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Two 1\/4\"-20 female taps offer alternate mounting points.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003eHigh Output\u003c\/p\u003e\r\n\u003cdiv class=\"description_2ub4q6HodBZr8d45BEOdIW\"\u003e\r\n\u003cdiv\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eHigh performance LEDs with custom paired optics\u003c\/li\u003e\r\n\u003cli\u003eHigher intensity equals longer throw with wider effective beam spread\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003c\/p\u003e\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003c\/p\u003e\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003eSuperior Color Reproduction\u003c\/p\u003e\r\n\u003cdiv class=\"description_2ub4q6HodBZr8d45BEOdIW\"\u003e\r\n\u003cdiv\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eHigh color rendition (CRI)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003c\/p\u003e\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003c\/p\u003e\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003eEfficient Thermal Management\u003c\/p\u003e\r\n\u003cdiv class=\"description_2ub4q6HodBZr8d45BEOdIW\"\u003e\r\n\u003cdiv\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eUltra-quiet active cooling mode\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003c\/p\u003e\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003c\/p\u003e\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003eSmooth Dimming from 0-100%\u003c\/p\u003e\r\n\u003cdiv class=\"description_2ub4q6HodBZr8d45BEOdIW\"\u003e\r\n\u003cdiv\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eNo noticeable color shift throughout the entire range\u003c\/li\u003e\r\n\u003cli\u003eFlicker-free at any frame rate or shutter angle\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv\u003e\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003c\/p\u003e\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003e\u003c\/p\u003e\r\n\u003cp class=\"h2_34R1Z4rcOIa8NE_99A_jkV\"\u003eFlexible, Modular Concept\u003c\/p\u003e\r\n\u003cdiv class=\"description_2ub4q6HodBZr8d45BEOdIW\"\u003e\r\n\u003cdiv\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eOptional communications module allows the brightness, color temperature, and cooling mode to be controlled via DMX512 protocol (additional module options under development)\u003c\/li\u003e\r\n\u003cli\u003eOptional yoke mounted Gold Mount or V-Mount battery plates\u003c\/li\u003e\r\n\u003cli\u003eExternal power supply\u003c\/li\u003e\r\n\u003cli\u003eField-replaceable fan module\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"Litepanels","offers":[{"title":"Default Title","offer_id":40174471610497,"sku":"LIT-935-1023","price":1590.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/litepanels-lighting-default-title-litepanels-astra-6x-bi-color-led-panel-30571698946177.jpg?v=1747046753"},{"product_id":"genelec-8030c-5-inch-100w-active-studio-monitor-single","title":"Genelec 8030C 5 Inch 100W Active Studio Monitor (Single)","description":"\u003cp\u003eThe Genelec 8030C is a single 2-way active studio monitor designed to provide accurate mix referencing for audio engineers, musicians, and producers in project studios, small control rooms, or mobile setups. 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There is a selectable power-saving mode that enables automatic power up\/down via a signal-sensing circuit. The 8030C offers multiple mounting options including threaded holes for compatibility with mic stands, OmniMount brackets. The 8030 C comes with an Iso-Pod isolation stand.\u003c\/p\u003e","brand":"Genelec","offers":[{"title":"Default Title","offer_id":40174474657921,"sku":"GEN-8030CP","price":1345.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/genelec-professional-audio-default-title-genelec-8030c-5-inch-100w-active-studio-monitor-single-30576535765121.jpg?v=1742891691"},{"product_id":"ikan-pt3500-15-inch-teleprompter","title":"Ikan PT3500 15 Inch Teleprompter","description":"\u003cdiv\u003e\r\n\u003cdiv class=\"productDescription_BGP5ZCbKOY\" data-selenium=\"overviewLongDescription\"\u003e\r\n\u003cdiv class=\"js-injected-html text_BGP5ZCbKOY\"\u003e\r\n\u003cp\u003eThe ikan 15\" Rod Mounted Teleprompter is lightweight, and quick to set up and designed to be used in the field as well as in the studio. Right out of the box, you can use the teleprompter with almost any camcorder that has a flat base. To use with a DSLR camera, or any other camera with a shorter footprint, the included special DSLR shelf can be fastened to the end of the camera base-plate in order to move your camera's lens closer to the prompter glass for optimal performance.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe PT3500 Teleprompter's hardware is based on 15mm rods. This allows the monitor, the prompter glass, and the camera baseplate to be set up quickly, without requiring tools. Each component can easily be moved individually to adjust for different setups. To accommodate cameras with different heights, ikan includes 5\" and 8\" rods for mounting the baseplate.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eFor editing and displaying prompter text, PrompterPro 4 software is included. 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Now, you can focus on the other critical elements vying for your attention during a shoot, and confidently record crisp, clear audio on your camcorder, DSLR, or mirrorless camera.This set comes with a camera-mount receiver, a bodypack transmitter, and a professional MKE 2 omnidirectional miniature lavalier mic, ideal for projects ranging from broadcast TV and documentaries to wedding videos, corporate videos, and hands-free interviews.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp class=\"h2_3mKLQXta2yzqy1x1OMWtpo\"\u003e\u003cb\u003eIt Goes Where You Go\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"\"\u003e\r\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eThe lightweight AVX system is easy to carry with you when every ounce counts. The roadworthy bodypack transmitter features a rugged metal chassis with a form factor even smaller than the EW G4. A locking connector ensures that your lav doesn’t detach at a critical moment, while a convenient switch allows you to mute your mic, and the display shows battery life and signal strength.\u003c\/li\u003e\r\n\u003cli\u003eThe black MKE 2 lavalier mic's miniature form factor makes it easy to conceal, while its unique Umbrella Diaphragm delivers moisture-resistant performance.\u003c\/li\u003e\r\n\u003cli\u003eThe discreet receiver plugs directly into the XLR input of your camcorder and rotates 320° to get out of the way of lights or other accessories you may have mounted on your camera. An AF button on the receiver allows you to adjust the output level to your camera, if necessary. In addition, the receiver comes with a shoe mount and 3.5mm output cable, making it a great fit for DSLR and mirrorless shooters.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp class=\"h2_3mKLQXta2yzqy1x1OMWtpo\"\u003e\u003cb\u003eSetup Made Simple\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"\"\u003e\r\n\u003cul\u003e\r\n\u003cli class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003eAutomatically Finds a Clean Channel - The digital AVX automatically finds the cleanest frequency in the 1.9 GHz band as soon as you power up the receiver.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"\"\u003e\r\n\u003cul\u003e\r\n\u003cli class=\"h3_3X-wmjs9n9xKY08ZgLVLkb\"\u003eFast Pairing - A long press of the Pair button on both receiver and transmitter links the two devices. Once the indicator LED turns green, you’re good to go.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003ci\u003e(Note that the AVX is a peer-to-peer system, meaning the transmitter can only be paired with one receiver).\u003c\/i\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cdiv class=\"\"\u003e\r\n\u003cp class=\"h2_3mKLQXta2yzqy1x1OMWtpo\"\u003e\u003cb\u003eClear and Natural Speech\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"\"\u003e\r\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003ePopular with industry professionals, the MKE 2 omnidirectional lavalier microphone delivers a natural, broadcast-quality sound optimized for speech intelligibility. Its omnidirectional polar pattern ensures that the sound remains consistent, even when the speaker’s head moves away from the mic.\u003c\/li\u003e\r\n\u003cli\u003eThe AVX's automatic mic-level control takes full advantage of the system's wide dynamic range to deliver consistent speech without clipping and distortion, even when your talent goes from a whisper to a scream.\u003c\/li\u003e\r\n\u003cli\u003eThe system delivers 24-bit\/48 kHz audio with an extended 20 Hz to 20 kHz frequency response, for pristine, nuanced recordings.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cbr\u003e\r\n\r\n\u003cdiv class=\"\"\u003e\r\n\u003ch2 class=\"h2_3mKLQXta2yzqy1x1OMWtpo\"\u003e \u003c\/h2\u003e\r\n\u003cp class=\"h2_3mKLQXta2yzqy1x1OMWtpo\"\u003e\u003cb\u003eProtected Wireless Transmission\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"\"\u003e\r\n\u003cdiv class=\"description_2DgPuikwv5WtH_I_CNSiB2\"\u003e\r\n\u003cdiv class=\"js-injected-html\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eThe AVX operates in the license-free 1.9 GHz band—away from TV and Wi-Fi interference—to create a wireless peer-to-peer connection, for clean audio without drop outs at a range up to 98’.\u003c\/li\u003e\r\n\u003cli\u003eThe system automatically finds the cleanest frequency, free from RF interference.\u003c\/li\u003e\r\n\u003cli\u003eIf interference is detected, the AVX automatically increases the power on the transmitter—up to 250 mW—to overcome the problem.\u003c\/li\u003e\r\n\u003cli\u003eIf the increase in power isn’t sufficient, the system substitutes a clear frequency well before the audio signal itself is affected, for clean, worry-free sound.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cbr\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"Sennheiser","offers":[{"title":"Default Title","offer_id":40174481309825,"sku":"SEN-AVX-MKE2SET-3-EU","price":1349.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sennheiser-professional-audio-default-title-sennheiser-avx-on-camera-lavalier-wireless-set-with-mke2-lavalier-30571728306305.jpg?v=1747047100"},{"product_id":"sennheiser-avx-on-camera-lavalier-wireless-set-with-me2-lavalier","title":"Sennheiser AVX On Camera Lavalier Wireless Set with ME2 Lavalier","description":"\u003cp\u003e\u003cspan style=\"color: #ff6600;\"\u003e\u003cstrong\u003eThe Sennheiser AVX Camera-Mountable Lavalier Pro Digital Wireless Set \u003c\/strong\u003e\u003c\/span\u003eis designed for \u003cstrong\u003eplug and record operation\u003c\/strong\u003e with fully self-configuring digital operation, It is well suited for film and video production, as well as \u003cstrong\u003eelectronic news gathering (ENG) and A\/V rental houses\u003c\/strong\u003e. The system consists of the \u003cstrong\u003eEKP receiver, SK bodypack transmitter, and an ME2 lavalier microphone.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe AVX system provides a variety of automatic functionality aimed at flexibility and speed, including \u003cstrong\u003eauto-dynamic range setting\u003c\/strong\u003es, which automatically adjusts the audio level to a recording device's input sensitivity, reducing distortion and \u003cstrong\u003eeliminating the need to adjust your mic's level. \u003c\/strong\u003eThe system also offers link protection, a feature that \u003cstrong\u003equickly scans available frequencies\u003c\/strong\u003e and will automatically switch before any interference becomes audible.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe EKP receiver has a c\u003cstrong\u003eompact design that plugs directly into the XLR input\u003c\/strong\u003e on your camera or recording device and includes the necessary adapters for use with DSLR cameras. Additionally, t\u003cstrong\u003ehe EKP can swivel, allowing it to be used with other attachments mounted to a camera. I\u003c\/strong\u003et powers on and off automatically when it senses 48V from your recording destination, for fast recording and saving battery life when not in use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Sennheiser","offers":[{"title":"Default Title","offer_id":40174481637505,"sku":"SEN-AVX-ME2SET-3-AU","price":1075.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sennheiser-professional-audio-default-title-sennheiser-avx-on-camera-lavalier-wireless-set-with-me2-lavalier-30571728568449.jpg?v=1747047110"},{"product_id":"ikan-pt1200-12-inch-portable-teleprompter-kit","title":"ikan PT1200 12 Inch Portable Teleprompter Kit","description":"\u003cdiv\u003e\r\n\u003cdiv class=\"productDescription_BGP5ZCbKOY\" data-selenium=\"overviewLongDescription\"\u003e\r\n\u003cdiv class=\"js-injected-html text_BGP5ZCbKOY\"\u003e\r\n\u003cp\u003eThe Ikan PT1200 12 Inch Portable Teleprompter Kit combines a portable design with a large viewing size, and it's built very durable with aluminum and steel components, including an aluminium monitor frame. The monitor is 12\" diagonally and the scientific-grade prompter glass matches in size, providing a 6 metre reading range. The whole system consists of only three main components, namely the monitor, set of two 15mm rods, and quick-release baseplate and assembles in about a minute. The glass frame folds right onto the monitor, allowing for easy transport, and in the same manner is adjustable up and down into the best viewing position for the presenter. A zippered hood with a fabric lens cover is included that secures firmly to the monitor frame. The quick release baseplate is height-adjustable to accommodate various cameras from small to mid-size.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003eThe monitor features control buttons right on the front and provides easy access to its inputs (HDMI, VGA, Composite BNC). The monitor powers from the included AC power supply, and you can use an optional battery and cable to power the monitor in the field. Prompting software (Mac\/Win) is included, and everything comes shipped in compartmentalized, reusable foam that's designed to fit into the optional SKB iSeries 1914-8 waterproof carry case.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"feature_BGP5ZCbKOY\"\u003e\r\n\u003cdiv class=\"feature_BGP5ZCbKOY\"\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"feature_BGP5ZCbKOY\"\u003e\r\n\u003cdiv class=\"featureHeader_BGP5ZCbKOY\"\u003e\r\n\u003cp class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle2_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\"\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"js-injected-html text_BGP5ZCbKOY\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eCompact, portable design with a large viewing size\u003c\/li\u003e\r\n\u003cli\u003eAssembles in about a minute; packs away flat\u003c\/li\u003e\r\n\u003cli\u003eDurable aluminum\/steel build, aluminum monitor frame\u003c\/li\u003e\r\n\u003cli\u003e12\" monitor and matching scientific-grade, foldable glass\u003c\/li\u003e\r\n\u003cli\u003e6m reading range\u003c\/li\u003e\r\n\u003cli\u003eHeight-adjustable quick-release baseplate supporting small- to mid-size cameras\u003c\/li\u003e\r\n\u003cli\u003eZippered hood with fabric lens cover\u003c\/li\u003e\r\n\u003cli\u003eControl buttons on the front of the monitor\u003c\/li\u003e\r\n\u003cli\u003eHDMI, VGA, and Composite BNC inputs\u003c\/li\u003e\r\n\u003cli\u003eMac\/Win prompting software included\u003c\/li\u003e\r\n\u003cli\u003eIncludes compartmentalized foam designed for optional SKB iSeries 1914-8 waterproof carry case\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"Ikan","offers":[{"title":"Default Title","offer_id":40174481834113,"sku":"IKA-PT1200","price":2107.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/ikan-computer-accessories-default-title-ikan-pt1200-12-inch-portable-teleprompter-kit-30576570040449.jpg?v=1747047120"},{"product_id":"blackmagic-design-video-assist-12g-hdr-monitor-recorder-7-inch","title":"Blackmagic Design Video Assist 12G HDR Monitor | Recorder - 7 Inch","description":"\u003cp\u003eThe Blackmagic Design Video Assist 7” 12G HDR is a professional monitoring and recording solution for SDI or HDMI cameras, offering a 1920 x 1200 touchscreen with 2500 nits brightness, 12G-SDI and HDMI inputs, dual UHS-II SD card slots, and USB-C for external recording. It supports HDR workflows, Blackmagic RAW (on supported cameras), and records in 10-bit ProRes and DNx formats for seamless post-production compatibility.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAdvanced Monitoring and Recording\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIdeal for digital cinema and broadcast work, the 7” display provides accurate HDR image evaluation with support for 3D LUTs, waveform, vector, and histogram scopes. On-screen overlays include audio meters, timecode, and recording status, helping operators capture precise and compliant footage.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFlexible Inputs and Formats\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eSupports both HDMI and 12G-SDI video sources, allowing integration with DSLRs, mirrorless, and professional broadcast cameras. Record in DCI 4K, UHD 4K, 2K, and HD resolutions with 10-bit 4:2:2 colour. Supported formats include Apple ProRes (HQ, 422, LT, Proxy), DNxHD\/DNxHR, and Blackmagic RAW for select cameras.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDual SD Card Slots and USB-C Recording\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eTwo high-speed UHS-II SD card slots enable uninterrupted recording by automatically switching to the second card when the first is full. The USB-C port supports recording directly to external flash drives or SSDs, useful for longer or higher bitrate shoots.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eProfessional Audio Features\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIncludes two balanced mini-XLR inputs with 48 V phantom power, supporting high-quality 24-bit 48 kHz recording. Embedded audio over SDI and HDMI can also be monitored via the 3.5 mm headphone jack or on-screen meters.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTouchscreen Interface and Metadata\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eNavigate settings, scopes, and overlays via a responsive capacitive touchscreen. The digital slate allows direct metadata entry, with features like auto-incrementing take and reel numbers. Ideal for fast-paced shoots and streamlined post workflows.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eLive Streaming via USB Webcam Output\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eWith firmware v3.3, the device acts as a 1080p USB webcam, outputting live video to compatible streaming software like OBS, Skype, and Zoom, without additional converters.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePower and Build\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003ePowered via dual NPF batteries or the included 12 V DC adapter with locking connector. The compact form factor and rear tally light make it practical for rig-mounted or portable use in production environments.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eUse Cases\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eSuitable for field recording, broadcast mastering, camera viewfinding, HDR monitoring, ISO recording, or clip playback. It upgrades the recording and monitoring capabilities of any SDI or HDMI camera setup with professional-grade tools.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":40174481932417,"sku":"BLA-HYPERD-AVIDA12-7HDR","price":1210.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/blackmagic-design-video-recording-default-title-blackmagic-design-video-assist-12g-hdr-monitor-recorder-7-inch-30576517546113.jpg?v=1744596569"},{"product_id":"sony-uwp-d26-camera-mount-wireless-combo-microphone-system-638-694-mhz","title":"Sony UWP-D26 Camera-Mount Wireless Combo Microphone System (638-694 Mhz)","description":"\u003cp\u003eThe Sony UWP-D26 Camera-Mount Wireless Combo Microphone System (638-694 Mhz) is a dependable camera-mount wireless lavalier microphone system that delivers uncompromising audio quality while still being easy to use and fast to set up with no menu diving. It is made with simplicity in mind for DIY cameramen, videographers, vloggers, and journalists working in the field without a crew. The system is packed with professional features including NFC Sync and Auto-Gain functions, which handle time-consuming frequency setup and mic-level adjustments for you, so you're ready to shoot within seconds.\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003eRugged and lightweight, the UWP-D26 includes a bodypack transmitter with an ECM-V1BMP omnidirectional lavalier mic. Also included is a plug-on transmitter, which can be attached to a handheld microphone of your choice for man-on-the-street interviews, or to a shotgun mic for wireless booming (both types of mics are available separately). The plug-on provides 48V phantom power, giving you the option to use a condenser microphone.\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe low-profile camera-mount receiver is designed for enhanced mobility with compact camcorders and smaller DSLR\/mirrorless cameras. It offers digital signal processing for pristine audio and analog UHF transmission with true-diversity reception for reliability-even under difficult shooting conditions.\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003eFeatures:\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"bolded\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"bolded\"\u003eDigital Audio Processing for High Quality Sound\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003eAdvanced digital audio processing technology by Sony assures high quality sound with improved transient response performance. A new [optional] digital audio interface enables direct digital sound recording with many Sony professional camcorders and Alpha interchangeable lens cameras via the SMAD-P5 Multi Interface MI shoe adaptor, bypassing A\/D and D\/A conversion stages to further ensure excellent sound quality.\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"bolded\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"bolded\"\u003eSeamless Camcorder Integration\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003eIntegration with compatible* Sony camcorders (requires SMAD-P5 Multi Interface shoe adaptor) displays audio information such as RF level meter, audio mute status and transmitter low battery alert in the camera’s viewfinder. Via the SMAD-P5, audio signals are transmitted from receiver to camera without requiring a cable connection. The wireless receiver can also receive power from the camera, with synchronised power on\/off between camera and receiver for more effective power management.\u003c\/p\u003e\r\n\u003cp\u003e* See details on SMAD-P5 for compatibility information\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"bolded\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"bolded\"\u003eFast, Easy Frequency Setting \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003eSony’s uniquely user-friendly NFC SYNC feature allows quick, intuitive secure channel setting between transmitter and receiver.\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"bolded\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"bolded\"\u003eLight, Compact Design\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003cp\u003eReduced system size and weight enable superior mobility in a wide range of applications including news, documentaries, weddings and remote production. The receiver’s compact size and light weight make it an ideal partner for use small camcorders and interchangeable lens digital cameras.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":40174482751617,"sku":"SON-UWPD26CE42","price":1289.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sony-professional-audio-default-title-sony-uwp-d26-camera-mount-wireless-combo-microphone-system-638-694-mhz-30571730272385.jpg?v=1747047167"},{"product_id":"nanlite-mixpanel-150-rgbww-150w-led-panel","title":"Nanlite Mixpanel 150 RGBWW 150W LED Panel","description":"\u003cp\u003eThe Nanlite Mixpanel 150 RGBWW 150W LED Panel is capable of switching between a \"traditional\" multi-LED panel for hard light, a diffused SMD LED panel for soft light, and a tuneable RGB panel for colourful, creative effects at the push of a button. Now, whether the project calls for hard lighting with more throw, diffused lighting for flattering portraits and up-close work, or coloured light to set moods and express emotions, creators can do it all in one unit with no additional accessories.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5e5YaUfQGng\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003ch3\u003eUltra-Bright Output\u003c\/h3\u003e\r\n\u003cp\u003eWhen using the hard light fixture in normal mode, the MixPanel 150 emits 11,320 Lux@1m 5600K. When shifted into boost mode, the output climbs even higher to 14,950 Lux at 1m on the 150. Plus, with dimming from 100% down to 1%, the MixPanel quickly adapts to any scene without adding ND filters or diffusion.\u003c\/p\u003e\r\n\u003ch3\u003e\u003c\/h3\u003e\r\n\u003ch3\u003eColour Perfection\u003c\/h3\u003e\r\n\u003cp\u003eThe brightness of a light is important, but without colour accuracy, a ton of time and money will be lost in post-production. Both MixPanels feature a CRI of 98, a TLCI of 95 plus Green\/Magenta adjustment in CCT mode, allowing creators to shoot with confidence knowing the colour reproduction will be precise.\u003c\/p\u003e\r\n\u003ch3\u003e\u003c\/h3\u003e\r\n\u003ch3\u003eIntuitive User Interface\u003c\/h3\u003e\r\n\u003cp\u003eIf there is one thing an RGBWW LED panel cannot be, it's cumbersome to use on set. The MixPanel's operating system has been developed from the ground up to be efficient and intuitive to use. The ability to save settings as presets makes your lighting consistent and repeatable.\u003c\/p\u003e\r\n\u003ch3\u003e\u003c\/h3\u003e\r\n\u003ch3\u003eGel Emulation and Practical Effects\u003c\/h3\u003e\r\n\u003cp\u003eThe MixPanel's gel emulation mode provides a selection of 43 gel presets in two light sources (3200K \u0026amp; 5600K) encompassing 5x CTOx 5x CTB, and 33x Calcolor. 9 pre-programmed and adjustable special effects make it possible to imitate lighting scenarios that can otherwise be tricky to recreate such as hue loop, CCT loop, flash, pulse, storm, siren, TV, paparazzi, and candle\/fire.\u003c\/p\u003e\r\n\u003ch3\u003e\u003c\/h3\u003e\r\n\u003ch3\u003ePower Anywhere\u003c\/h3\u003e\r\n\u003cp\u003eOptimized for use in the studio or on location, MixPanels can run off either the included AC adapter, 14.8V V-mounts with the Mixpanel 14.8V to 26V V-Mount adaptor (available separately) or the new high powered 26V V-Mount battery (available separately), so you can operate in any location regardless of power availability.\u003c\/p\u003e\r\n\r\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/43_N1hyxVmg\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e","brand":"Nanlite","offers":[{"title":"Default Title","offer_id":40174490648705,"sku":"NAN-NNMIXPANEL150","price":1649.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/nanlite-lighting-default-title-nanlite-mixpanel-150-rgbww-150w-led-panel-30571742199937.jpg?v=1747047490"},{"product_id":"sony-fx6-full-frame-cinema-camera-body","title":"Sony FX6 Full Frame Cinema Camera Body","description":"\u003cp\u003eThe Sony FX6 Cinema Camera puts revolutionary compactness and performance in the hands of creators, with its full-frame image sensor and breathtaking sensitivity. Leading-edge movie functions deliver game-changing performance and a library of cinematic looks, alongside pro interfaces and an electronic Variable ND Filter. \u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eProduct Features Video\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003ciframe frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/cxM9SL1_9jI\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\u003cp dir=\"ltr\"\u003eFull-frame Exmor R CMOS sensor, 10.2 effective megapixels\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan id=\"docs-internal-guid-68059680-7fff-79f3-d02b-f864d31f57c2\"\u003eBIONZ XR engine performs real-time image processing \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eISO expanded range up to 409600, a wide 15+ stops.\u003c\/li\u003e\n\u003cli\u003eS-Cinetone colour science.\u003c\/li\u003e\n\u003cli\u003eFull-frame 4K (QFHD) recording at up to 120fps\u003c\/li\u003e\n\u003cli\u003e4K internal recording, 10-bit depth and 4:2:2 \u003c\/li\u003e\n\u003cli\u003e16-bit RAW data output via SDI.\u003c\/li\u003e\n\u003cli\u003eHDMI output for program monitoring.\u003c\/li\u003e\n\u003cli\u003eTimecode (TC IN \/ TC OUT) connectors allow multi-camera sync\u003c\/li\u003e\n\u003cli\u003eFast Hybrid AF combines focal-plane phase-detection AF with contrast-detection AF. \u003c\/li\u003e\n\u003cli\u003eReal-time Eye AF and Face Detection AF are built-in.\u003c\/li\u003e\n\u003cli\u003eVariable ND Filter from 1\/4 to 1\/128ND\u003c\/li\u003e\n\u003cli\u003e3.5-size LCD panel (1280 x 720 pixels), \u003c\/li\u003e\n\u003cli\u003eSmart Grip and Handle include customisable buttons\u003c\/li\u003e\n\u003cli\u003eCompatible with CFexpress Type A cards as well as SDXC\/SDHC cards supporting UHS-I and UHS-II speed classes\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eImage sensor with blazing fast readout speed\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe back-illuminated full-frame Exmor R\u003c\/span\u003e\u003csup\u003e\u003cspan\u003e\u003cspan\u003eTM\u003c\/span\u003e\u003c\/span\u003e\u003c\/sup\u003e\u003cspan\u003e CMOS sensor, with 10.2 effective megapixels\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e1\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e, boasts a blazingly fast data readout speed along with high sensitivity and wide dynamic range. An advanced colour filter array boosts colour reproduction accuracy, while focal-plane phase-detection AF enables solid autofocus stability and excellent precision, all of which contribute to outstanding image quality.\u003c\/span\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eHigh-performance image-processing engine\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe BIONZ XR\u003c\/span\u003e\u003csup\u003e\u003cspan\u003e\u003cspan\u003eTM\u003c\/span\u003e\u003c\/span\u003e\u003c\/sup\u003e\u003cspan\u003e image-processing engine boasts class-leading speed performance, minimising latency while providing impressive real-time processing capabilities. The engine performs real-time processing of AF, image recognition and image quality adjustments, while also handling data transfer, user interface and other camera operations.