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Sony PXW-FX9 6K Full Frame XDCAM Camera Body

CODE: PXWFX9

Quick Overview

Main Features:

  • 4K FF 30fps 4K S35 60fps
  • FHD HFR 120fps
  • XAVC 4:2:2 10bit recording
  • S-Cinetone VENICE Colour Science
  • Dual ISO 800/4000
  • Full Frame Variable ND filter
  • Fast Hybrid Auto Focus System
  • 4 audio channels with individual level controls
  • New Hi Resolution view finder
  • Post production supported Image Stabilisation
  • Improved Compact Grip and Arm Design

Config: Body Only | With 28-135mm Lens

Note:  Watch the Videocraft Live Stream of the FX9 here. Option to secure earliest availability by Pre-Ordering with a refundable deposit or Contact for more info or custom quotes.


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RRP $19,789.00 inc GST

Special Price $18,295.00 inc GST

Available to Pre-Order

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Details

The Sony PXW-FX9 6K Full Frame XDCAM Camera Body features a powerful and flexible 4K interchangeable lens camera system and suit shooting documentaries, events, reality TV, education, corporate productions and more. The Sony PXW-FX9 Camera features a full-frame, oversampled 6K Exmor R CMOS sensor that allows you to capture 4K images with cinematic depth of field. The Sony FX9's camera's E-mount is machined from stainless steel and allows you to use E-mount lenses.

The PXW-FX9 input and output features include 12G-SDI and HDMI outputs for 4K, a 3G-SDI output for HD, and genlock and timecode when using a multicamera setup. The Fast Hybrid AF autofocus system allows for accurate focus and even allows facial detection to automatically detect human form with 561 points of detection. Advanced image stabilization is achieved using the PXW-FX9's internal gyroscope for shots so smooth it'll look like you used a gimbal. Its 4-channel audio recording allows you to use external microphones and record ambient sound with the internal mics simultaneously.

The camera features a 15-stop dynamic range and records 10-bit 4:2:2 to dual XQD media card slots that support simultaneous and relay recording, as well as multiple backup recording modes that utilize proxy files. The camera can record UHD (3840 x 2160) and HD (1920 x 1080) internally at a selectable frame rate from 1 fps up to 60 fps in XAVC-I, XAVC-Long, and MPEG HD formats. And with a future firmware update, it will be able to record HD at up to 180 fps and output 16-bit raw 4K/2K footage up to 120 fps. In addition to its wide dynamic range, its enhanced color and light features include a dual base ISO of 800/4000, which is helpful when in low-light situations or using a slower lens. Its 7-stop electronic variable HD filter can perform in auto or manual mode, smoothly adjusting from 1/4 to 1/128 density. The camera's default S-Cinetone color look offers the same soft, vivid tone as with Sony's VENICE camera.

The FX9 includes an integrated Multi-Interface (MI) shoe and comes with a BP-U35 battery, BC-U1A battery charger, AC adapter with two power cords, body cap, viewfinder, eyepiece, remote control, and USB cable. The PXW-FX9 is also compatible with the separately available XDCA-FX9 extension unit which provides ENG shoulder-style support, networking features, and a slot for an optional wireless audio receiver.

6K CMOS Exmor R Sensor
The PXW-FX9's oversampled full-frame 6K sensor provides recording in DCI 4K, UHD, and HD resolutions. Powerful image processing with debayering and down-sampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony's Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9's 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field.

15 Stops of Dynamic Range

The FX9 offers an exceptional 15+ stops of dynamic range, allowing for creative freedom in color grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using 4K 4:2:2 10-bit internal recording.


ISO Control
The FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary high base sensitivity of ISO 4000 excels in low-light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you're using slow lenses.


Electronic ND Filter
Sony's built-in electronic variable neutral density (ND) filter can be set to auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher-density settings with a slower shutter speed for artistic effects.


