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Trigger recording, adjust settings, and enter metadata on jib, gimbal, or crane-mounted cameras without physical access to the unit.\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eFlexible Power Options\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis kit includes a 24V 250W power supply and a B-Mount battery plate, letting you power the camera from mains or standard cinema batteries straight out of the box. The 8-pin LEMO connector also accepts 12V power from a wide range of battery systems. 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Built around a full-frame 36 x 24mm sensor delivering 12K resolution and 16 stops of dynamic range, this camera records Blackmagic RAW while simultaneously streaming via 100 Gigabit Ethernet, Wi-Fi, or mobile data to Blackmagic Cloud or live platforms, making it ideal for high-end drama, commercial work, and broadcast productions where remote monitoring and instant media delivery matter.\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eCinematic Large-Format Sensor with RGBW Architecture\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe 12K full-frame sensor features equal amounts of red, green, blue, and white pixels, delivering rich colours at every resolution from 4K to 12K without cropping. In-sensor scaling maintains your lens's full field of view regardless of recording format, while 16 stops of dynamic range capture detail in highlights and shadows that would be lost on traditional broadcast cameras.\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eInterchangeable Lens Mounts for Every Production\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis body includes a locking EF mount, with optional B4, ARRI PL, and ARRI LPL mounts available separately. Switch between autofocus photographic lenses for fast-paced documentary work and cinema glass for controlled studio environments. Lens metadata is read through contact pins for monitoring and post-production workflows.\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eBuilt for High-End Production Environments\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe magnesium alloy chassis with carbon fibre composite skin balances durability with portability. Dual 5-inch HDR touchscreens (1500 cd\/m² brightness) include a fold-out monitor for operators and a dedicated assist station for focus pullers, eliminating the need for external monitors on many shoots. Backlit buttons remain visible in low light, while standard LEMO and Fischer connectors provide camera control, lens motor power, and 24V accessory power without additional cabling.\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eProfessional Connectivity\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\u003cli\u003eDual 12G-SDI outputs for simultaneous monitoring with independent overlays\u003c\/li\u003e\n\u003cli\u003e100 Gigabit Ethernet for ST-2110 live video standards and Blackmagic Cloud storage sync\u003c\/li\u003e\n\u003cli\u003eUSB-C for mobile data connection via smartphone tethering\u003c\/li\u003e\n\u003cli\u003eXLR audio inputs with phantom power\u003c\/li\u003e\n\u003cli\u003e10G Ethernet port for high-speed wired networking\u003c\/li\u003e\n\u003cli\u003eWi-Fi 6 for wireless streaming and cloud uploads\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eMultiple Recording Formats and Frame Rates\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eRecord 12K at 100 fps (12,288 x 6480 17:9) or 120 fps (2.4:1 widescreen), 8K at 224 fps (2.4:1), and 4.6K B4 crop at 240 fps with the optional B4 mount. The sensor supports 3:2 open gate, anamorphic formats with multiple de-squeeze factors (1.3x, 1.5x, 1.6x, 1.66x, 1.8x, 2x), and Super 35 modes (9K 4-perf, 3-perf, 2-perf) for compatibility with classic cinema lenses. All formats are captured in Blackmagic RAW with constant quality or constant bit rate encoding options.\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eBuilt-In ND Filters\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eMotorised 2-stop, 4-stop, and 6-stop ND filters are colour-balanced to match the camera's sensor and filter both optical and infrared wavelengths evenly. 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The camera automatically creates H.264 proxy files alongside full-resolution media, uploading proxies to Blackmagic Cloud in real time so editors worldwide can begin work immediately while high-resolution files transfer overnight.\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eHigh-Performance Recording Media\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe included Media Module CF provides dual CFexpress card slots. Optional Media Module 8TB or 16TB units use removable M.2 SSDs that slot directly into Blackmagic Media Dock for fast file transfer to editing systems or network storage. 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This 7- to 12-pin adapter cable handles both power and data transmission, so you get full digital lens control (zoom, focus, iris) while drawing power from an external source rather than the camera body. It's built for broadcast operators and cinema shooters who want to use their existing B4 broadcast lenses or box lenses on URSA Cine, but it's also useful for anyone stepping up to cinema cameras who wants flexibility with lens choice. 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Professional video creators gain SMPTE-2110 live output via 100 Gigabit Ethernet, 12G-SDI connectivity, high-end XLR audio inputs, and integrated Wi-Fi for networked workflows. The magnesium alloy chassis with carbon fibre polycarbonate skin keeps the system robust yet mobile, while the 5-inch HDR touchscreen and included DaVinci Resolve Studio software provide on-set monitoring and complete post-production capabilities for immersive content delivery.\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eDual Sensor Immersive Capture\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe camera uses two custom lenses paired with high-resolution 58.7-megapixel sensors to capture stereoscopic 3D images that replicate human binocular vision. Each sensor records at 8K resolution and combines into a single Blackmagic RAW file, simplifying your post-production workflow while maintaining maximum image quality and flexibility for colour grading.\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e100 Gigabit Ethernet for Live Production\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis 100G model adds a 100 Gb\/s Ethernet port supporting SMPTE-2110 IP video output, enabling real-time immersive content streaming for live events, broadcasts, and virtual production environments. 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