Sony FR7 Cinema Line Full Frame E-Mount PTZ Camera

SKU: SON-ILMEFR7

Key Features

Supports up to UHD 4K120 Video
Sony E-Mount Lens Interchangeability
4K Full-Frame Sensor
S-Cinetone for cinematic image straight out of camera
Real-time Eye AF and real-time tracking even in HFR
12G-SDI, HDMI & Streaming Output
Variable Electronic ND Filter
Smooth, Slow Pan & Tilt Movement
IR, IP & Web App Remote Control
Flexible PoE+ Installation
Genlock, Timecode & Tally Lamps

Model: FX30 FX30(XLR) FX3 FX6 FR7 FX9

Looking for a short-term solution? Why not hire it from our rental fleet?

(0)No Reviews yet

Details

The Sony FR7 Cinema Line Full Frame E-Mount PTZ Camera produces full frame, cinematic footage in PTZ form, suitable for broadcast use, live events, sports, reality shows, houses of worship, and more. The Sony FR7 Pan-Tilt-Zoom (PTZ) Camera features the unique ability to use interchangeable Sony E-mount lenses and is currently compatible with up to 70 E-mount lenses ranging from 12 to 1200mm.

The large image sensor provides 15+ stops of dynamic range, captures up to UHD 4K120 video, offers live streaming, supports S-Cinetone, Cine EI, and MLUT looks for matching select Sony cameras, and enables you to create shallow depth-of-field bokeh effects.

Look and image quality features:

Full frame sensor with 15+ latitude1 for incredible image quality
Interchangeable E-mount lens system2
S-Cinetone for cinematic image straight out of camera
Expanded ISO up to 409,6003 for great low light performance
Cine EI workflow with two base ISO 800/12,800 to minimize noise level and maintain consistent look
Up to 4K 120P4 for emotional look
Real-time Eye AF and real-time tracking even in HFR
Built-in electronically controlled Variable ND filter

Sample Footage

Operation and workflow features:

Versatile position for new angels e.g. tripod, rig and ceiling mount5
User friendly interface to control camera through a new dedicated web application
Compatible with RM-IP500 remote controller for multi-camera operation up to 100 cameras
Variable PTZ movements for smooth camera work

- Pan and tilt speed varies from 0.02 degrees per second to 60 degrees per second
- Pan angle range is from -170° to +170°
- Tilt angle range is from -30° to +195°

Up to 100 preset camera positions can be recalled
Support internal XAVC recording and external RAW output
Comprehensive video inputs and outputs including 12G SDI, HDMI type A and XLR Audio IN
Support power supply and data transfer through single LAN cable
Support streaming protocols including RTSP, SRT and NDI ® |HX6
FR7 will also support S700 protocol/RCP via Ethernet with a firmware update

Sample Footage:

Full-Frame Sensor

The FR7 combines a 4K full-frame sensor and compatibility with Sony E-mount lenses to produce outstandingly expressive, cinematic imagery
15+ stops of dynamic range and a base ISO of 800 that is expandable from 12,800 to 409,600 for capturing optimal video in an array of lighting conditions

Sony E-Mount

Compatibility with up to 70 Sony E-mount lenses covers a range of 12 to 1200mm, enabling you to capture the widest vistas and the closest details
Use with G Master (GM) lenses to obtain impressive resolution and pleasing bokeh

Built-In ND Filters

An integrated, electronic ND filter offers variable ND filtration ranging from 1/4 (2 stops) to 1/128 (7 stops)
Use the ND filter to compensate for changes in exposure without affecting your depth of field
Create shallow depth-of-field effects by adding the ND and opening the iris

SDI Raw Output

The FR7 can output raw video via the SDI (BNC) output to an external recording for color grading and other post-production tweaking

UHD 4K 120p Recording

Record UHD 4K video at rates up to 120 fps for slow-motion effects

IP Control

Use the IP remote function to control your camera from a distance like a broadcast truck and/or to control multiple cameras

Smooth Movement

Slow, smooth pan and tilt movements enable you to unobtrusively zoom in on the action and reframe accordingly

Video Output & Streaming

Output video using the HDMI and up to 12G-SDI video outputs
Stream RTSP, SRT, or NDI|HX (requires NewTek license) using the LAN port

Control Options

The included IR remote can be used for pan, tilt, zoom (PTZ), focus, recording, playback, and other camera settings
Use with the separately available RM-IP500 control panel with joystick zoom rocker, and buttons
Web app remote control can be accessed from a tablet or PC browser