\u003c\/span\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eHigh sensitivity, wide dynamic range\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe full-frame 10.2-megapixel\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e2\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e configuration enables high sensitivity with low noise throughout the camera's sensitivity range by optimising the output signal from the sensor. Capture usable images in near total darkness with an impressive ISO expanded range up to 409600\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e3\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e. The dynamic range is an impressively wide 15+ stops\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e4\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e, for beautiful, true-to-life images without blown highlights. Together, the camera's high sensitivity and wide dynamic range expand your creative freedom during shoots. \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eAcclaimed cinematic colour with S-Cinetone™\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe inclusion of Sony’s acclaimed S-Cinetone look, inherited from the development of the FX9, allows beautiful images to be achieved directly in-camera. S-Cinetone is optimised for natural skin tones and mid-range colours, with gentle highlight roll-off, for impressive subject depiction and powerful camera-matching and post-production possibilities. \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003e4K5 High Frame Rate 120fps recording\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFull-frame 4K (QFHD) recording at up to 120fps\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e4\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e with autofocus is possible thanks to the high-speed readout capabilities of the image sensor and the powerful BIONZ XR processor. Even at high frame rates, ultra-detailed 4K (QFHD) images are captured using full-pixel readout without binning, for clear post-produced slow motion (up to 5x slower than real time)\u003c\/span\u003e\u003cspan\u003e. The high-precision AF even allows beautiful full-frame bokeh to be achieved during slow motion shooting, for impressive creative scope.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003ePreset and User 3D LUT compatibility with Scene File\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Scene File function provides powerful colour interpretation right in the camera, with a range of presets and custom User 3D LUT imports to fit your production or style requirements. Four preset scene file types are included for SDR shooting (S-Cinetone, Standard, Still, ITU709) and two for HDR (HLG Live, HLG Natural). A further 16 slots support User 3D LUT import to achieve custom looks or for specific monitoring or colour-space transforms.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003e10-bit HLG picture profile\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAn HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 colour space, can be used for direct HDR (HLG) playback on compatible TVs. The result is true-to-life imagery close to what the naked eye can see, with detailed shadows and highlights, less blackout and less whiteout, all without the need for colour grading. In particular, 10-bit recordings reproduce a level of fine gradation and detail for extraordinary realism. [1] High flexibility to fine-tune images as desired (colour grading required) [2] Instant high-quality image (colour grading not required) \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eS-Log3 for better reproduction of gradations\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eS-Log3 gamma curves are available, with S-Log3 designed for better reproduction of gradations from shadows to the mid-grey range (18% grey), enabling a dynamic range of up to 15+ stops\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e4\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e. Two colour gamut settings (S-Gamut3, and S-Gamut3.Cine) make it easier to match the colours of footage shot with Sony's Cinema Line Cameras. Because the colours match, colour grading is easier in post-production editing, making it more convenient when used along with other pro cameras.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eRecording movies with 10-bit depth and 4:2:2 colour sampling\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe FX6 is capable of 4K internal recording, encoding 10-bit depth and 4:2:2 colour sampling with either Long-GOP or All Intra compression. This makes it possible to push your colour grades further, stretching video out for ultimate HDR realism while still retaining natural gradation, for true editing freedom.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eAll-Intra internal recording\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn addition to Long-GOP inter-frame compression, internal intra-frame (All-Intra) recording is supported\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e8\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e. XAVC 4K Intra recording compresses each frame independently at a high bitrate, up to 600Mbps, so is ideal for capturing complex motion, and allowing maximum flexibility and playback performance during post-production. [1] All-Intra (All-I)   [2] Long-GOP   [3] Group of Pictures\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003e16-bit RAW data output\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFacilitating improved image quality and more flexible and efficient editing in post-production, the camera supports 16-bit RAW data output to an external recorder via SDI. RAW video output is 4096x2160 or 3840x2160 data from the image sensor with a choice of 59.94 \/ 50 \/ 29.97 \/ 25 \/ 24 \/ 23.98 frame rates\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e9\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eProxy recording for more efficient editing workflow\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhen shooting movies, low bit-rate HD proxy files can be recorded simultaneously with higher bit-rate formats such as XAVC 4K, and these smaller proxy files can then be used for editing and previewing prior to final production delivery. This reduces computer load and allows faster and more efficient workflows. Proxy files are captured in 8-bit XAVC-L (1980x1080 9Mbps MP4 wrapper)\u003c\/span\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eA choice of battery types for different applications\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe FX6 is compatible with BP-U series battery packs. The BP-U35, BP-U70, BP-U100, or BP-U60T can be selected according to shooting needs. The BP-U35, for example, is an ideal choice to make most of the camera’s mobility when it is to be used handheld. The BP-U100, on the other hand, can provide extended recording time when the FX6 is to be mounted on a tripod or other support. The battery CHECK button allows charge level to be checked even when the battery is not connected to the camera.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eFast Hybrid AF for dependable focus during movie shooting\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFast Hybrid AF combines focal plane phase-detection AF with contrast-detection AF. This results in highly precise, smooth tracking of fast-moving subjects even over a wide range with a shallow depth of field. AF Transition Speed and AF Subject Shift Sensitivity parameters allow more flexible focus control, as demanded by professional users. Both allow preset settings to be recalled during recording by using a customisable button. \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eReal-time Eye AF and Face Detection AF\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFor reliable focusing on people, especially in unpredictable shooting environments such as news gathering, event and documentary shooting, powerful Real-time Eye AF and Face Detection AF are built in. The real-time processing capability of the BIONZ XR image processing engine automatically maintains accurate eye focus on faces even in profile, looking up or down, or partially obscured - allowing you to concentrate fully on shot composition.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eLens-ring AF subject selection\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhen the AF Assist function is ON, rotating the focus ring instantly switches from autofocus to manual focus so that a different subject can be quickly selected. The face selection algorithm has also been improved so that the focus ring can be used to quickly and intuitively select specific individuals from within a group when shooting with Real-time Eye AF or Face Detection. Autofocus operation resumes as soon as the user stops rotating the lens focus ring, and the last subject selected by the focus ring is automatically tracked. \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eSony’s powerful electronic Variable ND Filter built-in\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe revolutionary electronic Variable ND Filter controls the opacity of the neutral filter seamlessly from 1\/4 to 1\/128ND to achieve unmatched creative control and fluidity. Unique to Sony, it can manually or automatically adjust exposure without affecting the depth of field or shutter angle, letting you achieve perfect exposure even moving between different environments such as from indoors to out.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eReliable durability and weather resistance in tough situations\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn response to pro opinions, enhanced sealing is applied to the media compartment lid, terminal cover and all joints in the chassis. Routes to dust and moisture entry have been re-examined to ensure reliable operation in challenging environments.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eMagnesium alloy body achieves high durability with light weight\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTo perform reliably in challenging environments the main chassis, as well as top, front, and rear covers and the handle are constructed from lightweight magnesium alloy. The magnesium alloy main frame achieves high strength and durability with minimum weight in order to maximise mobility. The rigidity of the mount area is also boosted by the provision of six screws for stable attachment of heavy lenses. \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eInnovative heat dissipation to prevent thermal shut down\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTo ensure dependable full-frame recording in demanding environments and at high resolutions and frame rates, the FX6 features an innovative heat dissipation structure. A complete redesign of the chassis structure assessed the placement of internal heatsinks and the entire airflow structure, from louvers to circuit board layout. When required, a silent\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e12\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e fan provides ventilation for continuous recording\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e13\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e at full resolution, with intake and exhaust air structurally isolated to maintain strong dust and moisture resistance.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eHigh-definition 2.76 million-dot1 flexible LCD touch panel\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe 3.5-size LCD panel (1280 x 720 pixels) is mounted on an extended pedestal, and adjustable to a wide range of angles for easy video monitoring regardless of camera rigging and shooting angle. Mounting points are provided at three places on the handle and two on the body. With touch panel support, it also provides intuitive control for many camera settings, even where camera body controls are less accessible.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eDual XLR inputs and enhanced audio capability\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe handle of the FX6 carries two independent audio inputs (easy-access XLR connectors) to connect external professional microphones. Additionally, a UWP series wireless microphone may be connected via the MI Shoe. \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eSmart grip\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe FX6’s ergonomic Smart Grip is designed for powerful and comfortable camera control even during prolonged or dynamic shooting situations. Three customisable buttons, plus essential zoom and start\/stop control and a custom dial suitable for Iris or Variable ND Filter control, are all positioned in easy grip reach. The freely-adjustable telescoping handle and grip angle are set with a single button, for effortless position changes without slowing production.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eSmart handle\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAttachable to the top face of the camera, the smart handle allows stable camerawork and operation when the smart grip is difficult to hold, for example in low-angle shooting. It’s also equipped with XLR terminals, a mic holder and a digital Multi Interface (MI) Shoe, allowing use with a variety of existing pro accessories. Two assignable buttons, a multi-selector button and a handle assignable dial have also been added for improved operability. Quarter-inch screw holes for accessory attachment are provided at seven locations on the handle for increased freedom. Thoughtful touches for adaptable workflows are also considered, such as including storage for the handle protection cap in the handle itself – ready to seal the body connectors if the handle is removed for rigging.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eProfessional connectivity\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe FX6 features a range of professional interfaces including independent\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e14\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e 12G-SDI (supports 3G\/6G-SDI) suitable for external 16-bit RAW recording as well as HDMI output for program monitoring. Timecode (TC IN \/ TC OUT) connectors allow multi-camera sync, and SuperSpeed USB-C 5Gbps (USB 3.2) allows shooting data to be uploaded to a PC at high speed.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eMetadata to facilitate editing with Catalyst\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSony’s Catalyst Browse and Prepare software are ideal production partners for the FX6. The FX6 records three types of metadata: image stabilisation, clip flag, and camera rotation. These can be useful when previewing and preparing to edit in Sony’s free Catalyst Browse or cost-effective Catalyst Prepare software\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e17\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e. [1] Shoot  [2] Edit\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eData communications to support on-site workflow\u003c\/strong\u003e\u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cspan\u003eNetwork communications features support FTP transfer for movie files as well as remote shooting capability, to facilitate professional workflows during shoots. Wireless 5GHz\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e16\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e \/ 2.4GHz LAN connections are supported, and wired connectivity to 1000BASE-T Ethernet networks is available via a USB-to-Ethernet adaptor cable connected to the camera's USB Type-C® port supporting SuperSpeed USB 5Gbps (USB 3.2).\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eTwo CFexpress Type A-compatible media slots\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan id=\"docs-internal-guid-71ed28f0-7fff-4e59-a796-fd76789bb430\"\u003e\u003cspan\u003eThe camera's two media slots are compatible with CFexpress Type A cards as well as SDXC\/SDHC cards supporting UHS-I and UHS-II speed classes\u003c\/span\u003e\u003cspan\u003e\u003cspan\u003e15\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e. CFexpress Type A cards are the next standard for compact storage with fast write\/read speeds suitable for 4K movie recording at high bit rates. They are capable of quickly clearing camera buffers even when high volumes of movie data are being generated.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eS-Cinetone Sample Footage Video\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003ciframe frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/s2yu32xcxm8\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSony Australia - Shot on FX6 - Dreamers - BTS\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003ciframe frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/fMs8LYQUq6Y\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSony Film Festival 2021 Promo - shot on FX6\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003ciframe frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/SGL2iwj1skA\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eNote: Operation of this equipment in a residential environment could cause radio interference.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":40174492778625,"sku":"SON-ILMEFX6V","price":7790.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sony-cameras-default-title-sony-fx6-full-frame-cinema-camera-body-30571747704961.png?v=1742892276"},{"product_id":"sachtler-aktiv10-flowtech-100-ms-tripod-system","title":"Sachtler aktiv10 flowtech 100 MS Tripod System","description":"\u003cdiv\u003e\r\n\u003cdiv class=\"\" data-selenium=\"overviewLongDescription\"\u003e\r\n\u003cdiv class=\"js-injected-html text_BGP5ZCbKOY\"\u003e\r\n\u003cp\u003eThe Sachtler aktiv10 flowtech 100 MS Tripod System pairs the activ10 fluid head with the lightweight, carbon fiber flowtech 100 MS tripod with mid-level spreader. This kit offers lightning fast SpeedSwap technology, a sideload camera plate, 15 levels (+0) of counterbalance, 7 levels (+0) of pan and tilt drag, and stable support for camera rigs weighing up to 12kgs. A padded carrying bag rounds out this tripod kit.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"feature_BGP5ZCbKOY\"\u003e\r\n\u003cdiv class=\"featureHeader_BGP5ZCbKOY\"\u003e\r\n\u003cp class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle2_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\"\u003e\u003cstrong\u003eSachtler aktiv10 Sideload Fluid Head with SpeedLevel \u0026amp; 7-Step Drag for Select Sachtler Tripods ((100mm Ball)\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"productDescription_BGP5ZCbKOY\" data-selenium=\"overviewLongDescription\"\u003e\r\n\u003cdiv class=\"js-injected-html text_BGP5ZCbKOY\"\u003e\r\n\u003cp\u003eThe aktiv10 Sideload Fluid Head uses Sachtler's truly innovative SpeedLevel technology to provide almost instant mounting and leveling of your camera rig on select Sachtler tripods. The clamp and stud SpeedLevel system saves precious time leveling your camera rig by eliminating the need to screw on a tie-down knob. Designed for documentary, news, and corporate production, the aktiv10 supports camera rigs weighing up to 12kgs. This 100mm ball fluid head also features 15 steps of counterbalance, seven steps of pan and tilt drag, and zero settings for both balance and drag.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe proprietary Sachtler SpeedLevel technology replaces the traditional head screw and tie-down design with a strong clamp built into the head bowl and a stud component that clamps onto your tripod bowl or other mounting platform, such as a slider. Simply grasp the large lever on the head and pull it up to release the clamp, then press it down to lock your head in place. Partially lifting the lever allows you to quickly and easily level the head.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"feature_BGP5ZCbKOY\"\u003e\r\n\u003cdiv class=\"feature_BGP5ZCbKOY\"\u003e\r\n\u003cdiv class=\"featureHeader_BGP5ZCbKOY\"\u003e\r\n\u003ch3 class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle3_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\"\u003e \u003c\/h3\u003e\r\n\u003cp class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle3_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\"\u003e\u003cstrong\u003eaktiv Fluid Head Compatibility\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"js-injected-html text_BGP5ZCbKOY\"\u003eThe aktiv10 is compatible with Sachtler 100mm tripods (flowtech 100, ENG 2 CF, ENG 2D, ENG 2 CF HD, SpeedLock, and SpeedLock CF HD)\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"feature_BGP5ZCbKOY\"\u003e\r\n\u003cdiv class=\"featureHeader_BGP5ZCbKOY\"\u003e\r\n\u003ch3 class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle3_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\"\u003e \u003c\/h3\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"\"\u003e\r\n\u003cdiv class=\"featureHeader_BGP5ZCbKOY\"\u003e\r\n\u003ch4 class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle4_v_wGSQBcdt weightBold_v_wGSQBcdt primary_aEALyqkgyT\"\u003eSpeedLevel Technology\u003c\/h4\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"js-injected-html text_BGP5ZCbKOY\"\u003eUse the large integrated lever to quickly mount, level, and lock the head on your tripod or other base; lift up to release, lift partially to level, and press down to lock the head firmly in place\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"feature_BGP5ZCbKOY\"\u003e\r\n\u003cdiv class=\"featureHeader_BGP5ZCbKOY\"\u003e\r\n\u003ch4 class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle4_v_wGSQBcdt weightBold_v_wGSQBcdt primary_aEALyqkgyT\"\u003eSpeedSwap Base\u003c\/h4\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"js-injected-html text_BGP5ZCbKOY\"\u003eCentered around a metal stud, the SpeedSwap base clamps onto any 100mm bowl tripod or the separately available slider base; additional bases can be purchased separately to fit a second tripod, dolly, or slider\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"feature_BGP5ZCbKOY\"\u003e\r\n\u003cdiv class=\"featureHeader_BGP5ZCbKOY\"\u003e\r\n\u003ch4 class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle4_v_wGSQBcdt weightBold_v_wGSQBcdt primary_aEALyqkgyT\"\u003ePrismBubble Level\u003c\/h4\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"js-injected-html text_BGP5ZCbKOY\"\u003eThe illuminated PrismBubble is visible from any height or angle, saving you time when leveling at higher or lower positions\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"feature_BGP5ZCbKOY\"\u003e\r\n\u003cdiv class=\"featureHeader_BGP5ZCbKOY\"\u003e\r\n\u003ch4 class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle4_v_wGSQBcdt weightBold_v_wGSQBcdt primary_aEALyqkgyT\"\u003e14kg Capacity Fluid Head\u003c\/h4\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"js-injected-html text_BGP5ZCbKOY\"\u003eThis 26.5 lb capacity fluid head is suited for pro-style digital cine cameras and larger DSLR and mirrorless camera rigs\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"feature_BGP5ZCbKOY\"\u003e\r\n\u003cdiv class=\"featureHeader_BGP5ZCbKOY\"\u003e\r\n\u003ch4 class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle4_v_wGSQBcdt weightBold_v_wGSQBcdt primary_aEALyqkgyT\"\u003eStepped Counterbalance and Drag\u003c\/h4\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"js-injected-html text_BGP5ZCbKOY\"\u003eFifteen steps of counterbalance and seven steps of pan and drag plus zero settings, for free spins and tilts\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"feature_BGP5ZCbKOY\"\u003e\r\n\u003cdiv class=\"featureHeader_BGP5ZCbKOY\"\u003e\r\n\u003ch4 class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle4_v_wGSQBcdt weightBold_v_wGSQBcdt primary_aEALyqkgyT\"\u003eSideload Plate S\u003c\/h4\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"js-injected-html text_BGP5ZCbKOY\"\u003eThe Sideload Plate S has 4.7\" of travel for balancing your rig and both a 1\/4\"-20 camera screw and a locating pin\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"feature_BGP5ZCbKOY\"\u003e\r\n\u003cdiv class=\"featureHeader_BGP5ZCbKOY\"\u003e\r\n\u003ch2 class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle2_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\"\u003e \u003c\/h2\u003e\r\n\u003cp class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle2_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\"\u003e\u003cstrong\u003eSachtler flowtech 100 MS Carbon Fiber Tripod with Mid-Level Spreader \u0026amp; Rubber Feet\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"productDescription_BGP5ZCbKOY\" data-selenium=\"overviewLongDescription\"\u003e\r\n\u003cdiv class=\"js-injected-html text_BGP5ZCbKOY\"\u003e\r\n\u003cp\u003eThe lightweight Sachtler flowtech 100 MS Carbon Fiber Tripod with Mid-Level Spreader offers notable stability and quick setup and adjustments for payloads up to 66 lb. The novel flowtech design features quick release locks at the top of the legs, eliminating the need to stoop while adjusting the tripod height. All three legs can be deployed simultaneously to quickly find their individual levels on uneven ground.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe flowtech 100's versatile leg hinges adjust freely or can be locked at 20, 46, and 72° angles, providing a height range from 10\" to 5' and reducing the need to carry a set of baby legs. Additional ergonomic features include a flatter leg design that's more comfortable when carrying on your shoulder, and magnetic locks that neatly snap the legs together for travel. Three handy 3\/8\"-16 threaded mounts can be used to attach a variety of accessories.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"feature_BGP5ZCbKOY\"\u003e\r\n\u003cdiv class=\"featureHeader_BGP5ZCbKOY\"\u003e\r\n\u003cp class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle2_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\"\u003e\u003cstrong\u003eSachtler ENG 2 Padded Bag\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"productDescription_BGP5ZCbKOY\" data-selenium=\"overviewLongDescription\"\u003e\r\n\u003cdiv class=\"js-injected-html text_BGP5ZCbKOY\"\u003e\r\n\u003cp\u003eThe Sachtler ENG 2 Padded Bag is a soft tripod bag designed to carry various Sachtler tripods with fluid heads up to 35\" long. The case is made from water-resistant Cordura nylon and can be carried by the interlocking handles or the attached, adjustable shoulder strap.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"feature_BGP5ZCbKOY\"\u003e\r\n\u003cdiv class=\"feature_BGP5ZCbKOY\"\u003e\r\n\u003cdiv class=\"featureHeader_BGP5ZCbKOY\"\u003e\r\n\u003ch3 class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle3_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\"\u003e \u003c\/h3\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"Sachtler","offers":[{"title":"Default Title","offer_id":40174500020353,"sku":"SAC-ST-S2072S-FTMS","price":7995.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sachtler-tripods-support-default-title-sachtler-aktiv10-flowtech-100-ms-tripod-system-30571760844929.jpg?v=1747047988"},{"product_id":"blackmagic-design-atem-mini-extreme-iso-live-streaming-camera-switcher","title":"Blackmagic Design ATEM Mini HDMI Extreme ISO Live Streaming Camera Switcher","description":"\u003cp\u003e\u003cspan\u003eThe Blackmagic Design ATEM Mini Extreme ISO is an 8-input live production switcher for live streaming. It features an integrated control panel and has advanced broadcast features. \u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cspan\u003eIn addition, to live streaming using RTMP protocols, you can also output your program as if it was a webcam over USB. The switcher's ISO label means you can individually record each of the eight input videos as an MP4, as well as the program output via one of the USB Type-C ports. The switcher automatically generates a DaVinci Resolve project file, so you can clean it up and make changes later. This versatile switcher's eight independent HDMI inputs accept all popular HD signals up to 1080p60. Each input has a discrete frame rate and format converters, and it supports re-syncing for seamless switching between a variety of pro and consumer cameras, game consoles, and computer feeds.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/2AbJNZtAheQ?start=1860\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThis model includes all the features of ATEM Mini Extreme, plus also records 9 separate H.264 video streams in real-time, allowing capture of all 8 clean feed inputs as well as the program video. A DaVinci Resolve project file is also saved allowing the project to be recreated and edited later!\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp\u003e\u003cspan\u003eThe Blackmagic Extreme ISO Switcher saves a DaVinci Resolve project file, so with a single click customers can open their live production as a video edit. All cuts, dissolves and media pool graphics will be loaded. This means customers can fine-tune edit points or even completely replace shots. The DaVinci Resolve Sync Bin lets customers select new shots via a multiview so it's very easy to use. Customers can even relink to Blackmagic RAW camera files for adding professional colour correction and finishing in Ultra HD.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp\u003e\u003cspan\u003eSwitch, add effects, colour grade, and key in real time using the control surface's buttons, or via the software control panel. CCU functions are available for controlling Blackmagic Studio and URSA Mini\/Broadcast\/Micro Studio cameras from the switcher. The ATEM Mini Extreme ISO supports up to nine layers, with four upstream and two downstream keyers, up to four chroma keyers, up to four linear keyers, two DVE with borders and drop shadow, five pattern generators, and two color generators. Designed for live streaming or webcam, the Mini Extreme ISO has HDMI outputs to feed monitors and supports up to 16-screen multiview.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cu\u003eStream Live\u003c\/u\u003e\u003c\/p\u003e\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eLive stream to YouTube, Facebook Live, Skype, Twitch, Zoom, Microsoft Teams, and other platforms that support RTMP protocols.\u003c\/div\u003e\u003c\/div\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cu\u003eControl Interface\u003c\/u\u003e\u003c\/p\u003e\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe front panel includes easy-to-use buttons for selecting sources, video effects, and transitions. The source buttons are large, allowing you to operate them by feel. Included on the ATEM Extreme ISO are buttons for audio mixing, recording, and streaming control, as well as output selection buttons that let you change the video output between cameras, program, and multiview. On the rear panel, there are HDMI connections for cameras or computers, extra microphone inputs, USB for webcam out, plus an HDMI \"AUX\" output for program video.\u003c\/div\u003e\u003c\/div\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cu\u003eOutput\u003c\/u\u003e\u003c\/p\u003e\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eYou can output using the Ethernet connection to your network or use the USB Type-C output to have your switched show recognized as a webcam input by virtually any video software such as Zoom, Microsoft Teams, Skype, Open Broadcaster, XSplit Broadcaster, and others.\u003c\/div\u003e\u003c\/div\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cu\u003e4G and 5G Phone Support\u003c\/u\u003e\u003c\/p\u003e\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eIf you're doing live production on location, the ATEM Mini Extreme models support connecting an Apple or Android phone to the USB port to use mobile data. It's also a great backup for the main Ethernet connection, so you don't drop your stream if your hardwired connection gets interrupted. The switcher will automatically switch to using the phone as the primary connection, and the USB port will also power your phone, so the battery won't drain.