camera for everyday shooting. Compared to other a7-series cameras, the a7C is approximately 20% smaller and lighter, akin to the size of an APS-C-format camera.\u003c\/li\u003e\r\n\u003cli\u003eA 0.39\"-type XGA OLED electronic viewfinder is featured and has a 2.36m-dot resolution and 0.59x magnification for bright, clear viewing in high detail.\u003c\/li\u003e\r\n\u003cli\u003eRear 3.0\" 921.6k-dot rear LCD features a side-open vari-angle design along to benefit working from high, low, and front-facing angles. It's also a touchscreen for intuitive control and playback.\u003c\/li\u003e\r\n\u003cli\u003eMagnesium-alloy chassis along with a weather-sealed design offers a durable overall construction for use in a variety of conditions.\u003c\/li\u003e\r\n\u003cli\u003eThe large-capacity NP-FZ100 battery offers approximately 740 shots per charge when working with the rear LCD or 680 shots per charge when working with the EVF.\u003c\/li\u003e\r\n\u003cli\u003eSingle SD memory card slot is rated to support UHS-II memory cards for fast transfer speeds.\u003c\/li\u003e\r\n\u003cli\u003eA USB 3.2 Gen 1 Type-C port offers for fast and reliable tethering support and also allows the camera to be charged from the host power source while connected.\u003c\/li\u003e\r\n\u003cli\u003eMulti Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.\u003c\/li\u003e\r\n\u003cli\u003eBoth 3.5mm microphone and headphone ports are available for greater audio recording control.\u003c\/li\u003e\r\n\u003cli\u003eBuilt-in Wi-Fi enables the a7C to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. Support for both 2.4 and 5.0 GHz bands also enables wireless tethered shooting support. NFC (Near Field Communication) is also supported, which allows for one-touch connection between the camera and compatible mobile devices; no complex set-up is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera's shutter.\u003c\/li\u003e\r\n\u003cli\u003eBluetooth connectivity allows for location data acquisition\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003c\/h2\u003e\r\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFast Hybrid AF System\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eCovering a majority of the image area, a Fast Hybrid AF system incorporates 693 phase-detection points along with 425 contrast-detection areas for quick and precise focusing in a variety of lighting conditions with sensitivity down to -4 EV. This focusing system is available for use in all recording modes, to benefit both video and stills applications. Additionally, it is able to lock onto subjects quickly and can use Real-time Tracking for AI-based tracking on moving subjects or touch tracking for manual selection of the subject. Real-time Eye AF, suitable for both humans and animals, also ensures critical sharpness when shooting portraits.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003ch2 class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003c\/h2\u003e\r\n\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e5-Axis SteadyShot INSIDE Image Stabilization\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003eDespite the sleek stature of the a7C, it features a 5-stop effective 5-axis SteadyShot INSIDE image stabilization system that compensates for various types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":40174498709633,"sku":"SON-ILCE7CLS","price":3299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sony-cameras-default-title-sony-alpha-a7c-mirrorless-digital-camera-with-28-60mm-lens-silver-30571768512641.jpg?v=1747047925"},{"product_id":"sony-brc-x400-4k-pan-tilt-zoom-camera-with-ndi","title":"Sony BRC-X400 4K Pan-Tilt-Zoom Camera with NDI","description":"\u003cp\u003eThe Sony BRC-X400 4K Pan-Tilt-Zoom Camera with NDI is a 4K pan-tilt-zoom (PTZ) camera ideal for cost-efficient content creation. The compact yet powerful BRCX400 camera is extremely well-suited for broadcast applications from studio to reality TV shows as well as shooting in large venues including event halls and houses of worships (HoW). High picture quality achieved with newly developed Exmor RTM CMOS image sensor, 80x2 powerful zoom capability in Full HD and easy system configuration for cost-effective broadcast productions.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp data-reactid=\"39\"\u003eThe BRC-X400 realizes high picture quality effortlessly, thanks to the highly sensitive Exmor R CMOS image sensor. The newly developed sensor achieves natural color reproduction and delivers 4K\/30p with minimal noise. The built-in, high-resolution 4K lens accommodates wide-angle shots up to 70 degrees and is equipped with 30x zoom capability in 4K utilizing Sony’s Clear Image Zoom feature. Users can operate the 80x zoom capability in Full High Definition (FHD) with Tele Convert Mode. Horizontal resolution of 1700 TV lines in 4K and 1000 or higher TV lines in Full High Definition capture details of the image.\u003c\/p\u003e\n\u003cp data-reactid=\"39\"\u003e\u003c\/p\u003e\n\u003cp data-reactid=\"40\"\u003eAllowing for seamless switching during live events and reality shows, the BRC-X400 comes equipped with broadcast-friendly features such as tally lamps and genlock support. A new feature, Scene File, which is planned to be available through a future upgrade in early 2020, will allow users to apply the same operating menu from one camera to others for fast set-up.\u003c\/p\u003e\n\u003cp data-reactid=\"40\"\u003e\u003c\/p\u003e\n\u003cp data-reactid=\"41\"\u003eThis latest addition to the BRC series can be integrated into existing broadcast system workflows easily thanks to its range of camera control protocols support. This includes 700 Protocol for Sony’s broadcast cameras, CGI as well as VISCA \/ VISCA over IP. In addition, the BRC-X400 is planned to be compatible with Sony’s first AI-based video analytic solution, REA-C1000. With the REA-C1000, a chroma key-less CG overlay feature can extract the presenter and place them on any background without the need for a dedicated backscreen or special training.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":40174499954817,"sku":"SON-BRCX400","price":7164.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sony-cameras-default-title-sony-brc-x400-4k-pan-tilt-zoom-camera-with-ndi-30571763925121.jpg?v=1747047985"},{"product_id":"sony-alpha-a1-mirrorless-digital-camera-body","title":"Sony Alpha A1 Mirrorless Digital Camera Body","description":"\u003cp\u003eThe Sony Alpha A1 Mirrorless Digital Camera delivers unprecedented speed and resolution for new creative possibilities and workflow. The Sony Alpha a1 is a full-frame mirrorless camera that offers high-resolution for stills shooting, impressive 8K video recording, speed and sensitivity, and connectivity for the most demanding professional workflows.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003ciframe frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/H0om2qHS1o4\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eAt its core, the a1 is distinguished by a newly designed 50.1MP full-frame Exmor RS BSI CMOS sensor and the BIONZ XR processing engine. Pairing the efficient stacked sensor design with optimized processing means the a1 is capable of 30 fps continuous shooting at full-resolution, 8K 30p and 4K 120p 10-bit video recording, and still offers versatile sensitivity up to ISO 102400 for low-light shooting. The sensor's design also includes a 759-point Fast Hybrid AF system, which offers advanced subject tracking and Real-time Eye AF on humans and animals, even including a dedicated Bird Mode.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003eThe Sony a1 offers 8K and 4K recording resolutions along with full pixel readout, internal 4:2:2 10-bit sampling, and 16-bit raw output via the full-size HDMI. No recording limit allows for extended takes and, matching with professional cine cameras, the a1 includes S-Cinetone support for smooth skin-tone rendering along with well-controlled highlights and soft colours. \u003cspan\u003eThe camera's shutter design has also been revised and now offers full-frame flash sync speeds up to 1\/400 sec, and flash sync up to 1\/200 sec is even supported when working with the silent electronic shutter. At the rear of the camera is a 3.0\" tilting touchscreen LCD and both Bluetooth and Wi-Fi connectivity, with 2x2 MIMO support, offer wireless remote control and file transferring capabilities. Additionally, the a1 includes dual memory card slots, both of which support working with CFexpress Type A or SD UHS-II memory cards for flexible and high-speed file storage.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003e50.1MP Exmor RS BSI CMOS Stacked Sensor\u003c\/span\u003e\u003cbr\u003eNewly developed 50.1MP Exmor RS full-frame sensor features a stacked back-illuminated design with integrated memory that maintains high image clarity, expandable sensitivity up to ISO 102400, and a 15-stop dynamic range while also enabling fast 30 fps shooting and and phase-detection AF. The 50.1MP resolution not only benefits stills shooters as it also offers full-frame 8.6K oversampling for 8K video recording.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBIONZ XR Processor\u003c\/span\u003e\u003cbr\u003eA revised BIONZ XR engine greatly benefits image processing capabilities throughout the camera system, including up to 8x faster processing, greatly reduced rolling shutter, and more fluent interface and file management handling speeds.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eUp to 30 fps Shooting and Updated Shutter\u003c\/span\u003e\u003cbr\u003eEfficient sensor design and processing enables high-speed shooting up to 30 fps at full 50.1MP resolution, with full AF and AE capabilities, when working with an electronic shutter. When working with the mechanical shutter, speeds are still kept high at 10 fps. Also, a large buffer memory permits recording up to 155 compressed raw frames, or 165 JPEGs, in one single burst at 30 fps.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003e8K 30p and 4K 120p Video Recording in 10-Bit\u003c\/span\u003e\u003cbr\u003eMaking use of the high-resolution sensor and fast processing capabilities, UHD 8K 30p XAVC HS video recording is possible with 8.6K oversampling for impressive sharpness and realism. This high-res recording also benefits 4K editing processes and low bit-rate proxy files with HD resolution can be simultaneously recorded with 8K footage for easier playback.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFast Hybrid AF System\u003c\/span\u003e\u003cbr\u003eCovering 92% of the image area, a Fast Hybrid AF system incorporates 759 phase-detection points along with 425 contrast-detection areas for quick and precise focusing in a variety of lighting conditions with sensitivity down to -6 EV. This focusing system is available for use in all recording modes, to benefit both video and stills applications.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003e5-Axis SteadyShot INSIDE Image Stabilization\u003c\/span\u003e\u003cbr\u003eEnhanced 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system compensates for five different types of camera shake encountered during handheld shooting of stills and video and allows users to confidently use any lens, even adapted lenses, for critical shooting without encountering blur from camera shake.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePixel Shift Multi Shooting\u003c\/span\u003e\u003cbr\u003eThis unique compositing mode allows you to achieve even greater resolution than the 50.1MP sensor affords. Working in conjunction with the sensor-shift image stabilization, this mode shifts the sensor while making 16 consecutive exposures in order to acquire approximately 199MP of information for greater color accuracy and detail than possible with a single exposure. These files can then be merged together during post-production by using the Sony Imaging software suite.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBody Design\u003c\/span\u003e\u003cbr\u003eAn impressive QXGA OLED Tru-Finder EVF features a high 9.44m-dot resolution and 0.9x magnification for exceptionally bright, clear, and detailed eye-level viewing. This viewfinder has a dedicated 240 fps High Quality+ setting for smooth motion rendering and the finder's physical design has a long 25mm eye point, 41° field of view, and features a fluorine coating on the outermost viewfinder element to benefit cleaning.