Yamaha MGP24X 24-Channel Analog Mixing Console with DSP Effects
- 16 D-Pre Mic Preamps with Phantom Power
- 24 Line Inputs, 6 AUX, & 2 FX Sends
- iPhone/iPod Control & Connectivity
- Record to USB Storage as WAV or MP3
Details
The Yamaha MGP24X 24-Channel Analog Mixing Console with DSP Effects is a 24-track analog mixer with digital control and features 16 D-Pre microphone preamps, 24 line inputs, 6 auxiliary inputs, and 2 effects sends. It is designed for use in live sound environments, including clubs and houses of worship.
Each channel has Yamaha's X-pressive 3-band equalizer and 1-Knob compressor, allowing channel-independent frequency and dynamic control. The MGP24X has an integrated DSP Hybrid Channel section that includes 3 types of reverb and 16 effects, as well as auto-ducker and auto-leveller functions that allow for hands-off monitoring of sources. The digital portion of the MGP24X also allows for iPhone and iPod touch control of a variety of parameters via the free MGP Editor app. You can also playback music from your iTunes catalogue via the iOS input USB port, freeing up an analog input on the console. A second USB port allows you to record your live performance directly to external USB media, as either a stereo WAV or MP3 file.
MGP Editor:
MGP Editor is a free software application that gives you additional control of your console's DSP settings via your iPod/iPhone. With a simple and intuitive graphic display, MGP Editor gives you additional, detailed control of your REV-X and SPX effects parameters - as well as Hybrid Channel's Priority Ducker, Leveler and iPod/iPhone's playback settings. Setting the GEQ and Master comp can be adjusted. Direct playback of iTunes playlist is also possible
Digital Playback:
The MGP Series mixers feature a built-in USB port to connect and charge your iPod or iPhone for seamless playback with a single connection. A direct digital connection offers a much higher level of quality with more detail and clarity than typical analog inputs can provide
The Graphic EQ features 14-band and flex 9-band modes that can easily be controlled via internal display. By limiting the number of bands for boost and cut, the extra DSP can be employed to narrow the filters to 1/3 octave and allow the user to sweep the filter to the range where adjustment is required. With 31 different filter positions, very fine adjustments can be made. Additionally, finding and reducing feedback is quick and easy using the offset/gain controls to point out vulnerable frequencies before the feedback occurs.
Multi-Band Compressor:
Both a standard type (COMP) and a 3-band divided (Multi-band) master compressor have been built-in. Using a master compressor allows you to reduce the overall dynamic range of the signal to fit the environment, and protect the sound system from overloads. A total of 8 memory scenes (3 read only and 5 users defined) allow settings to easily be stored and recalled as needed quickly
Specifications
Inputs | 16x Mic level XLRs 16x Line level 1/4" (6.35 mm) TRS 4x Stereo line level 1/4" (6.35 mm) TRS 16x 1/4" (6.35 mm) TRS Inserts 1x 1/4" (6.35 mm) stereo Return |
Input Sensitivity | For Mono Inputs, Actual Source Impedance 3 kΩ: Mic Level @ -60 dB: -80 dBu (0.078 mV), for 50-600 Ω Mics Mic Level @ -16 dB: -36 dBu (12.3 mV), for 50-600 Ω Mics Line Level @ -34 dB: -54 dBu (1.55 mV), for 600 Ω Lines Line Level @ 10 dB: -10 dBu (245 mV), for 600 Ω Lines Stereo Channel Input, Actual Source Impedance 10 kΩ: Line Level @ -34 dB: -54 dBu (1.55 mV), for 600 Ω Lines Line Level @ 10 dB: -10 dBu (245 mV), for 600 Ω Lines Mono Channel Inserts, Actual Source Impedance 10 kΩ: -20 dBu (77.5 mV), for 600 Ω Lines Stereo Channel Insert Input L,R, Actual Source Impedance 10 kΩ: -20 dBu (77.5 mV) Talkback Input, Actual Source Impedance 10 kΩ: -66 dBu (0.389 mV), for 50-600 Ω Mics |