Recording Formats
Depending on the project, the FX9 has a selection of recording formats. XAVC-I with 422 10-bit quality at a highest 600 Mb/s in 60p. XAVC-Long for more longer recording time in smaller file size. The traditional MPEG HD codec is also available. All files will be recorded onto XQD media cards.


Adjustable Frame Rates
Choose your desired frame rate from 1 up to 60 fps for quick- and slow-motion footage. The FX9 creates an immersive image with a wide-angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow motion. It also offers a quality priority setting that maximizes Full HD slow-motion image quality with advanced oversampling technology.


S-Cinetone Look
S-Cinetone is the default look of FX9 that's tuned to meet the requirements of today's content creators with rich midrange colors, alluring facial tones, and a softer tonal look developed with the same expertise as Sony's world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post-production, thanks to the high-performance full-frame image sensor.


Fast Hybrid AF
Effortlessly track fast-moving subjects with pin-sharp focus, even when using wide-lens aperture settings to maintain a shallow depth of field with the camera's full-frame sensor. Enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognizes and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing for consistently accurate, responsive AF tracking, even with fast-moving subjects.

Advanced Image Stabilization
Advanced image stabilization information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software in post-production to look as smooth as if it were shot with a gimbal. Unlike in-camera or lens stabilization, metadata generated by the FX9's built-in gyro allows you to creatively choose the balance between the level of shake compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilization workflows.


4-Channel Audio Recording
The FX9 offers audio capabilities with independent control dials for each channel. In applications such as an interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, and the built-in microphone for ambient sound and voice memos by the operator.


Inputs and Outputs
The FX9 is equipped with various outputs including a 12G-SDI and an HDMI for 4K output. Also, it has a 3G-SDI for HD output to expand its monitoring flexibility. For multicamera operation, Genlock and TC In/Out terminals are available.


Recording Modes
The FX9 has a selection of backup recording modes that will help ensure the recording is safe. Simul Rec will enable simultaneous HD recording onto two media cards. The 4K/HD Sub Rec mode will allow 4K recording on one card and MPEG HD recording on another card. XAVC Proxy Rec is also available, offering a 9 Mb/s small size proxy file which will be easily sent via network. Also, a maximum 28-second Cache Rec is available to prevent missing any shot.


Multi-Interface (MI) Shoe
Sony's flexible Multi-Interface (MI) shoe provides power, signal connections, and coordinated on/off switching with compatible Sony accessories.


Optional Extension Unit
Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimizes camera weight distribution and ergonomics for comfortable shoulder-style shooting—ideal for ENG and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and a slot-in for a wireless audio receiver.