Mounting

Mount on a tripod or riser using the two 1/4"-20 threads
Use the optional mount to attach the FR7 camera to a ceiling
Attach camera accessories using the 15mm rod mounts

Cine-Style Capture

Bring a cinematic look to your PTZ capture and match footage from other Sony cameras with the S-Cinetone picture profile
The Cine EI mode with MLUT management can be used with S-Log3 or raw recording
XAVC recording with metadata capture supports up to 10-bit, 4:2:2 color and HDR recording

Hybrid Autofocus

Fast hybrid autofocus with face detection and touch tracking enable you to keep even dynamic action in focus

Up to 100 Presets

Quick control with up to 100 preset positions

Interfaces

A robust interface includes a LAN port for network and PoE++ use, timecode input, a genlock connector, and red/green tally indicators
Dual media slots are compatible with both CFexpress Type A and SDXC memory cards

Specifications

General

LENS MOUNT	E-mount
Size & Weight

WEIGHT (MAIN UNIT ONLY) (APPROX.)	Approx. 4.6 kg (10 lb 2.3 oz.) (body only)
DIMENSIONS (W X H X D) (BODY WITHOUT PROTRUSIONS) (APPROX.)	Approx. 227 x 289 x 233 mm
	(9 x 11 1/2 x 9 1/4 inch) (body without protrusions)

Power

POWER REQUIREMENTS	DC 19.5 V, PoE++ (IEEE802.3bt Type 4 Class 8 comliant) 41.1 V～57.0 V
POWER CONSUMPTION	≦80 W (DC 19.5 V) / ≦71.3 W (PoE++)

Operation

OPERATING TEMPERATURE	0 °C to 40 °C (32 °F to 104 °F)
STORAGE TEMPERATURE	-20 °C to +60 °C (-4 °F to +140 °F)
CEILING MOUNT	Yes (with Ceiling Bracket option)
TALLY LAMP	Left (x1)/Right (x1), Red/Green

Recording Format(Video)

XAVC INTRA	XAVC-I DCI4K 59.94p mode: VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K
	50p mode:VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 29.97p mode:VBR
	MAX bit rate 300 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 25p mode:VBR, MAX bit rate 250 Mbps
	MPEG-4 AVC/H.264, XAVC-I DCI4K 24p mode:VBR, MAX bit rate 240 Mbps
	MPEG-4 AVC/H.264, XAVC-I DCI4K 23.98p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264
	XAVC-I QFHD 59.94p mode:VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 50p mode:VBR
	MAX bit rate 500 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 29.97p mode:VBR, MAX bit rate 300 Mbps
	MPEG-4 AVC/H.264, XAVC-I QFHD 25p mode:VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264
	XAVC-I QFHD 23.98p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264, XAVC-I HD 59.94p mode:CBG
	MAX bit rate 222 Mbps, MPEG-4 AVC/H.264, XAVC-I HD 50p mode:CBG, MAX bit rate 223 Mbps
	MPEG-4 AVC/H.264, XAVC-I HD 29.97p mode:CBG, MAX bit rate 111 Mbps
	MPEG-4 AVC/H.264, XAVC-I HD 25p mode:CBG, MAX bit rate 112 Mbps, MPEG-4 AVC/H.264
	XAVC-I HD 23.98p mode:CBG, MAX bit rate 89 Mbps, MPEG-4 AVC/H.264

XAVC LONG	XAVC-L QFHD 29.97p/25p/23.98p mode:VBR, MAX bit rate 100 Mbps, MPEG-4 H.264/AVC
	XAVC-L QFHD 59.94p/50p mode:VBR, MAX bit rate 150 Mbps, MPEG-4 H.264/AVC
	XAVC-L HD 29.97p/25p/23.98p/59.94p/50p mode:VBR, MAX bit rate 50 Mbps, MPEG-4 H.264/AVC
	XAVC-L HD 29.97p/25p/23.98p/59.94p/50p mode:VBR, MAX bit rate 35 Mbps, MPEG-4 H.264/AVC

Recording Format (Audio)

RECORDING FORMAT (AUDIO)	LPCM 24 bits, 48 kHz, 4 channels

Recording Frame Rate

XAVC INTRA	XAVC-I DCI4K mode:4096 x 2160/59.94p, 50p, 29.97p, 23.98p, 25p, 24p
	XAVC-I QFHD mode:3840 x 2160/59.94p, 50P, 29.97p, 23.98p, 25p, XAVC-I HD mode:1920 x 1080/59.94p
	50p, 29.97p, 23.98p, 25p