Nominal Input Level | For Mono Inputs, Actual Source Impedance 3 kΩ: Mic Level @ -60 dB: -60 dBu (0.775 mV), for 50-600 Ω Mics Mic Level @ -16 dB: 16 dBu (123 mV), for 50-600 Ω Mics Line Level @ -34 dB: -34 dBu (15.5 mV), for 600 Ω Lines Line Level @ 10 dB: +10 dBu (2.45 V), for 600 Ω Lines Stereo Channel Input, Actual Source Impedance 10 kΩ: Line Level @ -34 dB: -34 dBu (15.5 mV), for 600 Ω Lines Line Level @ 10 dB: 10 dBu (2.45 V), for 600 Ω Lines Mono Channel Inserts, Actual Source Impedance 10 kΩ: 0 dBu (0.775 V), for 600 Ω Lines Stereo Channel Insert Input L,R, Actual Source Impedance 10 kΩ: 0 dBu (0.775 V), for 600 Ω Lines Talkback Input, Actual Source Impedance 10 kΩ: -50 dBu (2.45 mV), for 50-600 Ω Mics |
Maximum Input Level | For Mono Inputs, Actual Source Impedance 3 kΩ: Mic Level @ -60 dB: -40 dBu (7.75 mV), for 50-600 Ω Mics Mic Level @ -16 dB: 4 dBu (1.23 V), for 50-600 Ω Mics Line Level @ -34 dB: -14 dBu (155 mV), for 600 Ω Lines Line Level @ 10 dB: 30 dBu (24.5 V), for 600 Ω Lines Stereo Channel Input, Actual Source Impedance 10 kΩ: Line Level @ -34 dB: -14 dBu (155 mV), for 600 Ω Lines Line Level @ 10 dB: 30 dBu (24.5 V), for 600 Ω Lines Mono Channel Inserts, Actual Source Impedance 10 kΩ: 20 dBu (7.75 V), for 600 Ω Lines Stereo Channel Insert Input L,R, Actual Source Impedance 10 kΩ: 20 dBu (7.75 V), for 600 Ω Lines Talkback Input, Actual Source Impedance 10 kΩ: -30 dBu (24.5 mV), for 50-600 Ω Mics |
Outputs | 1x XLR Stereo out (L,R) 6x XLR auxiliary sends 16x 1/4" (6.35 mm) Channel insert outputs 1x 1/4" (6.35 mm) Monitor out (L,R) 4x 1/4" (6.35 mm) Group out 1x 1/8" (3.5 mm) headphones out 1x 1/4" (6.35 mm) Stereo insert (L,R) 2x 1/4" (6.35 mm) Matrix outs 1x XLR Mono out |
Nominal Output Level | Stereo Out (L,R): 4 dBu (1.23 V) @ 75 Ω (for use with nominal 600 Ω lines) Mono Out: 4 dBu (1.23 V) @ 75 Ω (for use with nominal 600 Ω lines) Group Out (1 to 4): 4 dBu (1.23 V) @ 150 Ω (for use with nominal 10 kΩ lines) Aux Send (1 to 6): 4 dBu (1.23 V) @ 75 Ω (for use with nominal 600 Ω lines) Matrix Out (1,2): 4 dBu (1.23 V) @ 150 Ω (for use with nominal 10 kΩ lines) Mono Channel Insert Out (1 to 16): 0 dBu (0.775 V) @ 75 Ω (for use with nominal 10 kΩ lines) Stereo Channel Insert Out (L,R): 0 dBu (0.775 V) @ 75 Ω (for use with nominal 10 kΩ lines) Monitor Out (L,R): 4 dBu (1.23 V) @ 150 Ω (for use with nominal 10 kΩ lines) Phones Out: 3mW @ 150 Ω (for use with nominal 40 Ω phones) |
Maximum Output Level | Stereo Out (L,R): 24 dBu (12.3 V) @ 75 Ω (for use with nominal 600 Ω lines) Mono Out: 24 dBu (12.3 V) @ 75 Ω (for use with nominal 600 Ω lines) Group Out (1 to 4): 20 dBu (7.75 V) @ 150 Ω (for use with nominal 10 kΩ lines) Aux Send (1 to 6): 24 dBu (12.3 V) @ 75 Ω (for use with nominal 600 Ω lines) Matrix Out (1,2): 20 dBu (7.75 V) @ 150 Ω (for use with nominal 10 kΩ lines) Mono Channel Insert Out (1 to 16): 20 dBu (7.75 V) @ 75 Ω (for use with nominal 10 kΩ lines) Stereo Channel Insert Out (L,R): 20 dBu (7.75 V) @ 75 Ω (for use with nominal 10 kΩ lines) Monitor Out (L,R): 20 dBu (7.75 V) @ 150 Ω (for use with nominal 10 kΩ lines) Phones Out: 75 mW @ 150 Ω (for use with nominal 40 Ω phones) |
Total Harmonic Distortion | 0.02% (20 Hz to 20 kHz, 14 dBu) |
Frequency Response | 20 Hz to 20 kHz, +0.5/-1.0 dB, refer to the nominal output level @ 1 kHz |
Crosstalk | -74 dB @ 1 kHz |
Power Supply | 100 to 240 V, 50/60 Hz |
Power Consumption | 76 W, maximum |
Dimensions | 32.2 x 6.7 x 22.2" (819 x 169 x 565 mm) |
Weight | 34.2 lb (15.5 kg) |