General
Mass Approx 2.0 kg (body only)
Approx. 4.8 kg (with Viewfinder, Eyepiece, Grip Remote Control, BP-U35 battery, SELP28135G LENS, an XQD memory card, Handle, MIC holder)
Dimensions (W x H x D) 146 x 142.5 x 229 mm (body without protrusions)
Power Requirements DC 19.5V
Power Consumption Approx. 35.2 W (while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device)
Operating Temperature 0°C to 40°C
32°F to 104°F
Storage Temperature -20°C to +60°C
-4°F to +140°F
Battery Operating Time Approx. 54min. with BP-U35 battery
(while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device)
Approx. 108min. with BP-U70 battery
(while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device)
Recording Format (Video) [XAVC Intra]
XAVC-I QFHD 59.94p mode:VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264
XAVC-I QFHD 50p mode:VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264
XAVC-I QFHD 29.97p mode:VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264
XAVC-I QFHD 25p mode:VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264
XAVC-I QFHD 23.98p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264
XAVC-I HD 59.94p mode:CBG, MAX bit rate 222 Mbps, MPEG-4 AVC/H.264
XAVC-I HD 50p mode:CBG, MAX bit rate 223 Mbps, MPEG-4 AVC/H.264
XAVC-I HD 59.94i/29.97p mode:CBG, MAX bit rate 111 Mbps, MPEG-4 AVC/H.264
XAVC-I HD 50i/25p mode:CBG, MAX bit rate 112Mbps, MPEG-4 AVC/H.264
XAVC-I HD 23.98p mode:CBG, MAX bit rate 89Mbps, MPEG-4 AVC/H.264
Recording Format (Video) [XAVC Long]
XAVC-L QFHD 29.97p/25p/23.98p mode:VBR, MAX bit rate 100 Mbps, MPEG-4 H.264/AVC
XAVC-L QFHD 59.94p/50p mode:VBR, MAX bit rate 150 Mbps, MPEG-4 H.264/AVC
XAVC-L HD 59.94i/29.97p/50i/25p/23.98p/59.94p/50p mode:VBR, MAX bit rate 50 Mbps, MPEG-4 H.264/AVC
XAVC-L HD 59.94i/29.97p/50i/25p/23.98p/59.94p/50p mode:VBR, MAX bit rate 35 Mbps, MPEG-4 H.264/AVC
XAVC-L HD 59.94i/50i mode:VBR, MAX bit rate 25 Mbps, MPEG-4 H.264/AVC
Recording Format (Video) [MPEG-2 Long GOP] MPEG2 HD422 mode:CBR, MAX bit rate 50 Mbps, MPEG-2 422P@HL
Recording Format (Audio) LPCM 24 bits, 48 kHz, 4 channels
Recording Frame Rate
[XAVC Intra]
XAVC-I QFHD mode: 3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P
XAVC-I HD mode: 1920 x 1080/59.94P, 59.94i, 50P, 50i, 29.97P, 23.98P, 25P
[XAVC Long]
XAVC-L QFHD mode: 3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P
XAVC-L HD 50 mode: 1920 x 1080, 1280 x 720/59.94P, 50P, 59.94i, 50i, 29.97P, 23.98P, 25P
XAVC-L HD 35 mode:1920 x 1080/59.94P, 50P, 59.94i, 50i, 29.97P, 23.98P, 25P
XAVC-L HD 25 mode:1920 x 1080/59.94i, 50
[MPEG-2 Long GOP]
MPEG HD422 mode: 1920 x 1080/59.94i, 50i, 29.97P, 23.98P, 25Pi
Recording/Playback Time
[XAVC Intra]
XAVC-I QFHD 59.94p
When using QD-G128A (128 GB): Approx. 22 minutes
When using QD-G64A (64 GB): Approx. 10 minutes
XAVC-I QFHD 50p
When using QD-G128A (128 GB): Approx. 26 minutes
When using QD-G64A (64 GB): Approx. 13 minutes
XAVC-I QFHD 29.97p
When using QD-G128A (128 GB): Approx. 43 minutes
When using QD-G64A (64 GB): Approx. 21 Minutes
XAVC-I QFHD 25p
When using QD-G128A (128 GB): Approx. 52 minutes
When using QD-G64A (64 GB): Approx. 25 Minutes
XAVC-I QFHD 23.98p
When using QD-G128A (128 GB): Approx. 54 minutes
When using QD-G64A (64 GB): Approx. 26 Minutes
XAVC-I HD 59.94p
When using QD-G128A (128 GB): Approx. 57 minutes
When using QD-G64A (64 GB): Approx. 28 Minutes
XAVC-I HD 50p
When using QD-G128A (128 GB): Approx. 57 minutes
When using QD-G64A (64 GB): Approx. 27 Minutes