XAVC LONG XAVC-L QFHD mode	3840 x 2160/59.94p, 50p, 29.97p, 23.98p, 25p, XAVC-L
	HD 50 mode:1920 x 1080/59.94p, 50p, 29.97p, 23.98p, 25p, XAVC-L HD 35 mode:1920 x 1080/59.94p
	50p, 29.97p, 23.98p, 25p

Recording/Playback Time

XAVC INTRA	XAVC-I DCI4K/QFHD 59.94p When using CEA-G160T (160 GB) Approx. 30 minutes When using CEA-G80T
	(80 GB) Approx. 15 minutes, XAVC-I DCI4K/QFHD 50p When using CEA-G160T (160 GB) Approx. 36 minutes
	When using CEA-G80T (80 GB) Approx. 17 minutes, XAVC-I DCI4K/QFHD 29.97p When using CEA-G160T
	(160 GB): Approx. 60 minutes When using CEA-G80T (80 GB) Approx. 29 minutes
	XAVC-I DCI4K/QFHD 25p When using CEA-G160T (160 GB): Approx. 71 minutes
	When using CEA-G80T (80 GB) Approx. 35 minutes, XAVC-I DCI4K 24p When using
	CEA-G160T (160 GB): Approx. 74 minutes When using CEA-G80T (80 GB) Approx. 36 minutes
	XAVC-I DCI4K/QFHD 23.98p When using CEA-G160T (160 GB): Approx. 74 minutes
	when using CEA-G80T (80 GB) Approx. 36 minutes, XAVC-I HD 59.94p When using CEA-G160T
	(160 GB): Approx. 78 minutes When using CEA-G80T (80 GB) Approx. 38 minutes
	XAVC-I HD 50p When using CEA-G160T (160 GB): Approx. 78 minutes When using CEA-G80T (80 GB)
	Approx. 38 minutes, XAVC-I HD 29.97p When using CEA-G160T (160 GB): Approx. 150 minutes When using
	CEA-G80T (80 GB) Approx. 74 minutes, XAVC-I HD 25p When using CEA-G160T (160 GB)
	Approx. 150 minutes When using CEA-G80T (80 GB) Approx. 74 minutes
	XAVC-I HD 23.98p When using CEA-G160T (160 GB): Approx. 185 minutes
	When using CEA-G80T (80 GB) Approx. 91 minutes,

PROXY AUDIO	XAVC Proxy: AAC-LC, 128 kbps, 2 channels
PROXY VIDEO	XAVC Proxy: AVC/H.264 High Profile 4:2:0 Long GOP, VBR 1920 x 1080, 9 Mbps

XAVC LONG	XAVC-L QFHD 29.97p/25p/23.98p When using CEA-G160T (160 GB)
	Approx. 170 minutes When using CEA-G80T (80 GB) Approx. 86 minutes, XAVC-L QFHD 59.94p/50p
	When using CEA-G160T (160 GB): Approx. 115 minutes When using CEA-G80T (80 GB) Approx. 57 minutes
	XAVC-L HD 50 /29.97p/25p/23.98p/59.94p/50p When using CEA-G160T (160 GB)
	Approx. 320 minutes When using CEA-G80T (80 GB) Approx. 155 minutes
	XAVC-L HD 35 29.97p/25p/23.98p/59.94p/50p When using CEA-G160T (160 GB)
	Approx. 430 minutes When using CEA-G80T (80 GB) Approx. 210 minutes

Camera Section

SENSOR TYPE	35mm full frame (35.6 x 23.8 mm), Exmor R CMOS sensor
PIXELS	Approx. 12.9 megapixels (total), Approx. 10.3 megapixels (effective)
BUILT-IN OPTICAL FILTERS	Clear, linear variable ND (1/4ND to 1/128ND)
SENSITIVITY	ISO 800/12800 (Cine EI mode, D55 Light source)
SHUTTER SPEED	64 frame to 1/8000 sec

Slow & Quick Motion

XAVC-I	4096 x 2160: 1 to 60 frames (59.94/50/29.97/25/24/23.98)
XAVC-I/L	3840 x 2160: 1 to 60, 100, 120 frames (59.94/50/29.97/25/23.98)
	1920 x 1080: 1 to 60, 100, 120, 150, 180, 200, 240 frames (59.94/50/29.97/25/23.98)