\u003c\/div\u003e\u003c\/div\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cu\u003eMultiview Monitoring\u003c\/u\u003e\u003c\/p\u003e\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\n\u003cdiv class=\"js-injected-html\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"js-injected-html\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"js-injected-html\"\u003eYou can configure the HDMI output for multiview with 4, 7, 10, 13, up to 16 views including Program, Preview, eight HDMI inputs, SuperSource, clean feed, media player, streaming status, recording status, and audio meters.\u003c\/div\u003e\n\u003c\/div\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cu\u003eCamera Control\u003c\/u\u003e\u003c\/p\u003e\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe ATEM Mini Extreme ISO can control the Blackmagic Pocket Cinema Camera 4K and 6K models when they are updated to the latest software and plugged in via the HDMI inputs. You can control your HDMI camera settings such as iris, gain, focus, detail, and zoom control on compatible lenses. Plus, you can colour balance cameras, as well as create unique looks using the DaVinci Resolve primary colour corrector built into the Blackmagic Pocket Cinema Camera 4K and 6K.\u003c\/div\u003e\u003c\/div\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cu\u003eMedia Pool\u003c\/u\u003e\u003c\/p\u003e\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe switcher can store up to 20 images with fill and key, and it supports PNG, TGA, BMP, GIF, JPEG, and TIFF file formats.\u003c\/div\u003e\u003c\/div\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cu\u003eCompatibility\u003c\/u\u003e\u003c\/p\u003e\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eIt includes the ATEM Software Control Panel, and it is also compatible with the ATEM 1 M\/E, ATEM 2 M\/E, and ATEM 4 M\/E Advanced Panels. The ATEM Mini Extreme ISO can be configured using Blackmagic's Videohub Hardware Panel Setup utility to route sources to destinations using Videohub Smart Control Pro and Videohub Master Control Pro.\u003c\/div\u003e\u003c\/div\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cu\u003eRecording\u003c\/u\u003e\u003c\/p\u003e\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe ATEM Mini Extreme models support the direct recording of your streaming data to USB flash disks using the same H.264 video files with AAC audio that you streamed. The Mini Extreme ISO also allows you to record the eight input video channels as MP4 files. This allows you to directly upload to any online video site, such as YouTube or Vimeo. Recording to multiple disks is also supported via a USB hub or the Blackmagic MultiDock, so when a disk becomes full, recording can continue to a second disk for nonstop recording. Record settings and disk selection are set up in ATEM Software Control, and there's a record status view in the built-in multiview. You can even trigger recording on connected Blackmagic Pocket Cinema Cameras.\u003c\/div\u003e\u003c\/div\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cu\u003eDaVinci Resolve Integration\u003c\/u\u003e\u003c\/p\u003e\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eThe Mini Extreme ISO saves a DaVinci Resolve project file, so with a single click, you can open your live production as a video edit. All cuts, dissolves, and media pool graphics will be loaded, allowing you to tweak and edit your live production using the recorded input footage. If you recorded the camera originals as Blackmagic Raw camera files, you can relink those and take advantage of DaVinci Resolve's colour correction abilities.\u003c\/div\u003e\u003c\/div\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cu\u003eVideo Effects\u003c\/u\u003e\u003c\/p\u003e\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eOne of the benefits of ATEM Mini is the professional production values possible using the range of built-in video effects. The cut button ensures an instant cut when switching between sources. The auto button is a professional term used on large broadcast switchers to enable video effect transitions. There are duration buttons for video effects allowing 0.5-, 1-, 1.5-, and 2-second settings. You can also select the type of effect you want including mix, which does a smooth transition between sources, and dip, which fades via a colour during the transition. Or use fun DVE effects that move the image off-screen when transitioning between sources.\u003c\/div\u003e\u003c\/div\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cu\u003eAudio\u003c\/u\u003e\u003c\/p\u003e\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eWith two independent 3.5mm stereo audio inputs, you can connect desktop and lapel microphones, or you can connect a music player to generate introduction music after the live stream commences but before the program starts. With two extra stereo audio inputs, you can ensure a host and guest both have lapel microphones when doing interviews. All audio inputs to the ATEM Mini include buttons on the panel for adjusting audio level and enabling inputs into the audio mixer. All models feature a Fairlight audio mixer with all HDMI inputs, and both microphone inputs are all connected to the audio mixer, so you can live mix from all audio sources. The ATEM Mini Extreme also adds a headphone output.\u003c\/div\u003e\u003c\/div\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp class=\"h2_2rws9renUitYEzmey3mjuE\"\u003e\u003cu\u003eBroadcast Features\u003c\/u\u003e\u003c\/p\u003e\u003cdiv class=\"description_dROY_Wl-Y_I8SrM9_Ji7q\"\u003e\u003cdiv class=\"js-injected-html\"\u003eHiding in the ATEM Mini Extreme models are a host of broadcast-caliber features that are accessible when connected to a Mac or Windows computer running the free ATEM Software Control app.\u003c\/div\u003e\u003c\/div\u003e\u003cp\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/p\u003e\u003cp\u003e\u003cbr\u003e \u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":40174502314113,"sku":"BLA-SWATEMMINICEXTISO","price":1896.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/blackmagic-design-video-production-default-title-blackmagic-design-atem-mini-hdmi-extreme-iso-live-streaming-camera-switcher-30571758190721.jpg?v=1742892539"},{"product_id":"sony-fe-35mm-f14-gm-lens","title":"Sony FE 35mm f\/1.4 GM Lens","description":"\u003cp\u003eThe Sony FE 35mm f\/1.4 GM lens is characterised by its speed and relatively compact form factor. it is a classic wide-angle prime with an updated, sleek design. The versatile focal length suits everything from street shooting to landscape and documentary subjects, and the fast maximum aperture excels in low light and for controlling depth of field. Also, as a G Master lens, it features an advanced optical design for well-corrected imagery with a high degree of sharpness and clarity.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eTwo XA (eXtreme Aspherical) elements and one extra-low dispersion element reduce a variety of aberrations, color fringing, and distortion, and the optics are complemented by a Nano AR II coating that also suppresses flare and ghosting for improved contrast. Balancing the optics is an XD Linear Motor system that uses two separate focusing motors to deliver especially quiet, precise, and quick autofocus performance. The lens also sports a dust- and moisture-sealed design and fluorine-coated front lens element to support shooting in inclement conditions.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":40174504870017,"sku":"SON-SEL35F14GM","price":1821.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sony-lenses-default-title-sony-fe-35mm-f-1-4-gm-lens-30576679649409.jpg?v=1742892616"},{"product_id":"sony-fe-50mm-f1-2-gm-prime-lens","title":"Sony FE 50mm F1.2 GM Prime Lens","description":"\u003cp\u003eThe Sony FE 50mm f\/1.2 GM Lens is a classic normal focal length prime lens with an updated, sleek design. The \u003cstrong\u003eSony FE 50mm f\/1.2 GM\u003c\/strong\u003e lens is characterised by its speed and relatively compact form factor. The versatile focal length suits shooting everything from street, portraiture, and landscape to documentary subjects, and the fast-maximum aperture excels in low light and controlling depth of field. Also, as a G Master lens, it features an advanced optical design for well-corrected imagery with a high degree of sharpness and clarity.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eThe combination of the lens's remarkable maximum f\/1.2 aperture and 11-blade circular aperture mechanism contributes to the gorgeous G Master bokeh that really makes portrait and other subjects stand out. Three XA (eXtreme Aspherical) elements provide excellent spherical aberration control by reducing a variety of aberrations, colour fringing, and distortion.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eEach element features a Nano AR II coating that suppresses flare and ghosting for improved contrast. Balancing the optics is an XD Linear Motor system that uses four separate focusing motors to deliver especially quiet, precise, and quick autofocus performance. The lens also sports a dust- and moisture-sealed design and fluorine-coated front lens element to support shooting in inclement conditions.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":40174505361537,"sku":"SON-SEL50F12GM","price":2327.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sony-lenses-default-title-sony-fe-50mm-f1-2-gm-prime-lens-30571791024257.jpg?v=1747048224"},{"product_id":"canon-rf5012l-canon-rf-50mm-f-1-2l-usm-lens","title":"Canon RF 50mm f\/1.2L USM Lens","description":"\u003cp\u003eThe Canon RF 50mm f\/1.2L USM Lens features a versatile focal length and bright f\/1.2 maximum aperture. This fast design excels in difficult lighting conditions and also benefits from working with shallow depth of field and selective focus techniques. The optical layout incorporates one UD element and one aspherical element, which help to reduce both chromatic and spherical aberrations in order to produce greater clarity and sharpness.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eA rounded 10-blade diaphragm also benefits bokeh quality to suit isolating subjects with depth of field. Complementing the imaging capabilities is an apt ring-type Ultrasonic Motor, which delivers fast, near-silent autofocus and full-time manual focus override. Additionally, a unique Control Ring is integrated into the lens design for intuitive control over exposure settings from the lens itself.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cul\u003e\u003cli\u003eNormal-length prime is designed for full-frame Canon RF-mount mirrorless digital cameras.\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cul\u003e\u003cli\u003eExceptionally bright f\/1.2 maximum aperture affords extensive control over depth of field for selective focus applications and also benefits working in low-light situations.\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cul\u003e\u003cli\u003eOne UD (Ultra-Low Dispersion) element is featured, and helps to minimize chromatic aberrations and colour fringing in order to provide greater clarity and colour accuracy.\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cul\u003e\u003cli\u003eAn aspherical element is used to correct spherical aberrations and distortion for improved sharpness and accurate rendering.\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cul\u003e\u003cli\u003eRing-type Ultrasonic Motor (USM), along with optimized focusing algorithms and a high-speed CPU, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override.\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cul\u003e\u003cli\u003eConfigurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation.\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cul\u003e\u003cli\u003eAs a member of the esteemed L-series, this lens has a weather-resistant design that protects against dust and moisture to enable its use in inclement conditions.\u003c\/li\u003e\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003eThe rounded 10-blade diaphragm contributes to a pleasing bokeh quality.\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":40174513422465,"sku":"CAN-RF5012L","price":3639.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/canon-lenses-default-title-canon-rf-50mm-f-1-2l-usm-lens-30571777163393.jpg?v=1747048520"},{"product_id":"panasonic-leica-dg-vario-50-200mm-lens","title":"Panasonic Leica DG Vario 50-200mm Lens","description":"The Panasonic Leica DG Vario-Elmarit 50-200mm f\/2.8-4 ASPH. POWER O.I.S. Lens is a flexible optic ideal for wildlife, outdoor, and nature photography. It is a 100-400mm equivalent zoom designed in collaboration with Leica for Micro Four Thirds cameras. The long reach is complemented by a bright f\/2.8-4 maximum aperture range, which benefits working in low-light conditions and also affords control over depth of field for isolating subjects. The optical design incorporates several low dispersion elements, two aspherical elements, and an ultra-high refractive index element to control both chromatic and spherical aberrations for improved clarity and sharpness. A Nano Surface Coating has also been applied to limit flare and ghosting for increased contrast and color fidelity when working in strong lighting conditions.","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":40174515421313,"sku":"PAN-H-ES50200GC9","price":2499.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/panasonic-lenses-default-title-panasonic-leica-dg-vario-50-200mm-lens-30571784634497.jpg?v=1747048594"},{"product_id":"vocas-with-videocraft-custom-fx6-camera-rig-bundle","title":"Vocas Custom Videocraft FX6 Camera Rig Bundle","description":"\u003cp\u003eThe Vocas Custom FX6 Camera Rig Bundle is a custom bundle put together by Videocraft to take your FX6 to the next level. It includes an adjustable Baseplate Shoulder System, adjustable Handgrip Extender, LCD Monitor Support for Sony FX6 Eyepiece, viewfinder Bracket and Cheese Plate.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp class=\"text_2iIiQM2M98BvhYsiaXaYuw comfy_3Tv67P0yhL_J6BIUitJ2zo sizeTitle1_1zfM7_vQc3Dj448B46wR81 weightNormal_SF-rc73z4mkRlFO4x_Sh4 primary_ELb2ysditdCtk24iMBTUs\" data-selenium=\"productTitle\"\u003e\u003cb\u003eVocas USBP-15 MKII Adjustable Baseplate Shoulder System\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eThe Vocas USBP-15 MKII Adjustable Baseplate Shoulder System can be used for converting your camera into a shoulder camera. The baseplate package includes the Camera Adapter Plate, Standard Shoulder Pad, and two 15mm aluminum 8.3\" rods.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp class=\"text_2iIiQM2M98BvhYsiaXaYuw comfy_3Tv67P0yhL_J6BIUitJ2zo sizeTitle1_1zfM7_vQc3Dj448B46wR81 weightNormal_SF-rc73z4mkRlFO4x_Sh4 primary_ELb2ysditdCtk24iMBTUs\" data-selenium=\"productTitle\"\u003e\u003cb\u003eVocas Adjustable Handgrip Extender for Sony FX6\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eUse the Adjustable Handgrip Extender for Sony FX6 from Vocas to position your original FX6 handgrip at a more comfortable distance for handheld operating. One end of this extension mounts onto the camera body using a separately available FX6 ARRI-style rosette adapter.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp class=\"text_2iIiQM2M98BvhYsiaXaYuw comfy_3Tv67P0yhL_J6BIUitJ2zo sizeTitle1_1zfM7_vQc3Dj448B46wR81 weightNormal_SF-rc73z4mkRlFO4x_Sh4 primary_ELb2ysditdCtk24iMBTUs\" data-selenium=\"productTitle\"\u003e\u003cb\u003eVocas LCD Monitor Support for Sony FX6 Eyepiece\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAdd additional support to your Sony FX6 LCD when using the optional eyepiece with this LCD Monitor Support from Vocas. The durable aluminum support bracket mounts onto the side of the camera LCD with a clamping design, using the display's side rod port to secure it.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp class=\"text_2iIiQM2M98BvhYsiaXaYuw comfy_3Tv67P0yhL_J6BIUitJ2zo sizeTitle1_1zfM7_vQc3Dj448B46wR81 weightNormal_SF-rc73z4mkRlFO4x_Sh4 primary_ELb2ysditdCtk24iMBTUs\" data-selenium=\"productTitle\"\u003e\u003cb\u003eVocas Sony 8T to 15mm Viewfinder Bracket for Sony FX6\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAdd stability to the original LCD on your Sony FX6 camera with this Sony 8T to 15mm Viewfinder Bracket from Vocas. The bracket replaces the original viewfinder bracket on the top handgrip. \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp class=\"text_2iIiQM2M98BvhYsiaXaYuw comfy_3Tv67P0yhL_J6BIUitJ2zo sizeTitle1_1zfM7_vQc3Dj448B46wR81 weightNormal_SF-rc73z4mkRlFO4x_Sh4 primary_ELb2ysditdCtk24iMBTUs\" data-selenium=\"productTitle\"\u003e\u003cb\u003eVocas Cheese Plate for Sony FX6\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eThe H-shaped top plate installs on top of the FX6 using the four included screws, and it can be used with the camera's original top handle, so you don't have to remove it for use.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e","brand":"Vocas","offers":[{"title":"Default Title","offer_id":40174517387393,"sku":"VOC-0255-7151","price":2149.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/vocas-camera-accessories-default-title-vocas-custom-videocraft-fx6-camera-rig-bundle-30576708583553.png?v=1744597338"},{"product_id":"vocas-custom-videocraft-fx9-camera-rig-bundle","title":"Vocas Custom Videocraft FX9 Camera Rig Bundle","description":"\u003cp\u003eThe Vocas Custom FX9 Camera Rig Bundle is a custom bundle put together by Videocraft to take your FX9 Camera to the next level. It includes an the SBP-15 MKII Baseplate Sliding System, Viewfinder Bracket Kit and H-Shaped Top Cheese Plate.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eVocas USBP-15 MKII Baseplate Sliding System for Sony FS7 and FX9 (0350-2207)\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle1_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\" data-selenium=\"productTitle\"\u003eThe Vocas USBP-15 MKII Baseplate Sliding System comes complete with a camera adapter plate, standard shoulder pad, and two 8.3\" 15mm aluminum rods. This system allows you to convert the Sony FX9 camera into a shoulder camera. \u003c\/p\u003e\r\n\u003cp class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle1_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\" data-selenium=\"productTitle\"\u003e \u003c\/p\u003e\r\n\u003cp class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle1_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\" data-selenium=\"productTitle\"\u003e\u003cb\u003eVocas Viewfinder Bracket Kit for Sony PXW-FS7 \/ FS7 II \/ FX9 Cameras (0700-0065)\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle1_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\" data-selenium=\"productTitle\"\u003eThe Vocas Viewfinder Bracket Kit for Sony PXW-FS7 \/ FS7 II \/ FX9 enables you to mount the original camera EVF using a quick NATO-rail design that keeps the EVF from tilting while in use. This kit includes a viewfinder bracket and a 6.7\" NATO rail with a 15mm rod clamp.\u003c\/p\u003e\r\n\u003cp class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle1_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\" data-selenium=\"productTitle\"\u003e \u003c\/p\u003e\r\n\u003cp class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle1_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\" data-selenium=\"productTitle\"\u003e\u003cb\u003eVocas H-Shaped Top Cheese Plate for Sony PXW-FS7, FS7 Mark II, FX9 (0350-1366)\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe Vocas H-Shaped Top Cheese Plate is H-shaped so it mounts on top of your camera without requiring the removal of the original top handle, and it doesn't obstruct any controls or functions. The durable aluminum plate features multiple 1\/4\"-20 and 3\/8\"-16 threads to add multiple accessories such as additional handles, extension arms, or other accessories and mounts.\u003c\/p\u003e\r\n\u003cp class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle1_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\" data-selenium=\"productTitle\"\u003e \u003c\/p\u003e","brand":"Vocas","offers":[{"title":"Default Title","offer_id":40174517747841,"sku":"VOC-0255-7153","price":1549.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/vocas-camera-accessories-default-title-vocas-custom-videocraft-fx9-camera-rig-bundle-30571822874753.png?v=1744597362"},{"product_id":"nanlite-pavotube-ii-30x-4ft-rgbw-led-tube-2-light-kit","title":"Nanlite PavoTube II 30X 4ft RGBW LED tube 2-Light Kit","description":"\u003cp\u003eThe NanLite PavoTube II 30X RGBWW Pixel Tube 2-Light Kit will let your creativity run wild. The kit contains two RGBWW PavoTubes, each measuring 4ft. Each light tube comes with a power cord and a carrying bag. This new model of LED tubes now encompass pixel control, giving creatives endless ways to light.   Put a splash of colour onto a background, or light up your subject with a specific hue. The PavoTubes feature 0 to 100% dimming with a maximum illumination of 2850 lumens at 5600K, as well as a full spectrum RGB and pre-programmed special lighting effects. With the colour temperature adjustable from  2700K-12000K, a CRI of 98 and a TLCI of 95 this RGB LED tube exceeds most studio lighting needs. \u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ghFIqYKe-50\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eIt also features a choice of over 360 static light colours on the RGB spectrum and can cycle through the entire spectrum at a speed of your choice.  Now with more advanced effect modes, the 30X has 15 in built practical effects and with the new pixel feature adds another 10 pixel effects to enhance your lighting and creativity. \u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eWith easy-to-use dials and buttons built into the light tube, as well as built-in 2.4GHz radio control, this RGB tube light is versatile enough to fit right into your existing set up without needing a lot of extra preparation. The housing has been upgraded to a robust metal housing, giving more confidence with your lighting.  New and improved LED display and soft buttons make the unit much easier to use. Supplied in a padded carrying case complete with all the accessories you need to get going, including mounting clips for adapting your light to a tripod or the wall. The Pavotube has octagonal ends, allowing it to be placed on the floor or a surface at a specific angle to give you maximum control over the throw of the lighting.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ci2Y3bbxsWY\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\r\n\u003cdiv\u003e \u003c\/div\u003e\r\n\u003cp\u003e\u003cstrong\u003eFull Creative Control\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eEasily achieve beautiful results without adding plastic filters or gels. The PavoTube Tubes' easy-to-use dials and buttons enable you to dial temperature from warm to cold (2700K-12000K) or hue and saturation in RGB mode.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e \u003c\/div\u003e\r\n\u003cp\u003e\u003cstrong\u003e15 Built in Practical Effects\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cdiv\u003eHue Loop, CCT Loop, INT Loop, CCT Flash, HUE Flash, CCT Pulse, Hue Pulse, Storm, Police Car, TV, Paparazzi, Candle\/Fire, Disco, Bad Bulb, Firework, Explosion and Welding\u003c\/div\u003e\r\n\u003cdiv\u003e \u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e10 Pixel Effects\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cdiv\u003eHue Loop, CCT Loop, INT Loop, Multi-color, Gradient, Scrolling, Marching, Flame, Rainbow, Driving\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003ePower Anywhere\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003ePerfect for use in the studio or on location, PavoTube RGBWW Tubes can run off either the included AC adapter or their internal Li-ion batteries for up to 2 hours at full brightness when no mains power is available.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/hey34HrvNUU\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Nanlite","offers":[{"title":"Default Title","offer_id":40174519222401,"sku":"NAN-NNPAV30X2KIT","price":1399.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/nanlite-lighting-default-title-nanlite-pavotube-ii-30x-4ft-rgbw-led-tube-2-light-kit-30576599597185.jpg?v=1742893017"},{"product_id":"sony-fe-70-200mm-f2-8-gm-m2-lens","title":"Sony FE 70-200mm F2.8 GM M2 Lens","description":"\u003cp\u003eThe Sony FE 70-200mm F2.8 GM OSS II lens delivers outstanding image quality with high resolution and clarity. Users can expect a clean and clear image from corner-to-corner throughout the entire zoom range, even when the lens is wide open. Thanks to the two aspherical lens elements, including one XA (extreme aspherical), the FE 70-200mm F2.8 GM OSS II effectively controls distance-related aberration variations to ensure outstanding resolution throughout the image area. The FE 70-200mm F2.8 GM OSS II’s state-of-the-art lens technology brings out the best in the advanced camera body it is paired with.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp class=\"proposition-title\"\u003e\u003cstrong\u003eEvolved G Master F2.8 Telephoto Zoom\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp class=\"proposition-copy\"\u003eThe full force of Sony’s latest lens technology brings stunning resolution and exquisite bokeh together in the world’s lightest large-aperture G Master telephoto zoom lens. With significantly evolved AF performance, the FE 70-200mm F2.8 GM OSS II can deliver the full potential of today’s advanced still and movie camera bodies.\u003c\/p\u003e\r\n\u003cp class=\"proposition-copy\"\u003e \u003c\/p\u003e\r\n\u003cdiv class=\"editorial-title\"\u003e\u003cstrong\u003eUnprecedented image quality\u003c\/strong\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"editorial-copy\"\u003eImage quality is superb throughout the zoom range at all focusing distances. Two aspherical elements, one an XA (extreme aspherical) type, ensure high resolution throughout the image area. Two ED (extra-low dispersion) glass elements, two Super ED glass elements, and one ED aspherical element minimise chromatic aberration, while Sony’s Nano AR Coating II subdues flare and ghosting. High-performance 1.4x and 2x teleconverters are available.\u003c\/div\u003e\r\n\u003cdiv class=\"editorial-copy\"\u003e \u003c\/div\u003e\r\n\u003cdiv class=\"editorial-copy\"\u003e \u003c\/div\u003e\r\n\u003cdiv class=\"editorial-copy\"\u003e\r\n\u003cdiv class=\"editorial-title\"\u003e\u003cstrong\u003eExquisite G Master bokeh\u003c\/strong\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"editorial-copy\"\u003eBeautiful G Master bokeh is achieved through advanced optical design, an F2.8 aperture, and a new 11-blade aperture unit. An XA element manufactured to 0.01-micron surface precision suppresses onion ring bokeh, and the new aperture unit helps to deliver natural circular bokeh. Close-up bokeh is superb too, with a minimum focusing distance of just 0.4 meters (1.32 ft) at 70mm and 0.82 meters (2.69 ft) at 200mm.\u003c\/div\u003e\r\n\u003cdiv class=\"editorial-copy\"\u003e \u003c\/div\u003e\r\n\u003cdiv class=\"editorial-copy\"\u003e \u003c\/div\u003e\r\n\u003cdiv class=\"editorial-copy\"\u003e\r\n\u003cdiv class=\"editorial-title\"\u003e\u003cstrong\u003eFast, precise AF supports creative shooting\u003c\/strong\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"editorial-copy\"\u003eFour of Sony’s original XD (extreme dynamic) Linear Motors deliver high thrust efficiency that boosts AF speed by up to 4x compared to the previous model. When tracking an approaching short-distance runner, for example, tracking while zooming is improved by approx. 30% compared to the previous model, greatly increasing chances of getting the shot.\u003c\/div\u003e\r\n\u003cdiv class=\"editorial-copy\"\u003e \u003c\/div\u003e\r\n\u003cdiv class=\"editorial-copy\"\u003e\r\n\u003cdiv class=\"editorial-title\"\u003eProfessional control and reliability\u003c\/div\u003e\r\n\u003cdiv class=\"editorial-copy\"\u003eFlexible focus control is provided by features such as Full-time DMF, Linear Response MF, and a focus-range limiter. An aperture ring with switchable clicks and an iris lock provides extra exposure control. MODE 1, MODE 2, and MODE 3 optical image stabilisation ensure sharp images, and a dust and moisture resistant design plus fluorine-coated front element maximise reliability in tough environments.\u003c\/div\u003e\r\n\u003cdiv class=\"editorial-copy\"\u003e \u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":40174523285633,"sku":"SON-SEL70200GM2","price":2899.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sony-lenses-default-title-sony-fe-70-200mm-f2-8-gm-m2-lens-30571818090625.jpg?v=1742893148"},{"product_id":"aputure-ls-1200d-pro-led-light","title":"Aputure LS 1200d Pro LED Light","description":"\u003cp\u003eThe Aputure LS 1200d Pro LED Light is a powerful COB LED fixture with expansive power, control options, and output comparable to a 1200W HMI, augmented by its 55 degree Hyper Reflector. The precision fixture has a solid 5600K color temperature with a high CRI\/TLCI rating of 95 that is great for location shooting outdoors, or in areas dominated by other daylight-balanced fixtures such as HMIs. Besides power, control is a driving force in the design of the 1200d Pro. The light has a myriad of wireless control methods, such as the included 2.4 GHz remote, the Sidus Link mobile app, and the built-in wireless DMX control. It has four dimming curves: Linear, Exponential, Log, and S-Curve, to ensure accuracy regardless of your chosen brightness level. While you can make adjustments locally on the fixture, you can also make them wirelessly at a distance via these methods - a real attribute for lights mounted overhead or in hard to reach places.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Psz8G6v2erQ\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003ePowering the light has options too. The light is ready for worldwide use via its universal power supply but thanks to its dual battery plate it can be powered by one or two 48V (15A) batteries or via a 3-pin XLR connector for external power stations. You can use two batteries and recharge them while they are connected to the plugged-in light. The 1200d Pro is weatherproof (dust and water resistant), so it is built to withstand any shooting environment. When it comes to features Aputure has left no stone unturned with the inclusion of special effects such as Paparazzi, Fireworks, Lightning, Faulty Bulb, TV, Pulsing, Strobe, and Explosion. Aputure has also generously provided a case for the included Hyper reflector as well as a rolling case for storage and transport.