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003eConnectivity\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan\u003eBuilt-in Wi-Fi enables the a1 to instantly share imagery to mobile devices for direct sharing online, and support for both 2.4 and 5.0 GHz bands also enables wireless tethered shooting support. Also, the 5.0 GHz band supports 2x2 MIMO for fast communication speeds and dual antennas ensure a reliable connection.\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan\u003eNFC (Near Field Communication) allows for one-touch connection between the camera and compatible mobile devices; no complex set-up is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera's shutter.\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan\u003eBluetooth connectivity allows for location data acquisition.\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan\u003eEthernet port offers up to 1000BASE-T speeds for quick wired LAN sharing and remote operation\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":40174500839553,"sku":"SON-ILCE1B","price":6782.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sony-cameras-default-title-sony-alpha-a1-mirrorless-digital-camera-body-30571761860737.jpg?v=1747048029"},{"product_id":"blackmagic-design-pocket-cinema-camera-6k-pro-body-canon-ef","title":"Blackmagic Design Pocket Cinema Camera 6K Pro Body (Canon EF)","description":"\u003cp\u003eThe Blackmagic Design Super 35mm Pocket Cinema Camera 6K Pro (Body Only) includes additional pro features such as built in 2, 4 and 6 stop ND filters, adjustable tilt HDR LCD with a bright 1500 nits that’s ideal for use in bright sunlight. It also includes two mini XLR audio inputs and a larger NP-F570 style battery.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e6K Pro Features\u003c\/p\u003e\u003cdiv class=\"descriptionAsTitle_18Nt9BkVcYQO2jcxURBPUl\"\u003e\u003cdiv class=\"js-injected-html\"\u003e\u003cul\u003e\n\u003cli\u003e5 Inch tilting HDR capacitive touchscreen LCD with 1500 cd\/m² brightness\u003c\/li\u003e\n\u003cli\u003eBuilt-in clear\/2\/4\/6-stop IR ND filters\u003c\/li\u003e\n\u003cli\u003eDual mini-XLR inputs\u003c\/li\u003e\n\u003cli\u003eSuper-accurate timecode clock\u003c\/li\u003e\n\u003cli\u003eNP-F570 L-series battery slot\u003c\/li\u003e\n\u003cli\u003eUpdated Gen 5 color science\u003c\/li\u003e\n\u003cli\u003eOptional Pro EVF and battery grip\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e \u003cp\u003e \u003c\/p\u003e\u003cp\u003eMore Features:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eDesigned from carbon fiber polycarbonate composite\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e6144 x 3456 sensor with 13 stops and dual native ISO up to 25,600\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCompatible with a wide range of popular EF lenses\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBuilt in motorized 2, 4 and 6 stop ND filters\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eUp to 25,600 ISO for incredible low light performance\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eStandard open file formats compatible with popular software\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAdjustable, HDR 1500 nit LCD screen\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIncludes Blackmagic Generation 5 Color Science\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOptional Blackmagic Pocket Cinema Camera Pro EVF\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eProfessional mini XLR inputs with 48 volt phantom power\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLarger NP-F570 battery, optional Blackmagic Pocket Camera Battery Pro Grip\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIncludes full DaVinci Resolve Studio for post production\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe elegant design of the \u003c\/span\u003e\u003cb\u003eBlackmagic Design Pocket Cinema Camera 6K Pro (Body Only)\u003c\/b\u003e\u003cspan\u003e packs an incredible number of high-end digital film features into a miniaturised, handheld design. Made from lightweight carbon fibre polycarbonate composite, the camera features a multifunction handgrip with all controls for recording, ISO, WB and shutter angle right at their fingertips. Because it's an advanced digital film camera, the sensor is designed to reduce thermal noise allowing cleaner shadows and higher ISO. Plus the large 5 inch LCD makes it possible to get perfect focus at 4K and 6K resolutions.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFeaturing a larger 6144 x 3456 Super 35 sensor and EF lens mount, the Blackmagic Pocket Cinema Camera 6K lets customers use larger EF photographic lenses to create cinematic images with shallower depth of field, allowing creative defocused backgrounds and gorgeous bokeh effects.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Blackmagic Pocket Cinema Camera 6K Pro includes additional pro features such as built-in 2, 4 and 6 stop ND filters, adjustable tilt HDR LCD with a bright 1500 nits that’s ideal for use in bright sunlight. It also includes two mini XLR audio inputs and a larger NP-F570 style battery.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003eActive Canon EF Lens Mount\u003c\/span\u003e\u003cbr\u003eChoose from a wide array of Canon EF\/EF-S-mount lenses and automatically populate lens metadata with compatible lenses\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSuper35 Image Sensor \/ Dual Native ISO\u003c\/span\u003e\u003cbr\u003eThe 6K Pro camera uses a Super35-size sensor, 13 stops of dynamic range, and a dual native ISO up to 25,600 to capture rich images at resolutions up to 6144 x 3456 up to 50 fps\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBlackmagic Raw and ProRes Options\u003c\/span\u003e\u003cbr\u003eCapture in Blackmagic Raw or ProRes 422 options depending on your project's needs\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003eUp to 6K Shooting Resolutions\u003c\/span\u003e\u003cbr\u003eMultiple resolutions include 6144 x 3456 (6K), 6144 x 2560 (6K 2.4:1), 5744 x 3024 (5.7K 17:9), 4096 x 2160 (4K DCI), 1920 x 1080 (HD), and more\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003eVersatile Media Capture Options\u003c\/span\u003e\u003cbr\u003eRecord internally to CFast 2.0 or SD\/UHS-II card slots, or capture longer clips using the USB Type-C output to an external drive\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003eDaVinci Resolve Studio License Included\u003c\/span\u003e\u003cbr\u003eThe 6K Pro is compatible with DaVinci Resolve and includes an activation key for Resolve Studio\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhether users are shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus the 6K models feature a larger Super 35 sensor that allows shooting with a shallow depth of field and anamorphic lenses. All models let customers shoot up to 60 fps in full resolution or 120 fps windowed. An amazing sensor combined with Blackmagic colour science means customers get the same imaging technology as the most expensive digital film cameras.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe 6K models feature an EF lens mount so customers can use lenses customers already own from other cameras such as DSLR, URSA Mini Pro or even the original Blackmagic Cinema Camera. Customers can use commonly available photographic lenses that provide incredible creative choice and wonderful feature film quality lens effects. The active lens mount lets customers adjust focus and iris from the buttons on the camera or the touch screen.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Blackmagic Pocket Cinema Camera 6K Pro features high quality, motorized IR ND filters that let customers quickly reduce the amount of light entering the camera. Designed to match the colourimetry and colour science of the camera, the 2, 4 and 6 stop filters provide customers with additional latitude even under harsh lighting. The IR filters have been designed to filter both optical and IR wavelengths evenly, eliminating IR contamination of the images. Activation buttons are located on the rear of the camera body, placed within easy reach of their thumb from the multi-function hand grip. User-selectable filter settings can even be displayed as either an ND number, stop reduction or fraction on the LCD.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Pocket Cinema Cameras feature dual native ISO up to 25,600, which means they're optimized to minimize grain or noise in images while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on-set lighting. The gain is set automatically as customers adjust the ISO setting, so it's easy to capture great images when customers don’t have time to set up lights.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBlackmagic Pocket Cinema Camera records using standard open file formats so customers don’t have to waste time transcoding media. Recording works in industry-standard 10-bit Apple ProRes files in all formats up to 4K or 12-bit Blackmagic RAW in all formats up to 6K. Developers can download and use the free Blackmagic RAW SDK to add support to their applications. Best of all media files work on all operating systems plus customers can format media cards and disks in HFS+ for Mac and ExFAT for Windows.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBlackmagic Pocket Cinema Camera features a large, bright 5-inch touchscreen that makes it easy for customers to frame shots and accurately focus. On-screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. The Pocket Cinema Camera 6K Pro LCD monitor is a more advanced HDR display that can be tilted up and down so it's easy to monitor their shot from any position. Plus the 6K Pro model’s HDR display features 1500 nits of brightness, ideal for use in bright sunlight.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFeaturing the same generation 5 colour science as the high-end URSA Mini Pro 12K, the new Pocket Cinema Camera 6K Pro delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful colour in every shot. Customers get a new dynamic 12-bit gamma curve designed to capture more colour data in the highlights and shadows, for better-looking images. The colour science also handles some of the complex Blackmagic RAW image processing, so colour and dynamic range data from the sensor is preserved via metadata which customers can use in post-production.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Pocket Cinema Camera 6K Pro supports an optional viewfinder to make outdoors and handheld shooting accurate and easy. Customers get an integrated high quality 1280 x 960 colour OLED display with built-in proximity sensor, 4 element glass diopter for incredible accuracy with a wide -4 to +4 focus adjustment. A built-in digital focus chart ensures customers get perfect viewfinder focus setup. Customers can also view critical status information such as frame guides. The Pocket Cinema Camera Pro EVF connects quickly to the Blackmagic Pocket Cinema Camera 6K Pro via a single connector. The viewfinder has a 70-degree swivel range and comes with 4 different types of eyecups for both left and right eyes.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBlackmagic Pocket Cinema Cameras feature a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. The 6K Pro model features 2 mini XLR connections, allowing customers to record 2 separate audio tracks using 2 mics, without an external mixer. The four built-in mics have an extremely low noise floor and are shock and wind-resistant, capturing great sound in any location. There’s also a 3.5mm audio input for connecting video camera microphones, along with a built-in speaker for playback and a 3.5mm headphone jack.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Blackmagic Pocket Cinema Camera 4K and 6K use removable LP-E6 type batteries while the 6K Pro model uses larger NP-F570 batteries. A Locking DC power connector is used so customers won't have to worry about losing power during a shoot. Plus the included AC plug pack can power the camera and charge the battery simultaneously. Even the USB-C expansion port can trickle charge the battery, so customers can use portable battery packs, mobile phone chargers or laptops. The optional battery grip lets customers add extra batteries to dramatically extend the power of the camera so customers can keep shooting all day.