XAVC-I HD 59.94i/29.97p
When using QD-G128A (128 GB): Approx. 105 minutes
When using QD-G64A (64 GB): Approx. 53 Minutes
XAVC-I HD 50i/25p
When using QD-G128A (128 GB): Approx. 105 minutes
When using QD-G64A (64 GB): Approx. 53 Minutes
XAVC-I HD 23.98p
When using QD-G128A (128 GB): Approx. 130 minutes
When using QD-G64A (64 GB): Approx. 65 Minutes
Recording/Playback Time
[XAVC Long]
XAVC-L QFHD 29.97p/25p/23.98p
When using QD-G128A (128 GB): Approx. 125 minutes
When using QD-G64A (64 GB): Approx. 62 Minutes
XAVC-L QFHD 59.94p/50p
When using QD-G128A (128 GB): Approx. 86 minutes
When using QD-G64A (64 GB): Approx. 42 Minutes
XAVC-L HD 50 59.94i/29.97p/50i/25p/23.98p/59.94p/50p
When using QD-G128A (128 GB): Approx. 225 minutes
When using QD-G64A (64 GB): Approx. 110 Minutes
XAVC-L HD 35 59.94i/29.97p/50i/25p/23.98p/59.94p/50p
When using QD-G128A (128 GB): Approx. 305 minutes
When using QD-G64A (64 GB): Approx. 150 Minutes
XAVC-L HD 25 59.94i/50i
When using QD-G128A (128 GB): Approx. 410 minutes
When using QD-G64A (64 GB) Approx. 200 Minutes
Recording/Playback Time
[MPEG-2 Long GOP]
MPEG HD422 59.94i, 50i, 29.97P, 23.98P, 25P
When using QD-G128A (128 GB): Approx. 220 minutes
When using QD-G64A (64 GB): Approx. 105 Minutes
Recording Format (Proxy Audio) XAVC Proxy: AAC-LC, 128 kbps, 2 channels
Recording Format (Proxy Video) XAVC Proxy: AVC/H.264 Main Profile 4:2:0 Long GOP, VBR
1920 x 1080, 9Mbps
1280 x 720, 9Mbps
1280 x 720, 6Mbps
640 x 360, 3Mbps
Lens
Lens Mount E-mount
Camera Section
Imaging Device (Type) 35 mm full-frame, single-chip CMOS image sensor
Imaging Device (Pixel Count) 20.5M pixels (Total)
Built-in Optical Filters Clear, linear variable ND(1/4ND to 1/128ND)
ISO Sensitivity ISO 800/4000 (Cine EI mode, D55 Light source)
S/N Ratio 57 dB (Y) (typical)
Shutter Speed 64F to 1/8000 sec
Slow and Quick Motion Function FF 6K mode:
XAVC-I/L
3840 x 2160, 1920 x 1080
1 to 30 frames (29.97/25/23.98)
S35 4K mode:
XAVC-I/L
3840 x 2160, 1920 x 1080
1 to 60 frames (59.94p, 50p, 29.97/25/23.98)
FF 2K, S35 2K mode:
XAVC-I/L
1920 x 1080
1 to 60, 100, 120 frames (59.94p, 50p, 29.97/25/23.98)
White Balance Preset, Memory A, Memory B (2000K-15000K)/ATW
Gain -3 to 18dB (every 1dB), AGC
Gamma Curve S-Cinetone, STD1, STD2, STD3, STD4, STD5, STD6, HG1, HG2, HG3, HG4, HG7, HG8, S-Log3
Latitude 15+ stop
Input/Output
Audio Input XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable
Mic Reference: -30 to -80 dBu"
SDI Output
SDI OUT1: BNC, 12G-SDI, 3G-SDI (Level A/B), HD-SDI
SDI OUT2: BNC, 3G-SDI (Level A/B), HD-SDI
USB USB device, micro-B (x1)
Headphone Output Stereo mini jack (x1) -16 dBu 16 Ω
Speaker Output Monaural
DC Input DC jack
Remote Stereo mini-minijack (Φ2.5 mm)
HDMI Output Type A (x1)
LCD 8.8 cm (3.5 type) Approx. 2.76M dots
Built-in Microphone
Built-in Microphone Omni-directional monoral electret condenser microphone
Media
Type
XQD Card slot (x2)
SD/MS Card slot (x1) for saving configuration data
SD card slot also can be used for proxy video recording
Wi-Fi/NFC
Supported Format IEEE 802.11 a/b/g/n/ac
Frequency Band 2.4 GHz bandwidth 5.2/5.3/5.6/5.8 GHz bandwidth*
* Depending on country/regional regulation
Security WEP/WPA-PSK/WPA2-PSK
NFC NFC Forum Type 3 Tag compliant
Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only)
  • Body Cap
  • Viewfinder
  • Eyepiece
  • 1 X BP-U35 Battery
  • BC-U1A Battery Charger / AC Adapter for BP-U90, U60, U60T, U30
  • Grip Remote Control
  • AC Adapter
  • USB Cable
  • Limited 1-Year Warranty