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp class=\"p2\"\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli class=\"p2\"\u003e83,100 lux @ 3m with Hyper Reflector (Narrow)\u003c\/li\u003e\r\n\u003cli class=\"p2\"\u003e22,400 lux @ 3m with Hyper Reflector (Medium)\u003c\/li\u003e\r\n\u003cli class=\"p2\"\u003e9,610 lux @ 3m with Hyper Reflector (Wide)\u003c\/li\u003e\r\n\u003cli class=\"p2\"\u003e1200W Daylight Bowens Mount Point-Source LED\u003c\/li\u003e\r\n\u003cli class=\"p2\"\u003e5600K Daylight CCT\u003c\/li\u003e\r\n\u003cli class=\"p2\"\u003eOptimized Output with 3 Hyper Reflectors: Narrow (15°), Medium (30°), Wide (55°)\u003c\/li\u003e\r\n\u003cli class=\"p2\"\u003eCRI ≥96TLCI ≥98, CQS≥95, SSI (D56)≥73\u003c\/li\u003e\r\n\u003cli class=\"p2\"\u003eWeather-Resistant: Dust \u0026amp; Water Resistant\u003c\/li\u003e\r\n\u003cli class=\"p2\"\u003e0.1-100% Stepless Brightness Control\u003c\/li\u003e\r\n\u003cli class=\"p2\"\u003eFrequency Selection to Reduce Flicker\u003c\/li\u003e\r\n\u003cli class=\"p2\"\u003eLead-Follow Mode for Quick Workflow\u003c\/li\u003e\r\n\u003cli class=\"p2\"\u003e4-Fan Modes: Smart\/Medium\/High\/Silent\u003c\/li\u003e\r\n\u003cli class=\"p2\"\u003eMultiple Control Methods: SidusLink Bluetooth App Control, LumenRadioCRMX, Art-net \u0026amp; sACNvia etherCON, 5-Pin DMX512 In \u0026amp; Out\u003c\/li\u003e\r\n\u003cli class=\"p2\"\u003eSupports Dual 48V\/15A DC Inputs (3-pin XLR),Including Battery Power Stations \u0026amp; Block Batteries\u003c\/li\u003e\r\n\u003cli class=\"p2\"\u003eHalf Power Output with one 48V\/15A Power Source\u003c\/li\u003e\r\n\u003cli class=\"p2\"\u003eFull Power Outputwith two 48V\/15A Power Sources\u003c\/li\u003e\r\n\u003cli class=\"p2\"\u003eJunior Pin (28mm)\u003c\/li\u003e\r\n\u003cli class=\"p2\"\u003eSeparate Control Box for a Lighter Lamp Head\u003c\/li\u003e\r\n\u003cli class=\"p2\"\u003e7.5m Weatherproof Head Cable\u003c\/li\u003e\r\n\u003cli class=\"p2\"\u003e6m Locking NeutrikPower Cord\u003c\/li\u003e\r\n\u003cli class=\"p2\"\u003eDual Lightning Clamp Quick Release Plates\u003c\/li\u003e\r\n\u003cli class=\"p2\"\u003eCurved, Disk-Brake Yoke with 360°Rotation\u003c\/li\u003e\r\n\u003cli class=\"p2\"\u003eUtilizesUniversal Bowens Mount Standard\u003c\/li\u003e\r\n\u003cli class=\"p2\"\u003e4 Dimming Curves:Linear, Exponential, Log, S-Curve\u003c\/li\u003e\r\n\u003cli class=\"p2\"\u003e8 Lighting FX:Paparazzi, Fireworks, Lightning, Faulty Bulb, TV, Pulsing, Strobe, \u0026amp; Explosion\u003c\/li\u003e\r\n\u003cli class=\"p2\"\u003eIncludes Rolling Case \u0026amp; Reflector Carrying Case\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Aputure","offers":[{"title":"Default Title","offer_id":40174524366977,"sku":"APU-24-LS1200D","price":4595.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/aputure-lighting-default-title-aputure-ls-1200d-pro-led-light-30571803312257.jpg?v=1747049067"},{"product_id":"blackmagic-design-ursa-studio-viewfinder-g2","title":"Blackmagic Design URSA Studio Viewfinder G2","description":"\u003cp\u003e\u003cspan style=\"font-family: 'trebuchet ms', sans-serif;\"\u003eThe Blackmagic Design URSA Studio Viewfinder G2 has with a super bright 2000 nit display, ideal for use in bright sunlight. \u003c\/span\u003e\u003cspan style=\"font-family: 'trebuchet ms', sans-serif;\"\u003eThe Blackmagic URSA Studio Viewfinder G2 is based on a large 7 inch display and is perfect for tripod mounted studio camera use. It totally transforms the camera into a true studio camera. The studio viewfinder also includes a large tally light and easy to access controls. It's even fully adjustable.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: 'trebuchet ms', sans-serif;\"\u003e\u003cbr\u003e\u003cbr\u003eThe Blackmagic URSA Studio Viewfinder G2 mounts using a standard V-Lock mount, so it’s easy to attach it to the top of a camera. It can mount to the top of the camera body, or the top of the SMPTE fiber converter if you have one installed on the camera. It features a bright 7\" 2,000 nit display with grip handles so it’s very easy to position it independently of the camera, even while their camera is on air. The mount allows the viewfinder to be tilted up and down and rotated sideways. Then you can adjust the lock knobs to vary the amount of tension on the viewfinder adjustments. There's also a metal sunshade for use when in bright outdoor locations and the sunshade can be removed quickly when not needed.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: 'trebuchet ms', sans-serif;\"\u003e\u003cbr\u003e\u003cbr\u003eThe URSA Studio Viewfinder G2 features on screen as well as separate physical controls for adjusting framing and focus features. The menu dial allows customers to scroll through menus and change settings as needed. However the most exciting controls are the 3 knobs on the right side of the viewfinder, which give customers smooth control of the LCD brightness and contrast, as well as directly adjustable focus peaking control. The focus peaking control allows customers to constantly adjust peaking to make focus easy at the zoom setting customers are using. Plus, there are 3 customizable function buttons customers can program to control features such as zebra, false color, focus peaking, luminance waveform, LUTs and more.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: 'trebuchet ms', sans-serif;\"\u003e\u003cbr\u003e\u003cbr\u003eThe back of the Blackmagic URSA Studio Viewfinder G2 features a large tally light that illuminates red for on-air, green for preview, and orange for ISO recording. As the director cuts between cameras on the ATEM switcher, tally information is sent back to the camera over SDI so the light is lit when the camera is on the air. You only need to set the correct camera number in the URSA Broadcast G2 menus. The tally light is very large so it’s easy to see when the presenter is a long distance from the camera. Plus, the Blackmagic URSA Studio Viewfinder G2 also includes clip-on number decals that insert into the tally light, so each camera is clearly numbered and easy for presenters to see.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: 'trebuchet ms', sans-serif;\"\u003e\u003cbr\u003e\u003cbr\u003eThe big bright tally light on the top of the viewfinder is one of the features that can be controlled over the SDI video connection. The Blackmagic SDI Control Protocol takes advantage of blanking space in the SDI data stream to add talkback, tally and other camera control information direct to the camera via the program return feed. This also works with the viewfinder as it has the same control sent to it from the camera via its SDI input. The Blackmagic control protocol is an open standard and is documented in the URSA Broadcast and ATEM switcher manual. That means anyone can create custom solutions for Blackmagic cameras, switchers and Blackmagic URSA Studio Viewfinder.\u003c\/span\u003e\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":40174526693505,"sku":"BLA-CINEURSANSVF2","price":2164.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/blackmagic-design-camera-accessories-default-title-blackmagic-design-ursa-studio-viewfinder-g2-30571816943745.png?v=1744597624"},{"product_id":"sonnet-echo-iii-thunderbolt-3-to-pcie-card-desktop-expansion-system","title":"Sonnet Echo III Thunderbolt 3 to PCIe Card Desktop Expansion System","description":"\u003cp\u003eThe Sonnet Echo III Thunderbolt 3 to PCIe Card Desktop Expansion System enhances your Thunderbolt 3-compatible desktop computer. This external desktop enclosure includes one PCIe 3.0 x16 and two x8 slots, supporting full-height and full-length non-GPU expansions such as network adapters, SSD cards, USB port cards, and more. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"380\" height=\"217\" src=\"https:\/\/www.youtube.com\/embed\/nZkUdnDbEHY\" title=\"Sonnet Echo III Desktop Thunderbolt 3 to PCIe Card Expansion System Product Overview - Update\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePlease note that one of the PCIe x8 slots operates in x4 mode. Configurations include either one double width and one single width card or three single width cards, supported by a 400W internal power supply. An internal 6-pin power connector is available, providing up to 75W of supplemental power to compatible expansion cards. With its dual Thunderbolt 3 ports, you can connect your computer to the Echo III using the included cable and daisy chain multiple devices, transferring data at up to 40 Gb\/s with your Windows 10, macOS 10.12.6 or later, and Linux 5.0 or later system.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThunderbolt 3\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThunderbolt 3 is a hardware interface that utilizes the reversible USB Type-C connector. Doubling the speed of its predecessor, Thunderbolt 3 features a maximum throughput of 40 Gb\/s when used with compatible devices. The connector also transmits data via USB 3.1 at up to 10 Gb\/s, and dual-bandwidth DisplayPort 1.2 allows you to connect up to two 4K displays simultaneously. Additionally, you can daisy chain up to six devices from a single Thunderbolt 3 port.\u003c\/p\u003e","brand":"Sonnet Technologies","offers":[{"title":"Default Title","offer_id":40174531608705,"sku":"SNT-ECHO-3D-TB3","price":3207.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sonnet-computer-accessories-default-title-sonnet-echo-iii-thunderbolt-3-to-pcie-card-desktop-expansion-system-30571845124225.jpg?v=1742893379"},{"product_id":"sachtler-system-aktiv10t-and-flowtech-100-with-mid-level-spreader","title":"Sachtler System aktiv10T and flowtech 100 with Mid-Level Spreader","description":"\u003cp\u003eThe \u003cspan data-sheets-value=\"{\" system aktiv10t and flowtech with mid-level spreader data-sheets-userformat=\"{\"\u003eSachtler System aktiv10T and flowtech 100 with Mid-Level Spreader features \u003c\/span\u003efast setup, breakdown, adjustment, and swapping the head from sticks to a slider or other platform, the Sachtler System aktiv10T \u0026amp; flowtech 100 with Mid-Level Spreader provides you with an aktiv10T fluid head with Touch \u0026amp; Go plate, a set of flowtech 100 legs, a mid-level spreader, an attachment point, a carry handle, and a padded bag for carrying your tripod system. The aktiv10T head combines with the flowtech 100 legs to help you create smooth pans and tilts with cameras up to 16kgs, with a stable platform for close to the ground low-angle to fully extended high-angle shots. The attachment point allows you to mount accessories on the legs, while the padded bag keeps your gear together and protected during transport and storage.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"feature_BGP5ZCbKOY\"\u003e\r\n\u003cdiv class=\"featureHeader_BGP5ZCbKOY\"\u003e\r\n\u003ch2 class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle2_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\"\u003eSachtler aktiv10T Touch \u0026amp; Go Fluid Head with SpeedLevel \u0026amp; 7-Step Drag (100mm)\u003c\/h2\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"productDescription_BGP5ZCbKOY\" data-selenium=\"overviewLongDescription\"\u003e\r\n\u003cdiv class=\"js-injected-html text_BGP5ZCbKOY\"\u003e\r\n\u003cp\u003eEnjoy creating smooth pans and tilts while being able to quickly move your video head from tripod to tripod with the Sachtler aktiv10T Touch \u0026amp; Go Fluid Head with SpeedLevel \u0026amp; 7-Step Drag. Take advantage of the innovative SpeedLevel technology to provide almost instant mounting and leveling of your camera rig on almost any Sachtler 100mm bowl tripod. The clamp and stud SpeedLevel system saves precious time leveling your camera rig by eliminating the need to screw on a tie-down knob. Designed for larger DSLRs, mirrorless, and digital cine-style cameras, the aktiv10T supports rigs weighing 0 to 12kgs. This fluid head features 15 steps of counterbalance and seven steps of pan and tilt drag adjustment, plus zero settings for both balance and drag.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv class=\"featureHeader_BGP5ZCbKOY\"\u003e\r\n\u003ch2 class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle2_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\"\u003eSachtler flowtech 100 MS Carbon Fiber Tripod with Mid-Level Spreader \u0026amp; Rubber Feet\u003c\/h2\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"productDescription_BGP5ZCbKOY\" data-selenium=\"overviewLongDescription\"\u003e\r\n\u003cdiv class=\"js-injected-html text_BGP5ZCbKOY\"\u003e\r\n\u003cp\u003eThe lightweight Sachtler flowtech 100 MS Carbon Fiber Tripod with Mid-Level Spreader offers notable stability and quick setup and adjustments for payloads up to 30kgs. The novel flowtech design features quick release locks at the top of the legs, eliminating the need to stoop while adjusting the tripod height. All three legs can be deployed simultaneously to quickly find their individual levels on uneven ground.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"feature_BGP5ZCbKOY\"\u003e\r\n\u003cdiv class=\"featureHeader_BGP5ZCbKOY\"\u003e\r\n\u003ch2 class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle2_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\"\u003eSachtler Rotating Carry Handle for flowtech Tripods with aktiv Heads\u003c\/h2\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"productDescription_BGP5ZCbKOY\" data-selenium=\"overviewLongDescription\"\u003e\r\n\u003cdiv class=\"js-injected-html text_BGP5ZCbKOY\"\u003e\r\n\u003cp\u003eFor Sachtler flowtech users adding an aktiv head, the Rotating Carry Handle allows spreading the tripod legs fully flat without having to remove the handle. Rotating upwards, it gets completely out of the way. When used with an aktiv head, the flowtech tripod is able to lie flat, but the standard flowtech carry handle does not allow it. This rotating handle provides a solution while also allowing you to carry the tripod.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv class=\"feature_BGP5ZCbKOY\"\u003e\r\n\u003cdiv class=\"featureHeader_BGP5ZCbKOY\"\u003e\r\n\u003ch2 class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle2_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\"\u003eSachtler ENG 2 Padded Bag\u003c\/h2\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"productDescription_BGP5ZCbKOY\" data-selenium=\"overviewLongDescription\"\u003e\r\n\u003cdiv class=\"js-injected-html text_BGP5ZCbKOY\"\u003e\r\n\u003cp\u003eThe Sachtler ENG 2 Padded Bag is a soft tripod bag designed to carry various Sachtler tripods with fluid heads up to 89cm long. The case is made from water-resistant Cordura nylon and can be carried by the interlocking handles or the attached, adjustable shoulder strap.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"Sachtler","offers":[{"title":"Default Title","offer_id":40174532296833,"sku":"SAC-ST-S2072T-FTMS","price":7999.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sachtler-tripods-support-default-title-sachtler-system-aktiv10t-and-flowtech-100-with-mid-level-spreader-30576654647425.jpg?v=1742893391"},{"product_id":"kiloview-rn03-3u-10-channel-rack","title":"Kiloview RN03 3RU 10-Channel Rack","description":"Kiloview RN03 3RU 10-Channel Rack","brand":"Kiloview","offers":[{"title":"Default Title","offer_id":40174533214337,"sku":"KIL-RN03","price":1122.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/kiloview-computer-accessories-default-title-kiloview-rn03-3ru-10-channel-rack-30576573513857.jpg?v=1742893410"},{"product_id":"sachtler-system-aktiv12t-and-flowtech-100-with-mid-level-spreader","title":"Sachtler System aktiv12T and flowtech 100 with Mid-Level Spreader","description":"\u003cp\u003eThe \u003cspan data-sheets-value=\"{\" data-sheets-userformat=\"{\"\u003eSachtler System aktiv12T and flowtech 100 with Mid-Level Spreader features \u003c\/span\u003efast setup, breakdown, adjustment, and swapping the head from sticks to a slider or other platform,. The Sachtler System aktiv12T \u0026amp; flowtech 100 with Mid-Level Spreader provides you with an aktiv12T fluid head with Touch \u0026amp; Go plate, a set of flowtech 100 legs, a mid-level spreader, an attachment point, a carry handle, and a padded bag for carrying your tripod system. The aktiv12T head combines with the flowtech 100 legs to help you create smooth pans and tilts with cameras up to 16kgs, with a stable platform for close to the ground low-angle to fully extended high-angle shots. The attachment point allows you to mount accessories on the legs, while the padded bag keeps your gear together and protected during transport and storage.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_BGP5ZCbKOY\"\u003e\n\u003cdiv class=\"featureHeader_BGP5ZCbKOY\"\u003e\n\u003ch4 class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle2_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\"\u003eSachtler aktiv12T Touch \u0026amp; Go Fluid Head with SpeedLevel \u0026amp; 7-Step Drag (100mm)\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"productDescription_BGP5ZCbKOY\" data-selenium=\"overviewLongDescription\"\u003e\n\u003cdiv class=\"js-injected-html text_BGP5ZCbKOY\"\u003e\n\u003cp\u003eEnjoy creating smooth pans and tilts while being able to quickly move your video head from tripod to tripod with the Sachtler aktiv12T Touch \u0026amp; Go Fluid Head with SpeedLevel \u0026amp; 7-Step Drag. Take advantage of the innovative SpeedLevel technology to provide almost instant mounting and leveling of your camera rig on almost any Sachtler 100mm bowl tripod. The clamp and stud SpeedLevel system saves precious time leveling your camera rig by eliminating the need to screw on a tie-down knob. Designed for larger DSLRs, mirrorless, and digital cine-style cameras, the aktiv12T supports rigs weighing 0 to 14kgs. This fluid head features 15 steps of counterbalance and seven steps of pan and tilt drag adjustment, plus zero settings for both balance and drag.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"featureHeader_BGP5ZCbKOY\"\u003e\n\u003ch4 class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle2_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\"\u003eSachtler flowtech 100 MS Carbon Fibre Tripod with Mid-Level Spreader \u0026amp; Rubber Feet\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"productDescription_BGP5ZCbKOY\" data-selenium=\"overviewLongDescription\"\u003e\n\u003cdiv class=\"js-injected-html text_BGP5ZCbKOY\"\u003e\n\u003cp\u003eThe lightweight Sachtler flowtech 100 MS Carbon Fibre Tripod with Mid-Level Spreader offers notable stability and quick setup and adjustments for payloads up to 30kgs. The novel flowtech design features quick release locks at the top of the legs, eliminating the need to stoop while adjusting the tripod height. All three legs can be deployed simultaneously to quickly find their individual levels on uneven ground.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_BGP5ZCbKOY\"\u003e\n\u003cdiv class=\"featureHeader_BGP5ZCbKOY\"\u003e\n\u003ch4 class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle2_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\"\u003eSachtler Rotating Carry Handle for flowtech Tripods with aktiv Heads\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"productDescription_BGP5ZCbKOY\" data-selenium=\"overviewLongDescription\"\u003e\n\u003cdiv class=\"js-injected-html text_BGP5ZCbKOY\"\u003e\n\u003cp\u003eFor Sachtler flowtech users adding an aktiv head, the Rotating Carry Handle allows spreading the tripod legs fully flat without having to remove the handle. Rotating upwards, it gets completely out of the way. When used with an aktiv head, the flowtech tripod is able to lie flat, but the standard flowtech carry handle does not allow it. This rotating handle provides a solution while also allowing you to carry the tripod.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_BGP5ZCbKOY\"\u003e\n\u003cdiv class=\"featureHeader_BGP5ZCbKOY\"\u003e\n\u003ch2 class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle2_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\"\u003e \u003c\/h2\u003e\n\u003ch4 class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle2_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\"\u003eSachtler ENG 2 Padded Bag\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"productDescription_BGP5ZCbKOY\" data-selenium=\"overviewLongDescription\"\u003e\n\u003cdiv class=\"js-injected-html text_BGP5ZCbKOY\"\u003e\n\u003cp\u003eThe Sachtler ENG 2 Padded Bag is a soft tripod bag designed to carry various Sachtler tripods with fluid heads up to 89cm long. The case is made from water-resistant Cordura nylon and can be carried by the interlocking handles or the attached, adjustable shoulder strap.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sachtler","offers":[{"title":"Default Title","offer_id":40174533640321,"sku":"SAC-SC-S2074T-FTMS","price":7998.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sachtler-tripods-support-default-title-sachtler-system-aktiv12t-and-flowtech-100-with-mid-level-spreader-30576654712961.jpg?v=1742893423"},{"product_id":"sony-urx-p41d-dual-channel-camera-mount-wireless-receiver-638-694mhz","title":"Sony URX-P41D CE42 Dual Channel Camera Mount Wireless Receiver (638-694MHz)","description":"\u003cp\u003eThe Sony URX-P41DCE42 two-channel portable receiver boasts improved high sound quality from Digital Audio Processing, NFC Sync for quick and easy set-up from Receiver to Transmitter and functions such as Auto Gain mode and Output level control, making the job of recording sound even easier.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Om9EgezT8b4\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThe Sony URX-P41D will work with all UWP-D transmitters and is backwards compatible with previous generations. The Sony URX-P41D receiver is ideal for many users ranging from broadcast and news productions, to run and gun\u003cbr\u003estyle interviews, or documentaries and series productions.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eKey new features include:\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cb\u003eDigital audio interface to improve sound quality\u003c\/b\u003e\u003cbr\u003eSony’s Digital Audio Processing, which uses DSP (digital signal processing) for digital companding, improves sound quality by optimizing a time-constant range between the transmitter and receiver, making the reproduction of sound more accurate. It provides superb transient response performance which for interview style recording means the audio is clear and crisp.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003eUsing the SMAD-P5 MI shoe adaptor enables direct digital audio recording and delivers high sound quality with low noise by skipping the D\/A and A\/D process. This interface is compatible with a wide range of Sony’s XDCAM camcorders and Alpha interchangeable lens cameras.* It also integrates seamlessly with Sony’s camcorders and displays audio information on the viewfinder for enhanced usability in the field.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eNFC SYNC function to allow quick and easy channel setting\u003c\/b\u003e\u003cbr\u003eSimple and quick channel setting for reliable RF transmission when time pressure is high is becoming crucial. Delivering enhanced usability, the unique “NFC SYNC” feature is designed for easy and fast frequency setting. By simply holding the NFC SYNC button on the receiver for a few seconds, it automatically scans the appropriate frequency. Thereafter, just touching the receiver to the transmitter will sync the channel for optimum speed and efficiency.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003cb\u003eCompact form factor, with improved ergonomics\u003c\/b\u003e\u003cbr\u003eBy reducing the size of the receiver from previous generations, the URX-P41D can sit on top of the camera or ILC attached to the MI shoe or cold shoe allowing for improved balance on the camera.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eExternal Microphone Input and Three-channel mixing function\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe External Microphone Input for an additional wired microphone widens the sound capture options. Three-channel audio recording is available by using a Sony’s lavalier microphone through the external microphone input. Furthermore, four- channel audio recording is also possible when using a stereo microphone through the external microphone input.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eStable RF reception**\u003c\/b\u003e\u003cbr\u003eThe URX-P41D can reduce interruptions in reception (RF signal dropout), by utilising a space diversity reception system, which achieves highly stable reception because of its two receiving antennas. The angle of the antennas on the portable receiver can also be adjusted, which helps to further eliminate signal dropout.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eFunctions to improve performance when on location\u003c\/b\u003e\u003cbr\u003eAuto gain mode and Output level control brings the user peace of mind that the audio levels are correct when out in the field. Auto gain will help to prevent any unwanted distortion and Output level control (when using XLR cable) allows the user to increase the output level where necessary.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":40174537179265,"sku":"SON-URXP41DCE42","price":1059.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sony-professional-audio-default-title-sony-urx-p41d-ce42-dual-channel-camera-mount-wireless-receiver-638-694mhz-30571863113857.jpg?v=1742893517"},{"product_id":"sony-uwp-d27-2-person-camera-mount-wireless-omni-lavalier-microphone-system-638-694mhz","title":"Sony UWP-D27CE42 2-Person Camera-Mount Wireless Omni Lavalier Microphone System (638-694MHz)","description":"\u003cp\u003eThe Sony UWP-D27CE42 2-Person Camera-Mount Wireless Omni Lavalier Microphone System (638-694MHz) is suitable for all camera operators,  videographers, vloggers, and journalists working in the field without a crew. The Sony UWP-D27 wireless mic kit is a dependable 2-channel, camera-mount wireless lavalier microphone system that delivers uncompromising audio quality, while still being easy to use and fast to set up with no menu diving. This compact system is packed with professional features including one-button NFC Automatic Channel-Setting mode and Auto-Gain functions, which handle time-consuming frequency setup and mic-level adjustments for you, so you're ready to shoot two people talking simultaneously directly to your camera within seconds. It is ideal for documentaries, wedding videos, YouTube content, corporate spots, hands-free interviews, and more.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Om9EgezT8b4\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe Sony UWP-D27 wireless kit offers digital signal processing for pristine audio and analog UHF transmission with true-diversity reception for reliability, even under difficult shooting conditions. Rugged and lightweight, this system includes two bodypack transmitters, each with an ECM-V1BMP omnidirectional lavalier mic. It also comes with a low-profile camera-mount receiver designed for enhanced mobility with compact camcorders and smaller DSLR\/mirrorless cameras. Sony shooters can take advantage of the SMAD-P5 digital MI Shoe adapter (available separately), which provides a direct, clean digital audio connection to select Sony cameras equipped with a digital Multi Interface Shoe. The UWP-D27 is backward-compatible with Sony WL-800, UWP Series, and third-generation UWP-D transmitters.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv class=\"feature_BGP5ZCbKOY\"\u003e\r\n\u003cdiv class=\"js-injected-html text_BGP5ZCbKOY\"\u003e\n\u003cb\u003eNFC Automatic Channel-Setting Mode\u003c\/b\u003e\u003cbr\u003ePress and hold the NFC\/Sync button, and the dual receiver scans for the two cleanest RF channels (one for each transmitter). Simply hold the transmitters next to the receiver; it automatically syncs up. Unlike purely digital systems, the UWP-D27 allows you to send a single mic to multiple cameras for broadcast applications. Fast NFC communication makes setup for multiple receivers a breeze.\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eAuto-Gain Mode to Prevent Mic Distortion\u003c\/b\u003e\u003cbr\u003eAuto-Gain mode saves you the time and aggravation of setting and managing the input level on the transmitter. It uses a limiter to help prevent distortion, great when the loudness of the presenter’s voice is unknown. The +15 dB Gain Volume-Boost mode on the transmitters boosts the mic gain by 15 dB to compensate for situations when the mic is not close enough to the presenter’s mouth and the audio level is insufficient. Manual input-level setting is also available.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eHigh-Gain Mode for DSLR and Mirrorless Cameras\u003c\/b\u003e\u003cbr\u003eThe High-Gain mode boosts the output level of the receiver, allowing you to turn down the input gain of your DSLR\/mirrorless camera to achieve an even quieter signal.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003e\u003cb\u003eExternal Mic Input for Additional Wired Microphone\u003c\/b\u003e\u003c\/b\u003e\u003cbr\u003eThere is an external mic-input connector on the receiver for plugging in an additional wired microphone. It allows for up to four-channel audio recording when using a stereo microphone.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003e\u003cb\u003eBuilt-In 4-Channel Mixer\u003c\/b\u003e\u003c\/b\u003e\u003cbr\u003eThe receiver features a 4-channel mixer that enables you to control your mic levels (up to four) as well as assign output 1 or\/and 2 as needed.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003eHigh-Visibility OLED Display for Indoor\/Outdoor Use\u003c\/b\u003e\u003cbr\u003eBoth transmitter and receiver feature an easy-to-read OLED display. The quick response of the display lets you see the operating conditions clearly and accurately in real time, even in bright sunlight.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003e\u003cb\u003eChannel Memory Function for Fast Switching Between 4 Transmitters\u003c\/b\u003e\u003c\/b\u003e\u003cbr\u003eThe channel memory function lets you quickly switch between the groom’s lav mic and the wedding guest’s interview mic with the press of a button. It also allows for a fast change between up to four mics in corporate presentations or quickly swapping to back-up mics.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cb\u003e\u003cb\u003eDSP Filter Removes Occupancy Sensors Artifacts\u003c\/b\u003e\u003c\/b\u003e\u003cbr\u003eTwo levels of DSP filtering help remove the artifacts caused by occupancy sensors used in modern “green” buildings to turn off lights when people leave a room.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv class=\"feature_BGP5ZCbKOY\"\u003e\r\n\u003cdiv class=\"featureHeader_BGP5ZCbKOY\"\u003e\r\n\u003ch2 class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle2_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\"\u003e \u003c\/h2\u003e\r\n\u003cp class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle2_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\"\u003e\u003cb\u003eReliable Reception with True Diversity and All-Band Scan\u003c\/b\u003e\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"js-injected-html text_BGP5ZCbKOY\"\u003eTo achieve stable audio, the UWP-D receiver employs true-diversity technology with two antennas and two independent receiver sections within the unit. Both RF signals are compared and the stronger signal is automatically selected for output—reducing dropouts to a minimum (True diversity is available only in single-channel mode. In dual-channel mode, the receiver relies on antenna diversity). The angle of the two antennas can be adjusted to further prevent signal dropouts. Great for videographers traveling to different cities, the All-Band scanning function scans the entire spectrum of the receiver to give you the two best frequencies at your shooting location. The system offers a 72 MHz bandwidth with 2772 UHF frequencies.