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAll Pocket Cinema Camera models include a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high-end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help customers quickly find the footage customers want, edit it together and output it fast. In addition to the new cut page, customers also get DaVinci’s legendary professional editing, advanced colour correction, audio post and visual effects tools, all in a single software application.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"With the new Pocket Cinema Camera 6K Pro, we wanted to include all the high-end features from digital film cameras into a Pocket Cinema Camera design,\" said Grant Petty, Blackmagic Design CEO. \"This means you get an extremely portable digital film solution but with all the advanced features like the amazing ND filters, optional viewfinder and bright HDR touchscreen. We think our digital filmmaker customers will love it!\"\u003c\/span\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":40174501691521,"sku":"BLA-CINECAMPOCHDEF06P","price":3567.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/blackmagic-design-cameras-default-title-blackmagic-design-pocket-cinema-camera-6k-pro-body-canon-ef-30571768676481.jpg?v=1742892525"},{"product_id":"sony-brc-x1000-4k-ptz-robotic-network-camera","title":"Sony BRC-X1000 4K PTZ Robotic Network Camera","description":"\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cstrong\u003eThe Sony BRC-X1000 is 4K remote camera\u003c\/strong\u003e\u003c\/span\u003e combines uncompromising broadcast picture quality and smooth, silent PTZ operation with the flexibility of 3G-SDI and HDMI connections. Remotely capture broadcast quality 4K images with smooth, silent PTZ and excellent low-light sensitivity\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe Sony BRCX1000 is \u003cstrong\u003edesigned for remote operation\u003c\/strong\u003e. This compact but \u003cstrong\u003epowerful robotic camera is an ideal complement to other broadcast cameras f\u003c\/strong\u003eor capturing images in hard-to-reach or unobtrusive positions. It's equally at home in TV newsrooms, remote studios and on-air suites, auditoriums, houses of worship, courtrooms or sports stadiums. It's also particularly suited to efficient multi-camera set-ups, under the control of a single operator.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eThe 1-inch type Exmor R CMOS image sensor\u003c\/strong\u003e captures detail-packed 4K footage at 30p with four times the pixel count of Full HD, and excellent low-light sensitivity. The large image sensor also allows the creation of beautiful 'bokeh' effects with a shallow depth of field to suit any artistic intention.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSpeedy, near-silent PTZ operation with 12x optical zoom accommodates wide-angle scenes\u003c\/strong\u003e and tightly framed close-ups, with Clear Image Zoom 18x (4K), 24x(HD) extending this range even further without visible loss of resolution. Broadcast-friendly features include dual tally lamps for on-air operation, while operational flexibility is enhanced with options for ceiling, table top or tripod mounting.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThere’s also a \u003cstrong\u003ebroad range of video interfacing and remote control possibilities\u003c\/strong\u003e - plus support for PoE+ and genlock - for smooth integration into any broadcast, professional or corporate AV environment.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":40174502117505,"sku":"SON-BRCX1000","price":10673.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sony-cameras-default-title-sony-brc-x1000-4k-ptz-robotic-network-camera-30571761467521.jpg?v=1742892535"},{"product_id":"sony-srg-x400-1080p-ptz-camera-white","title":"Sony SRG-X400 1080p PTZ Camera - White","description":"\u003cp\u003eThe Sony \u003cstrong\u003eSRG-X4001080p PTZ Camera in white \u003c\/strong\u003ecaptures every point of view in meetings and lectures. This camera captures video at resolutions up to 1920 x 1080 at 60 fps. However, an optional license enables you to upgrade the camera for UHD 4K 3840 x 2160 performance. The camera is equipped with an 8.3MP CMOS sensor and a 4.4-88.0mm lens that delivers fields of view of up to 70°. Clear Image Zoom Technology can extend the 20x optical to up to 40x, allowing for frame-filling close-ups in Full HD.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe integrated pan\/tilt system allows for 340° panning and 110° tilting at up to 300° and 126° per second respectively. Focusing can be performed manually or set to automatic. The camera outputs video via its HDMI, IP, and 3G-SDI interfaces. PoE+ technology simplifies setup by enabling you to power the camera directly via its network connection. An IR remote commander, mounting hardware, and an HDMI clamp are included in the package.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFeatures:\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003e1\/2.5\" Exmor R sensor for low-noise images even in dimly lit environments down to 1.6 lux\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003e1920 x 1080 resolution at 60 fps\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003eUpgradable to UHD 4K (3840 x 2160) resolution via optional license\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003e20x optical zoom\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003eUp to 40x total zoom in Full HD with Clear Image Zoom\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003eResponsive autofocus ensures that images stay clear and sharp, even at high zoom settings\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003eHorizontal viewing angle of approximately 70° for covering the whole scene in meeting rooms, lecture theaters, etc.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003eCan be used with the AI-based REA-C1000 Edge Analytics Appliance to smoothly track the speaker's movements and automatically generate a cut-out image of the speaker\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003eUp to 300°\/sec pan and tilt speed during preset recall\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003ePicture Freeze Preset maintains a steady image while the camera moves to a new preset position, with no uncomfortable transitions for the audience\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003eNDI | HX compatibility via optional license\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003eRTSP (Real Time Streaming Protocol) support for remote viewing over the internet from a web browser\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003ePoE+ simplifies installation—a single IP cable can carry camera power, video image output, and control signals\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003eDay\/night, visibility enhancer, image stabilization, image flip, and flicker cancel functions\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":40174504247425,"sku":"SON-SRGX400W","price":4943.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sony-cameras-default-title-sony-srg-x400-1080p-ptz-camera-white-30571789254785.jpg?v=1747048174"},{"product_id":"sony-srg-x400-4k-ptz-camera-includes-4k-license-black","title":"Sony SRG-X400 4K PTZ Camera includes 4K License - Black","description":"\u003cp class=\"inner-content product-overviews-title\" data-reactid=\"426\"\u003eThe Sony SRG-X400 4K remotely controlled Black PTZ camera with 4K license is ideal for a wide range of applications - from classrooms and meeting spaces to houses of worship, lecture halls and medical environments. Capture every point of view with excellent 4K* picture quality and efficient IP production workflow. The camera's 1\/2.5-type Exmor R™ sensor captures up to 4K* resolution images with excellent sensitivity, very low noise and rich, natural colour reproduction. It's complemented by the integrated high-resolution lens that offers zoom capability up to 40x in Full HD (30x in 4K), with an expansive approx. 70° wide angle coverage to capture every point of view.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"inner-content product-overviews-title\" data-reactid=\"426\"\u003eThe \u003cstrong\u003eSony SRGL-4K 4K License\u003c\/strong\u003e activates 4K HDMI and IP streaming output in the Sony SRG-X400 and SRG-X120 PTZ cameras, allowing for a UHD 3840 x 2160, 29.97p resolution workflow. Your purchase provides you with a physical piece of paper with a product code and a manual with instructions on how to obtain an install key. The unique device ID of the camera will be required to register the install key and activate the 4K license. Note: The product code is for preinstalled software, and firmware version 2.0 is required for use of the upgrade license.\u003c\/p\u003e\n\u003cp class=\"inner-content product-overviews-title\" data-reactid=\"426\"\u003e \u003c\/p\u003e\n\u003cp class=\"inner-content product-overviews-title\" data-reactid=\"426\"\u003eHigh speed movement during preset recall captures the speaker's every movement, while Picture Freeze during transitions ensures your audience isn't disturbed by rapid camera movements. PTZ Motion Sync*** function allows smooth blending of separate pan, tilt and zoom movements for seamless, professional-looking transition.Efficient IP-based live production is augmented with support for NDI®|HX (via optional license), allowing flexible configuration with other networked NDI®-enabled devices. Images also can be reviewing remotely via a web browser, with support for RTSP (Real Time Streaming Protocol) ensuring smooth, stable streaming of video plus audio (from an optional microphone, available separately) over an IP network.\u003c\/p\u003e\n\u003cp class=\"inner-content product-overviews-title\" data-reactid=\"426\"\u003e \u003c\/p\u003e\n\u003cp class=\"inner-content product-overviews-title\" data-reactid=\"426\"\u003e \u003c\/p\u003e\n\u003ch5 class=\"product-features-title\" data-reactid=\"435\"\u003eExcellent images, even in low light\u003c\/h5\u003e\n\u003cdiv data-reactid=\"436\"\u003eThe sensitive 1\/2.5-type Exmor R™ sensor captures high-quality images with very low noise, even in dimly-lit environments.\u003c\/div\u003e\n\u003cp class=\"inner-content product-overviews-title\" data-reactid=\"426\"\u003e \u003c\/p\u003e\n\u003ch5 class=\"product-features-title\" data-reactid=\"447\"\u003eWide viewing angle\u003c\/h5\u003e\n\u003cdiv data-reactid=\"448\"\u003eCover the whole scene in meetings and lecture theatres with a horizontal viewing angle of approx. 70°\u003c\/div\u003e\n\u003cdiv data-reactid=\"448\"\u003e \u003c\/div\u003e\n\u003cdiv data-reactid=\"448\"\u003e\n\u003ch5 class=\"product-features-title\" data-reactid=\"451\"\u003eIdeal for lecture caputure\u003c\/h5\u003e\n\u003cdiv data-reactid=\"452\"\u003eUse the camera in conjunction with the AI-based REA-C1000 Edge Analytics Appliance to smoothly track the speaker's movements and automatically generate a cut-out image of speaker.\u003c\/div\u003e\n\u003cdiv data-reactid=\"452\"\u003e \u003c\/div\u003e\n\u003cdiv data-reactid=\"452\"\u003e\n\u003ch5 class=\"product-features-title\" data-reactid=\"443\"\u003eUp to 40x zoom\u003c\/h5\u003e\n\u003cdiv data-reactid=\"444\"\u003ePowerful zoom up to 40x* (in Full HD) allows finely detailed frame-filling close-ups. Responsive autofocus ensures that images stay clear and sharp, even at high zoom settings.\u003c\/div\u003e\n\u003cdiv data-reactid=\"444\"\u003e \u003c\/div\u003e\n\u003cdiv data-reactid=\"444\"\u003e\n\u003ch5 class=\"product-features-title\" data-reactid=\"459\"\u003eSmooth pan-tilt-zoom\u003c\/h5\u003e\nPTZ Motion Sync function* allows smooth blending of separate pan, tilt and zoom movements for seamless, professional-looking transitions.