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Details

The Sony PXW-FX9 6K Full Frame XDCAM Camera Body features a powerful and flexible 4K interchangeable lens camera system and suit shooting documentaries, events, reality TV, education, corporate productions and more. The Sony PXW-FX9 Camera features a full-frame, oversampled 6K Exmor R CMOS sensor that allows you to capture 4K images with cinematic depth of field. The Sony FX9's camera's E-mount is machined from stainless steel and allows you to use E-mount lenses.

The PXW-FX9 input and output features include 12G-SDI and HDMI outputs for 4K, a 3G-SDI output for HD, and genlock and timecode when using a multicamera setup. The Fast Hybrid AF autofocus system allows for accurate focus and even allows facial detection to automatically detect human form with 561 points of detection. Advanced image stabilization is achieved using the PXW-FX9's internal gyroscope for shots so smooth it'll look like you used a gimbal. Its 4-channel audio recording allows you to use external microphones and record ambient sound with the internal mics simultaneously.

The camera features a 15-stop dynamic range and records 10-bit 4:2:2 to dual XQD media card slots that support simultaneous and relay recording, as well as multiple backup recording modes that utilize proxy files. The camera can record UHD (3840 x 2160) and HD (1920 x 1080) internally at a selectable frame rate from 1 fps up to 60 fps in XAVC-I, XAVC-Long, and MPEG HD formats. And with a future firmware update, it will be able to record HD at up to 180 fps and output 16-bit raw 4K/2K footage up to 120 fps. In addition to its wide dynamic range, its enhanced color and light features include a dual base ISO of 800/4000, which is helpful when in low-light situations or using a slower lens. Its 7-stop electronic variable HD filter can perform in auto or manual mode, smoothly adjusting from 1/4 to 1/128 density. The camera's default S-Cinetone color look offers the same soft, vivid tone as with Sony's VENICE camera.

The FX9 includes an integrated Multi-Interface (MI) shoe and comes with a BP-U35 battery, BC-U1A battery charger, AC adapter with two power cords, body cap, viewfinder, eyepiece, remote control, and USB cable. The PXW-FX9 is also compatible with the separately available XDCA-FX9 extension unit which provides ENG shoulder-style support, networking features, and a slot for an optional wireless audio receiver.

6K CMOS Exmor R Sensor
The PXW-FX9's oversampled full-frame 6K sensor provides recording in DCI 4K, UHD, and HD resolutions. Powerful image processing with debayering and down-sampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony's Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9's 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field.

15 Stops of Dynamic Range

The FX9 offers an exceptional 15+ stops of dynamic range, allowing for creative freedom in color grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using 4K 4:2:2 10-bit internal recording.


ISO Control
The FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary high base sensitivity of ISO 4000 excels in low-light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you're using slow lenses.


Electronic ND Filter
Sony's built-in electronic variable neutral density (ND) filter can be set to auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher-density settings with a slower shutter speed for artistic effects.


Recording Formats
Depending on the project, the FX9 has a selection of recording formats. XAVC-I with 422 10-bit quality at a highest 600 Mb/s in 60p. XAVC-Long for more longer recording time in smaller file size. The traditional MPEG HD codec is also available. All files will be recorded onto XQD media cards.


Adjustable Frame Rates
Choose your desired frame rate from 1 up to 60 fps for quick- and slow-motion footage. The FX9 creates an immersive image with a wide-angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow motion. It also offers a quality priority setting that maximizes Full HD slow-motion image quality with advanced oversampling technology.