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv class=\"feature_BGP5ZCbKOY\"\u003e\r\n\u003cdiv class=\"featureHeader_BGP5ZCbKOY\"\u003e\r\n\u003ch2 class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle2_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\"\u003e \u003c\/h2\u003e\r\n\u003cp class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle2_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\"\u003e\u003cb\u003eHigh-Quality Sound with Digital Audio Processing\u003c\/b\u003e\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"js-injected-html text_BGP5ZCbKOY\"\u003eUnlike traditional analog wireless systems, The UWP-D supplements its proven analog UHF transmission technology with a proprietary digital audio processing. Transient sounds and consonants are reproduced with greater accuracy, resulting in clear, natural sound that’s intelligible and nuanced. The ECM-V1BMP lavalier mic is optimized for capturing clear and intelligible speech. This omnidirectional mic picks up sound from every direction, allowing for a variety of placement options and freedom of movement.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv class=\"feature_BGP5ZCbKOY\"\u003e\r\n\u003cdiv class=\"featureHeader_BGP5ZCbKOY\"\u003e\r\n\u003ch2 class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle2_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\"\u003e \u003c\/h2\u003e\r\n\u003cp class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle2_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\"\u003e\u003cb\u003eA Compact Build, Ready for the Camera\u003c\/b\u003e\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"js-injected-html text_BGP5ZCbKOY\"\u003eThe UWP-D27 features a robust, all-metal construction well suited for tough operating conditions. The compact bodypack transmitter is lightweight and comfortable for the talent to wear. A locking, 3.5mm BMP-type microphone input connector ensures that your lav doesn’t detach at a critical moment. Using the included shoemount adapter, the receiver easily mounts on your camera, while adding minimal weight to your rig. Cables are included to connect to cameras equipped with either a 3.5mm or an XLR audio inputs.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv class=\"feature_BGP5ZCbKOY\"\u003e\r\n\u003cdiv class=\"featureHeader_BGP5ZCbKOY\"\u003e\r\n\u003ch2 class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle2_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\"\u003e \u003c\/h2\u003e\r\n\u003cp class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle2_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\"\u003e\u003cb\u003eDirect Digital Audio via SMAD-P5 MI Shoe Adapter\u003c\/b\u003e\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"js-injected-html text_BGP5ZCbKOY\"\u003eThe optional SMAD-P5 digital MI Shoe adapter allows you to integrate the receiver with XDCAM camcorders and select Sony cameras equipped with a digital Multi Interface Shoe.\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eThis setup provides a direct digital connection, skipping the receiver’s D\/A and camera’s A\/D converters for superior audio quality and low noise.\u003c\/li\u003e\r\n\u003cli\u003eAudio information such as RF level meter, audio-mute status, and low-battery alert for the transmitters is displayed on the camera's viewfinder.\u003c\/li\u003e\r\n\u003cli\u003eThis cable-free configuration allows for fast setup in the field.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv class=\"feature_BGP5ZCbKOY\"\u003e\r\n\u003cdiv class=\"featureHeader_BGP5ZCbKOY\"\u003e\r\n\u003ch2 class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle2_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\"\u003e \u003c\/h2\u003e\r\n\u003cp class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle2_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\"\u003e\u003cb\u003eMultiple Powering Options\u003c\/b\u003e\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"js-injected-html text_BGP5ZCbKOY\"\u003eTwo AA batteries (alkaline or NiMH rechargeable type) power the transmitter for up to 8 hours and the receiver for up to 4.5 hours. A battery count-up timer allows for accurate reading of battery running time to minute accuracy. The transmitter and receiver can also be powered through their USB ports, allowing them to run for numerous hours on a USB power pack or indefinitely, if you have access to AC.\r\n\u003cp\u003eWith the SMAD-P5 Digital MI Shoe adapter, the receiver can get power directly from Sony cameras equipped with an MI Shoe. Cartridge-type battery cases allow for quick battery replacement on set.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv class=\"feature_BGP5ZCbKOY\"\u003e\r\n\u003cdiv class=\"featureHeader_BGP5ZCbKOY\"\u003e\r\n\u003ch2 class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle2_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\"\u003e \u003c\/h2\u003e\r\n\u003cp class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle2_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\"\u003e\u003cb\u003eHeadphone Monitoring for Location Sound\u003c\/b\u003e\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"js-injected-html text_BGP5ZCbKOY\"\u003eIf your camera doesn’t have a headphone jack, Phone mode lets you monitor your sound via the receiver’s headphone output while recording.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv class=\"feature_BGP5ZCbKOY\"\u003e\r\n\u003cdiv class=\"featureHeader_BGP5ZCbKOY\"\u003e\r\n\u003ch2 class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle2_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\"\u003e \u003c\/h2\u003e\r\n\u003cp class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle2_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\"\u003e\u003cb\u003eOther Features\u003c\/b\u003e\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"js-injected-html text_BGP5ZCbKOY\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eThe RF output level on the transmitter has two settings: the 5mW option allows you to conserve battery life, while the 30mW setting gives you more power to overcome interference, great in busy RF environments.\u003c\/li\u003e\r\n\u003cli\u003eSwitchable Mic\/Line input level, so you can set the correct gain level for your sound source.\u003c\/li\u003e\r\n\u003cli\u003eLow-cut filter reduces noise caused by wind or machinery—Off \/ Low (100 Hz) \/ Mid (150 Hz) \/ High (200 Hz).\u003c\/li\u003e\r\n\u003cli\u003eThe receiver provides a variable output level control of ±12 dB, useful when working with cameras without manual input level control.\u003c\/li\u003e\r\n\u003cli\u003eSimple menus make navigation easy. Advanced menus for in-depth control are also available.\u003c\/li\u003e\r\n\u003cli\u003eThe variable mute button on the transmitter can be programmed for latched or momentary muting. It can also be used as a momentary talk button.\u003c\/li\u003e\r\n\u003cli\u003eYou can operate up to 16 mics per frequency band in one location.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv class=\"feature_BGP5ZCbKOY\"\u003e\r\n\u003cdiv class=\"featureHeader_BGP5ZCbKOY\"\u003e\r\n\u003ch2 class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle2_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\"\u003e \u003c\/h2\u003e\r\n\u003cp class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle2_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\"\u003e\u003cb\u003eConfigure Your System to Do More\u003c\/b\u003e\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"js-injected-html text_BGP5ZCbKOY\"\u003eWith this set, you can add the UTX-M40 handheld wireless mic with a cardioid capsule, ideal in situations where you don't have time to position a lavalier mic or you need to quickly pass the mic between several people. Adding the UTX-P40 plug-on transmitter with 48V phantom power allows you to connect any handheld microphone of your choice for man-on-the-street-style interviews or a shotgun mic for wireless booming. For clearer speech in noisy environments, you can substitute the included lav mic with an ECM-322BMP headset mic.\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv class=\"feature_BGP5ZCbKOY\"\u003e\r\n\u003cdiv class=\"featureHeader_BGP5ZCbKOY\"\u003e\r\n\u003ch2 class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle2_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\"\u003e \u003c\/h2\u003e\r\n\u003cp class=\"text_v_wGSQBcdt comfy_v_wGSQBcdt sizeTitle2_v_wGSQBcdt weightNormal_v_wGSQBcdt primary_aEALyqkgyT\"\u003e\u003cb\u003eCompatibility with Other Sony Wireless Systems\u003c\/b\u003e\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"js-injected-html text_BGP5ZCbKOY\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eThe transmitter can be used with WL-800 Series, UWP Series, or third-generation and fourth-generation UWP-D Series receivers or transmitters.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":40174537375873,"sku":"SON-UWPD27CE42","price":1949.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sony-professional-audio-default-title-sony-uwp-d27ce42-2-person-camera-mount-wireless-omni-lavalier-microphone-system-638-694mhz-30571862294657.jpg?v=1747049598"},{"product_id":"blackmagic-design-atem-1-m-e-constellation-hd","title":"Blackmagic Design ATEM 1 M\/E Constellation HD Live Production Switcher","description":"\u003cp\u003eThe Blackmagic Design ATEM 1 M\/E Constellation HD is a high-definition live production switcher that includes 10 standards converted 3G‑SDI inputs and 6 independent 3G‑SDI aux outputs. It also includes a USB webcam output, DVE, chroma keyers, media players, multiview and more. The switcher has a multiview output with up to 16 routable windows that can display inputs, keyed video, graphics, and stills from the media pool, as well as the program output. Each input connects to a built-in Fairlight audio mixer supporting up to 28 channels of audio.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cp\u003eThe switcher features a reference video input, and each input features a frame synchronizer, frame rate converter, and format converter. This allows you to mix and match cameras, formats, cameras that do not feature genlock, and video input from computer sources. Upstream and downstream keyers and effects are supported. All this is done live and in real-time with no rendering required. You can control the switcher using the integrated front panel, optional Blackmagic ATEM panels, or via the downloadable control software.\u003c\/p\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003ch2\u003eBroadcast-Quality Transitions\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003eThe ATEM Constellation HD includes a wide range of broadcast-quality native transitions such as mix, dip, wipe, and more. All transitions can be customized in the system control menus with adjustments for border colour, border width, position, direction, and a lot more. The ATEM Constellation switcher includes a powerful digital video effects processor for DVE transitions, which can be used to squeeze the current picture offscreen revealing a new video under it. The DVE can even be used to create graphic wipe transitions. To eliminate errors, ATEM Constellation HD features a preview transition feature so you can set up your transitions before you switch it on air.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003ch2\u003eBuilt-In DVE\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003eATEM Constellation features one independent DVE that lets you reposition graphics and create picture-in-picture compositions. You get amazing quality and the DVE supports position, resize, and scale, all in real time. The DVE lets you create professional picture-in-picture effects with customizable 3D borders, shadows, and lighting.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003ch2\u003eMultiview\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003eConfigurable to 16, 13, 10, 7, or 4 up view, it includes monitoring of program, preview, inputs, media players, DSK, and clean feed with optional labels and audio meters.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003ch2\u003eProfessional Broadcast Talkback\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003eTo keep crews working as a single creative team, ATEM Constellation features built-in talkback. Talkback supports a 5-pin XLR headset connector, plus a rear-mounted RJ45 connector for interfacing with industry-standard talkback systems such as ClearCom or RTS. You get full talkback control, including program and engineering loops, sidetone control for hearing the headset mic into the headphones, and program mix. ATEM Constellation HD also supports SDI talkback that uses SDI channels 15 and 16 for 2-way communication with Blackmagic Design cameras. You can even use channels 13 and 14 for engineering talkback. It's even possible to mix the talkback mic into the program audio for voiceovers.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003ch2\u003eMedia Pool\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003eThe built-in media pool stores broadcast-quality RGBA graphics and animations that can be played back instantly by the two or four media players. Media players simply appear as additional input sources on the ATEM Constellation HD, so you don't have to use extra SDI inputs for graphics. The built-in media pool holds up to 20 stills and 200 frame animations. You can easily manage all your media using the included ATEM Software Control or download directly from Photoshop using the ATEM Photoshop plug-in.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003ch2\u003eChroma Keyers\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003eFor news or virtual set work, ATEM Constellation HD is perfect as it features ATEM advanced keyers for high-quality chroma or luminance keying. The chroma keyer is incredibly powerful and features a colour picker to sample background colours for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground colour corrector so you can match the \"look\" of the foreground layer to the background layer, making seamless compositions possible. The keyer can also be used for pattern and DVE keying. You get four ATEM Advanced Keyers.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003ch2\u003eUpstream Chroma Keyers\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003eWith four upstream chroma keyers per M\/E row, you get the perfect solution for building virtual sets. The 1 M\/E model has enough keyers to generate a 4-camera virtual set. You can use external image processors for virtual sets, or you can even build a fixed camera virtual set by loading pre-rendered still image backgrounds from the media players and media pool. You can set up macros to change cameras and load the correct background into the media players. With so much flexibility, you can experiment to try out different studio setups.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003ch2\u003eMulti-Rate 3G-SDI Input\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003eWith 10 multi-rate 3G-SDI input connections, the ATEM Constellation HD is compatible with all types of HD video sources. You can connect equipment in all HD television standards, including 720p, 1080i, and 1080p formats. Only multi-rate 3G-SDI allows switching between HD formats, so you can instantly adapt to the needs of the job you are doing anywhere in the world. The SDI inputs will also handle embedded audio and mix audio from all video inputs. Plus, the program outputs include talkback, tally, and camera control information. That means you can connect any of the switcher SDI outputs back to the camera for program return, camera control, and talkback.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003ch2\u003eAudio\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003eATEM Constellation HD is the world's first live production switcher that fully embraces live professional audio production. All SDI inputs are connected to a built-in Fairlight audio mixer that features a 6-band parametric EQ, compressor, limiter, noise gate, and expander on each input. The Fairlight audio mixer even has additional inputs for mixing audio from analog inputs, talkback microphones for voice-over, and more.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003ch2\u003eATEM Software Control Panel\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003eThe ATEM Software Control Panel gives you total control over your switcher and is included for free. The ATEM Software Control Panel features a beautifully designed interface with a visual switcher and parameter palettes for making quick adjustments. Multiple users can connect to the switcher via Ethernet and all work on different parts of the event at the same time. The ATEM Software Control also lets you access camera control, audio mixing, media, macro programming, and even control of HyperDeck disk recorders. You can even save the full state of the switcher as XML files, plus all media is backed up from the media pool. You can run the software on Mac or Windows.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003ch2\u003eSupports Optional Control Panels\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003eATEM Advanced Panels feature an industry-standard, familiar M\/E style layout. Each panel has built-in LCDs for menus, high-quality buttons with customizable illumination colour, a DVE joystick, and a T-bar fader. You can even set up and trigger macros. All rows of M\/E buttons include integrated LCDs for dynamic input button labelling. The 1 M\/E model features a single M\/E row with 10 input buttons. The 2 M\/E model features 2 M\/E rows with 20 input buttons. The massive 4 M\/E model features four M\/E rows with 40 input buttons per row and four independent system control LCD screens.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":40174538195073,"sku":"BLA-SWATEMSCN2-1ME1-HD","price":1485.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/blackmagic-design-video-production-default-title-blackmagic-design-atem-1-m-e-constellation-hd-live-production-switcher-30571851481217.png?v=1744597854"},{"product_id":"blackmagic-design-atem-2-me-constellation-hd","title":"Blackmagic Design ATEM 2 M\/E Constellation HD Live Production Switcher (1RU)","description":"\u003cp\u003eThe  Blackmagic Design ATEM 2 M\/E Constellation HD is a high definition live production switcher that includes 20 standards converted 3G‑SDI inputs and 12 independent 3G‑SDI aux outputs. It also includes a USB webcam output, SuperSource processor, DVEs, chroma keyers, media players, multiviews and more. You even get built in talkback and a professional built in Fairlight audio mixer with EQ and dynamics.\u003cbr\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cp\u003eThe switcher features a reference video input, and each input features a frame synchronizer, frame rate converter, and format converter. This allows you to mix and match cameras, formats, cameras that do not feature genlock, and video input from computer sources. Upstream and downstream keyers and effects are supported. All this is done live and in real time with no rendering required. You can control the switcher using the integrated front panel, optional Blackmagic ATEM panels, or via the downloadable control software.\u003c\/p\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch2\u003e \u003c\/h2\u003e\n\u003ch2\u003eBroadcast-Quality Transitions\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003eThe ATEM Constellation HD includes a wide range of broadcast-quality native transitions such as mix, dip, wipe, and more. All transitions can be customized in the system control menus with adjustments for border color, border width, position, direction, and a lot more. The ATEM Constellation switcher includes a powerful digital video effects processor for DVE transitions, which can be used to squeeze the current picture offscreen, revealing a new video under it. The DVE can even be used to create graphic wipe transitions. To eliminate errors, ATEM Constellation HD features a preview transition feature so you can set up your transitions before you switch it on air.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\u003ch2\u003e\n\u003cbr\u003eBuilt-In DVE\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003eThe ATEM Constellation features two independent DVEs that let you reposition graphics and create picture-in-picture compositions. You get amazing quality, and the DVE supports position, resize, and scale, all in real time. The DVE lets you create professional picture-in-picture effects with customizable 3D borders, shadows, and lighting. DVEs can also be used to create amazing DVE transitions with squeeze and swoosh effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions. The 2 M\/E model includes SuperSource processors for six DVEs.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\u003ch2\u003e\n\u003cbr\u003eSuperSource\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003eIn addition to the DVEs in the M\/E rows, the 2 M\/E model includes powerful SuperSource multilayer processors with four extra DVE layers plus a background layer, all appearing to ATEM Constellation HD as an additional input source. Any switcher video input can be used for each SuperSource DVE, then it's all layered together over a media pool custom background. SuperSource is just like having an extra multi-layer VFX switcher built in. SuperSource is perfect for doing picture-in-picture displays for interviews because you can set up the effect while keeping the main DVEs free for other tasks.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\u003ch2\u003e\n\u003cbr\u003eMultiview\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003eConfigurable to 16, 13, 10, 7, or 4 up view. It includes monitoring of program, preview, inputs, media players, DSK, and clean feed with optional labels and audio meters. The 2 M\/E model features two multiview outputs.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\u003ch2\u003e\n\u003cbr\u003eProfessional Broadcast Talkback\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003eTo keep crews working as a single creative team, ATEM Constellation features built-in talkback. Talkback supports a 5-pin XLR headset connector, plus a rear-mounted RJ12 connector for interfacing with industry-standard talkback systems such as ClearCom or RTS. You get full talkback control, including program and engineering loops, sidetone control for hearing the headset mic into the headphones, and program mix. ATEM Constellation HD also supports SDI talkback that uses SDI channels 15 and 16 for 2-way communication with Blackmagic Design cameras. You can even use channels 13 and 14 for engineering talkback. It's even possible to mix the talkback mic into the program audio for voice overs.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\u003ch2\u003e\n\u003cbr\u003eMedia Pool\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003eThe built-in media pool stores broadcast quality RGBA graphics and animations that can be played back instantly by the two or four media players. Media players simply appear as additional input sources on the ATEM Constellation HD, so you don't have to use extra SDI inputs for graphics. The built-in media pool holds graphics for use with the media players. The 2 M\/E model can hold 40 stills and 400 frame animations. You can easily manage all your media using the included ATEM Software Control or download directly from Photoshop using the ATEM Photoshop plug-in.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\u003ch2\u003e\n\u003cbr\u003eChroma Keyers\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003eFor news or virtual set work, ATEM Constellation HD is perfect as it features lots of ATEM advanced keyers for high-quality chroma or luminance keying. The chroma keyer is incredibly powerful and features a color picker to sample background colors for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground color corrector so you can match the \"look\" of the foreground layer to the background layer making seamless compositions possible. The keyer can also be used for pattern and DVE keying. You get eight ATEM Advanced Keyers on the 2 M\/E model.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\u003ch2\u003e\n\u003cbr\u003eUpstream Chroma Keyers\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003eWith four upstream chroma keyers per M\/E row, you get the perfect solution for building virtual sets. With so many ATEM Advanced chroma keyers, you can use a keyer per camera to create a seamless composition of the camera over the custom background. The 2 M\/E model has enough keyers to generate a 4-camera virtual set. You can use external image processors for virtual sets, or you can even build a fixed camera virtual set by loading pre-rendered still image backgrounds from the media players and media pool. You can set up macros to change cameras and load the correct background into the media players. With so much flexibility, you can experiment to try out different studio setups.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\u003ch2\u003e\n\u003cbr\u003eMulti-Rate 3G-SDI Input\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003eWith up to 20 multi-rate 3G-SDI input connections, depending on the model, the ATEM Constellation HD is compatible with all types of HD video sources. You can connect equipment in all HD television standards, including 720p, 1080i, and 1080p formats. Only multi-rate 3G-SDI allows switching between HD formats, so you can instantly adapt to the needs of the job you are doing anywhere in the world. The SDI inputs will also handle embedded audio and mix audio from all video inputs. Plus, the program outputs include talkback, tally, and camera control information. That means you can connect any of the switcher SDI outputs back to the camera for program return, camera control, and talkback.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\u003ch2\u003e\n\u003cbr\u003eAudio\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003eATEM Constellation HD fully embraces live professional audio production. All SDI inputs are connected to a built-in Fairlight audio mixer that features a 6-band parametric EQ, compressor, limiter, noise gate, and expander on each input.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\u003ch2\u003e\n\u003cbr\u003eATEM Software Control Panel\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003eThe ATEM Software Control Panel gives you total control over your switcher and is included for free. The ATEM Software Control Panel features a beautifully designed interface with a visual switcher and parameter palettes for making quick adjustments. Multiple users can connect to the switcher via Ethernet, and all work on different parts of the event at the same time. The ATEM Software Control also lets you access camera control, audio mixing, media, macro programming, and even control of HyperDeck disk recorders. You can save the full state of the switcher as XML files, plus all media is backed up from the media pool. You can run the software on Mac or Windows.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\u003ch2\u003e\n\u003cbr\u003eSupports Optional Control Panels\u003c\/h2\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003eThree models of ATEM Advanced Panels are available. ATEM Advanced Panels feature an industry-standard, familiar M\/E style layout. Each panel has built-in LCDs for menus, high-quality buttons with customizable illumination color, a DVE joystick, and a T-bar fader. You can even set up and trigger macros. All rows of M\/E buttons include integrated LCDs for dynamic input button labeling. The 1 M\/E model features a single M\/E row with 10 input buttons. The 2 M\/E model features 2 M\/E rows with 20 input buttons. The massive 4 M\/E model features four M\/E rows with 40 input buttons per row and four independent system control LCD screens.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":40174538522753,"sku":"BLA-SWATEMSCN2\/1ME2\/HD","price":2525.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/blackmagic-design-video-production-default-title-blackmagic-design-atem-2-m-e-constellation-hd-live-production-switcher-1ru-30571852038273.png?v=1744597862"},{"product_id":"sony-fe-24-70mm-f2-8-m2-gm-lens","title":"Sony FE 24-70mm f2.8 M2 GM Lens","description":"\u003cp\u003eThe Sony FE 24-70mm f2.8 M2 GM Lens is smaller and lighter than the previous generations and features a variety of optical, focusing, and handling upgrades, catering to both photo and video applications. The Sony FE 24-70mm F2.8 GM has an updated standard zoom, packing evolved optics and AF performance into a convenient, compact, lightweight zoom design that offers maximum mobility for both stills and movies. It is an ideal match for high-performance compact α system bodies, and will cover a wide range of shooting situations.\u003cbr\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003ciframe allowfullscreen=\"allowfullscreen\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/1Viel8MAl-M\" title=\"YouTube video player\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cdiv class=\"editorial-title\"\u003e\u003cstrong\u003eKey Features:\u003c\/strong\u003e\u003c\/div\u003e\u003cdiv class=\"editorial-title\"\u003e\u003cul\u003e\n\u003cli\u003eF2.8 standard zoom with enhanced image quality\u003c\/li\u003e\n\u003cli\u003eAF performance that maximises speed advantages of Sony Alpha camera bodies\u003c\/li\u003e\n\u003cli\u003eMovie features refined for visual creators\u003c\/li\u003e\n\u003cli\u003eThe smallest \u0026amp; lightest in its class¹ for unequalled mobility\u003c\/li\u003e\n\u003cli\u003eSuperior control \u0026amp; reliability in any environment\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003cdiv class=\"editorial-title\"\u003e \u003c\/div\u003e\u003cdiv class=\"editorial-title\"\u003e\u003cstrong\u003eHigh resolution rivals the best primes\u003c\/strong\u003e\u003c\/div\u003e\u003cdiv class=\"editorial-copy\"\u003eExcellent contrast at high spatial frequencies means superb resolution even at F2.8. Two high-precision XA (extreme aspherical) elements, two ED (Extra-low dispersion) glass elements, two Super ED glass elements, and a floating focus mechanism control chromatic aberration, astigmatism, distortion, and coma at all zoom and aperture settings. Nano AR Coating II subdues flare and ghosting for outstanding clarity.\u003c\/div\u003e\u003cdiv class=\"editorial-copy\"\u003e \u003c\/div\u003e\u003cdiv class=\"editorial-copy\"\u003e\n\u003cdiv class=\"editorial-title\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"editorial-title\"\u003e\u003cstrong\u003eStunning G Master bokeh\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"editorial-copy\"\u003eExquisite F2.8 bokeh extends throughout the zoom range thanks to advanced optical design and a new 11-blade aperture unit. Bokeh is enhanced by precise control of spherical aberration during design and for each lens during manufacture. Two XA elements with 0.01-micron precision suppress onion ring bokeh. Minimum focusing distance is 0.21 meters at 24 mm and 0.30 meters at 70 mm, with max. magnification of 0.32x.\u003c\/div\u003e\n\u003cdiv class=\"editorial-copy\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"editorial-copy\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"editorial-copy\"\u003e\n\u003cdiv class=\"editorial-title\"\u003e\u003cstrong\u003eThe most compact, lightweight, and versatile in its class\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"editorial-copy\"\u003eThe smallest and lightest F2.8 24-70mm zoom in its class, this lens offers unprecedented flexibility and freedom. It weighs just 695 grams, 191 grams less than the previous model. Its length has been reduced by 16 mm, and overall volume has been reduced by approximately 18%. Impressive portability and mobility make it a good choice for professional or enthusiast still or movie use in a wide range of situations.