\u003c\/div\u003e\n\u003cdiv data-reactid=\"444\"\u003e \u003c\/div\u003e\n\u003cdiv data-reactid=\"444\"\u003e\n\u003ch5 class=\"product-features-title\" data-reactid=\"455\"\u003eHigh speed movement and Picture Freeze Preset\u003c\/h5\u003e\n\u003cdiv data-reactid=\"456\"\u003eAccurately capture the presenter's movements with maximum 300°\/s pan and tilt movement during preset recall. Picture Freeze Preset maintains a steady image while the camera moves to a new preset position – with no uncomfortable transitions for your audience.\u003c\/div\u003e\n\u003cdiv data-reactid=\"456\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"inner-content product-overviews-title\" data-reactid=\"426\"\u003e \u003c\/p\u003e\n\u003cp class=\"inner-content product-overviews-title\" data-reactid=\"426\"\u003eInstallation and set-up is easy, with a new Picture Setting File allowing the same settings to be applied to multiple cameras through a web interface from a laptop or PC. Note this product contains pre-installed software and requires the purchase of licence keys to activate some functions. When using RM-IP500 firmware should be updated to V2.10 and for RM-IP10, firmware should be updated to V2.17.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":40174505656449,"sku":"SON-SRGX4004K","price":6249.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sony-cameras-default-title-sony-srg-x400-4k-ptz-camera-includes-4k-license-black-30576686399617.jpg?v=1747048238"},{"product_id":"canon-cr-n300-4k-ndi-ptz-camera-with-20x-zoom-satin-black","title":"Canon CR-N300 4K NDI PTZ Camera with 20x Zoom - Satin Black","description":"\u003cp\u003eThe Canon CR-N300 4K NDI PTZ Camera with 20x Zoom in Satin Black is suitable for professional productions that requires remotely controlled cameras with minimal crew and a high-resolution output. The Satin black CR-N300 4K NDI PTZ Camera with 20x Zoom from Canon will fit right into your house of worship, corporate conference room, government application, courtroom, broadcast streaming production, event space, or even add an extra camera to your documentary shoot. The CR-N300 sports many features of a Canon camcorder such as a 1\/2.3\" dual-pixel CMOS sensor, Hybrid AF, the Canon DIG !C DV6 image processor, scene modes, 20x optical zoom, 20x digital zoom, microphone input, and video recording up to UHD 4K. The camera also includes NDI|HX support without requiring a separate license, allowing you to drop the camera into your existing NDI network with minimal configuration.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/V5hMFPXFBYk\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eWhere the PTZ camera diverges from the camcorders is in its remote resources such as control via IP, RS-422 serial, IR, or Wi-Fi as well as HDMI, 3G-SDI, and USB Type-C video outputs, and compatibility with the Canon RC-IP100 IP PTZ remote controller. It can perform smooth, precision pan, tilt, and zoom movements with a speed range of 0.2 to 300° per second. Mic-level audio can be input via a 3.5mm mini-jack, and then embedded in the HDMI and 3G-SDI outputs, or in your NDI stream, RTP\/RTMP\/RTSP multi-stream, or USB output. The USB Type-C port allows the camera to be used as a webcam and also supports UVC control data, so you can control the camera using Canon's camera control software. The camera can also be powered using PoE+ (Power-over-Ethernet) using its LAN port, so it can fit right into your existing PoE+ network without requiring the use of local power to save cabling. The camera supports a wide dynamic rangea , brightness of 1.5 lux, and its lens features a 35mm equivalent focal length of 29.3 to 601mm.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e \u003c\/p\u003e\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cu\u003e1\/2.3\" CMOS Dual-Pixel Sensor\u003c\/u\u003e\u003c\/p\u003e\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe CR-N300 features a Canon 1\/2.3\" UHD 4K CMOS image sensor capable of UHD 4K video capture at 30p and up to 60p in Full HD, making the PTZ camera a strong contender for professional production.\u003c\/div\u003e\u003c\/div\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cu\u003eCanon DIG!C DV6 Processor\u003c\/u\u003e\u003c\/p\u003e\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe CR-N300 PTZ camera incorporates Canon's DI G!C DV 6 Image Processor, which is essential in providing high image quality, advanced performance, and convenient operability. This advanced core technology component provides the image-processing power and speed that enables features such as 4K UHD video acquisition and precise Hybrid AF.\u003c\/div\u003e\u003c\/div\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cu\u003eHybrid AF\u003c\/u\u003e\u003c\/p\u003e\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe CR-N300 is equipped with \"Hybrid AF\", an auto-focus system that combines high-precision contrast AF technology and the high-speed, phase-difference AF technology to confirautofocusus from the camera. This hybriautofocusus system helps achievautofocusus faster and more reliably compared to contrasautofocusus alone.\u003c\/div\u003e\u003c\/div\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cu\u003eCanon 4K UHD Lens\u003c\/u\u003e\u003c\/p\u003e\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe CR-N300 features a 20x optical zoom lens and exhibits a wide viewing angle of 65.6° (horizontal) in 4K. At the wide end, the 29.3mm (35mm equivalent) lens is capable of capturing extensive scenes in tight shooting spaces such as indoor events for cinematic wide shots. The camera utilizes aspheric lens elements to achieve 4K image quality while minimizing various aberrations over the entire zoom range.\u003c\/div\u003e\u003c\/div\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cu\u003eOver Sampling HD Processing\u003c\/u\u003e\u003c\/p\u003e\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe full HD recordingoversamplingng HD processing) takes full advantage of the image information acquired by the 4K sensor to generate beautiful, high-definition full HD video. This helps content creators produce stunningly detailed FHvideoseo when utilizing the CR-N300.\u003c\/div\u003e\u003c\/div\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cu\u003eSmooth \u0026amp; Responsive Pan and Tilt Performance\u003c\/u\u003e\u003c\/p\u003e\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe CR-N300 is equipped witahe PT drive mechanism that can change the pan\/tilt speed in incremental steps. This allows the operator to set the speeds to desired preference to allow for smooth PT movement. The CR-N300 exhibits a variable pan speed of 0.2 to 300°\/second ana d variable tilt speed of 0.2 to 170°\/second.\u003c\/div\u003e\u003c\/div\u003e\u003cdiv class=\"js-injected-html\"\u003e \u003c\/div\u003e\u003cp\u003e\u003cbr\u003e \u003c\/p\u003e\u003cdiv class=\"js-injected-html\"\u003e \u003c\/div\u003e\u003cdiv class=\"js-injected-html\"\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cu\u003eWebcam via USB Connection\u003c\/u\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe CR-N300 supports USB in addition to IP, SDI, and HDMI. It is equipped with the specifications of UVC (Video: USB Video Class Ver. 1.1) and UAC (Audio: USB Audio Class Ver. 1.0) which are the connection standard of USB cameras and computers. This allows video and audio output by connecting to a compatible USB device.\u003cbr\u003e\u003cbr\u003eIn addition, driver settings are not required for connection to a computer. It can also be used as a webcam by connecting to a computer with a web conferencing application installed. The CR-N300 delivers up to full HD 1920 x 1080 video for high-quality web conferencing.\u003c\/div\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cu\u003eEasy Integration into IP Streaming\u003c\/u\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\u003cdiv class=\"js-injected-html\"\u003eIn addition to SDI and HDMI connections, the CR-N300 is equipped with an RJ45 interface purposed for IP communication, which supports high-resolution videos for distribution. The CR-N300 supports multiple protocols that can be utilized for video, audio, and control. The genuine RC-IP100 controller utilizes the XC protocol to control the CR-N300. The CR-N300 can also be combined with third-party equipment for control purposes. This IP system can contribute to efficient anlabour-savingng camera operationinor the field of video production, broadcasting, and more.\u003c\/div\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cu\u003eIP Multi-Stream Support\u003c\/u\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe CR-N300 can simultaneously distribute video to multiple protocols via IP. Simultaneous distribution is also known as multi-stream, and the CR-N300 can distribute a total of three video streams simultaneously. Furthermore, if the HDMI\/SDI video output is 30 fps or less, the CR-N300 can distribute two video streams, 4K H.264 and 360p H.264, at the same time. Such IP multi-streams contribute to parallel workflows where the same video is used simultaneously in remote environments.\u003c\/div\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cu\u003eRTMP Streaming Protocol Supported\u003c\/u\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe CR-N300 is capable of streaming video and audio using RTMP (Real-Time Messaging Protocol). Even high-quality\/large-capacity video\/audio files, such as broadcast programs, are played at the same time as distribution without waiting for the completion othe f download. For example, by using a live streaming service, the viewer's direct access to the distribution URL set on the camera will stream the \"current video\" captured by the camera. With the RTMP streaming distribution, multiple viewers can watch the program at the same time, even in a remote environment.\u003c\/div\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cu\u003eNDI|HX Live Video Production Support Protocol\u003c\/u\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe CR-N300 supports the NDI (Network Device Interface) protocol that is well-established in the field of video production and broadcasting as the supporting RTP (Real-Time Transport Protocol). The NDI protocol has been developed and led by NewTek as a protocol that supports the workflow of live video production over an IP network. By constructing a system that uses NDI protocol-compatible devices and tools, it is possible to use video and audio resources on the network, including live video from cameras. As a result, a \"live video production\" workflow is created.\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"js-injected-html\"\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cu\u003e3.5mm Mini Jack\u003c\/u\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe CR-N300 offers a method to record high-quality audio through an internal stereo mini-jack mic terminal.\u003c\/div\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cu\u003eOne Person Operation\u003c\/u\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe CR-N300 can be controlled by IP, infrared, USB and Wi-Fi. Canon's hardware controller, the RC-IP100 is capable of controlling up to 100 cameras and 100 presets, allowing the operator to control multiple cameras in a larger production. The CR-N300 is a perfect fit for many applications in broadcast, education, house of worship, events, staging, and more.\u003c\/div\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cu\u003eAll New Design\u003c\/u\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe CR-N300 impresses with its distinctive style. A solid exteriocolouror and shape that looks like it was cut out from a cone, and the size that gives a sense of strength, yet stable and compact. This PTZ camera maintains design harmony with other Canon professional imaging products such as the established Canon 4K camera systems and lenses. The CR-N300 is available in two differentcolourss, Satin Black and Titanium White.\u003c\/div\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cu\u003eEquipped with Tally Lamps\u003c\/u\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe CR-N300 is equipped with tally lamps that indicate the status of the camera. The tally lamps are located on the front of the lens section and illuminate red when the camera is shooting, providing clear visual indications for staff and performers to know which camera is shooting live.