S-Cinetone Look
S-Cinetone is the default look of FX9 that's tuned to meet the requirements of today's content creators with rich midrange colors, alluring facial tones, and a softer tonal look developed with the same expertise as Sony's world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post-production, thanks to the high-performance full-frame image sensor.


Fast Hybrid AF
Effortlessly track fast-moving subjects with pin-sharp focus, even when using wide-lens aperture settings to maintain a shallow depth of field with the camera's full-frame sensor. Enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognizes and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing for consistently accurate, responsive AF tracking, even with fast-moving subjects.

Advanced Image Stabilization
Advanced image stabilization information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software in post-production to look as smooth as if it were shot with a gimbal. Unlike in-camera or lens stabilization, metadata generated by the FX9's built-in gyro allows you to creatively choose the balance between the level of shake compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilization workflows.


4-Channel Audio Recording
The FX9 offers audio capabilities with independent control dials for each channel. In applications such as an interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, and the built-in microphone for ambient sound and voice memos by the operator.


Inputs and Outputs
The FX9 is equipped with various outputs including a 12G-SDI and an HDMI for 4K output. Also, it has a 3G-SDI for HD output to expand its monitoring flexibility. For multicamera operation, Genlock and TC In/Out terminals are available.


Recording Modes
The FX9 has a selection of backup recording modes that will help ensure the recording is safe. Simul Rec will enable simultaneous HD recording onto two media cards. The 4K/HD Sub Rec mode will allow 4K recording on one card and MPEG HD recording on another card. XAVC Proxy Rec is also available, offering a 9 Mb/s small size proxy file which will be easily sent via network. Also, a maximum 28-second Cache Rec is available to prevent missing any shot.


Multi-Interface (MI) Shoe
Sony's flexible Multi-Interface (MI) shoe provides power, signal connections, and coordinated on/off switching with compatible Sony accessories.


Optional Extension Unit
Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimizes camera weight distribution and ergonomics for comfortable shoulder-style shooting—ideal for ENG and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and a slot-in for a wireless audio receiver.