\u003c\/div\u003e\n\u003cdiv class=\"editorial-copy\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"editorial-copy\"\u003e\n\u003cdiv class=\"editorial-title\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"editorial-title\"\u003e\u003cstrong\u003eFast, precise AF and excellent response\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"editorial-copy\"\u003eFour of Sony’s original XD (extreme dynamic) Linear Motors, a floating focus mechanism, and advanced lens control achieve high AF precision and approximately 2x better tracking performance while zooming than the previous model. With a compatible body it can shoot at up to 30 frames per second. The new aperture unit also contributes to high speed, enabling full AF tracking performance even when shooting with the aperture stopped down.\u003c\/div\u003e\n\u003cdiv class=\"editorial-copy\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"editorial-copy\"\u003e\n\u003cdiv class=\"editorial-title\"\u003e \u003c\/div\u003e\n\u003cdiv class=\"editorial-title\"\u003e\u003cstrong\u003eExcellent control and reliability in any environment\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"editorial-copy\"\u003eAn updated dust and moisture resistant design provides extra reliability for outdoor use in challenging conditions, and a fluorine coating keeps the front element clean. Convenient operation of circular polarizing and variable ND filters (optional) is provided by a special opening in the supplied lens hood. Two customizable focus hold buttons are provided for easy access and convenient control when shooting in any orientation.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":40174540587137,"sku":"SON-SEL2470GM2","price":2499.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sony-lenses-default-title-sony-fe-24-70mm-f2-8-m2-gm-lens-30571860983937.jpg?v=1747049770"},{"product_id":"manfrotto-carbon-fiber-twin-leg-video-tripod-legs-with-ground-spreader","title":"Manfrotto Carbon Fibre Twin Leg Video Tripod Legs Only with Ground Spreader","description":"\u003cp\u003eThe Manfrotto Carbon Fibre Twin Leg Video Tripod Legs with Ground Spreader is suitable for use on flat, smooth surfaces, and it features carbon fibre tubes that are both strong and lightweight while being corrosion resistant. The legs incorporate a 100mm half bowl and include a 75mm adapter ring, so you can use them with heads that have either a 100 or 75mm half ball. The legs support up to 20kgs, which allows you to mount an appropriately sized fluid head, camera, and accessories without straining the capacity of the legs.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003eWith the included ground spreader attached the height of the legs can be adjusted from just over 30cm to 150cm high, and the legs collapse to under 28 inches in length for transport and storage. Removing the spreader reveals the dual spiked feet, which are useful for soft surfaces such as gravel, dirt, or sand.\u003c\/p\u003e","brand":"Manfrotto","offers":[{"title":"Default Title","offer_id":40174549827713,"sku":"MAN-MVTTWINGC","price":1359.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/manfrotto-tripods-support-default-title-manfrotto-carbon-fibre-twin-leg-video-tripod-legs-only-with-ground-spreader-30576581247105.jpg?v=1742893922"},{"product_id":"sony-cinema-line-fx30-apsc-cinema-camera","title":"Sony FX30 Cinema Camera Body","description":"\u003cp\u003eThe Sony FX30 Cinema Camera Body makes cinema camera features accessible to all content creators. It features a brand new Back-illuminated APS-C 20.1 MP Exmor R™ CMOS sensor and  Dual Base ISO with a 14+ stop for a wide latitude, flexible motion with up to 4K (QFHD) 120p recording with autofocus, new Log shooting (Flexible ISO, Cine EI Quick and Cine EI) modes and XAVC HS 4:2:2 10-bit internal recording with a 4K 16-bit RAW output full HDMI terminal.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/V9WsVzZ-TCg\" title=\"YouTube video player\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\u003cdiv\u003e\r\n    \u003cdiv\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003e \u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n    \u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n    \u003cdiv\u003e\r\n        \u003cdiv\u003e\r\n            \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n            \u003cdiv\u003e\u003cstrong\u003eCinematic Expression\u003c\/strong\u003e\u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cp\u003e26MP APS-C\/Super 35mm Exmor R BSI CMOS Sensor\u003c\/p\u003e\r\n            \u003c\/div\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003eThe FX30's advanced imaging system is on par with other options in Sony's Cinema Line, capturing detailed 10-bit UHD 4K imagery at up to 120 fps, giving it specs fitting a true cinema camera. The newly developed 26MP APS-C Exmor R CMOS sensor and BIONZ XR processor can create high-quality 4K images with the Super 35mm (16:9) area. This system is capable of capturing 14+ stops of dynamic range and benefits from Dual Base ISO architecture to improve low-light performance.\u003c\/div\u003e\r\n                \u003cp\u003e \u003c\/p\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003e\r\n                    \u003cul\u003e\r\n                        \u003cli\u003eHigh-sensitivity recording up to ISO 32000 and Dual Base ISO (800\/2500).\u003c\/li\u003e\r\n                        \u003cli\u003eWhen using S-Log3, the FX30 can capture 14+ stops of dynamic range.\u003c\/li\u003e\r\n                        \u003cli\u003eRecord in 10-bit 4:2:2 using advanced XAVC HS and XAVC S-I formats.\u003c\/li\u003e\r\n                        \u003cli\u003eFull pixel readout from the 6K sensor creates high-quality UHD 4K video at up to 60 fps.\u003c\/li\u003e\r\n                        \u003cli\u003eHigh-speed shooting is possible in 4K at up to 120 fps with a 1.6x crop and in Full HD at up to 240 fps.\u003c\/li\u003e\r\n                        \u003cli\u003eThe HDMI output supports 16-bit raw video to select, separately available recorders.\u003c\/li\u003e\r\n                    \u003c\/ul\u003e\r\n                \u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n            \u003cdiv\u003e\r\n                \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                \u003cp\u003e\u003cstrong\u003eProfessional Picture Control\u003c\/strong\u003e\u003c\/p\u003e\r\n            \u003c\/div\u003e\r\n            \u003cdiv\u003e\r\n                \u003cp\u003e Filmmakers will be able to capture images that are immediately ready to publish for projects with fast turnarounds or opt for maximum quality and flexibility in post thanks to a wide array of picture control options:\u003c\/p\u003e\r\n                \u003cul\u003e\r\n                    \u003cli\u003eS-Cinetone uses the same colour science as Sony's advanced cinema cameras, including the VENICE line, with natural mid-tones, soft colours, and smooth highlight roll-off.\u003c\/li\u003e\r\n                    \u003cli\u003ePicture Profiles, such as S-Log3 and HLG, will capture images with expanded dynamic range and flexibility for editors.\u003c\/li\u003e\r\n                    \u003cli\u003eCreative Looks can be baked into the recorded footage to create a specific mood during recording and minimize the need for editing.\u003c\/li\u003e\r\n                    \u003cli\u003eUp to 16 user-created LUTs and three presets can be set for accurately monitoring footage or previewing a specific look during shooting. These can be applied to the camera's monitor or EVF as well as the HDMI output.\u003c\/li\u003e\r\n                \u003c\/ul\u003e\r\n                \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                \u003cp\u003e\u003c\/p\u003e\r\n            \u003c\/div\u003e\r\n            \u003cdiv\u003e\n\u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/hfGDBMNfcZU\" title=\"YouTube video player\" width=\"560\"\u003e\u003c\/iframe\u003e\r\n                \u003cdiv\u003e\r\n                    \u003cp\u003e \u003c\/p\u003e\r\n                    \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                    \u003cdiv\u003e\u003cstrong\u003eOperation for All Levels\u003c\/strong\u003e\u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n                \u003cdiv\u003e\r\n                    \u003cp\u003e Professional features will help ensure beginners to professionals can make the most of the FX30. This includes three log shooting modes:\u003c\/p\u003e\r\n                    \u003cul\u003e\r\n                        \u003cli\u003eFlexible ISO uses standard ISO settings for simple operation and the greatest flexibility.\u003c\/li\u003e\r\n                        \u003cli\u003eCine EI ensures maximum dynamic range capture by recording at a manually selected base ISO setting and applying adjustments to metadata for monitoring and post-production.\u003c\/li\u003e\r\n                        \u003cli\u003eCine EI quick will automatically switch between the two base ISO settings for easier operation and great quality.\u003c\/li\u003e\r\n                    \u003c\/ul\u003e\r\n                    \u003cp\u003e\u003c\/p\u003e\r\n                \u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n    \u003c\/div\u003e\r\n    \u003cdiv\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003e \u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003e\r\n                    \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                    \u003cdiv\u003e\u003cstrong\u003eFast Hybrid AF\u003c\/strong\u003e\u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n                \u003cdiv\u003e\r\n                    \u003cp\u003e Enjoy high-speed and highly accurate autofocus performance in every mode, including 4K up to 120 fps, using an advanced Fast Hybrid AF system that uses 495 points spread across 90% of the image sensor.\u003c\/p\u003e\r\n                    \u003cul\u003e\r\n                        \u003cli\u003eReal-time Eye AF and Real-time Tracking will track the eyes of humans and animals.\u003c\/li\u003e\r\n                        \u003cli\u003eAF Assist function will automatically switch to manual focus with a turn of the lens' focus ring.\u003c\/li\u003e\r\n                        \u003cli\u003eFocus Map makes it easier to visualize the region of focus in your scene\u003c\/li\u003e\r\n                    \u003c\/ul\u003e\r\n                    \u003cp\u003e \u003c\/p\u003e\r\n                    \u003cp\u003e\u003c\/p\u003e\r\n                \u003c\/div\u003e\r\n            \u003c\/div\u003e\n\u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/DhzpcD6C_A8\" title=\"YouTube video player\" width=\"560\"\u003e\u003c\/iframe\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003e\r\n                    \u003cp\u003e \u003c\/p\u003e\r\n                    \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                    \u003cdiv\u003e\u003cstrong\u003e5-Axis In-Body Image Stabilization\u003c\/strong\u003e\u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n                \u003cdiv\u003e\r\n                    \u003cp\u003e Sony has equipped the FX30 with a 5-axis in-body image stabilization system that will help create smooth imagery even when working handheld. An Active Mode is available that blends optical systems with digital optimizations to capture ultra-smooth footage. The FX30 can also record gyro movement when the optical stabilizers are turned off which can be used in post to create a stable shot.\u003c\/p\u003e\r\n                \u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003e\r\n                    \u003cp\u003e \u003c\/p\u003e\r\n                    \u003cdiv\u003e\u003cstrong\u003eComprehensive Feature Set\u003c\/strong\u003e\u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n                \u003cdiv\u003e\r\n                    \u003cdiv\u003e \u003cp\u003eBreathing compensation works with select lenses in 4K up to 60p in camera or up to 120p using Catalyst software after recording.\u003c\/p\u003e\r\n                        \u003cul\u003e\r\n                            \u003cli\u003eTimecode sync input with optional VMC-BNCM1 Timecode Adapter Cable\u003c\/li\u003e\r\n                            \u003cli\u003eTally lights for easy indication that the camera is recording.\u003c\/li\u003e\r\n                        \u003c\/ul\u003e\r\n                    \u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003e\r\n                    \u003cp\u003e \u003c\/p\u003e\r\n                    \u003cdiv\u003e\u003cstrong\u003eCatalyst Browse and Prepare Integration\u003c\/strong\u003e\u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n                \u003cdiv\u003e\r\n                    \u003cp\u003e The FX30 records a comprehensive array of metadata that can be read and used for advanced post-production work using Sony's Catalyst Browse and Prepare software.\u003cbr\u003e\u003cbr\u003eMetadata recorded include:\u003c\/p\u003e\r\n                    \u003cul\u003e\r\n                        \u003cli\u003eEmbedded LUT and Exposure Index (EI) data.\u003c\/li\u003e\r\n                        \u003cli\u003eGyro and lens stabilization metadata to further reduce camera shake.\u003c\/li\u003e\r\n                        \u003cli\u003eBreathing compensation can be manually controlled and adjusted.\u003c\/li\u003e\r\n                        \u003cli\u003eCamera rotation metadata will ensure the footage is displayed as intended.\u003c\/li\u003e\r\n                        \u003cli\u003eShot marks can be added to clips during or after recording for reference\u003c\/li\u003e\r\n                    \u003c\/ul\u003e\r\n                    \u003cp\u003e\u003c\/p\u003e\r\n                \u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n    \u003c\/div\u003e\r\n    \u003cdiv\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cp\u003e \u003c\/p\u003e\r\n                \u003cdiv\u003e\u003cstrong\u003eErgonomic Form for Solo Operation\u003c\/strong\u003e\u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003e\r\n                    \u003cp\u003e Lightweight and compact, the FX30 (in a design that matches the FX3) offers users the ability to shoot without needing a cage. Users can also enjoy smooth handheld footage thanks to a 5-axis in-body image stabilization system.\u003cbr\u003e\u003cbr\u003eThe body features multiple threaded mounting points that are ideal for accessories and a Multi Interface Shoe that supports advanced accessories. Additionally, an integrated fan ensures reliable performance during extended takes.\u003c\/p\u003e\r\n                    \u003cul\u003e\r\n                        \u003cli\u003eLightweight body weighs just 0.54kg\u003c\/li\u003e\r\n                        \u003cli\u003eDedicated zoom rocker.\u003c\/li\u003e\r\n                        \u003cli\u003eFully customizable button layout.\u003c\/li\u003e\r\n                        \u003cli\u003eFive 1\/4\"-20 threaded mounting points for accessories.\u003c\/li\u003e\r\n                        \u003cli\u003eMulti Interface Shoe supports advanced accessories.\u003c\/li\u003e\r\n                        \u003cli\u003eActive cooling fan permits uninterrupted shooting during extended takes.\u003c\/li\u003e\r\n                        \u003cli\u003eSporting a design that matches the FX3, the FX30 can use many of the same accessories, such as cages, without any modifications required.\u003c\/li\u003e\r\n                    \u003c\/ul\u003e\r\n                    \u003cp\u003e\u003c\/p\u003e\r\n                \u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003e\r\n                    \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                    \u003cp\u003e \u003c\/p\u003e\r\n                    \u003cdiv\u003e\u003cstrong\u003eConnectivity Options\u003c\/strong\u003e\u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n                \u003cdiv\u003e\r\n                    \u003cp\u003e The FX30 is equipped with a wide array of connections to ensure maximum customization and flexibility on set:\u003c\/p\u003e\r\n                    \u003cul\u003e\r\n                        \u003cli\u003eFull-size HDMI output features clean output up to 4K 60p as well as 16-bit raw video.\u003c\/li\u003e\r\n                        \u003cli\u003eAudio is supported on the body with a 3.5mm headphone output and a 3.5mm microphone input.\u003c\/li\u003e\r\n                        \u003cli\u003eA USB-C connection can be used for high-speed data transfer or powering the camera.\u003c\/li\u003e\r\n                        \u003cli\u003eMulti-Terminal (Micro-USB) supports various accessories, such as remotes, for expanded functionality.\u003c\/li\u003e\r\n                        \u003cli\u003eTimecode sync is available through the use of the separately available VMC-BNCM1 Timecode Adapter Cable.\u003c\/li\u003e\r\n                        \u003cli\u003eMulti Interface Shoe supports advanced accessories, including the optional XLR Handle Unit.\u003c\/li\u003e\r\n                    \u003c\/ul\u003e\r\n                    \u003cp\u003e\u003c\/p\u003e\r\n                \u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003e\r\n                    \u003cp\u003e \u003c\/p\u003e\r\n                    \u003cdiv\u003e\u003cstrong\u003eMedia Options\u003c\/strong\u003e\u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n                \u003cdiv\u003e\r\n                    \u003cdiv\u003eFor recording high-bitrate footage at high frame rates the FX30 uses an advanced, versatile set of media slots. The camera features dual CFexpress Type A\/SD card slots, allowing users to select between different media types for different situations. CFexpress Type A has ultra-fast speeds that can be used for the FX30's most advanced recording functions while SD cards are often more common and still have great speed and high capacities.\u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003e\r\n                    \u003cp\u003e \u003c\/p\u003e\r\n                    \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                    \u003cdiv\u003e\u003cstrong\u003eUpdated Menu System\u003c\/strong\u003e\u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n                \u003cdiv\u003e\r\n                    \u003cp\u003e The FX30 benefits from a tweaked control menu that makes it more intuitive to operate:\u003c\/p\u003e\r\n                    \u003cul\u003e\r\n                        \u003cli\u003eThe main menu provides a quick view of all your most important video settings, including Picture Profile, recording format, white balance, aperture, ISO, and more.\u003c\/li\u003e\r\n                        \u003cli\u003eThe shooting screen relocates the information on settings and status icons to the edges of the screen so that the image remains clear.\u003c\/li\u003e\r\n                    \u003c\/ul\u003e\r\n                    \u003cp\u003e\u003c\/p\u003e\r\n                \u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n    \u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":40174550614145,"sku":"SON-ILMEFX30B","price":2449.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sony-cameras-default-title-sony-fx30-cinema-camera-body-30576675061889.jpg?v=1747050187"},{"product_id":"sony-cinema-line-fx30-cinema-camera-with-xlr-handle-unit","title":"Sony Cinema Line FX30 Cinema Camera with XLR Handle Unit","description":"\u003cp\u003eThe Sony Cinema Line FX30 Cinema Camera with XLR Handle Unit makes cinema camera features accessible to all content creators. It features an XLR Top Handle Unit with 2 XLR inputs, a new Back-illuminated APS-C 20.1 MP Exmor R™ CMOS sensor and  Dual Base ISO with a 14+ stop for a wide latitude, flexible motion with up to 4K (QFHD) 120p recording with autofocus, new Log shooting (Flexible ISO, Cine EI Quick and Cine EI) modes and XAVC HS 4:2:2 10-bit internal recording with a 4K 16-bit RAW output full HDMI terminal.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/V9WsVzZ-TCg\" title=\"YouTube video player\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e \u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cstrong\u003eCinematic Expression\u003c\/strong\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e26MP APS-C\/Super 35mm Exmor R BSI CMOS Sensor\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eThe FX30's advanced imaging system is on par with other options in Sony's Cinema Line-capturing detailed 10-bit UHD 4K imagery at up to 120 fps-giving it specs fitting a true cinema camera. The newly-developed 26MP APS-C Exmor R CMOS sensor and BIONZ XR processor are able to create high-quality 4K images with the Super 35mm (16:9) area. This system is capable of capturing 14+ stops of dynamic range and benefits from Dual Base ISO architecture to improve low-light performance.\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cdiv\u003e\u003cul\u003e\n\u003cli\u003eHigh-sensitivity recording up to ISO 32000 and Dual Base ISO (800\/2500).\u003c\/li\u003e\n\u003cli\u003eWhen using S-Log3, the FX30 can capture 14+ stops of dynamic range.\u003c\/li\u003e\n\u003cli\u003eRecord in 10-bit 4:2:2 using advanced XAVC HS and XAVC S-I formats.\u003c\/li\u003e\n\u003cli\u003eFull pixel readout from the 6K sensor creates high-quality UHD 4K video at up to 60 fps.\u003c\/li\u003e\n\u003cli\u003eHigh-speed shooting is possible in 4K at up to 120 fps with a 1.6x crop and in Full HD up to 240 fps.\u003c\/li\u003e\n\u003cli\u003eThe HDMI output supports 16-bit raw video to select, separately available recorders.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/JJ6DZeVnSR8\" title=\"YouTube video player\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eProfessional Picture Control\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003eFilmmakers will be able to capture images that are immediately ready to publish for projects with fast turnarounds or opt for maximum quality and flexibility in post thanks to a wide array of picture control options:\u003cul\u003e\n\u003cli\u003eS-Cinetone uses the same colour science as Sony's advanced cinema cameras, including the VENICE line, with natural mid-tones, soft colours, and smooth highlight roll-off.\u003c\/li\u003e\n\u003cli\u003ePicture Profiles, such as S-Log3 and HLG, will capture images with expanded dynamic range and flexibility for editors.\u003c\/li\u003e\n\u003cli\u003eCreative Looks can be baked into the recorded footage to create a specific mood during recording and minimize the need for editing.\u003c\/li\u003e\n\u003cli\u003eUp to 16 user-created LUTs and three presets can be set for accurately monitoring footage or previewing a specific look during shooting. These can be applied to the camera's monitor or EVF as well as the HDMI output.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cstrong\u003eAdvanced Audio Recording\u003c\/strong\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003eThis version comes with a detachable XLR Handle Unit that offers two XLR\/TRS combo inputs for using professional audio equipment. The handle features a microphone mount, physical audio controls, and three 1\/4\"-20 threads for attaching accessories. It also securely mounts to the FX30 via the Multi Interface Shoe and a pair of screws.\u003cul\u003e\n\u003cli\u003eErgonomic handheld operation of the camera.\u003c\/li\u003e\n\u003cli\u003eTwo XLR\/TRS combo inputs and one 3.5mm stereo input.\u003c\/li\u003e\n\u003cli\u003eUp to four channels of audio can be recorded.\u003c\/li\u003e\n\u003cli\u003eThree 1\/4\"-20 accessory mounting threads.\u003c\/li\u003e\n\u003cli\u003ePhysical dials and switches for adjusting gain and other audio settings.\u003c\/li\u003e\n\u003cli\u003eClamping microphone mount ideal for an optional camera-mounted shotgun mic.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/hfGDBMNfcZU\" title=\"YouTube video player\" width=\"560\"\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eOperation for All Levels\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003eProfessional features will help ensure beginners to professionals can make the most of the FX30. This includes three log shooting modes:\u003cul\u003e\n\u003cli\u003eFlexible ISO uses standard ISO settings for simple operation and the greatest flexibility.\u003c\/li\u003e\n\u003cli\u003eCine EI ensures maximum dynamic range capture by recording at a manually selected base ISO setting and applying adjustments to metadata for monitoring and post-production.\u003c\/li\u003e\n\u003cli\u003eCine EI quick will automatically switch between the two base ISO settings for easier operation and great quality.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cstrong\u003eFast Hybrid AF\u003c\/strong\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003eEnjoy high-speed and highly accurate autofocus performance in every mode, including 4K up to 120 fps, using an advanced Fast Hybrid AF system that uses 495 points spread across 90% of the image sensor.\u003cul\u003e\n\u003cli\u003eReal-time Eye AF and Real-time Tracking will track the eyes of humans and animals.\u003c\/li\u003e\n\u003cli\u003eAF Assist function will automatically switch to manual focus with a turn of the lens' focus ring.\u003c\/li\u003e\n\u003cli\u003eFocus Map makes it easier to visualize the region of focus in your scene\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/DhzpcD6C_A8\" title=\"YouTube video player\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003e5-Axis In-Body Image Stabilization\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003eSony has equipped the FX30 with a 5-axis in-body image stabilization system that will help create smooth imagery even when working handheld. An Active Mode is available that blends optical systems with digital optimizations to capture ultra-smooth footage. The FX30 can also record gyro movement when the optical stabilizers are turned off which can be used in post to create a stable shot.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eComprehensive Feature Set\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e \u003cul\u003e\n\u003cli\u003eBreathing compensation works with select lenses in 4K up to 60p in camera or up to 120p using Catalyst software after recording.\u003c\/li\u003e\n\u003cli\u003eTimecode sync input with optional VMC-BNCM1 Timecode Adapter Cable\u003c\/li\u003e\n\u003cli\u003eTally lights for easy indication that the camera is recording.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eCatalyst Browse and Prepare Integration\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003eThe FX30 records a comprehensive array of metadata that can be read and used for advanced post-production work using Sony's Catalyst Browse and Prepare software.\u003cbr\u003e\u003cbr\u003eMetadata recorded include:\u003cul\u003e\n\u003cli\u003eEmbedded LUT and Exposure Index (EI) data.\u003c\/li\u003e\n\u003cli\u003eGyro and lens stabilization metadata to further reduce camera shake.\u003c\/li\u003e\n\u003cli\u003eBreathing compensation can be manually controlled and adjusted.\u003c\/li\u003e\n\u003cli\u003eCamera rotation metadata will ensure the footage is displayed as intended.\u003c\/li\u003e\n\u003cli\u003eShot marks can be added to clips during or after recording for reference\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eErgonomic Form for Solo Operation\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003eLightweight and compact, the FX30 (in a design that matches the FX3) offers users the ability to shoot without needing a cage. Users can also enjoy smooth handheld footage thanks to a 5-axis in-body image stabilization system.\u003cbr\u003e\u003cbr\u003eThe body features multiple threaded mounting points that are ideal for accessories and a Multi Interface Shoe that supports advanced accessories. Additionally, an integrated fan ensures reliable performance during extended takes.\u003cul\u003e\n\u003cli\u003eLightweight body weighs just 0.54kg\u003c\/li\u003e\n\u003cli\u003eDedicated zoom rocker.\u003c\/li\u003e\n\u003cli\u003eFully customizable button layout.\u003c\/li\u003e\n\u003cli\u003eFive 1\/4\"-20 threaded mounting points for accessories.\u003c\/li\u003e\n\u003cli\u003eMulti Interface Shoe supports advanced accessories.\u003c\/li\u003e\n\u003cli\u003eActive cooling fan permits uninterrupted shooting during extended takes.\u003c\/li\u003e\n\u003cli\u003eSporting a matching design to the FX3, the FX30 can use many of the same accessories, such as cages, without any modifications required.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eConnectivity Options\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003eThe FX30 is equipped with a wide array of connections to ensure maximum customization and flexibility on set:\u003cul\u003e\n\u003cli\u003eFull-size HDMI output features clean output up to 4K 60p as well as 16-bit raw video.\u003c\/li\u003e\n\u003cli\u003eAudio is supported on the body with a 3.5mm headphone output and a 3.5mm microphone input.\u003c\/li\u003e\n\u003cli\u003eUSB-C connection can be used for high-speed data transfer or for powering the camera.\u003c\/li\u003e\n\u003cli\u003eMulti-Terminal (Micro-USB) supports various accessories, such as remotes, for expanded functionality.\u003c\/li\u003e\n\u003cli\u003eTimecode sync is available through the use of the separately available VMC-BNCM1 Timecode Adapter Cable.\u003c\/li\u003e\n\u003cli\u003eMulti Interface Shoe supports advanced accessories, including the optional XLR Handle Unit.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eMedia Options\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003eFor recording high-bitrate footage at high frame rates the FX30 uses an advanced, versatile set of media slots. The camera features dual CFexpress Type A\/SD card slots, allowing users to select between different media types for different situations. CFexpress Type A has ultra-fast speeds that can be used for the FX30's most advanced recording functions while SD cards are often more common and still have great speed and high capacities.\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eUpdated Menu System\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003eThe FX30 benefits from a tweaked control menu that makes it more intuitive to operate:\u003cul\u003e\n\u003cli\u003eThe main menu provides a quick view of all your most important video settings, including Picture Profile, recording format, white balance, aperture, ISO, and more.\u003c\/li\u003e\n\u003cli\u003eThe shooting screen relocates the information on settings and status icons to the edges of the screen so that the image remains clear.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":40174550712449,"sku":"SON-ILMEFX30","price":3159.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sony-cinema-line-fx30-cinema-camera-with-xlr-handle-unit.jpg?v=1761885795"},{"product_id":"nanlite-forza-300-ii-5600k-led-monolight","title":"Nanlite Forza 300 II 5600K LED Monolight","description":"\u003cp\u003eThe Nanlite Forza 300 II 5600K LED Monolight features a daylight-balanced colour temperature of 5600K and is a step up to the next level of quality for your video and photo productions. It will blend seamlessly into any ambient light situation, match other fixtures, or allow creative expression. The light comes with a 55° reflector, Bluetooth and 2.4 GHz for wireless control, DMX\/RDM capability, and four fan modes for speed adjustments or absolute silence. A redesigned control unit is also included with the ability to efficiently run on AC power or optional V-mount batteries.