\u003c\/div\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cu\u003eWireless Remote Controls Supported\u003c\/u\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\u003cdiv class=\"js-injected-html\"\u003eIn addition to the IP interface, the CR-N300 can also connect by Wi-Fi. This allows the operator to access the camera's Settings Page from a wireless tablet device that is equipped with a supported HTTP browser. When using multiple cameras at the same time, the user can set and operate the other cameras in the same way by inserting the assigned IP address of the camera in the web browser of the tablet or other device. In addition, the CR-N300 includes an infrared remote controller, which is used to control the camera wirelessly.\u003c\/div\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cu\u003eEasy-to-Use Settings Page and Discovery Tool\u003c\/u\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe CR-N300 supports the camera discovery tool, which is a Windows application. The Camera Search Tool is utilized to set the IP addresses of multiple cameras, which helps installers and integrators with the CR-N300 within an existing network infrastructure. Furthermore, the CR-N300 supports the web application \"Settings Page\". The Settings Page allows the user to configure the settings of camera operation, which is accessible by web browser. Video-quality adjustments, such as exposure and white balance, that are usually performed by the camera operator on site, can now be adjusted and set while watching the video from their desk through the Settings Page. Both Camera Search Tool and Settings Page enhance the ease of use by remote control.\u003c\/div\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cu\u003eRemote Camera Control Application\u003c\/u\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe Remote Camera Control Application can be utilized to control the CR-N300. The Remote Camera Control Application is a Windows application for centralized control of multiple cameras. It is possible to operate up to nine cameras and display videos at the same time, achieving a \"multi-camera operation\".\u003c\/div\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":40174505689217,"sku":"CAN-CR-N300BK","price":3600.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/canon-cameras-default-title-canon-cr-n300-4k-ndi-ptz-camera-with-20x-zoom-satin-black-30571772575873.jpg?v=1742892637"},{"product_id":"canon-cr-n500-professional-4k-ndi-ptz-camera-with-15x-zoom-satin-black","title":"Canon CR-N500 Professional 4K NDI PTZ Camera with 15x Zoom - Satin Black","description":"\u003cp\u003eThe Canon CR-N500 Professional 4K NDI PTZ Camera with 15x Zoom (Satin Black) suits environments where you're working on a field or studio production with high-end cameras that can benefit from remotely controlled cameras with minimal operating crew.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e The satin black Canon CR-N500 Professional 4K NDI PTZ Camera with 15x Zoom produces more accurate camera-matching than a traditional PTZ camera, and will fit right into your documentary shoot, event, streaming broadcast, reality show, or digital film production. The Canon CR-N500 is designed to fit right into an existing multi-camera shoot, matching the color depth and visual look with its professional sensor and features so that post production camera matching and color correction is made easy.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003ciframe frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5gJqhWkpW4A\" title=\"YouTube video player\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eThe CR-N500 sports many resources of a high-resolution Canon camera or camcorder with features such as a 1\" dual-pixel CMOS sensor, the Canon DIG!C DV6 image processor, scene modes, face-tracking, 15x zoom, 20x digital zoom, dual XLR \/ 3.5mm microphone input, and video recording up to UHD 4K. The camera also includes NDI|HX support without requiring a separate license, allowing you to drop the camera into your existing NDI network with minimal configuration. Other professional camera attributes of the N500 include genlock support, Canon Log 3 support, and built-in ND filters with clear, 1\/4, 1\/16, and 1\/64 options.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eWhere the PTZ camera diverges from the Canon camcorders is in its remote options such as control via IP, RS-422 serial, IR, or Wi-Fi as well as HDMI or 3G-SDI video output. It can perform smooth, precision pan, tilt, and zoom movements with a speed range of 0.2 to 300° per second. Mic-level audio can be input via dual XLR inputs or via a 3.5mm mini-jack, and then embedded in the HDMI and 3G-SDI outputs, in your NDI|HX stream, or in RTP\/RTMP\/RTSP streaming output.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cu\u003e1\" CMOS Sensor\u003c\/u\u003e\u003c\/p\u003e\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe CR-N500 features a Canon 1\" 4K CMOS image sensor capable of UHD 4K video capture at 30p and up to 60p in Full HD, making the CR-N500 PTZ camera great for the remote and unobtrusive capture of professional productions.\u003c\/div\u003e\u003c\/div\u003e\u003cdiv class=\"js-injected-html\"\u003e \u003c\/div\u003e\u003cdiv class=\"js-injected-html\"\u003e \u003c\/div\u003e\u003cdiv class=\"js-injected-html\"\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cu\u003eCanon DIG!C DV6 Processor\u003c\/u\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe CR-N500 PTZ camera incorporates Canon's DIG!C DV 6 Image Processor, which is essential in providing high image quality, advanced performance, and convenient operability. This advanced core technology component provides the image-processing power and speed that enables features such as 4K UHD video acquisition and precise Hybrid AF.\u003c\/div\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cu\u003eDual-Pixel CMOS AF\u003c\/u\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\u003cdiv class=\"js-injected-html\"\u003eDual-Pixel CMOS AF is Canon's breakthrough AF technology that uses a CMOS sensor with a structure that combines imaging and phase-difference AF functions. The Dual-Pixel CMOS AF determines the focusing position by the phase difference, which drives the focusing lens smoothly and enables quick focusing. The AF tracking capability is effective even during zooming, panning, or tilting. On the other hand, with conventional contrast AF method, used by other cameras, the focusing position is determined by the contrast (difference of brightness). Therefore, the focusing lens may move slightly back and forth around the focusing position, which could cause delay when focusing.\u003c\/div\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cu\u003eDual-Pixel Focus Guide\u003c\/u\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\u003cdiv class=\"js-injected-html\"\u003eUtilizing information from Dual-Pixel CMOS AF, Dual-Pixel Focus Guide helps achieve precise focus by displaying focus assist information on the screen. It employs a truly and innovative user interface that helps enable the user to see if they are focused in front of or behind the subject through visual observation, and allows quick and accurate manual focus to be achieved. This helps simplify the focusing process when shooting in 4K UHD, which requires strict focus accuracy.\u003c\/div\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cu\u003eFace Detection and Tracking\u003c\/u\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe CR-N500 has multiple focus modes that aid the operator when confirming focus. When set to on, the Face Detection and Tracking can track the face of a subject when they are within a frame. Furthermore, there are two Face Detection options (Face Priority and Face Only). Face Priority will track a face within the scene; when a face is no longer within the scene, the camera will continue to focus within the predefined focus area. In the same way, the Face Only function will track the detected face within the scene; if the face is no longer within the scene, the camera will maintain its focus position without tracking for new objects. If more than one face is detected within a scene, the operator can toggle between detected faces. Both modes are useful when following a subject, allowing the operator to focus on composition while the camera handles focus.\u003c\/div\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cu\u003eCanon UHD 4K Lens\u003c\/u\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe CR-N500 features a 15x optical zoom lens and exhibits a wide viewing angle of 73° (horizontal). At the wide end, the 25.5mm (35mm equivalent) lens is capable of capturing extensive scenes in tight shooting spaces such as indoor events for cinematic wide shots. The camera utilizes aspheric lens elements to achieve 4K image quality while minimizing various aberrations over the entire zoom range.\u003c\/div\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cu\u003eBuilt-In ND Filters\u003c\/u\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\u003cdiv class=\"js-injected-html\"\u003eEasily change the look of the image capture by utilizing a neutral-density filter. The CR-N500 is equipped with a built-in ND filter mechanism that allows the user to select from three densities: 1\/4, 1\/16, and 1\/64. With the built-in ND filter, users can achieve rich video expression by controlling aperture values.\u003c\/div\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cu\u003eOptical-Shift Stabilisation\u003c\/u\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe lens structure of the CR-N500 enables real-time responsiveness in a three-dimensional space, supporting optical image stabilization, which helps keep the image capture stable by minimizing vibration.\u003c\/div\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cu\u003eOversampling HD Processing\u003c\/u\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe full HD recording (oversampling HD processing) takes full advantage of the image information acquired by the 4K sensor to generate beautiful high-definition, full HD video. This helps content creators produce stunningly detailed FHD video when utilizing the CR-N500.\u003c\/div\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cu\u003eSmooth and Responsive Pan and Tilt Performance\u003c\/u\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe CR-N500 is equipped with the PT drive mechanism that can change the pan\/tilt speed in incremental steps. This allows the operator to set the speed to desired preference to allow for smooth PT movement. The CR-N500 exhibits a variable pan and tilt speed of 0.1 to 100°\/second.\u003c\/div\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cu\u003eCanon Log 3 Support\u003c\/u\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\u003cdiv class=\"js-injected-html\"\u003eCanon Log 3 is a gamma regarded for its latitude and flexibility with post-processing. It realizes a dynamic range (800% \/ 13-STOP equivalent) while retaining the characteristics of the dark area and the proximity of 18% grey.\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html\"\u003e \u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cdiv class=\"js-injected-html\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"js-injected-html\"\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cu\u003eI\u003c\/u\u003e\u003cspan style=\"text-decoration-line:underline;\"\u003eP Multi-Stream Support\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe CR-N500 can simultaneously distribute video to multiple protocols via IP. Simultaneous distribution is also known as multi-stream, and the CR-N500 can distribute a total of three video streams simultaneously. Furthermore, if the HDMI\/SDI video output is 30 fps or less, the CR-N500 can distribute two video streams, 4K H.264 and 360p H.264, at the same time. Such IP multi-streams contribute to parallel workflows where the same video is used simultaneously in remote environments.