White Balance

WHITE BALANCE MODES	Preset, Memory A (2000K-15000K)/ATW

Exposure

GAIN CONTROL	3 to 30 dB (every 1dB), AGC

Gamma

GAMMA CURVE	SDR Mode: S-Cinetone, Standard, Still, ITU709 / HDR mode - HLG_Live, HLG_Natural

Latitude

LATITUDE	15+ stop

Focus System

TYPE	Fast Hybrid AF (phase-detection AF / contrast-detection AF)
FOCUS POINT	627 points
FOCUS AREA	Wide / Zone / Flexible Spot
OTHER FOCUS FEATURES	Eye AF (Human), Real-time Tracking AF, AF Subj
	Shift Sensitivity, AF Transition Speed, Face detection (Face/Eye Priority, Face/Eye Only AF )

Pan/Tilt

PAN/TILT ANGLE	Pan- -170 deg.~170 deg., Tilt: -30 deg.~195 deg.,
PAN/TILT SPEED	Pan- 0.02 deg.~60 deg./s, Tilt: 0.02deg.~60 deg./s
PAN/TILT OPERATION NOISE	NC35 or less

Other Features

PRESET POSITION	100
CLEAR IMAGE ZOOM	QFHD/4K: 1.5x, HD: 2x

WebAPP

SUPPORTED OPERATION SYSTEMS	Windows 10 or later, macOS 10.15 or later, iPadOS 15 or later, Android 12 or later
SUPPORTED WEB BROWSERS	Windows: Google Chrome, Mac
	Google Chrome/Safari, iPad: Google Chrome/Safari, Android: Google Chrome

Interface

TC INPUT/TC OUTPUT	BNC (x1), TC IN only
AUDIO INPUT	XLR-type 5-pin (female) (x1) line/mic/mic +48 V selectable
	Mic Reference: -30 to -80 dBu
SDI OUTPUT	BNC (x1), 12G-SDI, 6G-SDI, 3G-SDI(Level A/B), HD-SDI
DC INPUT	DC jack (x1)
HDMI OUTPUT	Type-A connector (x1)
REMOTE	RJ-45(OPTION) (x1), Red Tally IO/Green Tally IO
GENLOCK INPUT	BNC (x1), 1.0 Vp-p, 75 Ω
OPTICAL OUTPUT	SFP+ comliant 1
NETWORK	RJ-45(LAN) (x1), 1000BASE-T
IR REMOTE CONTROL	Yes

Output Format

SDI	4096 x 2160: 59.94p, 50p, 29.97p, 25p, 24p, 23.98p / 3840 x 2160: 59.94p
	50p, 29.97p, 25p, 23.98p / 1920 x 1080 : 59.94p, 50p, 59.94i, 50i
	29.97p, 25p, 24p, 23.98p, 29.97PsF, 25PsF

HDMI	4096 x 2160: 59.94p, 50p, 29.97p, 25p, 24p, 23.98p / 3840 x 2160
	59.94p, 50p, 29.97p, 25p, 23.98p / 1920 x 1080: 59.94p, 50p, 59.94i, 50i, 29.97p
	25p, 24p, 23.98p / 720 x 480: 59.94p / 720 x 576: 50pYes

Media

MEDIA TYPE	CFexpress Type A / SD card (x2)

Network/IP Streaming

PROTOCOLS (IPV6)	TCP, UDP, ICMPv6, HTTP, HTTPS, DHCPv6, DNS, mDNS, RTP/RTCP, RTSP, SRT, FTP, FTPS
PROTOCOLS (IPV4)	TCP, UDP, ARP, ICMP, HTTP, HTTPS, DHCP, DNS, mDNS, RTP/RTCP
	RTSP, VISCA over IP, SRT, NDI HX, FTP, FTPS
VIDEO RESOLUTION	4096 x 2160, 3840 x 2160, 2048 x 1080, 1920 x 1080, 1280 x 720, 640 x 360
COMPRESSION FORMAT	H.264: High/Main/Baseline Profile, H.265: Main/Main10 Profile
MAXIMUM FRAME RATE	H.264/H.265: 59.94fps
BITRATE CONTROL MODE	CBR/VBR
BITRATE SETTING	512 Kbps~80 Mbps
NDI HX CAPABILITY	Yes, optional 2

What's In The Box

Sony FR7 Cinema Line PTZ Camera
RMT-RC1 Remote Commander
Lens Mount Cap for Body
AC Adapter
Power Cord
HDMI Cable Clamp
Limited 1-Year Warranty

Back

Sony FR7 Cinema Line Full Frame E-Mount PTZ Camera

Details

Specifications

What's In The Box

Ratings & Reviews

No reviews available