General
Mass Approx 2.0 kg (body only)
Approx. 4.8 kg (with Viewfinder, Eyepiece, Grip Remote Control, BP-U35 battery, SELP28135G LENS, an XQD memory card, Handle, MIC holder)
Dimensions (W x H x D) 146 x 142.5 x 229 mm (body without protrusions)
Power Requirements DC 19.5V
Power Consumption Approx. 35.2 W (while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device)
Operating Temperature 0°C to 40°C
32°F to 104°F
Storage Temperature -20°C to +60°C
-4°F to +140°F
Battery Operating Time Approx. 54min. with BP-U35 battery
(while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device)
Approx. 108min. with BP-U70 battery
(while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device)
Recording Format (Video) [XAVC Intra]
XAVC-I QFHD 59.94p mode:VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264
XAVC-I QFHD 50p mode:VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264
XAVC-I QFHD 29.97p mode:VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264
XAVC-I QFHD 25p mode:VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264
XAVC-I QFHD 23.98p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264
XAVC-I HD 59.94p mode:CBG, MAX bit rate 222 Mbps, MPEG-4 AVC/H.264
XAVC-I HD 50p mode:CBG, MAX bit rate 223 Mbps, MPEG-4 AVC/H.264
XAVC-I HD 59.94i/29.97p mode:CBG, MAX bit rate 111 Mbps, MPEG-4 AVC/H.264
XAVC-I HD 50i/25p mode:CBG, MAX bit rate 112Mbps, MPEG-4 AVC/H.264
XAVC-I HD 23.98p mode:CBG, MAX bit rate 89Mbps, MPEG-4 AVC/H.264
Recording Format (Video) [XAVC Long]
XAVC-L QFHD 29.97p/25p/23.98p mode:VBR, MAX bit rate 100 Mbps, MPEG-4 H.264/AVC
XAVC-L QFHD 59.94p/50p mode:VBR, MAX bit rate 150 Mbps, MPEG-4 H.264/AVC
XAVC-L HD 59.94i/29.97p/50i/25p/23.98p/59.94p/50p mode:VBR, MAX bit rate 50 Mbps, MPEG-4 H.264/AVC
XAVC-L HD 59.94i/29.97p/50i/25p/23.98p/59.94p/50p mode:VBR, MAX bit rate 35 Mbps, MPEG-4 H.264/AVC
XAVC-L HD 59.94i/50i mode:VBR, MAX bit rate 25 Mbps, MPEG-4 H.264/AVC
Recording Format (Video) [MPEG-2 Long GOP] MPEG2 HD422 mode:CBR, MAX bit rate 50 Mbps, MPEG-2 422P@HL
Recording Format (Audio) LPCM 24 bits, 48 kHz, 4 channels
Recording Frame Rate
[XAVC Intra]
XAVC-I QFHD mode: 3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P
XAVC-I HD mode: 1920 x 1080/59.94P, 59.94i, 50P, 50i, 29.97P, 23.98P, 25P
[XAVC Long]
XAVC-L QFHD mode: 3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P
XAVC-L HD 50 mode: 1920 x 1080, 1280 x 720/59.94P, 50P, 59.94i, 50i, 29.97P, 23.98P, 25P
XAVC-L HD 35 mode:1920 x 1080/59.94P, 50P, 59.94i, 50i, 29.97P, 23.98P, 25P
XAVC-L HD 25 mode:1920 x 1080/59.94i, 50
[MPEG-2 Long GOP]
MPEG HD422 mode: 1920 x 1080/59.94i, 50i, 29.97P, 23.98P, 25Pi
Recording/Playback Time
[XAVC Intra]
XAVC-I QFHD 59.94p
When using QD-G128A (128 GB): Approx. 22 minutes
When using QD-G64A (64 GB): Approx. 10 minutes
XAVC-I QFHD 50p
When using QD-G128A (128 GB): Approx. 26 minutes
When using QD-G64A (64 GB): Approx. 13 minutes
XAVC-I QFHD 29.97p
When using QD-G128A (128 GB): Approx. 43 minutes
When using QD-G64A (64 GB): Approx. 21 Minutes
XAVC-I QFHD 25p
When using QD-G128A (128 GB): Approx. 52 minutes
When using QD-G64A (64 GB): Approx. 25 Minutes
XAVC-I QFHD 23.98p
When using QD-G128A (128 GB): Approx. 54 minutes
When using QD-G64A (64 GB): Approx. 26 Minutes
XAVC-I HD 59.94p
When using QD-G128A (128 GB): Approx. 57 minutes
When using QD-G64A (64 GB): Approx. 28 Minutes
XAVC-I HD 50p
When using QD-G128A (128 GB): Approx. 57 minutes
When using QD-G64A (64 GB): Approx. 27 Minutes
XAVC-I HD 59.94i/29.97p