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/WM38vAyZ_7w\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\r\n\u003cp\u003eThe Forza 300 II ships with an upgraded curved yoke that allows 360° rotation for a greater tilting range when used with optional large modifiers. A 5\/8\" receiver accepts industry-standard light stands and the light's Bowens mount is widely compatible with multiple light modifiers. The light is ready for worldwide use thanks to its 110 to 240 VAC power supply, but it can also run one or two optional side-mounted 14.8V V-mount batteries for situations when AC current is unavailable. A padded carry bag is supplied for protection during storage and transport.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cdiv\u003e\r\n    \u003cdiv\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003e\r\n                    \u003cdiv\u003e\u003cstrong\u003eBright Output\u003c\/strong\u003e\u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n                \u003cdiv\u003e\r\n                    \u003cdiv\u003eWith the included 55° reflector, the Forza 300 II outputs up to 69,400 lux at 3.3' (5600K). When equipped with the separately available FL-20G Fresnel with barndoors the light's output climbs to an impressive 197,000 lux.\u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003e\r\n                    \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                    \u003cdiv\u003e\u003cstrong\u003eAccurate Colour \u0026amp; Special Effects\u003c\/strong\u003e\u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n                \u003cdiv\u003e\r\n                    \u003cdiv\u003eThe Forza 300 II features a CRI of 96 and a TLCI of 97, meaning you can shoot with confidence knowing the color reproduction will be precise. Besides color accuracy, the light offers 11 built-in customizable effects that can be saved as presets using the free NANLINK app.\u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003e\r\n                    \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                    \u003cdiv\u003e\u003cstrong\u003eGreen-Magenta Adjustment\u003c\/strong\u003e\u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n                \u003cdiv\u003e\r\n                    \u003cdiv\u003eIn shooting situations where you need to match other light sources or achieve a specific look, it can be extremely helpful to adjust the green-to-magenta shift for color correction. With this Forza 300 II's feature you can tweak the color by +\/- 80 to get there. The Forza 300 II is the first 300W spotlight with this ability, which is possible by its W(RG) LED source.\u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003e\r\n                    \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                    \u003cdiv\u003e\u003cstrong\u003eFour Fan Modes\u003c\/strong\u003e\u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n                \u003cdiv\u003e\r\n                    \u003cdiv\u003eThe light offers four fan modes to enhance speed control according to your needs. The light head's fan is 9 dBA quieter than the previous generation and can be turned off when absolute silence is needed.\u003cul\u003e\r\n                            \u003cli\u003eSmart, Full Speed, Low Speed \u0026amp; Off modes\u003c\/li\u003e\r\n                            \u003cli\u003e15% maximum output when turned off\u003c\/li\u003e\r\n                        \u003c\/ul\u003e\r\n                    \u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003e\r\n                    \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                    \u003cdiv\u003e\u003cstrong\u003eControl Unit \u0026amp; Battery Power\u003c\/strong\u003e\u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n                \u003cdiv\u003e\r\n                    \u003cdiv\u003eOptimized for use in the studio or on location, the Forza 300 II's included control unit is equipped with easy-to-access battery plates on the sides to accommodate up to two V-mount batteries. The Forza 300 II can run off either AC power or using one or two 14.8V V-mount batteries, so you can operate in any location regardless of power availability.\u003cul\u003e\r\n                            \u003cli\u003e100% brightness using two separately available 14.8V V-mount batteries\u003c\/li\u003e\r\n                            \u003cli\u003e45% brightness using only one separately available 14.8V V-mount battery\u003c\/li\u003e\r\n                            \u003cli\u003eFanless control unit gets 30% more battery life\u003c\/li\u003e\r\n                            \u003cli\u003eControl unit's lock button prevents accidental setting changes\u003c\/li\u003e\r\n                            \u003cli\u003eIncludes longer 19.8' power cable and 9.8' head cable\u003c\/li\u003e\r\n                            \u003cli\u003eA robust quick release clamp is included for mounting the control unit\u003c\/li\u003e\r\n                            \u003cli\u003eThe versatile clamp is compatible with round or square stands and trusses\u003c\/li\u003e\r\n                        \u003c\/ul\u003e\r\n                        \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                        \u003cp\u003e \u003c\/p\u003e\r\n                    \u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003e\r\n                    \u003cdiv\u003e\u003cstrong\u003eOnboard, DMX \u0026amp; App Control\u003c\/strong\u003e\u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n                \u003cdiv\u003e\r\n                    \u003cdiv\u003eThe Forza 300 II's control unit features a convenient OLED display and onboard buttons and knobs for precise and easy local control, but the light can also be controlled remotely.\u003cul\u003e\r\n                            \u003cli\u003eYou can fully control the light from your smartphone via Bluetooth with the free NANLINK app for iOS and Android\u003c\/li\u003e\r\n                            \u003cli\u003eBuilt-in 2.4 GHz lets you use the separately available WS-RC-C2 handheld remote control or the WS-TB-1 transmitter box for larger setups\u003c\/li\u003e\r\n                            \u003cli\u003eLocking DMX\/RDM ports facilitate advanced control and enables the Forza 300 II to be quickly adopted into any DMX controlled environment\u003c\/li\u003e\r\n                        \u003c\/ul\u003e\r\n                        \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                        \u003cp\u003e \u003c\/p\u003e\r\n                    \u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003e\r\n                    \u003cdiv\u003e\u003cstrong\u003eMultiple Mounting Possibilities\u003c\/strong\u003e\u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n                \u003cdiv\u003e\r\n                    \u003cdiv\u003eThe light's upgraded curved rotating yoke has a one-sided lock, forward articulation, and allows 360° rotation to provide a greater tilting range with optional large modifiers. It also features an incorporated umbrella holder to expand your light-shaping options. Additionally, the light's Bowens mount capability makes the Forza 300 II compatible with a wide range of modifiers.\u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003e\r\n                    \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                    \u003cdiv\u003e\u003cstrong\u003eCompact, Powerful \u0026amp; Professional\u003c\/strong\u003e\u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n                \u003cdiv\u003e\r\n                    \u003cdiv\u003eCompact yet powerful, the Forza 300 II has a rectangular shape that can be stacked when setting up, breaking down, or storing. Its head measures 12.9 x 8.9 x 4.8\" and weighs 6.3 lb. The light's control unit is now 37% smaller with dimensions of just 9.1 x 6.1 x 5.4\". The light's head and the control unit combined have a total weight of 12.4 lb.\u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003e\r\n                    \u003cdiv\u003eAdditional Benefits \u0026amp; Refinements\u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n                \u003cdiv\u003e\r\n                    \u003cdiv\u003e\r\n                        \u003cul\u003e\r\n                            \u003cli\u003eFully dimmable from 0 to 100%\u003c\/li\u003e\r\n                            \u003cli\u003eUSB port allows firmware updates and supplies power for optional wireless DMX receivers\u003c\/li\u003e\r\n                            \u003cli\u003eDurable construction\u003c\/li\u003e\r\n                        \u003c\/ul\u003e\r\n                    \u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n    \u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"Nanlite","offers":[{"title":"Default Title","offer_id":40174551629953,"sku":"NAN-NNFORZA300II","price":1487.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/nanlite-lighting-default-title-nanlite-forza-300-ii-5600k-led-monolight-30571887100033.jpg?v=1742894037"},{"product_id":"kiloview-d350-4k-h265h-264-video-decoder","title":"Kiloview D350 4K H.265\/H.264 Video Decoder","description":"\u003cp\u003eThe Kiloview D350 4K H.265\/H.264 Video Decoder is designed for professional video decoding. The Kiloview D350 4K H.265\/H.264 IP Video Decoder supports up to UHD 4K60 video input and output and can simultaneously decode up to 9 channels of 1080p60 or 16 channels of 1080p30 IP video. It features one 3G-SDI and two HDMI outputs, supports multiple audio formats, and offers multiple display options. The D350 has an integrated display for real-time monitoring and it supports NDI|HX2, NDI|HX3 (beta), full NDI, SRT, RTMP, RTMPS, HLS, TS over UDP, RTP, and RTSP for decoding from any streaming source.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n    \u003cdiv\u003e\n        \u003cdiv\u003e\n            \u003cdiv\u003e\n                \u003cdiv\u003eSimultaneously Decodes up to 16 Channels\u003c\/div\u003e\n            \u003c\/div\u003e\n            \u003cdiv\u003e\n                \u003cdiv\u003e\n                    \u003cdiv\u003e\n                        \u003cul\u003e\n                            \u003cli\u003eThe D350 decoder supports simultaneous decoding of up to 16 streams, depending on the resolution:\u003c\/li\u003e\n                            \u003cli\u003e4Kp60 NDI: 1 x channel\u003c\/li\u003e\n                            \u003cli\u003e4Kp30: 2 x channels\u003c\/li\u003e\n                            \u003cli\u003e1080p60: 9 x channels\u003c\/li\u003e\n                            \u003cli\u003e1080p30: 16 x channels\u003c\/li\u003e\n                        \u003c\/ul\u003e\n                    \u003c\/div\u003e\n                \u003c\/div\u003e\n            \u003c\/div\u003e\n        \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n        \u003cdiv\u003e\n            \u003cdiv\u003e\n                \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n                \u003cdiv\u003eUser-Defined Display Layouts\u003c\/div\u003e\n            \u003c\/div\u003e\n            \u003cdiv\u003e\n                \u003cdiv\u003e\n                    \u003cdiv\u003e\n                        \u003cul\u003e\n                            \u003cli\u003eCustomized multi-output displays include grids and PiP, PbP, and PoP\u003c\/li\u003e\n                            \u003cli\u003eAdjustable frame rates, output resolutions, and de-interlacing\u003c\/li\u003e\n                            \u003cli\u003eView up to 9 output streams and up to 16 previews\u003c\/li\u003e\n                        \u003c\/ul\u003e\n                    \u003c\/div\u003e\n                \u003c\/div\u003e\n            \u003c\/div\u003e\n        \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n        \u003cdiv\u003e\n            \u003cdiv\u003e\n                \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n                \u003cdiv\u003eOutput Options\u003c\/div\u003e\n            \u003c\/div\u003e\n            \u003cdiv\u003e\n                \u003cdiv\u003e\n                    \u003cdiv\u003eTwo HDMI 2.0 ports and one 3G-SDI port support three output options:\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n                        \u003cul\u003e\n                            \u003cli\u003eIndependent outputs\u003c\/li\u003e\n                            \u003cli\u003eA combination of multichannel video output\u003c\/li\u003e\n                            \u003cli\u003eSimultaneous, single-stream replication\u003c\/li\u003e\n                        \u003c\/ul\u003e\n                    \u003c\/div\u003e\n                \u003c\/div\u003e\n            \u003c\/div\u003e\n        \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n        \u003cdiv\u003e\n            \u003cdiv\u003e\n                \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n            \u003c\/div\u003e\n        \u003c\/div\u003e\n    \u003c\/div\u003e\n    \u003cdiv\u003e\n        \u003cdiv\u003e\n            \u003cdiv\u003e\n                \u003cdiv\u003e\n                    \u003cdiv\u003e\n                        \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n                        \u003cdiv\u003e\n                            \u003cdiv\u003e\n                                \u003ch3\u003eProfessional 4K Video Decoder\u003c\/h3\u003e\n                            \u003c\/div\u003e\n                        \u003c\/div\u003e\n                        \u003cdiv\u003e\n                            \u003cdiv\u003e\n                                \u003cdiv\u003e\n                                    \u003cp\u003eThe D350 is a professional hardware decoding device that can simultaneously decode up to 9 network video streams and then output them through both 3G-SDI and HDMI interfaces in synchronization, with up to 4Kp60 output resolution. With a built-in LCD screen, users can monitor the IP status and decoding parameters in real-time. The D350 additionally allows dynamic switching, background \/ LOGO overlay, custom split display of a video stream, and other features.\u003c\/p\u003e\n                                \u003c\/div\u003e\n                            \u003c\/div\u003e\n                        \u003c\/div\u003e\n                        \u003cdiv\u003e\n                            \u003cdiv\u003e\n                                \u003ch3\u003e\u003cbr\u003e\u003c\/h3\u003e\n                                \u003ch3\u003eOutstanding Decoding Performance\u003c\/h3\u003e\n                            \u003c\/div\u003e\n                        \u003c\/div\u003e\n                        \u003cdiv\u003e\n                            \u003cdiv\u003e\n                                \u003cdiv\u003e\n                                    \u003carticle\u003eThe D350 concentrates on every decoding detail for a better decoding quality.D350 supports simultaneous decoding of up to 9 channels of 4K H.265\/H.264\/NDI IP streams and outputs them to 3G-SDI and 4K HDMI formats, with no splash or lag during the decoding process.\u003cstrong\u003e*Note: 9 channels of 1080P60, or 4 channels of 4KP30, or 2 channels of 4KP60.\u003c\/strong\u003e\u003c\/article\u003e\n                                \u003c\/div\u003e\n                            \u003c\/div\u003e\n                        \u003c\/div\u003e\n                        \u003cdiv\u003e\n                            \u003cdiv\u003e\n                                \u003cdiv\u003e\n                                    \u003ch3\u003e\u003cbr\u003e\u003c\/h3\u003e\n                                    \u003ch3\u003eFull Protocols Supported to Meet All Your Demands\u003c\/h3\u003e\n                                \u003c\/div\u003e\n                            \u003c\/div\u003e\n                            \u003cdiv\u003e\n                                \u003cdiv\u003e\n                                    \u003cdiv\u003e\n                                        \u003cp\u003eTo accommodate your various workflows, the D350 is compatible with all protocols, including NDI|HX2, NDI|HX3, Full NDI, SRT, RTMP, RTMPS, HLS, TS over UDP, RTP, and RTSP.\u003c\/p\u003e\n                                        \u003cdiv\u003e\n                                            \u003cdiv\u003e\n                                                \u003ch3\u003e\u003cbr\u003e\u003c\/h3\u003e\n                                                \u003ch3\u003eMultiple Interfaces, Customizable Outputs\u003c\/h3\u003e\n                                            \u003c\/div\u003e\n                                        \u003c\/div\u003e\n                                        \u003cdiv\u003e\n                                            \u003cdiv\u003e\n                                                \u003cdiv\u003e\n                                                    \u003carticle\u003eD350 allows users to freely choose the output interface among 3G-SDI and 2 of 4K HDMI for outputting the same or different video sources in synchronization.\u003c\/article\u003e\n                                                \u003c\/div\u003e\n                                            \u003c\/div\u003e\n                                        \u003c\/div\u003e\n                                        \u003cdiv\u003e\n                                            \u003cdiv\u003e\n                                                \u003cdiv\u003e\n                                                    \u003cp\u003e\u003cstrong\u003e*Note: HDMI output up to 3840×2160 @60Hz, SDI output up to 1920×1080 @60Hz and can support frame rates such as 59.94\/29.97\u003c\/strong\u003e\u003c\/p\u003e\n                                                    \u003cdiv\u003e\n                                                        \u003cdiv\u003e\n                                                            \u003ch3\u003e\u003cbr\u003e\u003c\/h3\u003e\n                                                            \u003ch3\u003eLow Latency and High Quality\u003c\/h3\u003e\n                                                        \u003c\/div\u003e\n                                                    \u003c\/div\u003e\n                                                    \u003cdiv\u003e\n                                                        \u003cdiv\u003e\n                                                            \u003cdiv\u003e\n                                                                \u003carticle\u003eThe D350 guarantees outstanding image quality and low transmission latency with a decoding delay of less than 200 ms and a packet loss rate of less than 10%.\u003cdiv\u003e\n                                                                        \u003cdiv\u003e\n                                                                            \u003ch3\u003e\u003cbr\u003e\u003c\/h3\u003e\n                                                                            \u003ch3\u003eLCD Screen for Realtime Status Monitoring\u003c\/h3\u003e\n                                                                        \u003c\/div\u003e\n                                                                    \u003c\/div\u003e\n                                                                    \u003cdiv\u003e\n                                                                        \u003cdiv\u003e\n                                                                            \u003cdiv\u003e\n                                                                                \u003carticle\u003eAs an update to the \u003ca href=\"https:\/\/estore.digistor.com.au\/product\/kiloview-d300-4k-uhd-h265-video-decoder\/\"\u003eD300\u003c\/a\u003e, D350 is equipped with a 0.9-inch LCD screen for a better user experience. With the built-in LCD screen, users can easily check the IP and decoding status in real-time.\u003cdiv\u003e\n                                                                                        \u003cdiv\u003e\n                                                                                            \u003ch3\u003e\u003cbr\u003e\u003c\/h3\u003e\n                                                                                            \u003ch3\u003eRTMP Server Supported\u003c\/h3\u003e\n                                                                                        \u003c\/div\u003e\n                                                                                    \u003c\/div\u003e\n                                                                                    \u003cdiv\u003e\n                                                                                        \u003cdiv\u003e\n                                                                                            \u003cdiv\u003e\n                                                                                                \u003cp\u003eWith RTMP Server, D350 can simplify the video decoding workflow by directly accessing a video encoder and outputting video streams through RTMP without any relay platform.\u003c\/p\u003e\n                                                                                                \u003cdiv\u003e\n                                                                                                    \u003cdiv\u003e\n                                                                                                        \u003ch3\u003e\u003cbr\u003e\u003c\/h3\u003e\n                                                                                                        \u003ch3\u003eUSB Extension\u003c\/h3\u003e\n                                                                                                    \u003c\/div\u003e\n                                                                                                \u003c\/div\u003e\n                                                                                                \u003cdiv\u003e\n                                                                                                    \u003cdiv\u003e\n                                                                                                        \u003cdiv\u003e\n                                                                                                            \u003cp\u003eThe D350 is equipped with dual USB interfaces for users to:\u003c\/p\u003e\n                                                                                                            \u003cul\u003e\n                                                                                                                \u003cli\u003eControl PTZ camera and access a USB keypad via a USB Type-A port\u003c\/li\u003e\n                                                                                                                \u003cli\u003eConnect to an extended SSD for local storage via a USB Type-C port\u003c\/li\u003e\n                                                                                                                \u003cli\u003eAchieve voice intercom with a USB headset.\u003c\/li\u003e\n                                                                                                            \u003c\/ul\u003e\n                                                                                                            \u003cdiv\u003e\n                                                                                                                \u003cdiv\u003e\n                                                                                                                    \u003ch3\u003e\u003cbr\u003e\u003c\/h3\u003e\n                                                                                                                    \u003ch3\u003eUser-Defined Display for Free Output\u003c\/h3\u003e\n                                                                                                                \u003c\/div\u003e\n                                                                                                            \u003c\/div\u003e\n                                                                                                            \u003cdiv\u003e\n                                                                                                                \u003cdiv\u003e\n                                                                                                                    \u003cdiv\u003e\n                                                                                                                        \u003carticle\u003eFree Layout: The users will be able to customize the output display in grids or a free layout like PIP, PBP, or POP.Free Resolution: D350 also supports the adjustable output resolution, de-interlace, and frame rate.\u003c\/article\u003e\n                                                                                                                    \u003c\/div\u003e\n                                                                                                                \u003c\/div\u003e\n                                                                                                            \u003c\/div\u003e\n                                                                                                        \u003c\/div\u003e\n                                                                                                    \u003c\/div\u003e\n                                                                                                \u003c\/div\u003e\n                                                                                            \u003c\/div\u003e\n                                                                                        \u003c\/div\u003e\n                                                                                    \u003c\/div\u003e\n                                                                                \u003c\/article\u003e\n                                                                            \u003c\/div\u003e\n                                                                        \u003c\/div\u003e\n                                                                    \u003c\/div\u003e\n                                                                \u003c\/article\u003e\n                                                            \u003c\/div\u003e\n                                                        \u003c\/div\u003e\n                                                    \u003c\/div\u003e\n                                                \u003c\/div\u003e\n                                            \u003c\/div\u003e\n                                        \u003c\/div\u003e\n                                    \u003c\/div\u003e\n                                \u003c\/div\u003e\n                            \u003c\/div\u003e\n                        \u003c\/div\u003e\n                    \u003c\/div\u003e\n                \u003c\/div\u003e\n            \u003c\/div\u003e\n        \u003c\/div\u003e\n    \u003c\/div\u003e\n\u003c\/div\u003e","brand":"Kiloview","offers":[{"title":"Default Title","offer_id":40174551924865,"sku":"KIL-D350","price":1309.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/kiloview-computer-accessories-default-title-kiloview-d350-4k-h-265-h-264-video-decoder-30571924521089.jpg?v=1742894051"},{"product_id":"nanlite-forza-300b-ii-bi-colour-led-monolight","title":"Nanlite Forza 300B II Bi-Colour LED monolight","description":"\u003cp\u003eThe Nanlite Forza 300B II Bi-Colour LED monolight features an adjustable colour temperature of 2700-6500K with green-magenta shift, and is a step up to the next level of quality for your video and photo productions. It will blend seamlessly into any ambient light situation, match other fixtures, or allow creative expression. The light comes with a 55° reflector, Bluetooth and 2.4 GHz for wireless control, DMX\/RDM capability, and four fan modes for speed adjustments or absolute silence. A redesigned control unit is also included with the ability to efficiently run on AC power or optional V-mount batteries.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/WM38vAyZ_7w\" title=\"YouTube video player\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\u003cp style=\"box-sizing: inherit; margin: 16px 0px 0px;\"\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp style=\"box-sizing: inherit; margin: 16px 0px 0px;\"\u003eThe Forza 300B II ships with an upgraded curved yoke that allows 360° rotation for a greater tilting range when used with optional large modifiers. A 5\/8\" receiver accepts industry-standard light stands and the light's Bowens mount is widely compatible with multiple light modifiers. The light is ready for worldwide use thanks to its 110 to 240 VAC power supply, but it can also run one or two optional side-mounted 14.8V V-mount batteries for situations when AC current is unavailable. A padded carry bag is supplied for protection during storage and transport.\u003c\/p\u003e\r\n\u003cp style=\"box-sizing: inherit; margin: 16px 0px 0px;\"\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"feature_UbV5SNP5Eo\" style='box-sizing: inherit; margin-top: 2rem; color: rgb(0, 0, 0); font-family: OpenSans, \"Segoe UI\", Helvetica, Roboto, Arial, sans-serif; font-size: 16px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;'\u003e\r\n    \u003cdiv class=\"feature_UbV5SNP5Eo\" style=\"box-sizing: inherit; margin-top: 2rem;\"\u003e\r\n        \u003cdiv style=\"box-sizing: inherit;\"\u003e\r\n            \u003cdiv class=\"feature_UbV5SNP5Eo\" style=\"box-sizing: inherit; margin-top: 2rem;\"\u003e\r\n                \u003cdiv class=\"featureHeader_UbV5SNP5Eo\" style=\"box-sizing: inherit;\"\u003e\r\n                    \u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" style=\"box-sizing: inherit; margin: 0px; font-size: 1.5rem; font-weight: 400; color: rgb(0, 0, 0); line-height: 2rem;\"\u003eBright Output\u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n                \u003cdiv style=\"box-sizing: inherit;\"\u003e\r\n                    \u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\" style=\"box-sizing: inherit; color: rgb(0, 0, 0); font-size: 1rem; line-height: 1.5rem; margin-top: 16px;\"\u003eWith the included 55° reflector, the Forza 300B II outputs up to 68,060 lux at 3.3' (5600K). When equipped with the separately available FL-20G Fresnel with barndoors the light's output climbs to an impressive 151,000 lux.\u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv style=\"box-sizing: inherit;\"\u003e\r\n            \u003cdiv class=\"feature_UbV5SNP5Eo\" style=\"box-sizing: inherit; margin-top: 2rem;\"\u003e\r\n                \u003cdiv class=\"featureHeader_UbV5SNP5Eo\" style=\"box-sizing: inherit;\"\u003e\r\n                    \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                    \u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" style=\"box-sizing: inherit; margin: 0px; font-size: 1.5rem; font-weight: 400; color: rgb(0, 0, 0); line-height: 2rem;\"\u003eAccurate Colour \u0026amp; Special Effects\u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n                \u003cdiv style=\"box-sizing: inherit;\"\u003e\r\n                    \u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\" style=\"box-sizing: inherit; color: rgb(0, 0, 0); font-size: 1rem; line-height: 1.5rem; margin-top: 16px;\"\u003eThe Forza 300B II features a CRI of 96 and a TLCI of 97, meaning you can shoot with confidence knowing the color reproduction will be precise. Besides color accuracy, the light offers 12 built-in customizable effects that can be saved as presets using the free NANLINK app.