\u003c\/div\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cu\u003eRTMP Streaming Protocol Supported\u003c\/u\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe CR-N500 is capable of streaming video and audio using RTMP (Real-Time Messaging Protocol). Even high-quality\/large-capacity video\/audio files, such as broadcast programs, are played at the same time as distribution without waiting for the completion of download. For example, by using a live streaming service, the viewer's direct access to the distribution URL set on the camera will stream the \"current video\" captured by the camera. With the RTMP streaming distribution, multiple viewers can watch the program at the same time, even in a remote environment.\u003c\/div\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cu\u003eNDI|HX Live Video Production Support Protocol\u003c\/u\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe CR-N500 supports the NDI (Network Device Interface) protocol that is well-established in the field of video production and broadcasting as the supporting RTP (Real-Time Transport Protocol). The NDI protocol has been developed and led by NewTek as a protocol that supports the workflow of live video production over an IP network. By constructing a system that uses NDI protocol-compatible devices and tools, it is possible to use video and audio resources on the network, including live video from cameras. As a result, a \"live video production\" workflow is created.\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"js-injected-html\"\u003e \u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":40174505951361,"sku":"CAN-CR-N500BK","price":7269.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/canon-cameras-default-title-canon-cr-n500-professional-4k-ndi-ptz-camera-with-15x-zoom-satin-black-30571772969089.jpg?v=1747048245"},{"product_id":"sony-srg-x400-4k-ptz-camera-includes-4k-license-white","title":"Sony SRG-X400 4K PTZ Camera includes 4K License - White","description":"\u003cp class=\"inner-content product-overviews-title\" data-reactid=\"426\"\u003eThe Sony SRG-X400 4K remotely controlled white PTZ camera with 4K license is ideal for a wide range of applications - from classrooms and meeting spaces to houses of worship, lecture halls and medical environments. Capture every point of view with excellent 4K* picture quality and efficient IP production workflow. The camera's 1\/2.5-type Exmor R™ sensor captures up to 4K* resolution images with excellent sensitivity, very low noise and rich, natural colour reproduction. It's complemented by the integrated high-resolution lens that offers zoom capability up to 40x in Full HD (30x in 4K), with an expansive approx. 70° wide angle coverage to capture every point of view.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"inner-content product-overviews-title\" data-reactid=\"426\"\u003eThe \u003cstrong\u003eSony SRGL-4K 4K License\u003c\/strong\u003e activates 4K HDMI and IP streaming output in the Sony SRG-X400 and SRG-X120 PTZ cameras, allowing for a UHD 3840 x 2160, 29.97p resolution workflow. Your purchase provides you with a physical piece of paper with a product code and a manual with instructions on how to obtain an install key. The unique device ID of the camera will be required to register the install key and activate the 4K license. Note: The product code is for preinstalled software, and firmware version 2.0 is required for use of the upgrade license.\u003c\/p\u003e\n\u003cp class=\"inner-content product-overviews-title\" data-reactid=\"426\"\u003e \u003c\/p\u003e\n\u003cp class=\"inner-content product-overviews-title\" data-reactid=\"426\"\u003eHigh speed movement during preset recall captures the speaker's every movement, while Picture Freeze during transitions ensures your audience isn't disturbed by rapid camera movements. PTZ Motion Sync*** function allows smooth blending of separate pan, tilt and zoom movements for seamless, professional-looking transition.Efficient IP-based live production is augmented with support for NDI®|HX (via optional license), allowing flexible configuration with other networked NDI®-enabled devices. Images also can be reviewing remotely via a web browser, with support for RTSP (Real Time Streaming Protocol) ensuring smooth, stable streaming of video plus audio (from an optional microphone, available separately) over an IP network.\u003c\/p\u003e\n\u003cp class=\"inner-content product-overviews-title\" data-reactid=\"426\"\u003e \u003c\/p\u003e\n\u003cp class=\"inner-content product-overviews-title\" data-reactid=\"426\"\u003e \u003c\/p\u003e\n\u003ch5 class=\"product-features-title\" data-reactid=\"435\"\u003eExcellent images, even in low light\u003c\/h5\u003e\n\u003cdiv data-reactid=\"436\"\u003eThe sensitive 1\/2.5-type Exmor R™ sensor captures high-quality images with very low noise, even in dimly-lit environments.\u003c\/div\u003e\n\u003cp class=\"inner-content product-overviews-title\" data-reactid=\"426\"\u003e \u003c\/p\u003e\n\u003ch5 class=\"product-features-title\" data-reactid=\"447\"\u003eWide viewing angle\u003c\/h5\u003e\n\u003cdiv data-reactid=\"448\"\u003eCover the whole scene in meetings and lecture theatres with a horizontal viewing angle of approx. 70°\u003c\/div\u003e\n\u003cdiv data-reactid=\"448\"\u003e \u003c\/div\u003e\n\u003cdiv data-reactid=\"448\"\u003e\n\u003ch5 class=\"product-features-title\" data-reactid=\"451\"\u003eIdeal for lecture caputure\u003c\/h5\u003e\n\u003cdiv data-reactid=\"452\"\u003eUse the camera in conjunction with the AI-based REA-C1000 Edge Analytics Appliance to smoothly track the speaker's movements and automatically generate a cut-out image of speaker.\u003c\/div\u003e\n\u003cdiv data-reactid=\"452\"\u003e \u003c\/div\u003e\n\u003cdiv data-reactid=\"452\"\u003e\n\u003ch5 class=\"product-features-title\" data-reactid=\"443\"\u003eUp to 40x zoom\u003c\/h5\u003e\n\u003cdiv data-reactid=\"444\"\u003ePowerful zoom up to 40x* (in Full HD) allows finely detailed frame-filling close-ups. Responsive autofocus ensures that images stay clear and sharp, even at high zoom settings.\u003c\/div\u003e\n\u003cdiv data-reactid=\"444\"\u003e \u003c\/div\u003e\n\u003cdiv data-reactid=\"444\"\u003e\n\u003ch5 class=\"product-features-title\" data-reactid=\"459\"\u003eSmooth pan-tilt-zoom\u003c\/h5\u003e\nPTZ Motion Sync function* allows smooth blending of separate pan, tilt and zoom movements for seamless, professional-looking transitions.\u003c\/div\u003e\n\u003cdiv data-reactid=\"444\"\u003e \u003c\/div\u003e\n\u003cdiv data-reactid=\"444\"\u003e\n\u003ch5 class=\"product-features-title\" data-reactid=\"455\"\u003eHigh speed movement and Picture Freeze Preset\u003c\/h5\u003e\n\u003cdiv data-reactid=\"456\"\u003eAccurately capture the presenter's movements with maximum 300°\/s pan and tilt movement during preset recall. Picture Freeze Preset maintains a steady image while the camera moves to a new preset position – with no uncomfortable transitions for your audience.\u003c\/div\u003e\n\u003cdiv data-reactid=\"456\"\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"inner-content product-overviews-title\" data-reactid=\"426\"\u003e \u003c\/p\u003e\n\u003cp class=\"inner-content product-overviews-title\" data-reactid=\"426\"\u003eInstallation and set-up is easy, with a new Picture Setting File allowing the same settings to be applied to multiple cameras through a web interface from a laptop or PC. Note this product contains pre-installed software and requires the purchase of licence keys to activate some functions. When using RM-IP500 firmware should be updated to V2.10 and for RM-IP10, firmware should be updated to V2.17.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":40174505885825,"sku":"SON-SRGX400W4K","price":6249.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sony-cameras-default-title-sony-srg-x400-4k-ptz-camera-includes-4k-license-white-30571790794881.jpg?v=1747048249"},{"product_id":"sony-srg-x120-4k-ptz-camera-includes-4k-license-black","title":"Sony SRG-X120 4K PTZ Camera includes 4K License - Black","description":"\u003cp\u003eThe Sony SRG-X120 4K black PTZ Camera with 4K License Included and HDMI, IP \u0026amp; 3G-SDI Output captures every point of view in meetings and lectures with the white Out of the box, this camera captures video at resolutions up to 1920 x 1080 at 50 fps. However, an optional license enables you to upgrade the camera for UHD 4K 3840 x 2160 performance. The camera is equipped with an 8.3MP CMOS sensor and a 4.4-52.8mm lens that delivers fields of view of up to 70°. Clear Image Zoom Technology can extend the 12x optical to up to 40x, allowing for frame-filling close-ups in Full HD.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eSony SRGL-4K 4K License\u003c\/strong\u003e activates 4K HDMI and IP streaming output in the Sony SRG-X400 and SRG-X120 PTZ cameras, allowing for a UHD 3840 x 2160, 29.97p resolution workflow. Your purchase provides you with a physical piece of paper with a product code and a manual with instructions on how to obtain an install key. The unique device ID of the camera will be required to register the install key and activate the 4K license. Note: The product code is for preinstalled software, and firmware version 2.0 is required for use of the upgrade license.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe integrated pan\/tilt system allows for 340° panning and 110° tilting at up to 300° and 126° per second respectively. Focusing can be performed manually or set to automatic. The camera outputs video via its HDMI, IP, and 3G-SDI interfaces. PoE+ technology simplifies setup by enabling you to power the camera directly via its network connection. An IR remote commander, mounting hardware, and an HDMI clamp are included in the package.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFeatures:\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003e1\/2.5\" Exmor R sensor for low-noise images even in dimly lit environments down to 1.6 lux\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003e1920 x 1080 resolution at 60 fps\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003eUpgradable to UHD 4K (3840 x 2160) resolution via optional license\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003e12x optical zoom\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003eUp to 40x total zoom in Full HD with Clear Image Zoom\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003eResponsive autofocus ensures that images stay clear and sharp, even at high zoom settings\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003eHorizontal viewing angle of approximately 70° for covering the whole scene in meeting rooms, lecture theaters, etc.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003eCan be used with the AI-based REA-C1000 Edge Analytics Appliance to smoothly track the speaker's movements and automatically generate a cut-out image of the speaker\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003eUp to 300°\/sec pan and tilt speed during preset recall\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003ePicture Freeze Preset maintains a steady image while the camera moves to a new preset position, with no uncomfortable transitions for the audience\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003eNDI | HX compatibility via optional license\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003eRTSP (Real Time Streaming Protocol) support for remote viewing over the internet from a web browser\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003ePoE+ simplifies installation—a single IP cable can carry camera power, video image output, and control signals\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li2\"\u003e\u003cspan class=\"s3\"\u003eDay\/night, visibility enhancer, image stabilization, image flip, and flicker cancel functions\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":40174506246273,"sku":"SON-SRGX1204K","price":4839.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sony-cameras-default-title-sony-srg-x120-4k-ptz-camera-includes-4k-license-black-30576685973633.jpg?v=1742892651"},{"product_id":"sony-srg-x120-4k-ptz-camera-includes-4k-license-white","title":"Sony SRG-X120 4K PTZ Camera includes 4K License - White","description":"\u003cp\u003eThe Sony SRG-X120 4K white PTZ Camera with 4K License Included and HDMI, IP \u0026amp; 3G-SDI Output captures every point of view in meetings and lectures with the white Out of the box, this camera captures video at resolutions up to 1920 x 1080 at 50 fps. However, an optional license enables you to upgrade the camera for UHD 4K 3840 x 2160 performance. The camera is equipped with an 8.3MP CMOS sensor and a 4.4-52.8mm lens that delivers fields of view of up to 70°. Clear Image Zoom Technology can extend the 12x optical to up to 40x, allowing for frame-filling close-ups in Full HD.