When using QD-G128A (128 GB): Approx. 105 minutes
When using QD-G64A (64 GB): Approx. 53 Minutes
XAVC-I HD 50i/25p
When using QD-G128A (128 GB): Approx. 105 minutes
When using QD-G64A (64 GB): Approx. 53 Minutes
XAVC-I HD 23.98p
When using QD-G128A (128 GB): Approx. 130 minutes
When using QD-G64A (64 GB): Approx. 65 Minutes
Recording/Playback Time
[XAVC Long]
XAVC-L QFHD 29.97p/25p/23.98p
When using QD-G128A (128 GB): Approx. 125 minutes
When using QD-G64A (64 GB): Approx. 62 Minutes
XAVC-L QFHD 59.94p/50p
When using QD-G128A (128 GB): Approx. 86 minutes
When using QD-G64A (64 GB): Approx. 42 Minutes
XAVC-L HD 50 59.94i/29.97p/50i/25p/23.98p/59.94p/50p
When using QD-G128A (128 GB): Approx. 225 minutes
When using QD-G64A (64 GB): Approx. 110 Minutes
XAVC-L HD 35 59.94i/29.97p/50i/25p/23.98p/59.94p/50p
When using QD-G128A (128 GB): Approx. 305 minutes
When using QD-G64A (64 GB): Approx. 150 Minutes
XAVC-L HD 25 59.94i/50i
When using QD-G128A (128 GB): Approx. 410 minutes
When using QD-G64A (64 GB) Approx. 200 Minutes
Recording/Playback Time
[MPEG-2 Long GOP]
MPEG HD422 59.94i, 50i, 29.97P, 23.98P, 25P
When using QD-G128A (128 GB): Approx. 220 minutes
When using QD-G64A (64 GB): Approx. 105 Minutes
Recording Format (Proxy Audio) XAVC Proxy: AAC-LC, 128 kbps, 2 channels
Recording Format (Proxy Video) XAVC Proxy: AVC/H.264 Main Profile 4:2:0 Long GOP, VBR
1920 x 1080, 9Mbps
1280 x 720, 9Mbps
1280 x 720, 6Mbps
640 x 360, 3Mbps
Lens
Lens Mount E-mount
Camera Section
Imaging Device (Type) 35 mm full-frame, single-chip CMOS image sensor
Imaging Device (Pixel Count) 20.5M pixels (Total)
Built-in Optical Filters Clear, linear variable ND(1/4ND to 1/128ND)
ISO Sensitivity ISO 800/4000 (Cine EI mode, D55 Light source)
S/N Ratio 57 dB (Y) (typical)
Shutter Speed 64F to 1/8000 sec
Slow and Quick Motion Function FF 6K mode:
XAVC-I/L
3840 x 2160, 1920 x 1080
1 to 30 frames (29.97/25/23.98)
S35 4K mode:
XAVC-I/L
3840 x 2160, 1920 x 1080
1 to 60 frames (59.94p, 50p, 29.97/25/23.98)
FF 2K, S35 2K mode:
XAVC-I/L
1920 x 1080
1 to 60, 100, 120 frames (59.94p, 50p, 29.97/25/23.98)
White Balance Preset, Memory A, Memory B (2000K-15000K)/ATW
Gain -3 to 18dB (every 1dB), AGC
Gamma Curve S-Cinetone, STD1, STD2, STD3, STD4, STD5, STD6, HG1, HG2, HG3, HG4, HG7, HG8, S-Log3
Latitude 15+ stop
Input/Output
Audio Input XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable
Mic Reference: -30 to -80 dBu"
SDI Output
SDI OUT1: BNC, 12G-SDI, 3G-SDI (Level A/B), HD-SDI
SDI OUT2: BNC, 3G-SDI (Level A/B), HD-SDI
USB USB device, micro-B (x1)
Headphone Output Stereo mini jack (x1) -16 dBu 16 Ω
Speaker Output Monaural
DC Input DC jack
Remote Stereo mini-minijack (Φ2.5 mm)
HDMI Output Type A (x1)
LCD 8.8 cm (3.5 type) Approx. 2.76M dots
Built-in Microphone
Built-in Microphone Omni-directional monoral electret condenser microphone
Media
Type
XQD Card slot (x2)
SD/MS Card slot (x1) for saving configuration data
SD card slot also can be used for proxy video recording
Wi-Fi/NFC
Supported Format IEEE 802.11 a/b/g/n/ac
Frequency Band 2.4 GHz bandwidth 5.2/5.3/5.6/5.8 GHz bandwidth*
* Depending on country/regional regulation
Security WEP/WPA-PSK/WPA2-PSK
NFC NFC Forum Type 3 Tag compliant
Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only)
  • Body Cap
  • Viewfinder
  • Eyepiece
  • 1 X BP-U35 Battery
  • BC-U1A Battery Charger / AC Adapter for BP-U90, U60, U60T, U30
  • Grip Remote Control
  • AC Adapter
  • USB Cable
  • Limited 1-Year Warranty

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