\u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv style=\"box-sizing: inherit;\"\u003e\r\n            \u003cdiv class=\"feature_UbV5SNP5Eo\" style=\"box-sizing: inherit; margin-top: 2rem;\"\u003e\r\n                \u003cdiv class=\"featureHeader_UbV5SNP5Eo\" style=\"box-sizing: inherit;\"\u003e\r\n                    \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                    \u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" style=\"box-sizing: inherit; margin: 0px; font-size: 1.5rem; font-weight: 400; color: rgb(0, 0, 0); line-height: 2rem;\"\u003eGreen-Magenta Adjustment\u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n                \u003cdiv style=\"box-sizing: inherit;\"\u003e\r\n                    \u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\" style=\"box-sizing: inherit; color: rgb(0, 0, 0); font-size: 1rem; line-height: 1.5rem; margin-top: 16px;\"\u003eIn shooting situations where you need to match other light sources or achieve a specific look, it can be extremely helpful to adjust the green-to-magenta shift for color correction. With this Forza 300B II's feature you can tweak the color by +\/- 80 to get there. The Forza 300B II is the first 300W spotlight with this ability, which is possible by its WW(RG) LED source.\u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv style=\"box-sizing: inherit;\"\u003e\r\n            \u003cdiv class=\"feature_UbV5SNP5Eo\" style=\"box-sizing: inherit; margin-top: 2rem;\"\u003e\r\n                \u003cdiv class=\"featureHeader_UbV5SNP5Eo\" style=\"box-sizing: inherit;\"\u003e\r\n                    \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                    \u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" style=\"box-sizing: inherit; margin: 0px; font-size: 1.5rem; font-weight: 400; color: rgb(0, 0, 0); line-height: 2rem;\"\u003eFour Fan Modes\u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n                \u003cdiv style=\"box-sizing: inherit;\"\u003e\r\n                    \u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\" style=\"box-sizing: inherit; color: rgb(0, 0, 0); font-size: 1rem; line-height: 1.5rem; margin-top: 16px;\"\u003eThe light offers four fan modes to enhance speed control according to your needs. The light head's fan is 9 dBA quieter than the previous generation and can be turned off when absolute silence is needed.\u003cul style=\"box-sizing: inherit; clear: both; margin: 16px 0px 0px; padding-left: 1.25rem;\"\u003e\r\n                            \u003cli style=\"box-sizing: inherit; background: 0px 0px; padding: 0px 0px 1.5rem;\"\u003eSmart, Full Speed, Low Speed \u0026amp; Off modes\u003c\/li\u003e\r\n                            \u003cli style=\"box-sizing: inherit; background: 0px 0px; padding: 0px 0px 1.5rem;\"\u003e15% maximum output when turned off\u003c\/li\u003e\r\n                        \u003c\/ul\u003e\r\n                    \u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv style=\"box-sizing: inherit;\"\u003e\r\n            \u003cdiv class=\"feature_UbV5SNP5Eo\" style=\"box-sizing: inherit; margin-top: 2rem;\"\u003e\r\n                \u003cdiv class=\"featureHeader_UbV5SNP5Eo\" style=\"box-sizing: inherit;\"\u003e\r\n                    \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                    \u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" style=\"box-sizing: inherit; margin: 0px; font-size: 1.5rem; font-weight: 400; color: rgb(0, 0, 0); line-height: 2rem;\"\u003eControl Unit \u0026amp; Battery Power\u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n                \u003cdiv style=\"box-sizing: inherit;\"\u003e\r\n                    \u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\" style=\"box-sizing: inherit; color: rgb(0, 0, 0); font-size: 1rem; line-height: 1.5rem; margin-top: 16px;\"\u003eOptimized for use in the studio or on location, the Forza 300B II's included control unit is equipped with easy-to-access battery plates on the sides to accommodate up to two V-mount batteries. The Forza 300B II can run off either AC power or using one or two 14.8V V-mount batteries, so you can operate in any location regardless of power availability.\u003cul style=\"box-sizing: inherit; clear: both; margin: 16px 0px 0px; padding-left: 1.25rem;\"\u003e\r\n                            \u003cli style=\"box-sizing: inherit; background: 0px 0px; padding: 0px 0px 1.5rem;\"\u003e100% brightness using two separately available 14.8V V-mount batteries\u003c\/li\u003e\r\n                            \u003cli style=\"box-sizing: inherit; background: 0px 0px; padding: 0px 0px 1.5rem;\"\u003e45% brightness using only one separately available 14.8V V-mount battery\u003c\/li\u003e\r\n                            \u003cli style=\"box-sizing: inherit; background: 0px 0px; padding: 0px 0px 1.5rem;\"\u003eFanless control unit gets 30% more battery life\u003c\/li\u003e\r\n                            \u003cli style=\"box-sizing: inherit; background: 0px 0px; padding: 0px 0px 1.5rem;\"\u003eControl unit's lock button prevents accidental setting changes\u003c\/li\u003e\r\n                            \u003cli style=\"box-sizing: inherit; background: 0px 0px; padding: 0px 0px 1.5rem;\"\u003eIncludes longer 19.8' power cable and 9.8' head cable\u003c\/li\u003e\r\n                            \u003cli style=\"box-sizing: inherit; background: 0px 0px; padding: 0px 0px 1.5rem;\"\u003eA robust quick release clamp is included for mounting the control unit\u003c\/li\u003e\r\n                            \u003cli style=\"box-sizing: inherit; background: 0px 0px; padding: 0px 0px 1.5rem;\"\u003eThe versatile clamp is compatible with round or square stands and trusses\u003c\/li\u003e\r\n                        \u003c\/ul\u003e\r\n                        \u003cp style=\"box-sizing: inherit; margin: 16px 0px 0px;\"\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                        \u003cp style=\"box-sizing: inherit; margin: 16px 0px 0px;\"\u003e \u003c\/p\u003e\r\n                    \u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv style=\"box-sizing: inherit;\"\u003e\r\n            \u003cdiv class=\"feature_UbV5SNP5Eo\" style=\"box-sizing: inherit; margin-top: 2rem;\"\u003e\r\n                \u003cdiv class=\"featureHeader_UbV5SNP5Eo\" style=\"box-sizing: inherit;\"\u003e\r\n                    \u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" style=\"box-sizing: inherit; margin: 0px; font-size: 1.5rem; font-weight: 400; color: rgb(0, 0, 0); line-height: 2rem;\"\u003eOnboard, DMX \u0026amp; App Control\u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n                \u003cdiv style=\"box-sizing: inherit;\"\u003e\r\n                    \u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\" style=\"box-sizing: inherit; color: rgb(0, 0, 0); font-size: 1rem; line-height: 1.5rem; margin-top: 16px;\"\u003eThe Forza 300B II's control unit features a convenient OLED display and onboard buttons and knobs for precise and easy local control, but the light can also be controlled remotely.\u003cul style=\"box-sizing: inherit; clear: both; margin: 16px 0px 0px; padding-left: 1.25rem;\"\u003e\r\n                            \u003cli style=\"box-sizing: inherit; background: 0px 0px; padding: 0px 0px 1.5rem;\"\u003eYou can fully control the light from your smartphone via Bluetooth with the free NANLINK app for iOS and Android\u003c\/li\u003e\r\n                            \u003cli style=\"box-sizing: inherit; background: 0px 0px; padding: 0px 0px 1.5rem;\"\u003eBuilt-in 2.4 GHz lets you use the separately available WS-RC-C2 handheld remote control or the WS-TB-1 transmitter box for larger setups\u003c\/li\u003e\r\n                            \u003cli style=\"box-sizing: inherit; background: 0px 0px; padding: 0px 0px 1.5rem;\"\u003eLocking DMX\/RDM ports facilitate advanced control and enables the Forza 300B II to be quickly adopted into any DMX controlled environment\u003c\/li\u003e\r\n                        \u003c\/ul\u003e\r\n                        \u003cp style=\"box-sizing: inherit; margin: 16px 0px 0px;\"\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                        \u003cp style=\"box-sizing: inherit; margin: 16px 0px 0px;\"\u003e \u003c\/p\u003e\r\n                    \u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv style=\"box-sizing: inherit;\"\u003e\r\n            \u003cdiv class=\"feature_UbV5SNP5Eo\" style=\"box-sizing: inherit; margin-top: 2rem;\"\u003e\r\n                \u003cdiv class=\"featureHeader_UbV5SNP5Eo\" style=\"box-sizing: inherit;\"\u003e\r\n                    \u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" style=\"box-sizing: inherit; margin: 0px; font-size: 1.5rem; font-weight: 400; color: rgb(0, 0, 0); line-height: 2rem;\"\u003eMultiple Mounting Possibilities\u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n                \u003cdiv style=\"box-sizing: inherit;\"\u003e\r\n                    \u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\" style=\"box-sizing: inherit; color: rgb(0, 0, 0); font-size: 1rem; line-height: 1.5rem; margin-top: 16px;\"\u003eThe light's upgraded curved rotating yoke has a one-sided lock, forward articulation, and allows 360° rotation to provide a greater tilting range with optional large modifiers. It also features an incorporated umbrella holder to expand your light-shaping options. Additionally, the light's Bowens mount capability makes the Forza 300B II compatible with a wide range of modifiers.\u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv style=\"box-sizing: inherit;\"\u003e\r\n            \u003cdiv class=\"feature_UbV5SNP5Eo\" style=\"box-sizing: inherit; margin-top: 2rem;\"\u003e\r\n                \u003cdiv class=\"featureHeader_UbV5SNP5Eo\" style=\"box-sizing: inherit;\"\u003e\r\n                    \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                    \u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" style=\"box-sizing: inherit; margin: 0px; font-size: 1.5rem; font-weight: 400; color: rgb(0, 0, 0); line-height: 2rem;\"\u003eCompact, Powerful \u0026amp; Professional\u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n                \u003cdiv style=\"box-sizing: inherit;\"\u003e\r\n                    \u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\" style=\"box-sizing: inherit; color: rgb(0, 0, 0); font-size: 1rem; line-height: 1.5rem; margin-top: 16px;\"\u003eCompact yet powerful, the Forza 300B II has a rectangular shape that can be stacked when setting up, breaking down, or storing. Its head measures 12.9 x 8.9 x 4.8\" and weighs 6.3 lb. The light's control unit is now 37% smaller with dimensions of just 9.1 x 6.1 x 5.4\". The light's head and the control unit combined have a total weight of 12.4 lb.\u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n        \u003cdiv style=\"box-sizing: inherit;\"\u003e\r\n            \u003cdiv class=\"feature_UbV5SNP5Eo\" style=\"box-sizing: inherit; margin-top: 2rem;\"\u003e\r\n                \u003cdiv class=\"featureHeader_UbV5SNP5Eo\" style=\"box-sizing: inherit;\"\u003e\r\n                    \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                    \u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\" style=\"box-sizing: inherit; margin: 0px; font-size: 1.5rem; font-weight: 400; color: rgb(0, 0, 0); line-height: 2rem;\"\u003eAdditional Benefits \u0026amp; Refinements\u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n                \u003cdiv style=\"box-sizing: inherit;\"\u003e\r\n                    \u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\" style=\"box-sizing: inherit; color: rgb(0, 0, 0); font-size: 1rem; line-height: 1.5rem; margin-top: 16px;\"\u003e\r\n                        \u003cul style=\"box-sizing: inherit; clear: both; margin: 16px 0px 0px; padding-left: 1.25rem;\"\u003e\r\n                            \u003cli style=\"box-sizing: inherit; background: 0px 0px; padding: 0px 0px 1.5rem;\"\u003ePress the left knob to quickly switch between popular CCTs: 2700K, 3200K, 4300K, 5600K \u0026amp; 6500K\u003c\/li\u003e\r\n                            \u003cli style=\"box-sizing: inherit; background: 0px 0px; padding: 0px 0px 1.5rem;\"\u003eFully dimmable from 0 to 100%\u003c\/li\u003e\r\n                            \u003cli style=\"box-sizing: inherit; background: 0px 0px; padding: 0px 0px 1.5rem;\"\u003eUSB port allows firmware updates and supplies power for optional wireless DMX receivers\u003c\/li\u003e\r\n                            \u003cli style=\"box-sizing: inherit; background: 0px 0px; padding: 0px 0px 1.5rem;\"\u003eDurable construction\u003c\/li\u003e\r\n                        \u003c\/ul\u003e\r\n                    \u003c\/div\u003e\r\n                \u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n    \u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"Nanlite","offers":[{"title":"Default Title","offer_id":40174552285313,"sku":"NAN-NNFORZA300BII","price":1533.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/nanlite-lighting-default-title-nanlite-forza-300b-ii-bi-colour-led-monolight-30571880841345.jpg?v=1742894072"},{"product_id":"kiloview-n60-4k-hdmi-ndi-bi-directional-converter","title":"Kiloview N60 4K HDMI-NDI Bi-Directional Converter","description":"\u003cp\u003eThe Kiloview N60 4K HDMI-NDI Bi-Directional Converter lets you take up to UHD 4K HDMI video sources and encode or decode your video for IP video transmission One HDMI input and one HDMI output can encode or decode video into NDI or NDI|HX video streams up to UHD 4K at 60 fps. A USB Type-A input and a USB Type-C port can accept web cameras and PC computers as video sources to expand connectivity and allow for PTZ control.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/neXj1d3oths\" title=\"YouTube video player\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe HDMI loop output can be used with a monitor or projector for viewing. An audio line input and output add audio to your encoding and decoding capabilities. The front of the unit has a large 1.96\" LCD screen and a scroll wheel to control your ports as well as adjust settings. Integrated into the converter's design is a TF card slot to record encoded NDI video directly to a storage card. Power for the device can be achieved via PoE or DC connection.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cdiv\u003e\r\n    \u003cdiv\u003e\r\n        \u003cdiv\u003e\r\n            \u003cdiv\u003e\r\n                \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                \u003cdiv\u003eFeatures at a Glance\u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n            \u003cdiv\u003e\r\n                \u003cdiv\u003e\r\n                    \u003cul\u003e\r\n                        \u003cli\u003eUp to YCC 4:2:2 and 10-bit colour depth\u003c\/li\u003e\r\n                        \u003cli\u003eUSB 3.0 Type-C connects to your PC as a video input\u003c\/li\u003e\r\n                        \u003cli\u003eUSB 3.0 Type-A connects to a web camera as a video input for encoding\u003c\/li\u003e\r\n                        \u003cli\u003eControl PTZ camera via USB expansion and serial RS-232\/485\/422\u003c\/li\u003e\r\n                        \u003cli\u003eAdopts network control protocols such as Sony VISCA, PELCO-D, and PELCO-P\u003c\/li\u003e\r\n                        \u003cli\u003e1.96\" LCD screen and scroll wheel\u003c\/li\u003e\r\n                        \u003cli\u003eTwo Ethernet interfaces, one supports PoE\u003c\/li\u003e\r\n                        \u003cli\u003eSupports NDI and NDI|HX 2.0\u003c\/li\u003e\r\n                        \u003cli\u003eTF storage expansion to record encoded NDI video into a TF card\u003c\/li\u003e\r\n                        \u003cli\u003eMount via cold shoe or V-mount accessory\u003c\/li\u003e\r\n                    \u003c\/ul\u003e\r\n                    \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                    \u003cp\u003e\u003cstrong\u003eBoth NDI and NDI|HX to Cover all your needs\u003c\/strong\u003e\u003c\/p\u003e\r\n                    \u003cp\u003eAdopting the leading FPGA technologies, advanced-level AVC\/HEVE algorithm, and NDI algorithm, the Kiloview N60 supports 4Kp60 format encoding\/decoding with both NDI High-bandwidth and NDI|HX, meeting all your demands and applications of IP-based video transmission.\u003c\/p\u003e\r\n                    \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                    \u003cp\u003e\u003cstrong\u003eEncoding \u0026amp; Decoding Converter\u003c\/strong\u003e\u003c\/p\u003e\r\n                    \u003cp\u003eSupports encoding\/decoding of H.264 \/ H.265 into NDI \/ NDI|HX.\u003c\/p\u003e\r\n                    \u003cp\u003eIn the encoding mode, it can encode a 4K HDMI signal into an NDI or NDI|HX video stream.\u003c\/p\u003e\r\n                    \u003cp\u003eIn the decoding mode, it will automatically adapt the NDI and NDI|HX format as your end needs.\u003c\/p\u003e\r\n                    \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                    \u003cp\u003e\u003cstrong\u003eBetter colour performance: Up to YCbCr 4:2:2 and 10bits color depth\u003c\/strong\u003e\u003c\/p\u003e\r\n                    \u003cp\u003eThe N60 supports a professional YCbCr 4:2:2 colour space and a 10-bit colour depth (the common 8-bit colour depth is also available).\u003c\/p\u003e\r\n                    \u003cp\u003eN60 promises higher colour and image quality, particularly to fulfil the needs in the broadcasting and medical imaging industries that bear no colour fringing.\u003c\/p\u003e\r\n                    \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                    \u003cp\u003e\u003cstrong\u003eUSB Extension\u003c\/strong\u003e\u003cbr\u003eThe N60 has both USB 3.0 Type-A and USB 3.0 Type-C interfaces for you to :\u003c\/p\u003e\r\n                    \u003cul\u003e\r\n                        \u003cli\u003eAccess a Web Camera via USB 3.0 Type-A as a video input source for encoding;\u003c\/li\u003e\r\n                        \u003cli\u003eConnect to your PC via USB 3.0 Type-C as a USB video input;\u003c\/li\u003e\r\n                        \u003cli\u003eControl PTZ Camera with a USB keypad.\u003c\/li\u003e\r\n                    \u003c\/ul\u003e\r\n                    \u003cp\u003eWith USB extensions available, you can achieve unlimited possibilities by seamlessly bringing NDI technology to your applications such as video conferencing, image processing, PTZ camera control, and more.\u003c\/p\u003e\r\n                    \u003cp\u003e\u003cem\u003e* Note: As an advanced function, you need licenses for full functions.\u003c\/em\u003e\u003c\/p\u003e\r\n                    \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                    \u003cp\u003e\u003cstrong\u003eHigh quality ultra-low latency of end-to-end transmission\u003c\/strong\u003e\u003c\/p\u003e\r\n                    \u003cp\u003eWith ultra-low end-to-end latency, KILOVIEW N60 is a powerful bi-directional converter that supports every second of your 4K video transmission over IP.\u003c\/p\u003e\r\n                    \u003cul\u003e\r\n                        \u003cli\u003eEncoding 4K HDMI\/USB video signal into NDI or NDI|HX stream.\u003c\/li\u003e\r\n                        \u003cli\u003eDecoding NDI or NDI|HX streams into HDMI.\u003c\/li\u003e\r\n                        \u003cli\u003eLoop-out for view on a monitor or projector.\u003c\/li\u003e\r\n                    \u003c\/ul\u003e\r\n                    \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                    \u003cp\u003e\u003cstrong\u003eLarge-sized Color LCD Screen and Scroll Wheel\u003c\/strong\u003e\u003c\/p\u003e\r\n                    \u003cp\u003eA big colour LCD screen and a scroll wheel enable you to customize settings, switch on\/off, set quick shortcuts, and control all video sources with preeminent ease.\u003c\/p\u003e\r\n                    \u003cp\u003eAt the back of the N60, there is a built-in small tally to show the status.\u003c\/p\u003e\r\n                    \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                    \u003cp\u003e\u003cstrong\u003eAudio and Intercom\u003c\/strong\u003e\u003c\/p\u003e\r\n                    \u003cp\u003eThe Kiloview N60 supports an extended USB audio interface (e.g., USB headset), to let you have an end-to-end real-time intercom to other Kiloview device operators and the associated Kiloview Intercom System (KIS) group.\u003c\/p\u003e\r\n                    \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                    \u003cp\u003e\u003cstrong\u003ePTZ Control\u003c\/strong\u003e\u003c\/p\u003e\r\n                    \u003cp\u003eThe N60 supports PTZ control through USB to serial RS-232\/RS-485\/RS-422.\u003c\/p\u003e\r\n                    \u003cp\u003eN60 also adopts Network control protocols (such as Sony Visca\/PELCO-D\/PELCO-P) for external PTZ control.\u003c\/p\u003e\r\n                    \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                    \u003cp\u003e\u003cstrong\u003ePower Supply: PoE and DC\u003c\/strong\u003e\u003c\/p\u003e\r\n                    \u003cp\u003eThe N60 has 2 interfaces of Ethernet, one supports PoE（IEEE 802.3AT）power supply.\u003c\/p\u003e\r\n                    \u003cp\u003eJust plug in a network cable, and you can easily access both the power supply and network transmission.\u003c\/p\u003e\r\n                    \u003cp\u003eIt also supports DC 12V power supply and can easily power the device with a portable charger or camera battery.\u003c\/p\u003e\r\n                    \u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n                    \u003cp\u003e\u003cstrong\u003eTF Storage\u003c\/strong\u003e\u003c\/p\u003e\r\n                    \u003cp\u003eThe N60 provides a TF storage extension that eases your recording of encoded NDI video directly into a TF card (local recording supports MOV. format).\u003c\/p\u003e\r\n                    \u003cp\u003eTF storage guards your recording and prevents you from losing video frames caused by network delay, network interruption, or fluctuation.\u003c\/p\u003e\r\n                \u003c\/div\u003e\r\n            \u003c\/div\u003e\r\n        \u003c\/div\u003e\r\n    \u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"Kiloview","offers":[{"title":"Default Title","offer_id":40174556414081,"sku":"KIL-N60","price":1645.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/kiloview-computer-accessories-default-title-kiloview-n60-4k-hdmi-ndi-bi-directional-converter-30573403570305.jpg?v=1744598250"},{"product_id":"sony-e-mount-fe-50mm-f-1-4-gm-lens","title":"Sony E Mount FE 50mm f\/1.4 GM Lens","description":"\u003cp\u003eThe Sony E Mount FE 50mm f\/1.4 GM Lens is a professional grade standard prime lens with a fast aperture that provides extraordinary all-around performance for filmmakers. 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Located on the lens barrel, an AF\/MF switch enables tactile control for these settings.\u003c\/li\u003e\n\u003cli\u003eInternal focusing design offers more responsive focusing performance and maintains a consistent overall lens length during operation.\u003c\/li\u003e\n\u003cli\u003eMinimum autofocusing distance of 16\" allows for dynamic close-up images.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\u003cp\u003e \u003c\/p\u003e\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cstrong\u003eG Master Resolution and Bokeh\u003c\/strong\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cul\u003e\n\u003cli\u003eTwo XA (extreme aspherical) elements minimize aberrations and distortions while also providing outstanding resolution and sharpness.\u003c\/li\u003e\n\u003cli\u003eOne ED (extra-low dispersion) glass element effectively eliminates chromatic aberration and colour fringing to produce a high degree of clarity and colour accuracy.\u003c\/li\u003e\n\u003cli\u003eApplied to specific elements, a Nano AR Coating II greatly reduces reflective light to decrease ghosting and flare for increased contrast and colour accuracy in strong lighting conditions.\u003c\/li\u003e\n\u003cli\u003eBright f\/1.4 maximum aperture provides a very shallow depth of field for pleasing background blur when using selective focus techniques.\u003c\/li\u003e\n\u003cli\u003eIdeal for portraits, a circular 11-blade aperture produces deep and dreamy bokeh.\u003c\/li\u003e\n\u003cli\u003eBeyond depth of field control and pleasing bokeh, the lens's f\/1.4 aperture also allows for handheld shooting in low-light conditions.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003e \u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cstrong\u003eControls and Functions\u003c\/strong\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cul\u003e\n\u003cli\u003eNew for Sony primes, an iris lock switch prevents the aperture ring from being accidentally moved. This switch can also be unlocked allowing the aperture ring to rotate seamlessly and silently.\u003c\/li\u003e\n\u003cli\u003eBenefitting video applications, an easy-to-read aperture ring with f-stop engraving can be quickly de-clicked on the lens barrel for smooth and silent aperture control.\u003c\/li\u003e\n\u003cli\u003eTwo focus hold buttons are featured on the lens barrel for intuitive control and rapid access to select settings.\u003c\/li\u003e\n\u003cli\u003eTactile in its design, a Linear Response manual focus ring provides fine linear focus control.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cdiv\u003e\n\u003cdiv\u003e\u003cdiv\u003eCompact and Durable Design\u003c\/div\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cdiv\u003e\u003cul\u003e\n\u003cli\u003eDespite its wide f\/1.4 maximum aperture, complex optical design, and inclusion of a high-performance AF system, this lens still manages to be compact and lightweight for everyday use, measuring 3.1 x 3.7\" and weighing just 18 oz.\u003c\/li\u003e\n\u003cli\u003eMeant for use in challenging conditions, this lens features dust and moisture-resistant construction. All seams are sealed, buttons and switches have silicone rubber gaskets, and a rubber ring seals the lens mount.\u003c\/li\u003e\n\u003cli\u003eFluorine coating on the front element repels water, oil, fingerprints, and contaminants while also making the lens easy to clean.\u003c\/li\u003e\n\u003c\/ul\u003e\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":40174560542849,"sku":"SON-SEL50F14GM","price":1821.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sony-lenses-default-title-sony-e-mount-fe-50mm-f-1-4-gm-lens-30573825458305.jpg?v=1747050695"},{"product_id":"sennheiser-ew-dp-eng-wireless-lavalier-and-plug-on-transmitter-set-s7-10-662-to-6938-mhz","title":"Sennheiser Evolution Wireless Digital EW-DP ENG Wireless Lavalier and Plug on Transmitter Set (S7-10: 662 to 693.8 MHz)","description":"\u003cp\u003eThe Sennheiser Evolution Wireless Digital EW-DP ENG Wireless Lavalier and Plug-on Transmitter Set is a fully digital UHF wireless microphone system that features an all-new portable design and unmatched audio quality, purpose-built for filmmakers, content creators, and broadcasters.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/j3RQia2xyV8\" title=\"YouTube video player\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003cspan class=\"fr-mk\" style=\"display: none;\"\u003e \u003c\/span\u003e\u003cspan class=\"fr-mk\" style=\"display: none;\"\u003e \u003c\/span\u003e\u003cspan class=\"fr-mk\" style=\"display: none;\"\u003e \u003c\/span\u003e\u003cspan class=\"fr-mk\" style=\"display: none;\"\u003e \u003c\/span\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003eAt the heart of EW-DP is a compact digital receiver that provides an intuitive user experience for those new to wireless and seasoned professionals alike. Convenient features like remote Bluetooth synchronization and system control via our Smart Assist app help you save time and energy on set. A front-facing OLED display allows for easy menu navigation and at-a-glance system status at any angle in any light. Smart Notifications help to troubleshoot your system and suggest solutions for various challenges you may encounter. Versatile, magnetically stackable mounting configurations seamlessly integrate the receiver into your camera build while multiple powering options are ready to tackle long days on location. \u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe EW-DP ENG Set includes both the SK bodypack transmitter with an ME 2 omnidirectional lavalier as well as the SKP plug-on transmitter for the most flexibility of any EW-DP system. The SKP transmitter turns any wired microphone into a wireless option. Features include an XLR input with +48V phantom power, a 3.5 mm locking input, and a micro-SD card slot for 24-bit, 48 kHz on-board recording. \u003c\/p\u003e","brand":"Sennheiser","offers":[{"title":"Default Title","offer_id":40174561656961,"sku":"SEN-EW-DP-ENG-SET-S7-10","price":1219.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0578\/2572\/2497\/files\/sennheiser-professional-audio-default-title-sennheiser-evolution-wireless-digital-ew-dp-eng-wireless-lavalier-and-plug-on-transmitter-set-s7-10-662-to-693-8-mhz-30571913216129.jpg?v=1742894598"},{"product_id":"sony-fe-70-200mm-f4-macro-g-oss-ii-lens","title":"Sony FE 70-200mm F4 Macro G OSS II Lens","description":"\u003cp\u003eThe latest version of the Sony FE 70-200mm F4 Macro G OSS II Lens brings several enhancements in autofocus, stabilisation, magnification, and sharpness, all while reducing its overall size and length. This lens remains a reliable and compact option for capturing events, sports, and portraits, but now it also excels in video and macro photography.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5WXIeLFQ_o4\" title=\"YouTube video player\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eImproved Optical Performance\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe biggest change to the optical design of the lens is the introduction of a floating focusing element, enabling the lens' high-resolution .5x \"half-macro\" magnification, shrinking the minimum focusing distance to 10.2\" at 70mm. This increased resolution is available across the entirety of the zoom range, as is the lens' improved corner-to-corner sharpness. The lens features aspherical, Advanced Aspherical, Super Extra-low dispersion, and extra-low dispersion aspherical elements to reduce and suppress chromatic and spherical aberrations. Nano AR Coating II controls flare and ghosting, while the rounded, nine-blade diaphragm supplies the lens with its soft, smooth bokeh.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFaster, Video-Optimized Autofocus\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eChief among the 70-200mm f\/4 II's enhancements is its faster, video-optimized autofocus system. Featuring 4 XD Linear motors, two for each of the lens' focus groups, the lens now performs 20% faster than its predecessor and supports focus tracking while zooming. The new autofocus system also works with the Alpha 1's blackout-free 30 fps high-speed continuous shooting, double the rate of the f\/4 OSS I.\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003cp\u003eFor those eager to apply the lens' virtues to video, Sony has introduced several features from their cinema division. The new autofocus system has near-silent operation while dramatically reducing focus breathing and focus shift. 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