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eSony SRGL-4K 4K License\u003c\/strong\u003e activates 4K HDMI and IP streaming output in the Sony SRG-X400 and SRG-X120 PTZ cameras, allowing for a UHD 3840 x 2160, 29.97p resolution workflow. Your purchase provides you with a physical piece of paper with a product code and a manual with instructions on how to obtain an install key. The unique device ID of the camera will be required to register the install key and activate the 4K license. Note: The product code is for preinstalled software, and firmware version 2.0 is required for use of the upgrade license.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe integrated pan\/tilt system allows for 340° panning and 110° tilting at up to 300° and 126° per second respectively. Focusing can be performed manually or set to automatic. The camera outputs video via its HDMI, IP, and 3G-SDI interfaces. PoE+ technology simplifies setup by enabling you to power the camera directly via its network connection. An IR remote commander, mounting hardware, and an HDMI clamp are included in the package.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFeatures:\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003e1\/2.5\" Exmor R sensor for low-noise images even in dimly lit environments down to 1.6 lux\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003e1920 x 1080 resolution at 60 fps\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003eUpgradable to UHD 4K (3840 x 2160) resolution via optional license\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003e12x optical zoom\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003eUp to 40x total zoom in Full HD with Clear Image Zoom\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003eResponsive autofocus ensures that images stay clear and sharp, even at high zoom settings\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003eHorizontal viewing angle of approximately 70° for covering the whole scene in meeting rooms, lecture theaters, etc.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003eCan be used with the AI-based REA-C1000 Edge Analytics Appliance to smoothly track the speaker's movements and automatically generate a cut-out image of the speaker\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003eUp to 300°\/sec pan and tilt speed during preset recall\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003ePicture Freeze Preset maintains a steady image while the camera moves to a new preset position, with no uncomfortable transitions for the audience\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003eNDI | HX compatibility via optional license\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003eRTSP (Real Time Streaming Protocol) support for remote viewing over the internet from a web browser\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003ePoE+ simplifies installation—a single IP cable can carry camera power, video image output, and control signals\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li2\"\u003e\u003cspan class=\"s3\"\u003eDay\/night, visibility enhancer, image stabilization, image flip, and flicker cancel functions\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":40174506606721,"sku":"SON-SRGX120W4K","price":4839.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sony-cameras-default-title-sony-srg-x120-4k-ptz-camera-includes-4k-license-white-30576686694529.jpg?v=1742892659"},{"product_id":"sony-srgxp1-compact-uhd-4k-box-style-pov-camera-black","title":"Sony SRGXP1 Compact UHD 4K Box-Style POV Camera - Black","description":"\u003cp\u003eThe Sony \u003cstrong\u003eCompact UHD 4K Box-Style POV Camera with Wide-Angle Lens\u003c\/strong\u003e adds a high-definition 4K POV (Point-of-View) camera to your e-sport production, classroom, reality TV show, or remote corporate meeting space with this black  The compact box-style digital camera features an 8.4MP 1\/1.8\" CMOS sensor that can capture up to UHD 4K50 video for output over HDMI. Its 21mm wide-angle lens features a 102° angle of view, and 85° with distortion correction, so you can capture a wide area when the camera is very close to the subject. This wide angle and its compact size makes it an ideal solution for a POV camera for productions in small, enclosed spaces.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe camera allows you to record up to 8-bit 4:4:4 video up to UHD 4K60 via the HDMI 2.0 output, or you can output up to 1080p resolution via the USB 3.0 Type-B output. Its 3.5mm analog audio input jack allows you to embed audio with your video output over HDMI or USB. The camera can also stream video via the RJ45 LAN port using RTMP\/RTSP protocols as well as with a Secure Reliable Transport (SRT) option. There is also a tally light on the front of the camera, so you can tell when the camera is live and recording.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cstrong\u003eRobust, Stylish, and Compact\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eWeighing in at just 14 oz, the SRG-XP1 can be readily integrated into any environment. Upper and lower tripod mounts increase installation flexibility. Rear-panel guards ensure extra robustness, and the large, easy-to-read tally lamp is useful in multiple-camera setups.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cstrong\u003eMultiple Streaming Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eStreaming video is available over HDMI, Ethernet, and USB 3.0 interfaces offers even greater operational flexibility. Full UVC capability will be available with a future firmware update.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cstrong\u003eHigh-Quality 4K60 images\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eThe camera's large 1\/1.8\" Exmor R CMOS sensor captures smooth, crisply detailed 4K60 video with excellent low-light sensitivity.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cstrong\u003eAudio Input\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eConnect an external microphone or line-level source to capture clear pictures with sound in lecture theaters and meeting rooms or on reality TV shows.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cstrong\u003eWide Angle of View\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eThe wide angle lens covers a generous 102° (with distortion correction: 85°) angle of view (horizontal). As well as accommodating the presenter's entire face or body from close range without cropping, it can also cover the entire room, ensuring that everyone is visible in the frame.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cstrong\u003eEasy IP Connectivity, Single-Cable Installation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eCamera control, PoE, and streaming video output are carried over a single Ethernet cable, reducing installation costs and simplifying integration in space-restricted or hard-to-reach locations. Full IP integration includes support for Real-Time Streaming Protocol (RTSP), Real Time Messaging Protocol (RTMP), and Secure Reliable Transport (SRT). Support for NDI|HX is also available via an optional license.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cstrong\u003eBroadcast-Style Tally Light\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003eThe camera-mounted tally light gives visual confirmation to the lecturer or presenter when the camera is active. The horizontal bar-style light is easily visible to both performer\/presenter and director.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":40174507524225,"sku":"SON-SRGXP1","price":2349.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sony-cameras-default-title-sony-srgxp1-compact-uhd-4k-box-style-pov-camera-black-30571793481857.jpg?v=1742892679"},{"product_id":"sony-compact-4k60-box-style-remote-camera-with-25x-optical-zoom-black","title":"Sony Box-Style 4K60 Remote Camera with 25x Optical Zoom","description":"\u003cp\u003eThe Sony \u003cstrong\u003eCompact 4K60 Box-Style Remote Camera with 25x Optical Zoom\u003c\/strong\u003e adds a high-definition 4K PTZ camera to your e-sport production, classroom, reality TV show, or remote corporate meeting space. The compact box-style digital camera features an 8.5MP 1\/2.5\" CMOS sensor that can capture up to UHD 4K60 video for output over HDMI. Its lens features a 25x optical zoom with a 4.8 to 120mm (28 to 694 35mm equivalent) focal length, so you can capture a wide area when the camera is very close to the subject or zoom in close when you are farther away. If you pair it with the separately available SRG-XP1, you can add a POV-style camera to your switched production.\u003cbr\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cdiv\u003e\u003cdiv\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cstrong\u003eRobust, Stylish, and Compact\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\u003cdiv class=\"js-injected-html\"\u003eWeighing in at just 30 oz, the SRG-XB25 can be readily integrated into any environment. Upper and lower tripod mounts increase installation flexibility. Rear-panel guards ensure extra robustness, and the large, easy-to-read tally lamp is useful in multiple-camera setups.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cstrong\u003eMultiple Streaming Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\u003cdiv class=\"js-injected-html\"\u003eStreaming video is available over HDMI, Ethernet, and USB 3.0 interfaces offers even greater operational flexibility. Full UVC capability will be available with a future firmware update.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cstrong\u003eHigh Quality 4K60 images\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe camera's large 1\/2.5\" Exmor R CMOS sensor captures smooth, crisply detailed 4K60 video with excellent low-light sensitivity.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cstrong\u003eAudio Input and Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\u003cdiv class=\"js-injected-html\"\u003eConnect an external microphone or line-level source to capture clear pictures with sound in lecture theaters and meeting rooms or on reality TV shows using a 3.5mm analog stereo input jack. There is also a 3.5mm stereo output jack for output to an external mixer or speaker.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e \u003c\/p\u003e\n\u003cp class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003e\u003cstrong\u003ePowerful 25x Optical Zoom\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe integrated autofocus lens with 25x optical zoom plus additional digital zoom assures ultra-clear, powerful close-ups of presenters or audience members.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":40174507917441,"sku":"SON-SRGXB25","price":3629.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sony-cameras-default-title-sony-box-style-4k60-remote-camera-with-25x-optical-zoom-30571791810689.jpg?v=1742892688"},{"product_id":"sony-brc-h800-hd-ptz-camera-with-1-inch-sensor-black","title":"Sony BRC-H800 HD PTZ Camera with 1 Inch Sensor - Black","description":"\u003cp\u003eThe Sony \u003cstrong\u003eBRC-H800 HD Camera\u003c\/strong\u003e features smoothly capture full HD video even in lower-light settings. This compact, black PTZ camera features a 1\" type Exmor CMOS image sensor, 1.7-lux sensitivity, a 12x Zeiss optical zoom, and PoE+ transmission. It captures HD video using a back-illuminated, 1\" type CMOS sensor and a 9.3-111.6mm, f\/2.8-f\/4.5 optical zoom lens. The large image sensor enables you to create attractive bokeh effects with shallow depth of field. Swiftly follow fast-moving action or use the low-speed zoom and slow pan\/tilt modes to precisely track subjects. The PTZ Trace Memory function enables you to capture and repeat a series of movements and the PTZ Motion Sync feature blends separate pan, tilt, and zooms into smooth transitions.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe BRC-H800 PTZ Camera features HDMI, 3G-SDI, Ethernet, and RS-422 control interfaces. Remote control functions include pan, tilt, zoom, focus, iris, shutter speed, and gain. The BRC-H800 is suitable for use in broadcast studios, remote on-air setups, houses of worship, and live sports applications. The front and rear tally lights are useful for on-air broadcasting and have adjustable brightness levels. Camera function upgrades may be applied by the user via its IP connection. The TAA-compliant BRC-H800 PTZ camera is ceiling- and desktop-mountable and comes with two brackets, screws, an HDMI cable clamp, and an IR remote commander.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":40174508310657,"sku":"SON-BRCH800","price":8418.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sony-cameras-default-title-sony-brc-h800-hd-ptz-camera-with-1-inch-sensor-black-30576674275457.jpg?v=1742892697"},{"product_id":"panasonic-lumix-gh5-m2-mirrorless-camera-body","title":"Panasonic Lumix GH5 M2 Mirrorless Camera Body","description":"\u003cp\u003eThe Panasonic Lumix GH5 M2 Mirrorless Camera Body provides a professional quality imaging for content creatorss who demand versatile video, live streaming capability and stills capabilities in a single compact camera. Featuring a 20.3MP Live MOS Sensor with AR Coating, the camera records DCI and UHD 4K with the full sensor area and can output 10-bit 4:2:0 internally up to 60p, or 4:2:2 at 30p. The GH5 II offers unlimited video recording for less downtime when filming, and the camera ships with pre-installed V-Log L for multi-camera recording, making it is easy to match the color tone with the footage recorded by other VariCam-series cameras. The included DMW-BLK22 battery provides approximately 410 shots per charge when using the rear monitor or electronic viewfinder, and the high-capacity battery can be quickly charged with the bundled USB 3.1 Type-C cable. You can also supply continuous power to the camera while shooting photos and video via the included USB cable.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/kUwpJy0NSH0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe Panasonic LUMIX GH5M2 is a new Micro Four Thirds mirrorless camera that boasts outstanding video performance evolved from the renowned GH5. The LUMIX GH5M2 achieves C4K*1\/4K 60p 4:2:0 10-bit unlimited\u003csup\u003e*2\u003c\/sup\u003e video recording and can simultaneously output 4K 4:2:2 10-bit over HDMI. The LUMIX GH5M2 is capable of wireless live streaming in FHD\/60p via the simple-to-use LUMIX Sync smartphone app, or by connecting directly to a Wi-Fi router. In addition, it will receive a future firmware update to add RTP\/RTSP wired IP streaming\u003csup\u003e*3\u003c\/sup\u003e.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eGH5MII Key Features:\u003c\/p\u003e\r\n\u003cul type=\"disc\"\u003e\r\n\u003cli class=\"m_2128746718018316860MsoListParagraph\"\u003eUpdated Engine\u003cu\u003e\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/u\u003e\n\u003c\/li\u003e\r\n\u003cli class=\"m_2128746718018316860MsoListParagraph\"\u003eOversampled C4K60 10bit internal recording and simultaneous output via HDMI\u003cu\u003e\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/u\u003e\n\u003c\/li\u003e\r\n\u003cli class=\"m_2128746718018316860MsoListParagraph\"\u003eDual IS 6.5 Stop (1 Stop increase in correction)\u003cu\u003e\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/u\u003e\n\u003c\/li\u003e\r\n\u003cli class=\"m_2128746718018316860MsoListParagraph\"\u003eLumix Sync App live streaming direct to Facebook and YouTube (no Panasonic account required)\u003cu\u003e\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/u\u003e\n\u003c\/li\u003e\r\n\u003cli class=\"m_2128746718018316860MsoListParagraph\"\u003eLinear Manual Focus control on selected lenses (firmware updates required)\u003cu\u003e\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/u\u003e\n\u003c\/li\u003e\r\n\u003cli class=\"m_2128746718018316860MsoListParagraph\"\u003eVLOG-L Pre Installed\u003cu\u003e\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/u\u003e\n\u003c\/li\u003e\r\n\u003cli class=\"m_2128746718018316860MsoListParagraph\"\u003e6K Anamorphic 4:3 \/ 4K 50 Anamorphic\u003cu\u003e\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/u\u003e\n\u003c\/li\u003e\r\n\u003cli class=\"m_2128746718018316860MsoListParagraph\"\u003eUnlimited recording in all video modes\u003cu\u003e\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/u\u003e\n\u003c\/li\u003e\r\n\u003cli class=\"m_2128746718018316860MsoListParagraph\"\u003eRedesigned menu system (from LUMIX S Series)\u003cu\u003e\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/u\u003e\n\u003c\/li\u003e\r\n\u003cli class=\"m_2128746718018316860MsoListParagraph\"\u003eBrighter Vari-Angle LCD\u003cu\u003e\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/u\u003e\n\u003c\/li\u003e\r\n\u003cli class=\"m_2128746718018316860MsoListParagraph\"\u003eUSB Charging \u0026amp; Supply via Power Delivery\u003cu\u003e\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/u\u003e\n\u003c\/li\u003e\r\n\u003cli class=\"m_2128746718018316860MsoListParagraph\"\u003eComes standard with higher capacity BLK22 battery (and backwards compatible with BLF19)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003e20.3MP Digital Live MOS Sensor with AR Coating and Venus Engine\u003c\/b\u003e\u003cbr\u003eFeaturing a 20.3MP Digital Live MOS sensor with a newly developed AR Coating, the GH5 II boasts an evolved Venus Engine Imaging Processor. These updates suppress ghosting and flare in backlit scenes, offer a 25% increase in dynamic range, and improve color gradation and reproduction. Multipixel Luminance Generation technology maximizes sharpness and faithfully reproduces brightly illuminated scenes. It offers excellent three-dimensional color control and precise noise reduction techniques for shooting at sensitivities up to ISO 25600. It also enables shooting speeds up to 12 fps with AF-S or manual focus modes.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003e4K Video Recording\u003c\/b\u003e\u003cbr\u003eThe GH5 II features outstanding video performance for professional videography and is capable of unlimited video recording in various settings. It can record DCI and UHD 4K 60p 4:2:0 10-bit and simultaneously output 4:2:2 10-bit over HDMI during 4K 60p 4:2:0 10-bit internal recording. An HDMI port is present on the camera for high-quality output for use with external monitors and recorders. The camera also offers high bit-rate recording for highly detailed images free of compression artifacts.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eWireless and Wired Livestreaming\u003c\/b\u003e\u003cbr\u003eDesigned for ENG, travel, event, lecture, and live commerce applications, the easy-to-use Lumix Sync app provides high-quality livestreaming with minimum equipment. Whether indoors or outdoors, only the camera and a smartphone are required. Livestreaming via a router is available as well with Lumix Network Setting Software. Additionally, wired USB-LAN IP livestreaming will be supported by a future firmware update.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003e225-Area Depth-from-Defocus Autofocus System\u003c\/b\u003e\u003cbr\u003eBoasting a high-speed, high-precision autofocus system, the GH5 II incorporates advanced deep learning technology to detect specific subjects including humans and fast-moving animals. Improved tracking performance quickly recognizes the face and eyes of moving subjects and the human body from a background of moving subjects. The camera keeps tracking the person even if he or she moves quickly, turns their back to the camera, tilts their head, or moves far away. This contrast-detection type focus method benefits both still and video recording modes, as well as subject-tracking applications where color, size, and motion vectors are used to intelligently lock-onto the moving subjects and ensure precise focus. Depth-from-Defocus technology offers lightning-fast calculation of spatial information making it possible to instantly and accurately capture your shots.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eDual I.S. 2\u003c\/b\u003e\u003cbr\u003eHelping to achieve the utmost sharpness when photographing handheld, an enhanced Dual I.S. 2 system combines the camera's sensor-shift image stabilization technology with lens-based image stabilization to compensate for a broad range of movement types and renders sharper, clearer imagery. Dual I.S. 2 requires the use of compatible Lumix lenses featuring O.I.S., and this updated stabilization system enables the GH5 Mark II to compensate for 6.5 stops of camera shake.\u003c\/p\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":40174508834945,"sku":"PAN-DC-GH5M2GN","price":1842.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/panasonic-cameras-default-title-panasonic-lumix-gh5-m2-mirrorless-camera-body-30571785519233.jpg?v=1742892711"},{"product_id":"chasing-gladius-mini-s-underwater-drone-with-200m-tether","title":"Chasing Gladius Mini S Underwater Drone with 200m Tether","description":"\u003cp\u003eThe Chasing Gladius Mini S Underwater Drone with 200m Tether is easy to use and suits content creators, travel photographers, marine professionals, and anyone who is fascinated by the world beneath the waves Featuring a 4K UHD \/ 12MP camera with electronic image stabilization, the MINI S captures video and photos. It then transmits them to a topside controller to allow sharing them for live viewing from up to three devices at once. You can also store them or share them to social media. Upgrades from the earlier GLADIUS MINI model include a tether that connects directly to the controller (no more dropped Wi-Fi), a more powerful battery that doubles runtime to four hours, anti-stuck motor technology that helps prevent the drone from getting bogged down in sand, a 64GB SD card, and image stabilization for the 1\/2.3\" CMOS sensor, f\/1.8 camera. If you want to customize the drone with your own action cam, an optional mount is available, as is the CHASING Grabber Arm, which lets you retrieve objects or samples from underwater. As its name suggests, the MINI S is more compact than earlier models, measuring a backpack-friendly 15.7 x 8.9 x 5.7\" and weighing just 2.7kgs.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/S-_5xO1ADIE\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ShfuV-vPRlQ\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eFeatures\u003c\/b\u003e\u003cbr\u003eDepth Rating: 100M\u003cbr\u003e4K UHD\/12MP EIS f\/1.8 Camera\u003cbr\u003eElectronic Image Stabilization\u003cbr\u003eTether Connects to Remote Control\u003cbr\u003e4 Hours Runtime\u003cbr\u003eAnti-Stuck Motor\u003cbr\u003eTop Speed 4 Knots\u003cbr\u003e2 Dimmable 1200-Lumen LEDs\u003cbr\u003eShare Video to 3 Devices\u003cbr\u003eRemovable SD Card\u003cbr\u003eNature Brings Inspiration\u003cbr\u003eStreamlined biologically inspired design with gill-shaped drainage, low-resistance, and unmatched stability\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eIntelligent Propulsion and Precision Hovering\u003c\/b\u003e\u003cbr\u003eDive down, rise-up, hover, tilt, and turn with precision. Three vertical propellers combined with intelligent control algorithms ensure the stability of the drone in all directions while two thrusters propel GLADIUS MINI at speeds up to 4Knots (2m\/s).\u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eAdjustable Tilt-Lock Means Perfect Camera Angles\u003c\/b\u003e\u003cbr\u003eWith game-control maneuverability and ±45° adjustable Tilt-Lock mode, GLADIUS MINI moves fluidly in all directions for epic access to underwater scenes at speeds up to 4 knots!\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e","brand":"CHASING","offers":[{"title":"Default Title","offer_id":40174513324161,"sku":"CHA-CTMINIS200","price":2399.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/chasing-cameras-default-title-chasing-gladius-mini-s-underwater-drone-with-200m-tether-30571777425537.png?v=1744597252"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/collections\/Collection_Images-30-cameras.png?v=1779164438","url":"https:\/\/www.videocraft.com.au\/collections\/cameras.oembed?page=19","provider":"Videocraft","version":"1.0","type":"link"}